Aurelia Butler

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    Warner Bros. Still Awaits David Zaslav’s Promised Renaissance

    David Zaslav promised to revive the storied film studio when he took over Warner Bros. Discovery. That was three years ago.David Zaslav blew into Hollywood in 2022 like a tornado of fresh air, telling anyone who would listen about his rejuvenation plans for Warner Bros.As a lifelong television executive, he was new to the film business. But the merger of Discovery and WarnerMedia had put him in charge of the most storied studio left standing — a troubled Warner Bros. — and the solution to its woes, he said at the time, was relatively straightforward.Make more movies for exclusive theatrical release. Make a wider variety of movies, not just big-budget spectacles. And then watch multiplexes fill up. “This business could be bigger and stronger than its ever been,” Mr. Zaslav said at a 2023 convention of movie theater owners, to jubilant applause.Yet two years later, the movie business finds itself weaker than it has ever been. Ticket sales are down 40 percent compared with 2019, just before the pandemic sped a consumer shift to streaming, according to Comscore, which compiles box office data.And one reason (among many) involves Mr. Zaslav’s Warner Bros.Warner Bros. has delivered only one homegrown hit over the last year. That was “Beetlejuice Beetlejuice,” which was released in September. Since then, the studio has whiffed five times. “Joker: Folie à Deux” died on arrival in October. “The Lord of the Rings: The War of the Rohirrim” fizzled in December. “Companion,” a low-budget thriller, came and went in January. “Mickey 17,” an expensive science-fiction adventure, bombed this month.“The Alto Knights” — a mob drama starring Robert De Niro that Mr. Zaslav personally championed — added to the carnage last weekend. It cost roughly $50 million to make and another $15 million to market, but sold a mere $3.2 million in tickets over its first three days. That made the film a near-complete wipeout; studios and theaters split ticket sales roughly 50-50.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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    Trump Auto Tariffs: How Major Car Brands Would Be Affected

    The tariffs on cars and auto parts that President Trump announced on Wednesday will have far-reaching effects on automakers in the United States and abroad.But there will be important differences based on the circumstances of each company.TeslaThe company run by Mr. Trump’s confidant, Elon Musk, makes the cars it sells in the United States in factories in California and Texas. As a result, it is perhaps the least exposed to tariffs.But the company does buy parts from other countries — about a quarter of the components by value in its cars come from abroad, according to the National Highway Traffic Safety Administration.In addition, Tesla is struggling with falling sales around the world, in part because Mr. Musk’s political activities and statements have turned off moderate and liberal car buyers. Some countries could seek to retaliate against Mr. Trump’s tariffs by targeting Tesla. A few Canadian provinces have already stopped offering incentives for purchases of Tesla’s electric vehicles.General MotorsThe largest U.S. automaker imports many of its best selling and most profitable cars and trucks, especially from Mexico where it has several large factories that churn out models like the Chevrolet Silverado. Roughly 40 percent of G.M.’s sales in the United States last year were vehicles assembled abroad. This could make the company vulnerable to the tariffs.But unlike some other automakers, G.M. has posted strong profits in recent years and is considered by analysts to be on good financial footing. That could help it weather the tariffs better than other companies, especially if the levies are removed or diluted by Mr. Trump.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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    Bondi Indicates Signal Chat Episode Will Not Be Criminally Investigated

    Attorney General Pam Bondi signaled on Thursday that there was unlikely to be a criminal investigation into the sharing of military operation details in an unsecured text group, declaring that the specifics of when fighter jets would depart and when bombs would fall were “not classified.”Ms. Bondi, speaking at a news conference in Virginia, was asked about the public debate surrounding Defense Secretary Pete Hegseth after he sent details of a coming attack on rebels in Yemen to senior administration officials in a Signal group chat that accidentally included a magazine editor.“It was sensitive information, not classified, and inadvertently released,” Ms. Bondi said, while praising the military operation that ensued.“What we should be talking about is, it was a very successful mission,” she said, before quickly accusing Democrats from previous administrations of mishandling classified information.“If you want to talk about classified information, talk about what was in Hillary Clinton’s home,” she said. “Talk about the classified documents in Joe Biden’s garage, that Hunter Biden had access to.”The Justice Department opened investigations into Mrs. Clinton and Mr. Biden in those instances, but neither ultimately faced criminal charges. She did not mention the prosecution of Mr. Trump over his handling of classified documents after his first term in office — a case which was ultimately abandoned when he won a second term.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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    New York Court Blocks Texas From Filing Summons Against Doctor Over Abortion Pills

