Aurelia Butler

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    What a Prostate Cancer Diagnosis Like Biden’s Means for Patients

    While prognoses for prostate cancer patients were once measured in months, experts say that advances in treatment and diagnosis now improve survival by years.Prostate cancer experts say that former President Joseph R. Biden’s diagnosis is serious. Announced on Sunday by his office, the cancer has spread to his bones. And it is Stage 4, the most deadly of stages for the illness. It cannot be cured.But the good news, prostate cancer specialists said, is that recent advances in diagnosing and treating prostate cancer — based in large part on research sponsored by the National Institutes of Health and the Defense Department — have changed what was once an exceedingly grim picture for men with advanced disease.“Life is measured in years now, not months,” said Dr. Daniel W. Lin, a prostate cancer specialist at the University of Washington.Dr. Judd Moul, a prostate cancer expert at Duke University, said that men whose prostate cancer has spread to their bones, “can live 5, 7, 10 or more years” with current treatments. A man like Mr. Biden, in his 80s, “could hopefully pass away from natural causes and not from prostate cancer,” he said.Mr. Biden’s office said the former president had urinary symptoms, which led him to seek medical attention.But, Dr. Lin said, “I highly doubt his symptoms were due to cancer.”Instead, he said, the most likely scenario is that a doctor did an exam, noticed a nodule on Mr. Biden’s prostate and did a blood test, the prostate-specific antigen test. The PSA test looks for a protein released by cancer cells, and can be followed up by an M.R.I. The blood test and the M.R.I. would have pointed to the cancer.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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    2 Dead and 1 Missing After Train Strikes Pedestrians in Ohio

    The episode happened in Fremont, Ohio, on Sunday night. The mayor said at least one person was missing and emergency crews were searching the Sandusky River.At least two people were killed and at least one person was missing in Fremont, Ohio, on Sunday night after a train struck multiple pedestrians, according to the authorities.Danny Sanchez, the mayor of Fremont, confirmed the deaths in a brief statement to reporters, according to a video broadcast by WTVG. He said he did not have details about the ages of the victims.The search for the missing person was focused on the Sandusky River, Mr. Sanchez said. Fremont is about 40 miles southeast of Toledo.The mayor said it was not common for people to be crossing where the pedestrians were struck, though additional specific details about the location were not immediately available.Law enforcement authorities did not respond to requests for comment. It was not immediately clear which train line was involved.David Tucker III, 20, was fishing by the Sandusky River when he heard the train approaching the bridge and sounding its horn, he said.As the train neared, it continued to sound its horn, until finally the engineer just held down the horn, Mr. Tucker said.Mr. Tucker then saw what he estimated were four or five people “drop straight into the water,” from the train trestle, he said. The fall was about 20 feet, Mr. Tucker said.He could see only their feet as they floated down the river. Mr. Tucker called 911 at 7:25 p.m., he said.His father, David Tucker Jr., had just returned home from work and also said he had heard the train sound its horn.“I looked out my back window, and I could see people in panic,” he said, adding he also heard the train “slam its brakes.” He immediately called his son because he knew his son was fishing at the river.According to the Tuckers, the victims appeared to be crossing the train trestle to reach the other side. The trestle has a no trespassing sign, they said.Yan Zhuang More

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    ‘The Last of Us’ Season 2, Episode 6: Like Father

    A series of flashbacks traced the evolution of Joel and Ellie’s relationship in Jackson, Wyo., filling in some blanks about her current state of mind.Season 2, Episode 6What is the opposite of a love story? A disenchantment story, perhaps?That may be the best way to describe this week’s haunting and heartbreaking “The Last of Us,” which features a years-spanning flashback. The episode functions a lot like the award-winning episode “Long, Long Time,” from Season 1, except in reverse. We follow Joel and Ellie from their early days living in Jackson, closely bonded; and then, over time, we see how that bond weakened and broke.This episode begins with a prologue, set in 1983 in Austin. We learn that Joel and his younger brother, Tommy, were the sons of a cop (played by the great Tony Dalton of “Better Call Saul”) who was quick to smack them around whenever they stepped out of line. One night — after Tommy was caught buying pot — Joel tried to shoulder the punishment, telling his dad to leave Tommy alone. In a moment of bracing self-awareness, Officer Miller admits that he may be following in the footsteps of his own father, who once beat him so hard he had to be hospitalized.“But I’m doing a little better than my father did,” he says to Joel. “When it’s your turn, I hope you do a little better than me.”Post-prologue, the episode cycles through five vignettes — four set on Ellie’s birthdays, and one on the New Year’s Eve night we saw in the Season 2 premiere.The first vignette catches Joel and Ellie at a somewhat awkward place in their relationship: still recovering from the trauma of Salt Lake City, and in the first few months of living in a normal domestic situation, as a surrogate father and a daughter. Nevertheless, Joel makes what might be his first grand parental gesture (besides saving her life) as he rebuilds a guitar for her for her 15th birthday, using real bone for the saddle and carving a moth design from one of her notebooks into the neck.But these two have not really found a relaxed family groove yet. Joel can’t figure out how hard to play “dad” when Ellie intentionally burns her arm, trying to hide a bite mark. And when he describes how he fixed up the guitar, he becomes adorably awkward, going deep into the weeds on the machinery. (“Used a Dremel. That’s a rotary drill. Or it could be a saw, depending on the tip. Actually it’s a pretty versatile tool.”)We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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    In Deadly Ship Crash, Questions About What Went Wrong

