No Ordinary Music Gig

Picture the brass section of a symphony orchestra.

Now, instead of formal attire and a brightly lit concert hall, imagine the principal horn player wearing camouflage fatigues, crouching over a loaded rifle at a firing range. For the thousands of classical musicians employed by the U.S. military, this seemingly incongruous image is a reality.

The military calls itself the nation’s largest employer of musicians, and its ranks include some of the country’s most coveted musical performance jobs. Seats in premier military bands are often as competitive as those in the top symphonies in the country, in part because of their stability, pay and benefits.

There are aspects of the job that might require adjustment for a civilian musician, though. Band members must adhere to strict military standards — such as passing physical fitness tests, wearing a uniform during rehearsal and, most daunting of all, completing 10 to 12 weeks of boot camp with no access to their instruments.

My latest story, which published this morning, explores how some musicians become service members. I spent more than eight months following the journey of one euphonium player, Ada Brooks, from her audition for the West Point Band through a freezing stint at boot camp in the Ozarks, to her first concert.

In today’s newsletter, I’ll explain the unique role that military bands play in the classical music world and the intense demands that come with the job.

Shipping out

Music and the military have long been intertwined. Drums were used to set the pace of marches, and fifes served as battlefield communication before there were radios. The country’s first military band, the United States Marine Band — known as “The President’s Own” — was formed by an act of Congress in 1798.