<!–> [–><!–>On April 28, controllers at a Philadelphia facility managing air traffic for Newark Liberty International Airport and smaller regional airports in New Jersey suddenly lost radar and radio contact with planes in one of the busiest airspaces in the country.–><!–> –><!–> [–><!–>On Monday, two weeks after the episode, Sean Duffy, the secretary of transportation, […] More
Investigators, who did not identify the teenager, now 18, said they believed she had been sexually abused by her stepfather.One evening last week, a barefoot teenage girl with a shaved head burst into her next-door neighbor’s home in Blackwood, N.J., sat down on the couch and began to spill out a harrowing story.She said her stepfather and mother had imprisoned her at their home for the past seven years, ever since they pulled her out of elementary school with the excuse that she would be home-schooled. She said they locked her in a dog crate for an entire year, and at one point had chained her up in a bathroom. She said her stepfather had sexually abused her.This week, following a police investigation, prosecutors in Camden County, in South Jersey just outside Philadelphia, announced several charges against her mother, Brenda Spencer, 38, and stepfather, Branndon Mosely, 41. They included assault, criminal restraint, kidnapping and weapons offenses; Mr. Mosely also faces numerous counts of sexual assault.“The investigation has corroborated the heinous acts endured by the victim and we will hold those responsible accountable,” Lt. Andy McNeil, a spokesman for the Camden County Prosecutor’s Office, said in an interview. Authorities did not identify the 18-year-old teenager.Mr. Mosely is a rail conductor for the Southeastern Pennsylvania Transportation Authority, the transit system that serves the Philadelphia region, and Ms. Spencer is a dog handler who specializes in Great Danes, the authorities said. They are being held in jail while they await a detention hearing scheduled for next week. Lawyers for the couple declined to comment.Days after the distressed teenage girl barreled into the home where he was staying, Michael Lacey, a 36-year-old pool cleaner, said he kept breaking down in tears over the brutality she had described.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More
The proposed termination of medical research funded by the V.A. is part of the Trump administration’s broader pressure campaign against the university.The Trump administration’s move to cancel a slew of federal contracts at Harvard University has sparked an internal clash over the impact on medical research intended to help veterans, including projects involving suicide prevention, toxic particle exposure and prostate cancer screening, according to emails reviewed by The New York Times.The dispute among officials at the Department of Veterans Affairs has focused in part on a collaboration with Harvard Medical School to develop a predictive model to help V.A. emergency room physicians decide whether suicidal veterans should be hospitalized, according to the records.Canceling that contract would result in “more veteran suicides that could have been prevented,” Seth J. Custer, an official in the V.A.’s Office of Research and Development, wrote in a May 8 email asking leaders at the agency to reverse their decision. But John Figueroa, a longtime private industry health care executive and a senior adviser to Doug Collins, the veterans affairs secretary, said that researchers at other institutions could do the work instead.Peter Kasperowicz, a V.A. spokesman, said that the department’s research contracts with Harvard were “under review.” He said the goal of the review was to ensure that “the projects best support the Trump administration’s veterans-first agenda.”Mr. Custer declined to comment. In a brief telephone interview, Mr. Figueroa said the V.A. was examining “every contract” it had issued. A White House spokeswoman declined to comment. So did a spokeswoman for Harvard.The tensions inside the V.A. over the Harvard contracts demonstrate how President Trump’s use of research funds as leverage in his broader pressure campaign on universities carries political risks. Mr. Trump and other Republicans have courted veterans as a key political constituency, and Mr. Collins has repeatedly promised that veteran care would not be affected, even as he enacts major cost-cutting measures and other changes.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More
