Aurelia Butler

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    He’s the Face of a White House Press Corps Under Attack by Trump

    Eugene Daniels, president of the White House Correspondents’ Association, is pushing back on the administration’s hostility to reporters as he navigates a move to MSNBC from Politico.Eugene Daniels didn’t plan on being the face of the White House press corps in the dawn of a new administration hostile to the news media.But because of a clause in the bylaws of the White House Correspondents’ Association, an 800-strong group of journalists who report on the president, he was next in line after Kaitlan Collins, the CNN star who was elected 2024-25 president of the association, had to step aside because of a move to New York.Mr. Daniels, 36, a co-author of Politico’s Playbook newsletter, has now emerged as a key figure in an escalating fight between the Trump White House and the news media over press access and freedom. And he’s balancing his role at the association, which is unpaid volunteer work, with his career, moving this month to a new on-air job at MSNBC.“We’re all competitors, fierce competitors, and the White House beat is tough, but at the same time, when it’s time to stand together, folks actually do that,” Mr. Daniels said of the correspondents’ association in an interview. “It’s unfortunate that this is where we are.”The Trump administration has made no secret of its contempt for reporters, but its actions in recent weeks have shocked many news outlets.President Trump first directed his communications team to bar The Associated Press from the press pool, a rotating group of reporters that travels with the president, and from spaces like the Oval Office and Air Force One. That was in retaliation for The A.P.’s continued use of “Gulf of Mexico” after Mr. Trump’s executive order to change the geographical name to Gulf of America. (Dozens of media outlets, including CNN, The New York Times and Fox News, protested the decision, and The A.P. has filed a First Amendment lawsuit.)We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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    The Best Dressed Men at the 2025 Oscars Skipped the Traditional Tuxedo

    At last night’s Oscars the men who skipped the penguin suits stole the spotlight. Stylists and brands should pay attention.If you wish to fully grasp Timothée Chalamet’s Oscars suit, you may do better to consult a food reporter rather than a fashion critic.They might be able to tell you the outfit was a shade of French butter. Or was it egg yolk? Perhaps just lemon?Whatever the tint of his monochrome look, Mr. Chalamet’s effervescent not-a-tux was the consensus gotta-talk-about-it outfit of the evening. There was certainly much to scrutinize. The jacket was cropped like a maitre d’s uniform. A tie? Overlooked. In its place, a dot of a pearl collar. The pants, which weren’t even suit pants but were, in fact, shaped like five pocket jeans, puddled indifferently around his glossed black boots.Timothée Chalamet was nominated for his role in “A Complete Unknown.” Nina Westervelt for The New York TimesIt’s unclear if this outfit was nodding to an outfit Bob Dylan once wore, as some of Mr. Chalamet’s carpet looks have during this award’s season sprint, but his Oscars look at least had the spirit of Dylan. (This critic’s theory: It was “Blonde on Blonde” in outfit form.) This was a suit that smirked at ceremony but felt glamorous and elevated despite it’s provocation.The unusual red carpet outfit also provided a crucial preview for Givenchy, who made it specially for Mr. Chalamet.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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    On Mexico’s Once-Packed Border, Few Migrants Remain

    On the eve of President Trump’s deadline to impose tariffs on Mexico, one thing is hard to miss on the Mexican side of the border: The migrants are gone.In what were once some of the busiest sections along the border — Ciudad Juárez, Tijuana, Matamoros — shelters that used to overflow now hold just a few families. The parks, hotels and vacant buildings that once teemed with people from all over the world stand empty.And on the border itself, where migrants once slept in camps within feet of the 30-foot wall, only dust-caked clothes and shoes, rolled-up toothpaste tubes and water bottles remain.“All that is over,” said the Rev. William Morton, a missionary at a Ciudad Juárez cathedral that serves migrants free meals. “Nobody can cross.”Last week, the U.S. Department of Homeland Security secretary, Kristi Noem, announced that Customs and Border Protection had apprehended only 200 people at the southern border the Saturday before — the lowest single-day number in over 15 years.Mr. Trump has credited his crackdown on illegal immigration for the plunging numbers, even as he has also announced he will send thousands more combat forces to the border to stop what he calls an invasion.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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    The Fairy Tale Night of Sean Baker, Director of Dreams Gone Awry

