Aurelia Butler

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    The Last Lucille Roberts

    All that remains of the Lucille Roberts gym empire is a modest location in Queens.At its height, the brand had more than 50 locations in the New York area and its commercials aired non-stop on local television.The gym helped set off the fitness craze that would revolutionize women’s health.The most loyal Lucille Roberts devotees have little interest in working out anywhere else.The Last Lucille RobertsOn a busy thoroughfare in the Forest Hills neighborhood of Queens sits a women-only gym with faded hot pink signage. It is the last surviving location of Lucille Roberts, a chain of women’s health clubs that once thrived in New York, leading a trend that fused fitness with feminism. Now that it has dwindled down to just one location, its most loyal members have ended up here.Women in their 50s and 60s who have worked out for decades at Lucille Roberts now take classes including Zumba and “Brazilian Butt and Gutt” in a fluorescent-lit studio. They have little interest in going anywhere else. Signs on the walls remind members not to leave their purses and handbags unattended when they’re using the machines. A magenta poster announces: “Strong Women Work Out Here.”On a recent afternoon at this gym on Austin Street, members explained why they have stuck with Lucille Roberts long after it was a leader in its field, with more than 50 locations in the New York area.Marguerite Toussaint pumped some iron after finishing her morning shift as a hotel pastry cook at the Park Hyatt in Manhattan. She has been a Lucille Roberts member since the mid-1990s, when she signed up at a location in Brooklyn, not long after she moved from Haiti to New York. She wakes up each workday before dawn and trains here on her way home.“All of us hope this gym never closes,” Ms. Toussaint said. “It’s not like other gyms. It’s a community for women. We care about each other here. If you don’t see somebody, you call and find out. ‘Hey, why didn’t I see you today?’ I don’t see that at Planet Fitness.”Marguerite Toussaint has been a Lucille Roberts member since the mid-1990s.A member stretches at the chain’s last location.

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    Trump Administration Pulls Back From Local Police Oversight Across U.S.

    The Justice Department said that it would abandon efforts to overhaul local policing in Minneapolis and other cities with histories of civil rights violations.The Trump administration moved on Wednesday to scrap proposed agreements for federal oversight of police departments in Minneapolis and Louisville, Ky., as part of a broader abandonment of efforts by previous administrations to overhaul local law enforcement across the United States.Justice Department officials said they planned to drop cases filed after incidents of police violence against Black people in Minneapolis and Louisville, and to close investigations into departments in Memphis; Phoenix; Oklahoma City; Trenton, N.J.; and Mount Vernon, N.Y., as well as a case against the Louisiana State Police.In those cities and states, Justice Department officials said, they were retracting Biden-era findings that police departments had violated the constitutional rights of residents and were declaring those findings to be misguided.The announcement came four days before the fifth anniversary of the murder of George Floyd, a 46-year-old Black man who died at the hands of the Minneapolis police. That act of violence, caught on video, inspired national outrage and worldwide protests against police violence targeting Black Americans.It also resulted in a withering federal report that found that the Minneapolis Police Department had routinely discriminated against Black and Native American people and had used deadly force without justification. After nearly two years of negotiations, the Justice Department and the city submitted an agreement to the court in January calling for federal oversight of the Police Department’s efforts to address the issues.That arrangement, known as a consent decree, was similar to court-approved agreements between the federal government and at least 13 other cities whose police forces have been accused of widespread civil rights abuses, including Los Angeles, Newark and Ferguson, Mo.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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    What Did You Think of Our New ‘Conversations With Journalists’ Feature?

    Did you or your students take part? What worked? What didn’t? How could we make this feature better for next school year?Last fall we introduced a feature that invites teens to have conversations with New York Times journalists on some of the student-friendly topics they cover, like TikTok; driverless cars; specialty grocery stores; music playlists; Gen Z voting trends; social media; and how cellphones are spawning an “epidemic of vicious school brawls.”Over 2,000 teenagers asked questions, posted comments and suggested ideas to the 11 reporters who participated. Next, the reporters wrote back. Here, for instance, is part of a recent conversation between Noemi M., a high school senior, and Natasha Singer, a Times technology reporter, about fight videos in schools. After Noemi introduces herself and comments on the prevalence of such videos at her own school, she asks Ms. Singer some questions. Then, Ms. Singer replies:Noemi M., Student | April 9My questions: — How did you get inspired to write a story like this? — Have you gone through anything like this? — Are phones and fights more connected than what people are actually making them to be? If so why or why not?Natasha Singer, Reporter | April 11Hi @Noemi M., thank you for these great questions! I was inspired to write this story after hearing from teachers and students about how the filming, and sharing, of fight videos was exacerbating violence at their schools. — To report this story, I watched more than 1000 student fight videos from schools in dozens of states across the U.S. I also interviewed dozens of students, teachers, parents, principals and researchers. — Right now, there is not a lot of research on the role that social media and videos play in school violence. But, anecdotally, a few principals and superintendents told me that fights decreased in their schools after they put in new rules limiting student cellphone use.Did you or your students participate? If so, what worked? What didn’t? What could we do to make this feature stronger next year? We hope both you and your students will take our quick survey, or write to us at LNFeedback@nytimes.com.What Did You Think of Our “Conversations With Journalists” Feature? More

