Aurelia Butler

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    Brooklyn Roof Collapse Kills Worker at Construction Site That Lacked Permits

    The worker, a 43-year-old man, was trapped under the fallen roof in an extension behind a former restaurant in Brooklyn, the Buildings Department said.A construction worker died in Brooklyn on Thursday after a roof collapsed at the site of a former steakhouse where demolition work was being conducted without the required permits, according to the New York City Department of Buildings.Around 8:50 a.m., someone at the scene called 9-1-1 about a partial building collapse, the police said. Emergency medical workers found a 43-year-old man trapped under the fallen roof, unconscious. He was in critical condition when he was taken to Brookdale Hospital, where he later died, the police said. The worker’s name had not been released Thursday evening pending notification of his family.The work site was at the corner of Quentin Road and East 33rd Street in Brooklyn’s Marine Park neighborhood. A two-story structure there once housed a restaurant called T Fusion Steakhouse, which has closed. The structural failure happened in a concrete extension behind the building, which had been used for storage, according to the Buildings Department, which is investigating the incident.Workers had been demolishing a walk-in freezer and commercial kitchen, the department said, but no permits for the work had been filed with the city. Utility service to the building was shut off after the collapse, and inspectors with the Buildings Department ordered that the building be vacated and all work ceased.The Buildings Department posted a vacate order and a stop-work order on the building.Dave Sanders for The New York TimesThe Fire Department has requested an inspection to determine the building’s structural stability, according to public records.The building was bought in 2020 for $1.1 million by LA3223 LLC, which is owned by Larry Leiby Ackerman, according to property records. Since then, the only complaint on file with the Buildings Department about the site before Thursday was one filed last April, warning that balcony doors on the second floor of the vacant building were open to birds and trespassers, and that the backyard was full of garbage.The problems were resolved before inspectors arrived, according to department records, and the complaint was closed. A person who answered the phone at a number listed for Mr. Ackerman hung up when reached on Thursday evening.Alain Delaquérière More

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    Russia Launches Broad Assault on Kyiv and Other Cities in Ukraine

    Air defense crews in the capital were racing to combat a large-scale bombardment before dawn on Friday, officials said. Explosions rocked Kyiv, the Ukrainian capital, before dawn on Friday as air defense crews raced to combat a large-scale Russian bombardment, the authorities said. The Ukrainian Air Force reported that Russia had begun launching ballistic missiles, cruise missiles and drones at the capital and other cities overnight. Multiple fires were reported across Kyiv, including at a 16-story apartment block. Mayor Vitali Klitschko said at least three people had been injured, and officials cautioned that the toll could rise as the attack was still underway. Russia has launched more than 1,000 drones per week at military and civilian targets in Ukraine in recent months, including more than 300 in a single night last week. On Wednesday, Russia’s leader, Vladimir V. Putin, warned President Trump that his country would retaliate against Ukraine for its audacious drone attack last weekend on airfields across Russia, according to Mr. Trump. On Thursday, Mr. Trump compared Russia and Ukraine to two fighting children who needed to work out their differences before their bloody war could end. “Sometimes you’re better off letting them fight for a while and then pulling them apart,” he said in the Oval Office as Germany’s chancellor, Friedrich Merz, urged him to leverage the power of the United States to end the conflict. Mr. Trump avoided answering a question about whether he was willing to increase pressure on Russia. The Kremlin has repeatedly resisted his calls for an unconditional cease-fire. Since the beginning of this year, the Russian military has carried out attacks against Ukraine using nearly 27,700 aerial bombs, almost 11,200 Shahed drones, around 9,000 other attack strike drones and more than 700 missiles, including ballistic ones, President Volodymyr Zelensky of Ukraine said on Thursday. “This is the pace of Russian strikes, and they deliberately set this tempo from the very first days of the full-scale war,” Mr. Zelensky said. “Russia has restructured its entire state, society, and economy to be able to kill people in other countries on a massive scale and with impunity.” Before the overnight bombardment, Russia launched high-explosive aerial bombs at the center of the southern Ukrainian city of Kherson on Thursday morning, partially destroying the Regional State Administration building and damaging several surrounding structures. On Wednesday night, the Russians attacked the city of Pryluky in the northeastern Chernihiv region, killing at least five people, including a 1-year-old baby, Ukrainian officials said. More

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    ‘And Just Like That …’ Season 3, Episode 2 Recap: Textual Relations

