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Gail Lumet Buckley, Chronicler of Black Family History, Dies at 86

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She wrote two books about multiple generations of her forebears, including her mother, Lena Horne.Gail Lumet Buckley, who rather than follow her mother, Lena Horne, into show business, wrote two multigenerational books about their ambitious Black middle-class family, died on July 18 at her home in Santa Monica, Calif. She was 86.Her daughter Jenny Lumet, a screenwriter and film and television producer, said the cause was heart failure.Mrs. Buckley was inspired to chronicle her family history in the early 1980s, when her mother asked her to store an old trunk in her basement. It had belonged to Ms. Horne’s father, Edwin Jr., known as Teddy, and contained hundreds of artifacts that had belonged to relatives dating back six generations, to Sinai Reynolds, who had been born into slavery around 1777 and who in 1859 bought her freedom and that of members of her family.“There were photographs, letters, bills, notes,” Mrs. Buckley told The New York Times in a joint interview with her mother in 1986, as well as “speakeasy tickets, gambling receipts, college diplomas.”Those disparate paper fragments of history helped her structure “The Hornes: An American Family” (1986).Mrs. Buckley was inspired to chronicle her family history when she discovered, in an old trunk, hundreds of artifacts that had belonged to relatives dating back six generations.Alfred A. KnopfWe are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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    Gail Lumet Buckley, Chronicler of Black Family History, Dies at 86

    She wrote two books about multiple generations of her forebears, including her mother, Lena Horne.Gail Lumet Buckley, who rather than follow her mother, Lena Horne, into show business, wrote two multigenerational books about their ambitious Black middle-class family, died on July 18 at her home in Santa Monica, Calif. She was 86.Her daughter Jenny Lumet, a screenwriter and film and television producer, said the cause was heart failure.Mrs. Buckley was inspired to chronicle her family history in the early 1980s, when her mother asked her to store an old trunk in her basement. It had belonged to Ms. Horne’s father, Edwin Jr., known as Teddy, and contained hundreds of artifacts that had belonged to relatives dating back six generations, to Sinai Reynolds, who had been born into slavery around 1777 and who in 1859 bought her freedom and that of members of her family.“There were photographs, letters, bills, notes,” Mrs. Buckley told The New York Times in a joint interview with her mother in 1986, as well as “speakeasy tickets, gambling receipts, college diplomas.”Those disparate paper fragments of history helped her structure “The Hornes: An American Family” (1986).Mrs. Buckley was inspired to chronicle her family history when she discovered, in an old trunk, hundreds of artifacts that had belonged to relatives dating back six generations.Alfred A. KnopfWe are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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    The Best Looks of the Paris Olympic Opening Ceremony

    Paris raised the fashion stakes for the XXXIII Olympiad, and even with the rain, the result transformed the Seine into a watery runway. Even before the XXXIII Olympiad officially began, the litany of firsts was enormous. The first Olympics in Paris in a century. The first with equal gender participation. The first opening ceremony, ever, en pleine air. The first sponsored by a global luxury behemoth.The first Olympics in which fashion was so central to the identity of the host country itself.The opening ceremony featured not only a red carpet at the entrance but offered a full-blown runway show in the middle of vignettes devoted to the history and spirit of the country, including the French Revolution and the reconstruction of Notre Dame. As the monuments of Paris — the Eiffel Tower, the Grand Palais, the Place de la Concorde — provided the backdrop to the event, style was at its heart.The bar was set as soon as it was announced that LVMH would be a premium partner. The goal, according to Thomas Jolly, the Games’ artistic director, was to “shed light on French savoir-faire,” broadly defined. They did it with cabaret and heavy metal, dance, acrobats and 1,800 outfits from brands both new and old. From the start, it was clear the fashion competition stakes would be raised for every other national team. At the opening ceremony for the 2024 Paris Summer Olympics, Team USA with flag bearer LeBron James (in foreground holding the large American flag).James Hill for The New York TimesIt’s tempting, during an Olympics, for teams to resort to the usual uniform of blazer and chino in national colors (yes, we’re looking at you, USA and Ralph Lauren), to default to the basic athleisure warm-up suit (hello, Italy in Emporio Armani and Canada in Lululemon) or to fall into a trap of national stereotype (Bermudans in Bermuda shorts).But by the time the Olympic cauldron had risen aloft beneath a hot-air balloon, and Celine Dion had begun to belt beneath the Eiffel Tower, and despite the rain that had pelted down requiring mass distribution of ponchos, it was clear the most memorable looks belonged to the teams who played their own fashion game. Not to mention the attendees who dressed for the occasion, and the brand that turned out to have been the secret couturière to the celebrity performers.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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    Silent No More, Harris Seeks Her Own Voice Without Breaking With Biden