The singer spent four days on the stand recounting what she described as an 11-year relationship in which she came to feel more like a sex worker than a girlfriend.Defense lawyers for Sean Combs pushed on Friday to undermine one of the most damaging allegations in the music mogul’s trial on sex-trafficking and racketeering charges — that he raped his longtime girlfriend, the singer Casandra Ventura, in 2018.On the last of four grueling days of Ms. Ventura’s testimony, Mr. Combs’s defense team pointed out inconsistencies in her recounting of when such an incident had occurred. They also noted that Ms. Ventura, an R&B singer known professionally as Cassie, never mentioned anything about an attack in a flurry of emotional breakup text messages that the couple exchanged soon afterward.The nature and history of the relationship between Mr. Combs and Ms. Ventura is central to the government’s case. Prosecutors have depicted the music mogul as a sexual predator whose employees helped stage marathon drug-fueled sessions, known as “freak-offs,” during which Ms. Ventura had sex with male prostitutes while Mr. Combs watched, and sometimes masturbated.Mr. Combs has pleaded not guilty to all the charges, and his lawyers have portrayed Ms. Ventura as someone who fell deeply in love, participated willingly in the freak-offs but then, bitter with jealousy, has recast the relationship as a grim 11 years of beatings, blackmail and coerced sex.In that vein, the defense questioned Ms. Ventura about consensual sexual intercourse she had with Mr. Combs about a month after what she said was a night when Mr. Combs raped her in her home. Ms. Ventura was already dating her now husband, Alex Fine, at the time of the consensual sex with Mr. Combs, and she testified that while together with Mr. Combs, she received, but didn’t answer, a FaceTime call from Mr. Fine.“Your now husband didn’t know that you were with Mr. Combs at the time, correct?” a defense lawyer, Anna Estevao, asked Ms. Ventura. She replied that Mr. Fine eventually found out about her rape allegation and the subsequent intercourse she had with Mr. Combs. Ms. Estevao said Mr. Fine punched a wall in response.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More
For years, animal-rights advocates have pushed for the elephants at the Los Angeles Zoo to be moved to an animal sanctuary.But in Southern California, even the elephants have celebrity backers. One in particular, Billy, has gotten some extra love from Cher.“Billy doesn’t deserve this,” the singer said in an interview on Thursday. She says the 40-year-old pachyderm, who has been at the zoo since 1989, “has had a terrible life” in a restrictive enclosure, with minimal shade and hard ground that could damage his feet.In recent months, the legal, political and zoological drama playing out over the fate of the zoo’s Asian elephants has escalated. After two aging members of the herd had to be euthanized, zoo officials announced in April that Billy and the only other surviving elephant, Tina, who is 59, would soon be relocated.But instead of the sanctuary that Cher and other advocates wanted, officials said the elephants would be moved to another zoo in Tulsa, Okla., where they could join a larger herd. That has led to protests, a lawsuit, tense city meetings, anger at the zoo director and a legal declaration submitted by the pop icon on the elephants’ behalf.The battle comes at a time when lawsuits from animal-rights advocates and the shrinking number of available animals have led more zoos to close their elephant enclosures. The Bronx Zoo has faced growing legal pressure to move its last two elephants to a sanctuary, and in 2023 the Oakland Zoo sent one of its elephants to a sanctuary in Tennessee after it was unable to find it a compatible companion.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More
Whether the ultraconservatives dig in and force big changes to the megabill carrying President Trump’s agenda or capitulate, as they have in the past, will determine the fate of their party’s signature legislation.To a small but crucial group of hard-right House Republicans, the tax and spending cut package produced by their colleagues to deliver what President Trump calls the “big, beautiful bill” was nothing more than a homely cop-out.The handful of lawmakers who blocked their own party’s sprawling domestic policy measure from advancing out of a key committee on Friday acted out of a fundamentally different view of federal spending and debt than the rest of the G.O.P. They are single-mindedly focused on slashing deficits by restructuring the government to dramatically scale back social programs, whatever the political consequences.With their party in control of the House, Senate and White House, they view their fellow Republicans as timid, squandering a golden opportunity to turn the government’s finances around in a long overdue course correction. Instead, they see Republican leaders, catering to swing district members worried about their re-election, delivering a half-measure that, as far as the hard-liners are concerned, falls woefully short on cuts — and the ones it did make were gimmicky.“I’m not going to sit here and say that everything is hunky-dory,” Representative Chip Roy, Republican of Texas and one of the leading evangelists of deep spending cuts, said on Friday as he tore into his own party’s legislation. “This is the Budget Committee. We are supposed to do something to actually result in balanced budgets, but we’re not doing it.”It remains to be seen whether the anti-deficit fundamentalists are really dug in against the legislation or shopping for concessions that could allow them to claim a partial victory against deficit spending and still ultimately fall in line behind Mr. Trump. They have earned a reputation both for revolting against their own party at crucial moments and for backing down before their intransigence actually kills a top Republican priority — often without achieving what they initially demanded.But for a few days at least, the recalcitrance of Mr. Roy and his fellow deficit hawks, and their willingness to challenge a majority of their own party, has tied down the entire Republican legislative agenda.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More