    Carrie’s long-distance “situationship” with Aidan becomes frustrating in ways she didn’t anticipate.Season 3, Episode 2: ‘The Rat Race’Here in the real world, it’s a common refrain from single people that dating apps are as tired as the tiramisu Seema’s date orders for her without asking. Everyone is sick of the swiping, the ghosting and the serial situationships. The virtual-first connections that seem essential to dating in 2025 have never played a major role in the “Sex and the City” franchise, mostly because the majority of this decades-spanning story has predated all that.But Carrie’s former neighbor Lisette (Katerina Tannenbaum) shows up at the beginning of Episode 2 to reflect that cultural shift, lamenting to Carrie that, as a single woman of today, she is mostly in a relationship with her phone. Turns out, throwing it across a room may be a more effective way of it helping you meet someone.Some of the characters, though, regardless of age, are no better than Lisette when it comes to phone addiction.Starting with our star, Carrie is in something of a love-hate relationship with texting Aidan. Now that Aidan has cracked the communication door ajar, Carrie feels slightly more empowered to reach out to her “boyfriend.” (I insist on putting that in quotes because while Carrie may use that word to refer to Aidan, at this point, I simply refuse.)First, Carrie drafts a long, meandering voice text to Aidan about a newly-discovered rat infestation in her garden, but she deletes it before sending. Considering Aidan’s request for no contact (or at least very limited contact), she determines it is best to leave him alone.But without any such regard for the rules he set himself, Aidan lights his no-contact contract on fire with a surprise appearance at Carrie’s Gramercy townhouse, to her delight.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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    Trump’s New Travel Ban Is Rife With Contradictions

    The Trump administration appears to have relied on a variety of considerations as it put together its latest restrictions.President Trump said on Thursday that his new travel ban against a dozen mostly African and Middle Eastern countries “can’t come soon enough.” He argued the ban would help prevent terrorist attacks and keep out those who overstay their visas.But even by that logic, Mr. Trump’s ban is rife with contradictions.“There’s no consistent set of criteria that would lead you to these 19 countries,” said Doug Rand, a former immigration official in the Biden administration, referring to the 12 countries and seven others that face restrictions but not a full ban. “You have a bunch of countries that seem to be politically motivated and then a bunch of random countries with a fig leaf of data to support their conclusion.”The order, which goes into effect on Monday, bans travel to the United States by citizens of Afghanistan, Myanmar, Chad, the Republic of Congo, Equatorial Guinea, Eritrea, Haiti, Iran, Libya, Somalia, Sudan and Yemen. And it limits travel from Burundi, Cuba, Laos, Sierra Leone, Togo, Turkmenistan and Venezuela. It includes some exemptions, including people with existing visas.Mr. Trump argued that the timing of the ban was spurred by a recent attack in Colorado on a group honoring hostages being held in Gaza in which an Egyptian man has been arrested and charged.But Egypt — which is both a military partner and a critical mediator in negotiations between Israel and Hamas — was not on the travel ban list. Also omitted were nations that national security officials have long treated as pariahs, including Syria, where Mr. Trump has recently sought to improve relations.Mr. Rand and other immigration experts noted that nations home to a higher number of people who overstay visas were left off the list.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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    The Creativity Challenge: Try Something New With One of These Hobbies

    <!–> [–><!–> –><!–> [–><!–>One of the traits most closely associated with creativity is being open to new experiences. Some people don’t naturally lean that way, but as with all aspects of creativity, openness can be developed. In a sense, you’ve been practicing all week: Maybe you tried intentional daydreaming on your drive to work, or […] More

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    Video Shows Fiery Fatal Crash After Police Chase

    Francisco Guzman Parra, 31, died after crashing a stolen Honda in Upper Manhattan. Two officers chasing him drove away after the car caught fire, according to video surveillance footage.Video surveillance footage obtained from the Metropolitan Transportation Authority shows the incident in Upper Manhattan in April.Jeremy G. Feigenbaum via MTAIt was still dark when the driver of a stolen Honda CRV sped down a ramp off the Henry Hudson Parkway and careened out of control into a building in Upper Manhattan.Flames immediately erupted from the rear of the vehicle, according to video surveillance footage released by a lawyer for the driver’s family on Thursday. About 10 seconds later, at 4:40 a.m. on April 2, the police car that had been chasing the S.U.V. drove down the same ramp. The flames had diminished but still appeared to be flickering when the cruiser, its siren lights off, reached the bottom of the ramp.The officer driving the cruiser slowed down, but instead of turning toward the Honda he turned left on Dyckman Street in the Inwood neighborhood of Manhattan and left the wreckage behind. The driver, Francisco A. Guzman Parra, 31, died from blunt impact injuries to the head and torso and “thermal injuries,” according to the medical examiner’s office.The video, which the family obtained from the Metropolitan Transportation Authority, gave the first visual account of a crash that is now being investigated by the Manhattan district attorney’s office and led to the suspension of the two officers in the cruiser. Mr. Guzman Parra’s family said the video confirmed what they had feared for months: that the police left him to die.“They could have helped get him out,” said Carmen Colon, his stepmother, who, along with Mr. Guzman Parra’s sisters, spoke with reporters after watching the video at their lawyer’s office in Lower Manhattan.“I think that when we see that video we’re seeing a crime being committed,” she said.About 16 minutes after the crash, firefighters and officers from the 34th Precinct, which covers Inwood, received a 9-1-1 call about a car on fire. When they arrived, they found the Honda fully engulfed in flames.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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    Supreme Court Blocks Mexico’s Suit Against U.S. Gunmakers