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    A Blood Test for Alzheimer’s: What to Know

    The test may make it easier to identify whether people with memory and thinking problems have Alzheimer’s or not.A blood test that can help diagnose Alzheimer’s disease has received clearance from the Food and Drug Administration. This is a step toward a goal of scientists and doctors to one day be able to diagnose a confounding illness with the prick of a finger. But there is still a long way to go.Here is what to know:What is the test, and how should it be used?The test, manufactured by Fujirebio Diagnostics, is intended to be used only by specialists in Alzheimer’s, the F.D.A. said. Its mouthful of a name — Lumipulse G pTau217/ß-Amyloid 1-42 Plasma Ratio — describes what the test measures: levels of two proteins, amyloid and tau, that are hallmarks of Alzheimer’s disease.In people who develop Alzheimer’s, amyloid begins to accumulate and form plaques in the brain more than 20 years before any symptoms of cognitive impairment. Tau accumulates later, forming tangles in the brain, and is much more closely correlated with cognitive decline.Can people who don’t have memory problems take the blood test?No. The F.D.A., and Alzheimer’s experts, emphasized that the blood test should be given only to people who are already experiencing cognitive decline and are ages 55 and older. Moreover, it should not be used on its own to diagnose or to rule out Alzheimer’s.“Other clinical evaluations or additional tests should be used for determining treatment options,” the F.D.A. said in a statement, adding that “the results must be interpreted in conjunction with other patient clinical information.”The current gold standard for diagnosing Alzheimer’s still involves either imaging using PET scans, which are expensive, or spinal taps, which are invasive. The blood test can help flag the presence of the Alzheimer’s-related proteins, and doctors might then order confirmatory testing with one of the other methods.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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    Can Shoplifting Be Justified? This Artist Wants You to Decide.

    Dries Verhoeven has constructed a replica grocery store for his latest provocative performance.Between two aisles of a grocery store, a woman is having a destructive meltdown. She opens a jar of applesauce, spits in it and returns it to the shelf. She squirts a tube of mayonnaise onto the floor, then smears tomato sauce from a container on her chest.Climbing the shelves, she recites a soliloquy on the joys of shoplifting. “Why call it stealing?” she says, with surprising calm. “I call it a love affair.”All of this takes place within a giant glass box on the stage of the International Theater Amsterdam as part of the six-hour performance installation “Everything Must Go,” by the Dutch artist Dries Verhoeven. Through Thursday, spectators can enter and exit the theater during the performance to peek into the box or can watch the performer unravel on TV monitors displaying CCTV footage.It is the latest disquieting offering from Verhoeven, 49, who combines elements of theater and visual art to create performances that are engineered to leave the audience trembling.“I’m quite a nervous person, and I like this feeling of nervousness, because it means there’s something at stake,” he said, while the glass box was being assembled at the theater earlier this week. “When we’re nervous, we are activated.”The installation takes place over six hours …Ilvy Njiokiktjien for The New York Times… and features disquieting elements to unsettle the audience.Ilvy Njiokiktjien for The New York TimesWe are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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    Chris Brown Released on $6 Million Bail by London Court

    The R&B singer was charged last week with grievous bodily harm over a 2023 incident in England. His release from custody means he can proceed with a world tour.Chris Brown, the R&B singer, has been freed from custody by a London judge as he awaits a court case over accusations of an assault in a nightclub.Mr. Brown, 36, was arrested last week at a hotel in Manchester, England, and charged with grievous bodily harm.The singer is accused of attacking a music producer with a tequila bottle at Tape London, a nightclub in the Mayfair district, on Feb. 19, 2023.Lawyers representing Mr. Brown applied for him to be bailed at a hearing at Southwark Crown Court in South London on Wednesday, and London’s Metropolitan Police said the application had been granted.The judge’s decision means that Mr. Brown will be able to perform on an international tour that is scheduled to begin in Amsterdam on June 8. He is then set to visit European countries including Germany, Britain, Ireland, France and Portugal before traveling to the United States.The BBC reported that the judge, Tony Baumgartner, imposed a series of conditions on Mr. Brown, including that he must surrender his passport when not on tour and stay away from Tape London.Mr. Brown’s representatives agreed to pay into the court a security fee of five million pounds ($6.7 million), which can be forfeited if any of the conditions are breached.He has not yet been asked to enter a plea in the case, and British law bans the reporting of any details that could prejudice a jury at a future trial.Omololu Akinlolu, 38, an American rapper who performs under the name HoodyBaby, was charged with grievous bodily harm two days after Mr. Brown, in relation to the same incident.Mr. Brown and Mr. Akinlolu are scheduled to appear at a hearing at Southwark Crown Court on June 20. More

