‘The Safekeep’ Is a Story in the Shadow of Anne Frank

The author Yael van der Wouden stood in her slippers at the front door of a canal house in the Dutch city of Utrecht. “Let me prepare you for the journey ahead,” she said, smiling. “There will be a lot of stairs.”

She turned and led the way through a long darkened hallway, up a narrow staircase, to another winding hallway, and up more stairs to reach her attic-level apartment in the back of the building.

“My landlady calls it ‘het achterhuis,’” said van der Wouden, once inside the cozy interior with slanting roof beams, decorated with books and bric-a-brac. “She’s about 90, and I don’t think she quite understands what that means to me.”

“Het Achterhuis,” is the Dutch title of Anne Frank’s famous World War II diary. In English, it is often translated as “the secret annex,” referring to the storage space where the teen diarist and her family hid to escape the Nazis for more than two years. But “achterhuis” is also just a term for the back part of a house, and van der Wouden, who is Israeli and Dutch, does not fault her landlady for missing the reference.

“It feels like just another part of existing invisibly, where no one quite thinks about the full effect of their words,” van der Wouden said.

“The Safekeep,” van der Wouden’s debut novel and one of six books shortlisted for the 2024 Booker Prize, is full of such clashing perspectives. Words that mean one thing to a character can hold explosive charge for another. Seemingly innocuous objects like silver spoons, or a single shard of broken china, become emotional land mines.