    The case focused on whether the Mexican government could legally sue U.S. manufacturers over claims that they shared blame for violence by drug cartels.The Supreme Court on Thursday ruled that the Mexican government cannot sue U.S. gun manufacturers to hold them responsible for violence committed by drug cartels.In a unanimous decision by Justice Elena Kagan, the court held that a lawsuit by the Mexican government was barred by U.S. legislation that insulates gun makers from liability. Mexico, she wrote, had not plausibly argued that American gun manufacturers had aided and abetted in unlawful gun sales to Mexican drug traffickers.Mexico had argued that the gun industry’s production and sale of arms in the United States had helped fuel and supply drug cartels, harming the Mexican government. Mexican government lawyers also claimed the companies were aware that some of their guns were illegally trafficked, and that the country should therefore be allowed to sue.During an oral argument in early March, a majority of the justices appeared skeptical that Mexico could prove a direct link between gunmakers and cartel violence. Several justices appeared persuaded that a 2005 law shielding gun makers and distributors from most domestic lawsuits over injuries caused by firearms could also apply to the case brought by the Mexican government.The case began in 2021, when Mexico filed a lawsuit against a number of American gun makers and one distributor, arguing that they shared blame for drug cartel violence. The country asked them for $10 billion in damages.In the lawsuit filed in federal court in Massachusetts, the Mexican government alleged that the gun industry’s actions had burdened the nation’s police, military and judicial system. Mexico also argued that the U.S. gun industry had been negligent in marketing, distributing and selling high-capacity guns.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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    Lorna Simpson: Painting as a Weapon of Freedom

    In a small but haunting survey at the Met, a celebrated conceptual artist shifts gears, with meteoric results.Some of our most interesting artists have one thing in common. They do outstanding work early on, then, rather than coasting by recycling that success, they complicate it, even change gears.The artist Lorna Simpson is one these restless souls, and she has the technical and imaginative chops to make major changes work, as is evident in a corner-turning retrospective of paintings, “Source Notes,” now at the Metropolitan Museum of Art.In the late 1980s and 1990s, Simpson gained a strong reputation as a standout among a new generation of conceptual photographers and artists who — following “Pictures Generation” progenitors like Cindy Sherman a decade earlier — used photographic techniques somewhat the way painters used paint. Through a traditionally point-and-shoot, ostensibly reality-capturing medium, they created entirely fictional images.Simpson began as a straight-up picture-taker. A native New Yorker — born in Brooklyn in 1960, and raised in Queens — she studied photography at the School of Visual Arts and initially identified her work with the genre of “street photography.” Graduate school at the University of California, San Diego, where Conceptualism was the reigning mode, added a new dimension to that early impulse. So was the perception that her career opportunities in the field were limited: “Being a Black woman photographer was like being nobody,” as she has put it. So she saw no reason not to experiment both with her medium and with the subjects that interested her, namely the politics of gender and race.To that end she developed a studio-based style that combined staged images, notably shots of unnamed Black women posing in plain white shifts against a neutral backdrop, their faces turned away from the camera or out of its range, with results that evoke voyeuristic 19th-century ethnological documents, mug shots, and performance art stills. Most of these images have incorporated short texts that hint at explanatory narratives, some violent, without actually providing anything explicit.Detail of “5 Properties,” 2018. Ebony and Jet magazines, poly sleeves, bronze, plaster, glass.Dana Golan for The New York TimesCreating on aura of mystery has been her generative M.O., one she has applied to film and installation work as well as to still photography. What has changed in the past decade is her primary medium. Around 2014, she began, for the first time since her pre-art-school years, to focus on painting, and the Met exhibition is a tight but monumental survey of this new work.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More