    Baker’s four Oscars for “Anora” are validation of his sensitive portrayals of people on the margins who always seem to come up short.Sean Baker came equipped with extra speeches, and that was wise: On the night of the Oscars, he wound up onstage four times to receive four statues.That’s not just unusual. It’s almost unheard-of.Baker’s film “Anora,” about a sex worker in the Brighton Beach neighborhood of Brooklyn who marries the son of a Russian oligarch and then watches it all go sideways, earned five Oscars overall on Sunday. One went to its ingénue star, Mikey Madison, and four to Baker: best director, best original screenplay, best editing and best picture.By taking home four Oscars on a single night, Baker joins just one other luminary: none other than Walt Disney, who pulled off the same trick in 1954. That year, Disney won best documentary feature (“The Living Desert”), best documentary short subject (“The Alaskan Eskimo”), best cartoon short subject (“Toot, Whistle, Plunk and Boom”) and best two-reel short subject (“Bear Country”).But even Disney didn’t pull off Baker’s feat: earning four Oscars on one night for the same movie. Doing so requires wearing a lot of hats, and Baker, who started his career in ultra-low-budget independent films, has a deep hatrack.Movies are a collaborative art, and even the most hands-on filmmakers work with a team of artists and craftspeople. But writing, directing, editing and producing a film leaves a distinctive personal mark. Disney, who was heavily involved with his studio’s projects, certainly did so. Similarly, “Anora” audiences who know Baker’s work probably spotted his fingerprints from the moment the film starts. (And not just because Baker emulates John Carpenter, Woody Allen, Stanley Kubrick and Wes Anderson by sticking with one typeface for the titles of all his films — Aguafina Script Pro, if you were wondering.)One of Baker’s hallmarks, the one people most often associate with him, is a focus on people who live on the margins of society, especially but not exclusively sex workers.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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    Read the Memo

    Pending Obligation ($) –
    Appropriated ($)
    Obligation Paused by EO
    Percent (%)
    HL.1 HIV/AIDS
    HL.2 Tuberculosis
    330,000,000
    73,843,370
    22.38%
    394,500,000
    307,064,905
    77.84%
    HL.3 Malaria
    795,000,000
    669,862,736
    84.26%
    HL.4 Global Health Security
    700,000,000
    675,948,708
    96.56%
    HL.5 Other Public Health Threats
    130,500,000
    90,522,107
    69.37%
    HL.6 Maternal and Child Health
    915,000,000
    514,965,280
    56.28%
    HL.7 Family Planning and
    Reproductive Health
    HL.9 Nutrition
    ES.4 Vulnerable Children
    523,950,000
    55,633,306
    10.62%
    165,000,000
    144,297,173
    87.45%
    31,500,000
    31,500,000
    100.00%
    3,985,450,000
    2,563,637,585
    64.32%
    TOTAL
    Notes: These figures are likely underestimates of the amounts planned but with obligation paused from moving to
    implementing partners, as they do not account for funds bilaterally obligated into a USAID Mission Development
    Objective Agreement, which are no longer able to be subobligated to partners. FY24 funds are the most recent year
    of health resources available to USAID, as no FY25 GHP-USAID resources have yet been appropriated, and the
    Agency has not sought access to any of these resources under the current Continuing Resolution. All GHP-USAID
    resources from appropriation years prior to FY24 were 100% obligated in advance of their expiration.
    Of the total GHP-USAID resources appropriated directly to USAID from all fiscal years, at least
    $5.143B is currently obligated to implementing partners but not yet expended/disbursed – this
    total (100%) has been suspended as a result of the foreign assistance pause and related
    terminations from further use towards the specific health objectives mandated by Congress and
    described above.
    Estimated Amounts of Previously Obligated GHP-USAID Funding (All FYs) Paused from
    Expenditure/Disbursement, by Congressionally Directed Program Area
    Obligated to Implementing Partners and Currently
    Paused from Expenditure/Disbursement ($)
    HL.1 HIV/AIDS
    HL.2 Tuberculosis
    HL.3 Malaria
    HL.4 Global Health Security
    HL.5 Other Public Health Threats
    HL.6 Maternal and Child Health
    1,517,719,650
    432,931,737
    536,862,171
    645,082,469
    91,529,255
    669,510,301
    19 More

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    ‘The White Lotus’ Season 3, Episode 3: The Snake Show