    The vice president’s expressions of concern for Palestinian suffering marked a shift in emphasis from the president’s statements as she moved to establish herself as the leader of her party.After meeting with Israel’s prime minister this week, Vice President Kamala Harris said she “will not be silent.” She was referring to her concerns about Palestinian suffering in the Gaza war, but in a way it was a larger declaration of independence.For nearly four years, she has been the quiet understudy, relegated to the role of the supportive deputy while President Biden made pronouncements. Now she has suddenly been thrust to the fore as the new presumptive Democratic presidential nominee, and neither silence nor agreeable head nods are sufficient any more.The challenge for her over the next 100 days will be to find her own voice without overtly breaking with Mr. Biden, a delicate political high-wire act without a reliable net. Every statement she makes, every sentence she utters, will be scrutinized to determine whether it is consistent with the president she serves. Yet even as she wants to demonstrate loyalty to Mr. Biden, she also hopes to show the public who she is.She is fortunate in that she and Mr. Biden do not diverge all that much, according to people who have worked with them. While friction between presidents and their vice presidents is common, there have been few notable instances where Mr. Biden and Ms. Harris have been reported to be at odds. So for her, it may not be as difficult to suppress contrary instincts in the truncated election campaign she faces as it has been for other vice presidents eager to differentiate themselves.But this is a balancing act being figured out on the fly. Because Mr. Biden was running himself until less than a week ago, neither he nor Ms. Harris has had much time to figure out how to coordinate their messages. It was notable that Mr. Biden left it to Ms. Harris on Thursday to be the public voice of the administration during the White House visit by Prime Minister Benjamin Netanyahu of Israel, taking the silent role himself.Mr. Biden cares deeply about keeping former President Donald J. Trump out of the White House and therefore has reason to be invested in Ms. Harris’s success. He also knows that because, until he was forced to quit the race, he had insisted on running again despite concerns about his age, many will blame him for not ceding the stage earlier if Mr. Trump wins.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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    Bullet or Fragment of One Struck Trump’s Ear, F.B.I. Says

    The explanation was the most definitive to date after the bureau’s director had earlier suggested the former president might have been hit by shrapnel, igniting a political storm.The F.B.I. said on Friday that Donald J. Trump had been struck by a “bullet, whether whole or fragmented into smaller pieces,” providing the most definitive explanation to date about what injured the former president’s ear during an assassination attempt this month.Ambiguity about Mr. Trump’s injury turned into a political firestorm as the former president and his political allies attacked the F.B.I. director, Christopher A. Wray, for comments he made on Wednesday before Congress.“With respect to former President Trump, there’s some question about whether or not it’s a bullet or shrapnel that hit his ear,” Mr. Wray told the House Judiciary Committee.Mr. Wray’s comments incensed Mr. Trump because they seemed to cast doubt on the former president’s version of what happened at a July 13 campaign rally in Butler, Pa., when a gunman opened fire, killing one and injuring two others. The shooter, Thomas Crooks, 20, was killed by a Secret Service sniper.Mr. Trump has maintained that he narrowly escaped death or serious injury after a bullet bloodied his ear, and that divine intervention spared his life. Mr. Wray’s suggestion that it might have been shrapnel angered him.After Speaker Mike Johnson questioned Mr. Wray’s comments on Thursday, the F.B.I. said in a statement that it was examining bullet fragments, and law enforcement officials said the bureau was trying to determine whether it was a bullet or a piece of one.Mr. Trump, who has been deeply critical of the F.B.I. for years, responded with a blistering post on social media: “No, it was, unfortunately, a bullet that hit my ear, and hit it hard. There was no glass, there was no shrapnel.”He added, “No wonder the once storied FBI has lost the confidence of America!”Mr. Wray has never disputed that the former president was in grave danger. He has repeatedly said the assassination attempt was an attack on democracy, and his agency said on Friday that there was no doubt that Mr. Crooks tried to kill the former president.“What struck former President Trump in the ear was a bullet, whether whole or fragmented into smaller pieces, fired from the deceased subject’s rifle,” the F.B.I. said in a statement.Mr. Crooks fired eight bullets from an AR-15-style semiautomatic rifle. Gun experts say the ammunition that Mr. Crooks used can easily fragment after hitting a solid object, sending deadly debris through the air. In certain circumstances, shrapnel and bullet fragments can be lethal.On Friday, The New York Times published an analysis that strongly suggested Mr. Trump was grazed by the first of the eight bullets fired by the gunman. More