Following the president’s overhaul of the center, Mr. Flynn, the former national security adviser, has made a substantial gift to the National Symphony Orchestra.The list of donors to the National Symphony Orchestra, one of the Kennedy Center’s flagship ensembles, is usually filled with financiers, socialites, corporations and foundations.But the name of a sponsor of this week’s performances of Beethoven’s “Missa Solemnis” stood out. It was Michael T. Flynn, the general and former national security adviser during President Trump’s first term. He was listed, along with his nonprofit, America’s Future Inc., as “performance sponsors” for the National Symphony Orchestra’s concerts from May 15 to 17.Mr. Flynn said on social media that his nonprofit was “thrilled to sponsor a spectacular three-night performance at the John F. Kennedy Center for the Performing Arts!”“This performance is filled with a vibrant celebration of music, culture, and the unyielding spirit uniting all Americans,” he wrote in a post on X. “The Kennedy Center shines as a proud symbol of our nation’s legacy!”Mr. Flynn’s gift to the National Symphony Orchestra totaled $300,000, according to two people familiar with the donation who were granted anonymity because details of the gift were not publicized.Officials at the Kennedy Center said they did not have details of the gift.“We didn’t know how much but we welcome all sponsorships,” the center said in a statement.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More
In a spectacular exhibition at Karma Gallery, the 98-year-old artist makes hardwood sculptures that burst with vitality and variation.The first sculpture in Thaddeus Mosley’s spectacular show “Proximity” is an assembly of four roughly wishbone-shaped pieces of carved walnut that stands 6 ½ feet tall. He calls it “Arboreal Choreography.” Seen from the gallery’s front door it does indeed bring to mind a well-dressed dancer in a self-conscious pose, thumbs in braces, one toe raised. From the end of a nearby bench, though, it becomes a complex jungle of shadows, creases, cracks and reinforcements, with brown and off-white tones so rich and various that you’d almost think he painted them on. As you pass alongside, it all becomes something else again.Mosley, who was born in 1926, has also worked in assemblage, sourcing miscellaneous objects from a Pittsburgh junkyard owned by Andy Warhol’s brother; one piece in the current show is mounted on a found lamp stand. In the past few years he’s also taken up casting, and a group of his recent bronzes will soon be installed in City Hall Park in Manhattan. But since he started making sculpture in Pittsburgh in the 1950s, the Pennsylvania native has chiefly worked with hardwood, enlisting every last bit of its natural aesthetic splendor, as Noguchi did for stone.Mosley’s “Flight Form,” 2023, in which a rounded, hollow mass of dark brown walnut sits horizontally atop a ballet-toe-shaped column. via the artist and KarmaMany of the pieces in “Proximity” express more singular thoughts than “Arboreal Choreography.” There are stools, wooden embraces, and several notched spirals that culminate in a majestic, nine-foot-tall column topped by a jaunty half pipe. Two sculptures made of locust wood are so shiny and yellow that they call to mind glazed French confections, at least for the moment. (Exposure to the air will eventually turn them brown.) It’s not that any of these things are simple — you could almost see “Curvilinear Reach” in a graduate-level math course — just that they’re easily taken in as wholes. Still, even in the most straightforward pieces, Mosley weaves together heady pairs of opposites: stillness and motion, curves and straight edges, intimacy and grandeur, conscious intention and organic growth.“Sonic X24” leans back like a debonair narwhal, and in “Crossroads,” a blade-shaped length of walnut notches a semicircular piece that evokes a slice of melon. In “Flight Form,” a rounded, hollow piece of dark brown walnut sits horizontally atop a ballet-toe-shaped column.Viewed from the middle of the room, it brings to mind a flayed beef carcass of the kind that Chaim Soutine liked to paint, a bulging, numinous stand-in for the universe itself. But Mosley ends his universe with 12 square projections, as if to impose some human order and decision onto the natural world. From the other side the same form reveals a crackling cavity full of esoteric mystery.Thaddeus Mosley: ProximityThrough May 23, Karma Gallery, 549 West 26th Street, Manhattan; (212) 717-1671, karmakarma.org. More