    A day after a Mexican sailing vessel slammed its masts into the underside of the Brooklyn Bridge, new details about the deadly crash began to emerge.But as the hobbled, 300-foot long ship, the Cuauhtémoc, remained docked at Pier 36 in Manhattan on Sunday, a clear understanding of what went awry in the accident that killed two crew members remained elusive.“To put it mildly, after being fully briefed on last night’s Brooklyn Bridge accident, one thing is very clear: There are many more questions than answers as to how the accident occurred and whether it could have been prevented,” Senator Chuck Schumer said during a news conference on Sunday.As the National Transportation Safety Board and Mexican officials began a full investigation into the crash, those questions included what the “mechanical issues” were that authorities said caused the Cuauhtémoc to veer wildly off its course and into the bridge, and what role a tugboat seen in videos and photographs of the incident on Saturday night played in the accident.The two victims of the crash were identified on Sunday by Mexican officials. América Yamileth Sánchez Hernández, 20, from the state of Veracruz, was named in a social media post by the state’s governor, Rocío Nahle, who sent condolences to her family.“Veracruz is with you,” Ms. Nahle wrote.The second victim was Adal Jair Maldonado Marcos, 23, according to Raúl Rangel González, the mayor of San Mateo del Mar, a coastal town in Oaxaca state where Mr. Maldonado Marcos was from.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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    New Jersey Transit and Engineers’ Union Agree to Deal to End Strike

    The agency said its trains would start running again on Tuesday morning.An agreement was reached on Sunday to end New Jersey’s first statewide transit strike in more than 40 years just three days after it started, New Jersey Transit and a union spokesman said.The union that represents the state’s passenger-train drivers, the Brotherhood of Locomotive Engineers and Trainmen, said it called off the strike at about 6 p.m., and NJ Transit said its trains would begin running a full schedule again on Tuesday morning.Kris Kolluri, the chief executive of NJ Transit, said it would take a day to conduct safety inspections and inspect tracks before service could resume.For Monday, the agency said, it would rely on its original strike contingency plan involving chartered buses running from four satellite locations into New York City or to stations on the PATH commuter train service.“The sound that you probably hear is the sound of our state’s commuters breathing a collective sigh of relief, said Gov. Philip D. Murphy, who announced the agreement at a news conference on Sunday night.“If both employers and employees could please give us one more day of work from home, that would be a huge, huge boost,” Mr. Murphy said. State officials had asked commuters to work from home during the strike if their presence in the workplace was not considered essential.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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    ‘Creditors’ Review: Who Pays the Price for a Bankrupt Marriage?

