Aurelia Butler

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    ‘We Are the Lucky Ones’ Gives Operatic Voice to a Generation

    This new opera assembles a compassionate, haunting portrait of the middle class that emerged from World War II and considers what they leave behind.Theaters are never truly dark. In between performances, a simple floor lamp is placed onstage and switched on. It’s called a ghost light, and depending on whom you ask, it’s either a practical safety measure or a way to ward off spirits. Some say it actually welcomes them.As audience members entered the auditorium of the Dutch National Opera on Friday for the world premiere of “We Are the Lucky Ones,” they were greeted by a ghost light that, true to its history, was open to interpretation.For one, it was a signal of artifice. “We Are the Lucky Ones” may be a moving work of music theater, but it is, ultimately, theater: a space for storytelling and reflection. The ghost light, though, also had a hint of the supernatural, summoning eight singers to an uncanny, purgatorial space so they could share their secrets, regrets and worries for the future.Their stories are, for the most part, true. “We Are the Lucky Ones,” with music by Philip Venables and a libretto by Ted Huffman and Nina Segal, is based on interviews with about 80 people born between 1940 and 1949, distilled into a headlong rush through time.What emerges, in an opera as compact and overwhelming as “Wozzeck,” is a portrait of a generation told with compassion, wisdom and artfulness. You can imagine a version of this story as an indictment of the age group that, as one character admits, “made a mess of things.” But while opera thrives on simplicity, with love blossoming over the few minutes of an aria, “We Are the Lucky Ones” is anything but simple.Stucker, left, and Rosen, in the opera, which is based on interviews with about 80 people born between 1940 and 1949.Dutch National Opera. Photo: Koen BroosWe are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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    Trump’s Trade War Will Slow Global Economic Growth, OECD Says

    The growing trade war and rapid policy shifts are expected to drag down economic growth in the United States and around the world, according to projections released on Monday.The resilience that was evident last year is slipping, the Organization for Economic Cooperation and Development said in its latest interim economic report, which estimated that global growth would dip to 3.1 percent in 2025 and to 3 percent in 2026, from 3.2 percent last year. The United States is likely to see a sharper drop, falling to 2.2 percent this year and to 1.6 percent next year, from the 2.8 percent growth in 2024.“Some signs of weakness have emerged, driven by heightened policy uncertainty,” said Mathias Cormann, the organization’s secretary-general. “Increasing trade restrictions will contribute to higher costs both for production and consumption.”President Trump has imposed tariffs — including a sweeping 25 percent penalty on foreign steel and aluminum — on once-close allies like Canada, Mexico, the European Union, Japan and Britain, as well as on longtime rivals like China. Most have already issued countermeasures or have threatened to. Mr. Trump has vowed to impose another round of tariffs next month.One result of the tariffs is that inflation looks to be rising faster than previously thought, the O.E.C.D. said, explaining why it revised its previous estimate, published in December. Both business and consumer confidence have also ebbed.The outlook for the 20 countries that use the euro is limp. This year, growth is expected to increase 1 percent; next year, it should rise to 1.2 percent. The grimmest forecast is for Mexico, where growth is expected to decline to negative 1.3 percent this year and negative 0.6 percent in 2026.India, by contrast, is on track to record the strongest growth, according to the O.E.C.D. report, which estimates that gross domestic product, which rose last year to 6.3 percent, will increase to 6.4 percent in 2025 and 6.6 percent in 2026. China’s economy, too, looks to be in better health, with 4.8 percent growth expected in 2025 and 4.4 percent in 2026. If trade restrictions escalate, inflation could rise and economic growth could decline even more than anticipated, the organization warned.The one potential bright spot is artificial intelligence, said Álvaro Santos Pereira, the group’s chief economist. A.I. is expected “to significantly boost labor productivity growth over the next decade,” he said, with even greater gains if combined with advances in robotics. More

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    In ‘Weather Girl,’ Climate Change Sets Off a Meltdown

