Faith Ringgold Dies at 93; Wove Black Life Into Quilts and Children’s Books

Faith Ringgold, a multimedia artist whose pictorial quilts depicting the African American experience gave rise to a second distinguished career as a writer and illustrator of children’s books, died on Saturday at her home in Englewood, N.J. She was 93.

Her death was confirmed by her daughter Barbara Wallace.

For more than a half-century, Ms. Ringgold explored themes of race, gender, class, family and community through a vast array of media, among them painting, sculpture, mask- and doll-making, textiles and performance art. She was also a longtime advocate of bringing the work of Black people and women into the collections of major American museums.

Ms. Ringgold’s art, which was often rooted in her own experience, has been exhibited at the White House and in museums and galleries around the world. It is in the permanent collections of the Metropolitan Museum of Art, the Guggenheim Museum, the Schomburg Center for Research in Black Culture and the American Craft Museum in New York; the Philadelphia Museum of Art; the Museum of Fine Arts in Boston; and other institutions.

For Ms. Ringgold, as her work and many interviews made plain, art and activism were a seamless, if sometimes quilted, whole. Classically trained as a painter and sculptor, she began producing political paintings in the 1960s and ’70s that explored the highly charged subjects of relations between Black and white people, and between men and women, in America.

“Few artists have kept as many balls in the air as long as Faith Ringgold,” the New York Times art critic Roberta Smith wrote in 2013, reviewing an exhibition of her work at ACA Galleries in Manhattan. “She has spent more than five decades juggling message and form, high and low, art and craft, inspirational narrative and quiet or not so quiet fury about racial and sexual inequality.”

The hallmarks of Ms. Ringgold’s style included the integration of craft materials like fabric, beads and thread with fine-art materials like paint and canvas; vibrant, saturated colors; a flattened perspective that deliberately evoked the work of naïve painters; and a keen, often tender focus on ordinary Black people and the visual minutiae of their daily lives.