It is just my luck that the week I was on vacation also happened to be one of the most consequential weeks in recent American political history. In addition to the attempt on Donald Trump’s life and the subsequent Republican National Convention, there was also President Biden’s decision to stand down from the presidential race and hand the baton to his vice president, Kamala Harris.
I have a lot of thoughts about all this, but for now I want to talk about one of the minor characters in this saga — JD Vance, the Republican nominee for vice president.
That Vance, more than two weeks after the convention, is still in the public eye as a subject of controversy over his remarks condemning childless women is evidence enough that he is, so far, a burden to the Trump campaign and not an asset. But at the moment I am less interested in the ways that Vance has adopted the tropes of online “manosphere” influencers than I am in the stories he tells about himself and his ideology.
A few days after he received the nomination, Politico published a story on his deep affinity for “The Lord of the Rings,” the series of fantasy novels by J.R.R. Tolkien that were adapted, about 20 years ago, into blockbuster fantasy epics. Vance has, according to Politico, “pointed to Tolkien’s high fantasy epics as a window into understanding his worldview.”
Although Vance does not seem to specify the precise manner in which “The Lord of the Rings” has influenced his conservatism, his allies have taken it upon themselves to offer some explanation. “Vance’s appreciation of Tolkien is not unrelated to his conversion to Catholicism in 2019,” Luke Burgis, a professor at the Catholic University of America, said to Politico. “Of the many ways that Tolkien’s work exemplifies the Catholic imagination, one is the relationship between the visible and the invisible. I think it’s fair to say that Vance believes there is real spiritual evil in this world, and it can become embodied in rites and rituals.”
Vance, he continued, very likely took away from Tolkien “an apocalyptic frame of mind” reflecting the story’s concern with the battle between good and evil.
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Source: Elections - nytimes.com