    A new one-woman show from the producer of “Baby Reindeer” and “Fleabag” is an irreverent allegory about wildfires and global warming.At the Soho Theater in London, a beleaguered weather reporter is giving double meaning to the phrase “hot mess.” The setting is drought-stricken Fresno, Calif., where temperatures are sweltering and wildfires rage on the city outskirts. The presenter, Stacey Gross, has a telegenic glamour and some peppy catchphrases, but underneath is an angst-ridden functioning alcoholic who secretly quaffs Prosecco on the job. She suspects her TV station is misleading viewers about the role that climate change has played in the fires, and as the heat wave progresses she has a meltdown, embarking on a cathartic, booze-fueled rampage featuring wanton destruction, kidnapping and karaoke.“Weather Girl” has arrived in London amid plenty of hype, following a successful run at last year’s Edinburgh Festival Fringe. The show’s producer, Francesca Moody, has a knack of turning Fringe plays into television hits — she was behind “Fleabag” and “Baby Reindeer” — and a Netflix adaptation of “Weather Girl” is already in development, according to the trade publication Deadline. The show’s title character is played by Julia McDermott, who also takes several other parts in this lively but slightly undercooked one-woman show, an irreverent but serious climate change allegory that runs through April 5.The show’s title character has a telegenic glamour but underneath is an angst-ridden functioning alcoholic who secretly quaffs Prosecco on the job.Pamela RaithWearing a bright blouse, hot pink skirt and heels, McDermott performs on a bare stage, with just a colored screen behind her as an allusive backdrop. Her only prop is a trusty Stanley Tumbler. Over the course of 60 frenetic minutes, her character regales the audience in a fraught, high-tempo monologue about Stacey’s escapades in drinking holes with names like Malibu Nights and the Antelope Lounge. We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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    Trump Says Biden’s Pardons are ‘Void’ and ‘Vacant’ Because of Autopen

    President Trump wrote on social media on Sunday night that he no longer considered valid the pardons his predecessor granted to members of the bipartisan House committee that investigated the Jan. 6, 2021, attacks on the Capitol, and a range of other people whom Mr. Trump sees as his political enemies, because they were signed using an autopen device.There is no power in the Constitution or case law to undo a pardon, and there is no exception to pardons signed by autopen. But Mr. Trump’s assertion, which embraced a baseless right-wing conspiracy theory about former President Joseph R. Biden Jr., was a new escalation of his antidemocratic rhetoric. Implicit in his post was Mr. Trump’s belief that the nation’s laws should be whatever he decrees them to be. And it was a jolting reminder that his appetite for revenge has not been sated.“The ‘Pardons’ that Sleepy Joe Biden gave to the Unselect committee of Political Thugs, and many others, are hereby declared VOID, VACANT, AND OF NO FURTHER FORCE OR EFFECT, because of the fact that they were done by Autopen,” Mr. Trump wrote in a post on social media on Sunday night. “In other words, Joe Biden did not sign them but, more importantly, he did not know anything about them!”The use of autopen is an ordinarily uncontroversial aspect of governance; it was first used to sign a bill into law at the direction of a president in 2011, when former President Barack Obama was traveling in Europe and wanted to sign a piece of legislation that Congress passed extending the Patriot Act another four years.After Mr. Trump posted about the autopen and the pardons Sunday night, a reporter in the traveling press pool on Air Force One asked him to elaborate, and he seemed to briefly back away from the extraordinary idea he had just posted.Would other things Mr. Biden signed as president using an autopen also be considered null and void, he was asked.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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    Trump Administration’s Cuts to Housing Nonprofits Fuel Concerns Over Discrimination

    “Soon there’ll be no enforcement,” said Representative Maxine Waters of California. “We really are going to go backward.”Representative Maxine Waters of California and Senator Elizabeth Warren of Massachusetts say they are banding together to fight the Trump administration’s recent cuts that they say will leave Americans unprotected from housing discrimination.On Monday, the two Democrats delivered a letter to Housing and Urban Development secretary Scott Turner that said cutbacks to fair housing initiatives will “embolden housing discrimination” and put “people’s lives at risk.” The letter has 108 signatures, all from Democrats in Congress.The action comes on the heels of lawsuits filed last week against HUD and Elon Musk’s Department of Government Efficiency by four local fair housing organizations that are hoping to make their case class action. Under the DOGE cost-cutting plan, at least 66 local fair housing groups — whose purpose is to enforce the landmark Fair Housing Act that prohibits discrimination in real estate — face the sudden rescission of $30 million in grants.Mr. Turner has also forecast that he will slash staff by 50 percent at the agency and by 77 percent at its Office of Fair Housing and Equal Opportunity, which enforces the Fair Housing Act at the federal level.“Soon there’ll be no enforcement,” Ms. Waters said in an interview. “We really are going to go backward.”Ms. Warren said that if housing discrimination is left unchecked, it will freeze more Americans out of a volatile housing market, adding that seniors, people with disabilities, Blacks and Latinos are most at risk of losing their homes in the volatile market.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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    Find the Hidden Book Titles by Irish Authors and Poets

