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‘The Babadook’ Is Still an Unnerving Dream 10 Years Later

Back in theaters for its 10th anniversary, the haunting movie never really left, with a legacy that includes an entire horror subgenre.

Before I even saw “The Babadook” I was scared of the Babadook. He quickly became such an icon of horror that the idea was immediately unsettling.

Invented by the Australian director Jennifer Kent for her 2014 film, Mister Babadook is a creature from a children’s pop-up book that suddenly appears in the home of Amelia (Essie Davis) and her son, Samuel (Noah Wiseman). The brute is crudely drawn, with a top hat, long spindly fingers and teeth that form a grimace. “If it’s in a word or in a look, you can’t get rid of the Babadook,” the foreboding red hardcover reads.

Despite his silly name and somewhat dapper attire, the Babadook is the stuff of nightmares, inexplicable but threatening. And as you watch Kent’s film, the terror only intensifies. You never actually see the corporeal form of the Babadook, but he infiltrates Amelia, an exhausted mother grieving after her husband was killed while driving her to the hospital to give birth to Samuel. He has grown into an erratic little boy who believes monsters are lurking in their house and has behavioral issues in school. When the Babadook book suddenly appears out of nowhere, his fears seem justified. Amelia, however, tries to pretend everything is normal.

She has buried her pain, allowing it to fester into a bloodthirsty animosity toward her own spawn. The Babadook latches on to what’s been growing inside of her.

When the film was originally released, it grossed just a little over $960,000 domestically (and a little over $10 million worldwide). Yet like the Babadook himself, the film has cast a long shadow that grows only more encompassing as it celebrates its 10th anniversary with a rerelease starting Thursday.

The character became an internet phenomenon, even making an appearance in the Urban Dictionary. One popular post from 2016 featured the comedy writer Katie Dippold announcing that for Halloween she had “dressed as the Babadook but my friend’s house had more of a grown-ups drinking wine vibe,” complete with a photo of herself out of place in full Babadook drag. Somehow the creature also turned into a gay icon. (Well, he is quite fabulous.)

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Source: Elections - nytimes.com


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