Aurelia Butler

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    Why New York City Is Removing Padlocks on Illegal Weed Shops It Closed

    With the court orders that allowed the city to seal illicit cannabis stores starting to expire, questions remain about whether the shops could reopen.Mayor Eric Adams of New York on Wednesday visited a pizzeria in Queens that was once an illegal smoke shop to celebrate the success of his administration’s crackdown on illegal cannabis shops, even as the city is bracing for a potential resurgence.Mr. Adams said the pizzeria, which is named Salsa and opened in Rego Park in March, demonstrated how the enforcement against illegal weed sellers has paved the way for other small businesses to open and for the legal cannabis industry to thrive.“We went from illegal items that were harmful to communities to pizza, good food, good-paying jobs and a support system,” he said.The mayor said his administration has shut down about 1,400 smoke shops since the crackdown started last May. At the same time, the number of licensed cannabis dispensaries in the city has surpassed 160 and generated more than $350 million in sales.In the wake of state lawmakers’ decision to legalize recreational marijuana in 2021, the number of unlicensed weed shops exploded throughout the city, undercutting licensed dispensaries before they had the chance to open. The move to shutter the renegade shops — which in Manhattan alone vastly exceeded the number of Starbucks coffee shops — was widely applauded.But the court orders that allowed the city sheriff to seal the illegal businesses with padlocks for one year have begun to expire, requiring the city to remove the locks.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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    In Menendez Brothers Case, a Reckoning With the 1990s

    As a court reviewed the Menendez murder case, the culture and politics of the 1990s were scrutinized almost as much as the horrific crime.After Lyle and Erik Menendez were resentenced on Tuesday, paving the way for their possible release after more than three decades in prison, one of the first things their lawyer, Mark J. Geragos, did was make a phone call.Leslie Abramson, the brothers’ defense attorney at their trials in the 1990s who found herself parodied on “Saturday Night Live,” had in recent years warned Mr. Geragos that his efforts to free the brothers were doomed, in spite of the groundswell of support on social media.“No amount of TikTokers,” he recalled Ms. Abramson telling him, “was ever going to change anything.”Facing the bank of television cameras staking out the courthouse, Mr. Geragos told reporters he had just left a message for his old friend.“And so, Leslie, I will tell you it’s a whole different world we live in now,” he said. He continued, “We have evolved. This is not the ’90s anymore.”Indeed, over the last many months, the culture and politics of 1990s America seemed as much under the legal microscope as the horrific details of the Menendez brothers’ crimes and what witnesses described as the exemplary lives they led in prison ever since.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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    Cassie Testifies Sean ‘Diddy’ Combs Used Sex Videos as Blackmail

    Ms. Ventura, Mr. Combs’s ex-girlfriend, said he threatened to use tapes of their sexual encounters, known as “freak-offs,” to control her behavior.Casandra Ventura, the singer and model known as Cassie, told a jury in Manhattan on Wednesday that her life with Sean Combs had its moments, but was largely filled with beatings, threatened blackmail and even a rape.During more than five hours of testimony in Mr. Combs’s sex trafficking and racketeering trial, Ms. Ventura recounted how he had stomped on her in the back of his car and how she suffered a gash above her eye when he threw her against a bed frame.She also recounted how, after the pair had dinner in 2018, Mr. Combs raped her in her living room.“I just remember crying and saying no, but it was very fast,” she testified.At the end of her testimony, Ms. Ventura said through tears that after she had broken up with Mr. Combs, the trauma remained and she enrolled in treatment for drug abuse. Even so, she said, she contemplated taking her life by walking into traffic. She said her husband stopped her.Ms. Ventura told the court she stayed with Mr. Combs despite beatings and other abuse partly because of the nagging, persistent fear that videos of their sexual encounters with male prostitutes, the hundreds of “freak-offs” that she said Mr. Combs enjoyed watching and recording, would be posted online.Hers was not idle anxiety based on what she viewed Mr. Combs might be capable of, she said, but the consequence of repeated threats he had made to use the material to damage her if she deviated from his wishes. In one case, she described sitting beside him on a flight when he displayed for her videos that she thought had been destroyed.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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    Trump Administration to Uphold Some PFAS Limits but Eliminate Others