    The circle of friends, all in starter jobs and trying to juggle the commitments of their jobs, tried to meet up at least one night a month, knowing it was small things like these get-togethers that made the city better.The gathering always took place beside the Brooklyn Bridge, at a restaurant between the old coffee barge that hosted chamber music and the busy lobster-roll shack that was a haven for hungry sea gulls ransacking the tower of food trash.Just as the table chatter turned to league football, a tiki-bar boat full of baseball fans dancing on deck with Mr. and Mrs. Met blasted by at top volume. “That’s enough to make normal people think they were seeing things,” said Sean.“’Tis,” said Brendan. “The East River may lack the stoic charm of the sea but you can’t beat it for the entertainment.”The circle of friends, all in starter jobs and trying to juggle the commitments of their jobs, tried to meet up at least one night a month, knowing it was small things like these get-togethers that made the city better.The gathering always took place beside the Brooklyn Bridge, at a restaurant between the old coffee barge that hosted chamber music and the busy lobster-roll shack that was a haven for hungry sea gulls ransacking the tower of food trash.Just as the table chatter turned to league football, a tiki-bar boat full of baseball fans dancing on deck with Mr. and Mrs. Met blasted by at top volume. “That’s enough to make normal people think they were seeing things,” said Sean.“’Tis,” said Brendan. “The East River may lack the stoic charm of the sea but you can’t beat it for the entertainment.”The circle of friends, all in starter jobs and trying to juggle the commitments of their jobs, tried to meet up at least one night a month, knowing it was small things like these get-togethers that made the city better.The gathering always took place beside the Brooklyn Bridge, at a restaurant between the old coffee barge that hosted chamber music and the busy lobster-roll shack that was a haven for hungry sea gulls ransacking the tower of food trash.Just as the table chatter turned to league football, a tiki-bar boat full of baseball fans dancing on deck with Mr. and Mrs. Met blasted by at top volume. “That’s enough to make normal people think they were seeing things,” said Sean.“’Tis,” said Brendan. “The East River may lack the stoic charm of the sea but you can’t beat it for the entertainment.” More

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    How I Survived Heart Surgery

    A writer explores how a Jewish ritual changed her relationship with mortality.I had a hole in my chest.Three weeks had passed since my open-heart surgery. My body was rejecting some of my stitches, spitting them out like rotten food.“It should heal on its own,” the doctor said as she used tweezers to pack the wound with gauze.She was perched just below my neck with her headlight on full blast. I wanted to turn away, but I needed to know: How deep did this hole actually go?A few weeks earlier, I’d checked into this same building to undergo the surgery I had studiously avoided. There was no definitive sign or test to say “it was time,” but the worsening symptoms made my ailing heart impossible to ignore. A dash to catch a train sent me into a full asthma attack, climbing stairs had become a breathless activity. It was time to accept reality: This wasn’t the version of my heart that could carry me into old age.At 43, there would be no “good time” to take 12 weeks off. There was a demanding small business and my aging parents.“I just didn’t have the room in my schedule,” I told a friend.“Listen to yourself,” she said. “This is not a conference. This is an organ.”I worried about my husband. How would he manage? What about our kids? Would they be traumatized watching me go through this? And there was always the risk of complications and the fact that I might not be better off afterward. Still, like the good girl that I am, I picked a surgery date.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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    In Ukraine’s Frontline Town of Sloviansk, a Taste of Normalcy Beckons

    Serhii Kovalov doesn’t like sushi. Nor does the sushi chef at his restaurant in eastern Ukraine.But when customers started asking for it, Mr. Kovalov navigated both enemy shelling and ordinary supply-chain issues to get fresh fish for Philadelphia rolls to his frontline town, Sloviansk.Now, as Russian forces have drawn closer and life gets more bleak, many Sloviansk residents are weighing whether to flee. Not Mr. Kovalov. He’s determined to keep serving sushi to soldiers and civilians who are seeking comfort, sustenance or a taste of something special after more than three years of war.“I know I’m needed here,” the 30-year-old Mr. Kovalov said, gesturing at the restaurant and the town outside that has long been in Russia’s cross hairs. “So I stay.”Sushi has long been wildly popular in Ukraine, and for people in Sloviansk, this treat provides a sense of much-needed normalcy.When Sloviansk came under attack in February 2022 when Russia’s full-scale invasion began, sushi wasn’t even on the menu at Mr. Kovalov’s restaurant, Slavnyi Horod, or “Glorious City.”Serhii Kovalov, the restaurant’s owner, in front of an apartment he was living in with his wife when it was hit by a Russian missile in 2022.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More