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    Doused by Rain, Paris Opens Its Games With a Boat Party on the Seine

    In a blaze of French style blending history and artistic audacity, the Paris Olympic Games opened beneath plumes of blue, white and red smoke, as thousands of athletes defied a downpour to sail through the city’s heart, down the Seine toward the Eiffel Tower.Steady rain and rising security concerns could not deter the athletes from more than 200 delegations. They laughed, they danced and they waved national flags, some from the decks of converted sightseeing boats, in a ceremony dedicated to the theme of togetherness to heal a divided France and a fractured world.Lady Gaga, emerging from behind pink puffballs in a black bustier, performed in French. Cabaret artists can-canned on the riverbanks. Aya Nakamura, a French-Malian singer whose presence was contested by the nationalist right, emerged from the august Académie Française, bastion of the French language, to offer her slang-spiced lyrics as she gyrated and stroked herself to the music of an impassive Republican Guard marching band.A new and diverse France confronted an old and traditional France. At a moment of sharp political confrontation that has left the country deadlocked, the ceremony was an invitation to think again about the meaning of the nation and the possibility of understanding. The Republican Guard relented at the last and tried some modest dance moves in their military uniforms to Ms. Nakamura’s massive hit “Djadja.”Team France during the opening ceremony.Jeremy White/The New York TimesThough a steady rain chased away many spectators before the ceremony was over, thousands stayed. Daniel Berehulak/The New York TimesWe are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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    Snoop Dogg, NBC’s New Voice of the People

    The network hired the rapper for an expanded role on its broadcasts of the Summer Games in Paris after posting record-low viewership of the Tokyo competition.Once Snoop Dogg had waded through electrical cords on the floor and ambled his lanky frame around the disorderly equipment in a partially constructed television studio in Paris, he was able to peer out over a balcony overlooking the Eiffel Tower and survey the city he hopes to conquer during the Olympics.“This is my home,” he said triumphantly to himself. Below, a handful of people flashed their phones.The man who NBCUniversal hopes will become the breakout star of the Paris Games was right where he wanted to be.The Olympics are always about the athletes, and as usual the focus this year will be on the brightest ones: Simone Biles, Katie Ledecky, Noah Lyles, Novak Djokovic, LeBron James.But the event’s billing as the pinnacle of athletic achievement has not been enough to prevent NBC’s Olympics television ratings from skidding amid a fractured media landscape, and the network hopes Snoop Dogg’s aura as one of the most recognized and beloved figures in pop culture will energize viewers of all ages.Ratings for the Summer Games have dropped steadily since an average of 31.1 million prime-time viewers watched the 2012 London Olympics. NBC executives cite pandemic-related restrictions and an unfavorable time zone for Americans as reasons the Tokyo Games averaged 15.5 million prime-time viewers, its lowest audience ever.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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    Vivian Jenna Wilson, Elon Musk’s Transgender Daughter, Says He Was ‘Cruel’ and ‘Uncaring’