    The E.P.A. said it would maintain limits on the two most common “forever chemicals” in tap water. Rules for four others will be rolled back.The Environmental Protection Agency said Wednesday that it would uphold drinking water standards for two harmful “forever chemicals,” present in the tap water of millions of Americans. But it said it would delay deadlines to meet those standards and roll back limits on four other related chemicals.Known as forever chemicals because of their virtually indestructible nature, PFAS are a class of thousands of chemicals used widely in everyday products like nonstick cookware, water-repellent clothing and stain-resistant carpets, as well as in firefighting foams.Exposure to PFAS, or per- and polyfluoroalkyl substances, has been associated with metabolic disorders, decreased fertility in women, developmental delays in children and increased risk of some prostate, kidney and testicular cancers, according to the E.P.A.President Joseph R. Biden Jr. had, for the first time, required water utilities to start bringing down levels of six types of PFAS chemicals to near zero. He set a particularly stringent limit of four parts per trillion for two of those chemicals, called PFOA and PFOS, which are most commonly found in drinking water systems.The Trump administration said it would uphold the limits for those two types of PFAS, but would delay a deadline for water utilities to meet those limits by two years, to 2031.The E.P.A. said it would rescind the limits for the other four chemicals.“We are on a path to uphold the agency’s nationwide standards to protect Americans from PFOA and PFOS in their water,” Lee Zeldin, the E.P.A. administrator, said in a statement. “At the same time, we will work to provide common-sense flexibility in the form of additional time for compliance,” he said. “EPA will also continue to use its regulatory and enforcement tools to hold polluters accountable.”We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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    Cartel Family Members Crossed Into U.S., Mexican Official Says

    Mexico’s security secretary confirmed reports that 17 family members of Sinaloa Cartel leaders had crossed into the United States, likely as part of a deal with the Trump administration.A group of family members of Sinaloa Cartel leaders crossed into the United States last week, likely as part of a deal with the Trump administration, Mexico’s secretary of security said on Tuesday evening.For days, rumors had spread that 17 relatives, including the ex-wife of the crime boss known as El Chapo, had flown from a cartel stronghold to Tijuana, Mexico, and then crossed into the United States. A news outlet, Pie de Nota, reported that they had surrendered to U.S. federal authorities there, citing anonymous sources.The Sinaloa Cartel, co-founded by Joaquín Guzmán Loera, known as El Chapo, is one of the most powerful criminal groups in the world, although it has been divided by violence between rival factions as several of its leaders face prison and prosecution in the United States.When asked about reports that the family members had entered the United States on Monday, President Claudia Sheinbaum of Mexico said “there is no more information” than what she had seen.But the security secretary, Omar García Harfuch, then confirmed late Tuesday that relatives of the cartel leader Ovidio Guzmán López, one of El Chapo’s four sons, had surrendered to American authorities. Mr. Guzmán López was extradited to the United States in 2023.“It is evident that his family is going to the U.S. because of a negotiation or a plea bargain that the Department of Justice is giving him,” Mr. García Harfuch told the Mexican network Radio Fórmula.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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    Taking Inches in Battle, Russia Demands Miles in Talks