    Liev Schreiber stars in an update of the bleak Strindberg classic about a husband and wife and the man who seeks to destroy them.If a man hates women but also everyone else, is he still a misogynist?I ask for an acquaintance: August Strindberg, the Swedish playwright whose three tempestuous marriages were not enough to exhaust his fury at wives, muses, temptresses and others. Also, it would seem, at himself.His excess of rage found its way into plays — “Miss Julie” (1888) and “The Dance of Death” (1900) are today the most famous — that feature male characters only slightly less awful than the women in their lives. That ought to be unbearable, and not just as an affront to feminism; his pox-on-both-your-genders cussedness can sometimes feel self-canceling as drama. Still, Strindberg sticks to the canon of European classics like a tick: ugly, bloodthirsty, alive.The contradiction is at its most vexing in “Creditors,” a follow-up to “Miss Julie” that flips the earlier play’s love-triangle geometry so that one woman and two men stand at its vertexes instead of one man and two women. Believe me, two men are worse: The lone woman, in this case a writer named Tekla, is literally outmanned. When Adolph, her second husband — having fallen under the influence of Gustav, his new friend — prosecutes Tekla for the theft of his happiness, Strindberg barely allows a defense.That “Creditors” is nevertheless wretchedly compelling has previously been sufficient to keep it onstage. Perhaps in a post-#MeToo age no longer. At any rate, the production that opened Sunday at the Minetta Lane Theater — starring Liev Schreiber as Gustav, Maggie Siff as Tekla and Justice Smith as Adolph, now called Adi — sets out to shift the play’s balance of power and mostly succeeds. In Jen Silverman’s thoroughgoing adaptation, Tekla is given full voice, and the men are finally held to account.The new version, set in a vague present, opens like the original in the parlor of an out-of-season seaside hotel. There, Adi, a young painter, and Gustav, a teacher of “dead languages,” are discovered in the depths of a whiskey-enhanced discussion of women and art. At first idly, then with what appears to be solicitude, and finally with the glee of a cat cornering a mouse before killing it, Gustav pokes into Adi’s professional failures, connecting them to Tekla’s galling success. Having dumped her first husband after humiliating him in a popular roman à clef, what’s to stop her from doing the same to her second?The author of dramedies that foreground women — among them “The Roommate,” “The Moors” and “Collective Rage: A Play in 5 Betties” — Silverman is not about to let that wife-as-witch framing stand. Still, Strindberg’s three-part structure, with its bear-trap teeth, is too ingenious to mess with. In the second part, Adi, empowered or perhaps just empoisoned by Gustav, confronts Tekla with his newfound and possibly bogus insights into what he had thought was a happy marriage. Because Smith is so sincere and appealing, his vulnerability reading as openness instead of petulance, we are at first willing to allow his line of thought.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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    Greg Cannom, Who Made Brad Pitt Old and Marlon Wayans White, Dies at 73

    He won five Oscars as a makeup artist on movies in which characters transformed, like “Mrs. Doubtfire,” “White Chicks” and many more.Greg Cannom, an Oscar-winning movie makeup artist responsible for some of the most striking acts of movie magic in recent decades — including the transformation of Christian Bale into Dick Cheney in “Vice,” the creation of a giant expressive green head for Jim Carrey in “The Mask,” and the reverse aging of Brad Pitt in “The Curious Case of Benjamin Button” — died on May 3. He was 73.His death was announced by Rick Baker, a frequent collaborator and another of Hollywood’s most admired movie makeup artists, as well as by the IATSE Local 706 Make-Up Artists & Hair Stylists Guild. Neither source provided further details.An online fund-raising drive for Mr. Cannom posted two years ago listed a series of health challenges, including severe shingles, a staph infection, sepsis and heart failure.Mr. Cannom won Oscars for best makeup for his work on “Bram Stoker’s Dracula” (1992), “Mrs. Doubtfire” (1993), “The Curious Case of Benjamin Button” (2008) and “Vice” (2018).In 2005, he won a “technical achievement” Oscar for the development of a modified silicone that could be used to apply fantastical changes to an actor’s face while retaining the appearance of skin and flesh.Robin Williams in “Mrs. Doubtfire.” Mr. Cannom won an Oscar for his work on the film.Getty ImagesWe are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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    After a Deadly Tornado, a Small Kentucky City Starts Picking Up the Pieces

    On Sunday morning in a small Kentucky city, the sun shone and birds chirped.They provided an incongruent backdrop to a scene that looked like a war zone. Just two days before, a fierce tornado carved a 16-mile path of destruction through Laurel County, Ky., and in its county seat of London, the damage was clear: roofs ripped from homes, tree limbs sheared off, cars left as twisted hunks of metal. And several residents dead.By the afternoon, the Sunshine Hills neighborhood of London was filled with the cacophonous beeping of backhoes, accompanied by an army of faith-based volunteers.Those volunteers were among the many people in London, a city of 8,000 about 80 miles south of Lexington, who worked together this weekend to help not only those in need but also the whole community as it tried to process the disaster. Amid the grief and devastation, ensuring displaced people got the necessary supplies and assistance was top of mind for many.“It didn’t seem right to be sitting at home with our property being untouched with so many people struggling,” said Hannah Clark, who lives in neighboring Pulaski County but came to London to volunteer.The tornado was part of a storm system that tore through the central United States starting Friday, killing at least 28 people. Of those, 19 died in Kentucky, all but two in Laurel County. Outside of Kentucky, Missouri was also hit hard: Seven people died in that state, with five in St. Louis.Most of the victims in Laurel County were killed in Sunshine Hills, according to Gilbert Acciardo, a public affairs official for the county sheriff’s office, who did not give an exact number. Many of them were older, ranging in age from 50 to 70.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More