    The showdown catapults the interstate abortion wars to a new level.A New York state court on Thursday blocked Texas from filing a legal action against a New York doctor for prescribing and sending abortion pills to a Texas woman.The unprecedented move catapults the interstate abortion wars to a new level, setting the stage for a high-stakes legal battle between states that ban abortion and states that support abortion rights.The dispute is widely expected to reach the Supreme Court, pitting Texas, which has a near-total abortion ban, against New York, which has a shield law that is intended to protect abortion providers who send medications to patients in other states.New York is one of eight states that have enacted “telemedicine abortion shield laws” after the Supreme Court overturned the national right to an abortion in 2022. The laws prevent officials from extraditing abortion providers to other states or from responding to subpoenas and other legal actions — a stark departure from typical interstate practices of cooperating in such cases.The action by the New York court is the first time that an abortion shield law has been used.This case involves Dr. Margaret Daley Carpenter of New Paltz, N.Y., who works with telemedicine abortion organizations to provide abortion pills to patients across the country. In December, the Texas attorney general, Ken Paxton, sued Dr. Carpenter, who is not licensed in Texas, accusing her of sending abortion pills to a Texas woman, in violation of the state’s ban.Dr. Carpenter and her lawyers did not respond to the lawsuit and did not show up for a court hearing last month in Texas. Judge Bryan Gantt of Collin County District Court issued a default judgment, ordering Dr. Carpenter to pay a penalty of $113,000 and to stop sending abortion medication to Texas.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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    Under Trump, Kennedy Center’s Classical Offerings Will (Mostly) Go On

    The Kennedy Center’s flagship opera company and symphony orchestra announced Thursday that they plan to present robust and fairly typical programs next season, the first full season since President Trump took over the institution.But one prominent work was missing from the lineup: Gregory Spears and Greg Pierce’s “Fellow Travelers,” an opera set in the 1950s about two men working for the government who become lovers. The work was withdrawn by its creators because of concerns about Mr. Trump’s takeover, according to a letter obtained by The New York Times.Washington National Opera said the 2025-26 season would include classics like Verdi’s “Aida” and less commonly heard works like “Treemonisha,” an opera by the ragtime composer Scott Joplin. The National Symphony Orchestra is planning warhorses by Tchaikovsky and Shostakovich and world premieres by Carlos Simon, the Kennedy Center’s composer in residence; Valerie Coleman; and others.In a sign of the political sensitives at the Kennedy Center, the leaders of the opera and the symphony declined to be interviewed about the new season.The center has been in flux since Mr. Trump purged its previously bipartisan board of Biden appointees and had himself elected chairman. The president’s actions have prompted an outcry, leading some artists to cancel engagements there in protest. The musical “Hamilton” scrapped a planned tour there next year.The classical field, in which seasons are planned years in advance, has largely been unaffected. But the creators of “Fellow Travelers,” an opera based on the 2007 novel by Thomas Mallon, confirmed this week that they were pulling the work, which was supposed to have its Washington premiere next year.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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    Jazzed About Abstraction: Jack Whitten’s Show Is a Peak MoMA Moment

    “I’m a product of American Apartheid,” the artist Jack Whitten wrote, a blunt fact that led him to project, in his art, a very different reality, one of “infinite diversity in infinite combinations.” It was a vision that propelled and buoyed him through a nearly six-decade career. “This is why I get up in the morning,” he wrote, “and go to work!”And how very lucky we are, at a moment when references to diversity and difference are being scrubbed from accounts of our national history, to have a refreshing tidal wave of a Whitten career retrospective sweeping and scintillating through the special exhibition galleries on the Museum of Modern Art’s sixth floor.Titled “Jack Whitten: The Messenger,” the show encompasses some 180 paintings, sculptures and works on paper, from a 1963 art-school collage to a final painting from just before he died in 2018. Over that span Whitten called every studio he worked in a “laboratory,” and every piece of art he made an “experiment.” And, indeed, much of what’s in the show challenges ready definition.Whitten at his studio in 1974 with a large rake-like tool that he had made to apply a wide layer of paint to a horizontal canvas.Paul Viani, via The Museum of Modern Art, New YorkSuch is the case with a piece called “The Messenger (for Art Blakey)” installed just outside the first gallery. From a distance it could be a photograph of a star-drenched night sky, or of clouds of foam on a dark sea. Or it could a painting with white paint glopped and dripped, Abstract Expressionist-style, on a black ground. Get close and you find that, in fact, it’s a large rough-textured mosaic pieced together from thousands of pixel-like cubes of dried paint.You consult the title for meaning: Art Blakey, Black drummer extraordinaire, leader in the 1950s of the hardbop group called the Jazz Messengers. Suddenly the glops and drips look sonic, like musical bursts and pings.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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    Scowl Made Hardcore Purists Angry. Now the Band Is Doubling Down.