    The guests are getting restless, and Mike White seems ready to start making messes.Season 3, Episode 3: ‘The Meaning of Dreams’In last week’s “The White Lotus,” the three gal-pals — who are supposed to be on a bonding trip in Thailand — took turns pairing off and, in insinuating whispers, tearing each other apart. Kate and Jaclyn muttered anxiously about Laurie’s draining divorce, stalled career and delinquent daughter. Kate and Laurie took shots at Jaclyn’s cosmetic procedures and sham marriage.So who does that leave? Ah yes, Kate. When will she leave the room and get snipped to bits by her oldest and dearest?It happens this week — and it partly happens to her face. And Kate is not the only one who feels a bit bummed out and betrayed in this episode. On Day 3 at the White Lotus, the guests are getting restless. After two hours spent creating a context for various situations to go awry, the show’s creator, Mike White, seems ready to start making those messes.Let’s start with the Kate scenes, which, in a way, represent this episode’s biggest moments of shocking violence — if emotional violence counts. The inciting incident for the Kate takedown is an “energy healing” session Laurie has with Valentin. The other ladies have been urging Laurie to have a fling with the Vladivostok-born Valentin. (It’s a fling kind of weekend, they say. Plus, Valentin insists he left Russia before the Ukraine invasion, so he is not politically problematic … probably.)White goes hard with the sound design and editing during the energy healing session. As Valentin holds his hands just above Laurie’s body, the soundtrack is filled with eruptive moans and sighs, woven through the percussive, chiming musical score. When the ladies reunite, Laurie jokes, “I haven’t been not-touched by a man like that in a long time.”That’s when Kate makes a surprising confession: She finds all this new age healing stuff “goofy,” “spooky” and “kind of witchy.” When Jaclyn suggests that eastern spiritual practices are superior to Christianity because they are more empowering to women, Kate defends the church she has been attending since moving to Texas. This leads to several probing questions. Is this, like, a “real Texan church, with bible-thumpers?” (Kate, noncommittal: “They’re nice people, really good families.”) Does talking politics ever get awkward? (“Why would it?”) Is Kate a conservative now? (“I’m an independent.”) Did Kate vote for Trump? (Long pause, and then, “Are we really gonna talk about Trump tonight?”)We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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    Khalil Fong, Hong Kong Singer-Songwriter, Dies at 41

    Singing in both Mandarin and English, he brought a soul and R&B sensibility to Chinese pop.Khalil Fong, a Hong Kong singer-songwriter who infused a soul and R&B sensibility into Chinese pop songs, died on Feb. 21. He was 41.His death was announced on Saturday by his record label, Fu Music. The announcement did not say where Mr. Fong had died or specify a cause of death, but it said he had battled a “relentless illness” for five years.Beloved for its soulful vocals and distinctive blend of soul and Mandarin pop, Mr. Fong’s music found an audience in Hong Kong, mainland China and much of the wider Chinese-speaking world.“Trying to introduce soul music, or soul R&B, was not the easiest thing,” he said in a 2016 interview with The South China Morning Post, noting that the genre was not widely embraced in the region. “One of the things I wanted to do was to introduce this type of music within the context of Chinese language.”He broke into the popular music scene in 2005, when Warner Music Hong Kong released his funky, syncopated debut album, “Soulboy.” In the following decade, he released eight albums and performed in stadiums and large concert halls around the world, wearing his signature thick black glasses.But Mr. Fong’s career was cut short by health problems, and in recent years he had largely retreated from the public eye. Inspiration never stopped flowing, however, and he sporadically released singles.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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    Morgan Freeman Honors Gene Hackman at Oscars

    Morgan Freeman honored Gene Hackman at the Academy Awards on Sunday, opening the telecast’s in memoriam segment by saying that the film community had “lost a giant.”Last week, Hackman, 95, and his wife, Betsy Arakawa, 65, were found dead in their home in New Mexico. In recent days, the question of how they died has consumed Hollywood and bewildered the community of Santa Fe.Freeman appeared with Hackman in the 1992 western “Unforgiven,” which won Hackman his second Oscar, and the 2000 thriller “Under Suspicion.”“Like everyone who ever shared a scene with him, I learned he was a generous performer and a man whose gifts elevated everyone’s work,” Freeman said.Calling Hackman a “dear friend,” Freeman noted that the actor often said that he did not think about his legacy but hoped that people would remember him “as someone who tried to do good work.”“So I think I speak for us all when I say, Gene, you’ll be remembered for that, and for so much more,” Freeman said.The producers of the telecast had only a few days to decide how they would honor one of the giants of acting. On Wednesday, law enforcement found Mr. Hackman’s body in the mud room of his home outside Santa Fe, next to his cane and sunglasses. Ms. Arakawa’s body was discovered in a bathroom, near an open prescription bottle and pills scattered on the countertop.An examination of Mr. Hackman’s pacemaker indicated that the actor had died on Feb. 17, the Santa Fe County sheriff said. A detective wrote in an affidavit that Ms. Arakawa’s body had shown signs of decomposition and that Mr. Hackman showed signs of death “similar and consistent” with his wife.It could take weeks or longer for investigators to piece together a timeline as they interview the couple’s contacts and wait for toxicology results and autopsy reports. More