He called himself a “professional listener,” and he tended to develop lifelong relationships with the artists he worked with.
Jean-Philippe Allard, a French record executive and producer who helped revive the careers of jazz greats who had been all but forgotten in the United States, and who earned a reputation for uncommonly fierce advocacy on behalf of musicians, died on May 17 in Paris. He was 67.
The music producer Brian Bacchus, a close friend and frequent collaborator, said Mr. Allard died in a hospital from cancer, which had returned after a long remission.
Artists ranging from Abbey Lincoln to Juliette Gréco to Kenny Barron all said they had never worked with a more musician-friendly producer.
“Regarding my work, I would always consider it as co-producing with the artist,” Mr. Allard told the music journalist Willard Jenkins in an interview in March. “Some producers are musicians or arrangers, like Teo Maceo or Larry Klein; others are engineers; some are professional listeners. I would fall in this last category: listening to the artist before the session, listening to the music during the session, and listening to the mixing engineer.”
He tended to develop lifelong relationships with the artists he worked with. “His ear was always open to the artist, and he was always concerned about what was best for the artist,” the vocalist Dee Dee Bridgewater said in an interview. “He saw me. He embraced me. He wasn’t afraid of me. He encouraged my independence. He encouraged me speaking out.”
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Source: Elections - nytimes.com