    The punk band fronted by Kat Moss wound its way from a local scene to national attention. Its second album, “We Are All Angels,” unpacks the pain of the journey.Last fall, on the second-floor stage of a cramped tavern called Neck of the Woods in San Francisco, Kat Moss was throwing elbows, shoving men twice her size into a packed circle pit and screaming into a microphone.Moss, the frontwoman for the Bay Area hardcore band Scowl, held her own. In the tight-knit circle of Northern California punks, this sweating, pulsing, tattoo-covered cluster of bodies were her people. Just before midnight, the crowd streamed out of the swampy bar into the cold air, bruised and smiling. In this crowd, stage diving, moshing and the occasional foot to the face all come from a place of love.But as Scowl’s star has risen from a group of underdogs playing house shows across the West Coast to a broader national audience, Moss and her four bandmates have been engaged in a different kind of fight — one with the gatekeepers who believe the band isn’t hardcore enough.The band was blasted on message boards and social media in 2023, accused of “selling out” when it struck a brand deal with a corporate sponsor. (Many hardcore contemporaries have done similar ones.) The group later took heat for putting out what some saw as pop sensibility masquerading as punk. Scenesters chafed when megastars like Post Malone and Hayley Williams of Paramore said they were fans of the group. And some of the most aggressive purists didn’t appreciate Moss’s proclivity for posting beauty tutorials on her personal social media channels. (Her mop of neon lime hair is hard to miss in a crowd.)Scowl isn’t shying away from the conflict. Instead, its members want to push the limits of their sound and what they feel hardcore music can be. With Scowl’s second album, “Are We All Angels” out April 4, the group is moving from the stalwart hardcore label Flatspot Records to Dead Oceans — home to Phoebe Bridgers and Mitski. It has enlisted Will Yip, a producer known for broadening the sound of punk bands. And it has leaned more into a slower, heavier sound with grungy riffs and catchier choruses.Scowl’s members want to push the limits of their sound and what they feel hardcore music can be. Mariano Regidor/Redferns, via Getty ImagesWe are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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    Turkey Deports BBC Reporter Who Covered Mass Protests

    Mark Lowen was detained in Istanbul after reporting on unrest prompted by the arrest of a rival of President Recep Tayyip Erdogan, the broadcaster said.The BBC said on Thursday that Turkey had deported a correspondent who was covering the antigovernment protests in the country, after he was detained and labeled “a threat to public order.”The broadcaster said in a statement that Mark Lowen, who had been in the country for several days, was taken from his hotel on Wednesday and held for 17 hours. He arrived in London on Thursday morning.“No journalist should face this kind of treatment simply for doing their job,” said Deborah Turness, the chief executive of BBC News, who described the detention and deportation as “an extremely troubling incident.”“We will continue to report impartially and fairly on events in Turkey,” she added, and said that the BBC would reach out to the Turkish authorities.Mr. Lowen was in Turkey reporting on the political crisis sparked by the arrest last week of Ekrem Imamoglu, the mayor of Istanbul and President Recep Tayyip Erdogan’s top rival, on accusations of corruption and supporting terrorism. Hundreds of thousands of Turks have protested in cities across the country since his arrest. About 170 people have been jailed pending trial, the country’s interior ministry said as of Wednesday.Mr. Imamoglu, who was subsequently removed from his post as mayor and jailed pending trial on the corruption charges, said his arrest was politically motivated. Critics of Mr. Erdogan said the moves were the latest example of his increasingly authoritarian tactics after two decades in power.Mr. Lowen, a well-known correspondent who had previously lived in Turkey for five years, was not the only journalist to be caught up in the crackdown. Of the more than 1,300 people that the interior ministry has said have been arrested in connection with the protests, 11 were journalists. Seven of the detained reporters, including a photographer for the French news agency Agence France-Presse, were released without charge on Thursday.“To be detained and deported from the country where I previously lived for five years and for which I have such affection has been extremely distressing,” Mr. Lowen said in a statement. “Press freedom and impartial reporting are fundamental to any democracy.”Turkey did not announce the deportation and Turkish officials did not immediately respond to a request for comment.Ben Hubbard More