    Vivian Jenna Wilson’s remarks, in an exclusive interview with NBC News, were a response to Mr. Musk’s comments about her transgender identity.Vivian Jenna Wilson, the transgender daughter of Elon Musk, said this week that her father had been “uncaring” and behaved in a “cruel” manner toward her as a child over her being queer and feminine.In an exclusive interview with NBC News on Thursday, Ms. Wilson, 20, called Mr. Musk “cold,” “very quick to anger” and “narcissistic.” She described him as an absent father who, according to NBC, would “harass her for exhibiting feminine traits and pressure her to appear more masculine, including by pushing her to deepen her voice as early as elementary school.”Ms. Wilson’s interview came in response to remarks Mr. Musk made earlier this week about her transgender identity.In an interview on Monday with the Canadian psychologist Jordan Peterson that was streamed live on X, Mr. Musk used Ms. Wilson’s birth name, which is known as deadnaming, and said that she was “dead, killed by the woke mind virus.” Mr. Musk also said that he had been “tricked” into authorizing gender-affirming care for her. He later doubled down on his claims about Ms. Wilson on X, saying that she was “born gay and slightly autistic” but that she “was not a girl.”Ms. Wilson said that her father’s comments had “crossed a line,” and she countered that he “knew what he was doing when he agreed to her treatment” when she was 16, NBC reported.It said that Ms. Wilson said she thought that her father had been “under the assumption that I wasn’t going to say anything and I would just let this go unchallenged, which I’m not going to do, because if you’re going to lie about me, like, blatantly to an audience of millions. I’m not just gonna let that slide.”Mr. Musk did not immediately reply to an email requesting comment on Friday afternoon.Ms. Wilson has largely stayed out of the public eye, NBC reported. The last time she garnered media attention was in 2022, when she filed a request to change her name “and, in the process, denounced her father,” it said.At the time, NBC reported, Ms. Wilson said in a court filing that she no longer lived with Mr. Musk, nor did she “wish to be related to my biological father in any way, shape or form.”Ms. Wilson told NBC on Thursday that she had not spoken with her father in about four years “and that she refused to be defined by him.”“I would like to emphasize one thing: I am an adult,” she said, according to NBC. “I am 20 years old. I am not a child. My life should be defined by my own choices.” More

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    Opening Ceremony Misses the Boat

    The Paris Games began with a new look and sparkled with Celine Dion. But the show suffered from bloat similar to TV’s other spectacles.About six hours before Celine Dion gutted out the final number of the Paris Olympics opening ceremony, the streaming service Peacock emailed a promo for its coverage with the headline, “We’ll all be crying by the end of this.” So maybe they knew more than they were letting on.The homestretch of the marathon four-hour broadcast, when the celebrating athletes and dance extravaganzas and speeches were out of the way, had some starkly lovely images and moving moments: the speedboat carrying former champions up the Seine in the dark (like a real-life echo of Leos Carax’s great water-skiing scene in “Les Amants du Pont-Neuf”). The grand scale and dramatic lighting of the Louvre as the torch was carried, like a firefly’s flame, through its courtyards. The torch coming to the hand of a 100-year-old French cyclist, steady in his wheelchair, and Dion defying her illness to belt out “Hymne à l’Amour” on the Eiffel Tower.Celine Dion’s performance of “Hymne à l’Amour” provided a triumphant finale.Chang W. Lee/The New York TimesBut it took endurance to get there — for the athletes, performers and spectators drenched by the summer rain, and for the viewers at home watching the ceremony as it was conceived by the French organizers and packaged by NBC and Peacock.The decision to abandon the event’s traditional format — the long, formal parade of athletes marching into a stadium — for a waterborne procession along the Seine intercut with performances had a twofold effect. It turned the ceremony into something bigger, more various and more intermittently entertaining. But it also turned it into something more ordinary — just another bloated made-for-TV spectacle, like a halftime show or awards show or holiday parade that exists to promote and perpetuate itself.Those spectacles can be fun, of course, and the traditional Olympics opening ceremony could feel dull and interminable. But it was not quite like anything else, and it played a key part in making the Games feel special.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More