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    E.U. Offers Emergency Funding for Radio Free Europe After Trump Cuts

    The European Union said it would provide short-term financing for Radio Free Europe, but the amount falls short of what the news outlet says it needs to stay afloat.The European Union said Tuesday that it was stepping in to provide emergency funding to Radio Free Europe, though the promised amount fell far short of what the news organization said it needed to stay afloat after the Trump administration froze federal support.Kaja Kallas, the European Union’s top diplomat, announced that the bloc would provide 5.5 million euros ($6.2 million) to support Radio Free Europe, which provides independent reporting in countries with limited press freedoms.“In a time of growing, unfiltered content, independent journalism is more important than ever,” Ms. Kallas said. But she added that the funding would be for the short term and that the European Union could not make up the news outlet’s entire shortfall.Since taking office in January, President Trump has ordered the dismantling of Radio Free Europe’s parent organization, the U.S. Agency for Global Media, which provides the broadcaster with $12 million in congressional funding each month. A U.S. District Court judge initially paused Mr. Trump’s termination of the congressional grants, but this month a federal appeals court ruled that the Trump administration could continue to withhold the funds.Stephen Capus, the president of Radio Free Europe/Radio Liberty, said on Tuesday that he was grateful for the emergency E.U. funding to keep the operation running “for a short while longer.” He said that the news organization was continuing to fight in court for the release of congressionally appropriated funds.“RFE/RL’s survival remains at risk as long as those funds are withheld,” he said in a statement.The news organization on Tuesday filed an emergency petition in U.S. District Court for the District of Columbia seeking its May funding. Radio Free Europe said last week that it had received its April funding from Congress, though it came six weeks later than scheduled, forcing the news organization to reduce programming and staff.Radio Free Europe/Radio Liberty, which has been funded by Congress since it began broadcasting during the Cold War, reports on human rights and corruption in several countries run by authoritarian governments. In the 1980s, it reported on the aftermath of the Chernobyl nuclear accident, details of which the Soviet authorities had obscured.Today, it broadcasts in 23 countries, including Russia, Ukraine, Iran, Afghanistan and Pakistan, as well as nations in Central Asia and the Caucasus. More

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    Tom Hanks Will Perform His Play ‘This World of Tomorrow’ Off Broadway

    “This World of Tomorrow,” based on the actor’s 2017 short story collection, is scheduled to begin performances in October at the Shed.Tom Hanks, the acclaimed film actor, has written a new play about love, longing and time-travel, and is planning to star in an Off Broadway production of it this fall.The play, “This World of Tomorrow,” will be staged in a 550-seat theater at the Shed, a performing arts venue on Manhattan’s Far West Side that has been helping Hanks develop the work over the last year. The play is scheduled to run for just eight weeks, from Oct. 30 to Dec. 21.“This World of Tomorrow” is about a scientist from the future who travels back in time — to the 1939 World’s Fair in Queens — searching for love. It is based on elements of Hanks’s “Uncommon Type,” a collection of short stories published in 2017.Hanks, who will play the scientist, will lead a cast of 10 to 12 performers, some of whom will take on multiple roles. A two-time Oscar winner (for “Philadelphia” and “Forrest Gump”), Hanks has one Broadway credit, “Lucky Guy,” a 2013 newsroom drama for which he received Tony Award nomination.Hanks wrote the new play with James Glossman, a playwright and director with whom he has collaborated on other projects, including “Safe Home,” which had a production in 2022 at Shadowland Stages in Ellenville, N.Y. (It was also based on “Uncommon Type” stories.) The director of the new play will be Kenny Leon, who won a Tony Award in 2014 for “A Raisin in the Sun.”Alex Poots, the artistic director of the Shed, said Hanks’s team approached him last year when they were looking for a place to develop the show. Poots leapt at the opportunity, he said, thinking “he’s one of the most beloved and trusted storytellers of our time.” Poots called the play “a classic love story,” but also noted that, because parts of it take place in 1939, “there is reference to the rise in authoritarianism.”“This World of Tomorrow” is one of three upcoming theater pieces to be staged at the Shed. It will present, in collaboration with Los Angeles’s Geffen Playhouse, a revival of Tarell Alvin McCraney’s play “The Brothers Size,” starring André Holland, from Aug. 30 to Sept. 28. And from June 17 to Oct. 19 it will present “Viola’s Room,” an immersive audio production narrated by Helena Bonham Carter. It was created by Punchdrunk, the company behind “Sleep No More.” More