She shepherded the works of George S. Kaufman from the 20th century into the next, encouraging regional theater productions and helping to steer two of them to Broadway.
Anne Kaufman Schneider, who shepherded the plays of her father, George S. Kaufman, a titan of 20th-century American theatrical wit, into the 21st century with an acerbic sagacity all her own, died on Thursday at her home in Manhattan. She was 99.
Her executor, Laurence Maslon, confirmed her death.
“Headstrong girls are difficult,” Ms. Kaufman Schneider once told The New York Times, “but that was the source of my good relationship with my father. And it started early. Because there wasn’t any baby talk. We went to the theater together starting when I was 4. Now I have made his work my agenda in life.”
George Kaufman’s stellar career as a hit-making playwright and stage director included winning two Pulitzer Prizes — one, in 1937, for “You Can’t Take It With You,” a comedy he created with his most constant collaborator, Moss Hart; the other, in 1932, for “Of Thee I Sing,” a satirical political musical co-written with Morrie Ryskind to a score by George and Ira Gershwin.
Even so, after his death in 1961 at the age of 71, Kaufman was a hard sell for theatrical revivals.
“Very little happened at all,” Ms. Kaufman Schneider once recalled, “until Ellis Rabb revived ‘You Can’t Take It With You’ for the A.P.A./Phoenix Theater in 1965. Ellis proved that these are classic American plays.” (Founded by Mr. Rabb, an actor and director, the A.P.A., formally the Association of Producing Artists, was a Broadway entity notable for mounting revivals after it merged with the Phoenix Theater, another Broadway house.)
Ms. Kaufman Schneider proceeded to oversee her father’s renaissance over the next 50-plus years — a term of service that outdistanced his own living stewardship of his career.
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Source: Elections - nytimes.com