    Moscow thinks it’s winning in Ukraine and can play hardball diplomatically. Washington sees costly, incremental gains and an unrealistic negotiating position.As the world waits to to see if he shows up in Turkey for cease-fire negotiations this week, President Vladimir V. Putin has been sending a clear message, reinforced by his officials. They are winning on the battlefield, so they should get what they want.Mr. Putin said in late March that Russian forces had the advantage on the entire front and suggested Moscow was close to vanquishing the Ukrainians — an argument the Kremlin has used to underpin hardball demands. “We have reason to believe that we are set to finish them off,” Mr. Putin said, adding: “People in Ukraine need to realize what is going on.”Andrei V. Kartapolov, head of the defense committee in the lower chamber of Russian Parliament, reiterated that message on Tuesday, saying Ukraine needed to recognize the Russian military was advancing in 116 directions. If the Ukrainians did not want to talk, he added, they must listen to “the language of the Russian bayonet.”Andrei V. Kartapolov, a senior Russian lawmaker, has said the Russian military is advancing in 116 directions.Anton Vaganov/ReutersThe hardball approach has been accompanied by gamesmanship over peace negotiations. It is unclear whether Mr. Putin will attend the talks he initially proposed for midlevel delegations on Thursday in Turkey. Mr. Zelensky upped the ante, saying he would attend and expected to see Mr. Putin, knowing Mr. Putin is loath to meet him. President Trump said he might go if the Russian president went.And Mr. Putin has left everyone in limbo.The Russian position has posed a challenge for the Trump administration, which has found Russian officials making extreme demands that the battlefield situation does not appear to justify. While Russian forces have seized the advantage and taken territory of late, they are a far cry from defeating the Ukrainians and have advanced at a very high cost.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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    Is It Ethical to Buy Used Books and Music?

    The magazine’s Ethicist columnist on what consumers owe to artists.Is it ethical to buy used books and music instead of new copies that will financially reward the author or artist? What do consumers owe to producers of art? — Gerald BarkerFrom the Ethicist:There’s actually a lot to be said for buying used and sustaining the low-cost democracy of art’s second life. For one thing, there are environmental advantages in the practice: Physical media are designed to endure and be shared beyond the first owner. And artists can benefit from secondary markets in real, if less tangible, ways. Works that circulate widely can enhance the artist’s reputation, whether it’s a book read and passed along, a record rediscovered in a thrift shop or a painting resold at auction. Enthusiastic new audiences, prominent displays and word-of-mouth appreciation can all contribute to a creator’s stature. (Notice that this situation is very different from music-streaming platforms, where artists are basically meant to be paid for each listen, but the recompense is often a pittance.)What artists, especially the good ones, are owed is not a cut of every encounter we have with their work but a system that gives them a real opportunity to sell their work, to build a career, to find a public. After that, their creations rightly become part of the wider cultural world, as with books in a library or paintings in a museum, where countless people can enjoy them freely across the generations.Used-book stores or vintage-record shops, where hidden gems lurk like geodes waiting to be split open, play a role, too. Such venues don’t just preserve art; they bring enthusiasts together, spark conversations and cultivate new audiences. In Michael Chabon’s novel “Telegraph Avenue,” a vintage-record shop is both a community hub and a battlefront for cultural preservation; in Helene Hanff’s book “84, Charing Cross Road,” treasured titles help sustain a human connection across an ocean. Come to think of it, I’m pretty sure I stumbled across both in used-book stores, providing their authors no royalties but plenty of affection. This setup isn’t a failure of fairness; it’s part of how creative work gains cultural traction.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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    Seven Takes on the Lurid Dance of the Seven Veils in Strauss’s ‘Salome’

    “I’m ready,” Salome sings. And then she dances.Her predatory stepfather has promised her anything she wants if she performs for him. She obliges with the alternately wild and delicate Dance of the Seven Veils, one of the most famous numbers in all opera.A highlight of Strauss’s “Salome,” which the Metropolitan Opera will broadcast live to movie theaters on Saturday, it is also one of the art form’s greatest challenges. Few sopranos capable of singing the daunting role have much experience with dance, let alone with carrying a sensual nine-minute solo.Is it a seduction? A striptease? A cry for help? Performers have taken this intense, lurid scene in many different directions, bringing out undercurrents of sexual awakening and violence. The Met’s new production inverts the traditional portrayal, uncovering the wounded girl beneath the stereotypical femme fatale.Here are (yes) seven memorable versions from the long history of opera’s boldest dance.Silent SalomeAlla Nazimova.Nazimova ProductionsNot quite 20 years after the opera’s 1905 premiere, a silent film version of “Salome” — really an adaptation of the Oscar Wilde play on which the opera is based — embraced the material’s perfumed, verging-on-surreal Orientalism. The actress Alla Nazimova’s Salome is a spoiled, petulant teenager.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More