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    CUNY Removes Palestinian Studies Job Listing on Hochul’s Orders

    The language in the listing included terms — like “settler colonialism,” “apartheid” and “genocide” — that Jewish groups said were offensive when applied to Israel.When Nancy Cantor became president of Hunter College last fall, she asked faculty, students and staff what they wanted from the school. One answer was more attention to Palestinian studies.Faculty members began working on possible approaches. They came up with a plan for two tenure-track faculty positions that would cross several departments and began drafting job descriptions.The Hunter College job listing for Palestinian studies called for scholars who could “take a critical lens” to issues including “settler colonialism, genocide, human rights, apartheid” and other topics.When the listing was posted last weekend, Jewish groups protested the inclusion of words that they said are antisemitic when applied to Israel. Their objections were first reported in The New York Post.By Tuesday, Gov. Kathy Hochul demanded that the college, a part of the City University of New York, take down the listing.“Governor Hochul directed CUNY to immediately remove this posting and conduct a thorough review of the position to ensure that antisemitic theories are not promoted in the classroom,” a spokesperson said in a statement, adding, “Hateful rhetoric of any kind has no place at CUNY or anywhere in New York State.”We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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    Stunned U.S.A.I.D. Workers Return to Clean Out Their Desks

    Democrats said a review mandated by executive order was “not a serious effort or attempt at reform.”Workers for the U.S. Agency for International Development who had been fired or placed on leave returned to their offices on Thursday to retrieve personal belongings, many still dumbfounded by the Trump administration’s sudden dismantlement of the 63-year-old aid delivery agency.Hundreds of workers who just one month ago never imagined that they would soon lose their jobs en masse returned to the Ronald Reagan Building and International Trade Center in downtown Washington.They were given just 15 minutes each to clear out their old desks.The somber return came a day after the Trump administration revealed in court documents that it had completed a review of all U.S. foreign aid programs and was canceling nearly 10,000 contracts and grants, eliminating about 90 percent of U.S.A.I.D.’s work.The agency’s annual budget of about $40 billion pays for the distribution of food and medicine, as well as disaster relief, disease monitoring, development work, and pro-democracy and civil society programs. Its work has been heavily concentrated in poor and developing countries in Africa and Asia.Foreign aid makes up less than 1 percent of the federal budget.Supporters offered boxes and packing supplies to help fired U.S.A.I.D. workers clean out their desks on Thursday. Anna Rose Layden for The New York TimesIn a joint statement, Democrats on the Senate Foreign Relations Committee denounced the canceled funding, calling the foreign aid review — mandated by an executive order President Trump signed shortly after taking office last month — “not a serious effort or attempt at reform but rather a pretext to dismantle decades of U.S. investment that makes America safer, stronger and more prosperous.”We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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    Yura Borisov Was a Star for the Kremlin. Now He Could Be One at the Oscars.

    Yura Borisov, who is nominated for an Academy Award on Sunday, is pulling off a rare feat: pleasing audiences at home in Russia as well as in the West.On the face of it, the Russian actor Yura Borisov was an unlikely actor to land an Oscar nomination in 2025.Just a few years ago he played a guileless soldier in a Kremlin-sponsored movie that celebrated a Soviet tank model. Later, he starred in a biopic of Mikhail Kalashnikov, the man who invented the Russian automatic rifle.But after Russia’s 2022 invasion of Ukraine, he stopped playing in militaristic movies. Last year, Western audiences fell in love with him as a tight-lipped but sentimental mafia errand boy in “Anora,” a Brooklyn-based indie dramedy about a stripper who impulsively marries the son of a Russian oligarch.At the Academy Awards on Sunday, Borisov is up for best supporting actor for the role.The war in Ukraine cut many Russian artists off from the West, but Borisov has been among the few who managed to transcend the dividing lines. He has continued a career in Russia, without endorsing or condemning the war, while in the West, he has evaded being seen as a representative of state-sponsored Russian culture.“Borisov hasn’t picked a side,” said Anton Dolin, a leading Russian film critic. “Maybe he is just very smart, or maybe he thinks he is not smart enough,” Dolin said by phone from Riga, Latvia, where he now lives in exile.“It doesn’t matter,” Dolin added. “His behavior and strategy have been impeccable.”Borisov at the BAFTA Film Awards in London this month. Over the past weeks, he has been on the road campaigning for awards for “Anora” and attending ceremonies. Andy Rain/EPA, via ShutterstockWe are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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    Ocalan Says PKK Fighters Should Disarm

    Abdullah Ocalan, the leader of the Kurdistan Workers’ Party, or P.K.K., called on his fighters to lay down their arms after decades of insurgency against the Turkish state.The imprisoned leader of a Kurdish guerrilla movement that has been waging a bloody insurgency against the Turkish state called on Thursday for the group to lay down its arms and dissolve, a pivotal declaration that could help end 40 years of deadly conflict.The Kurdistan Workers’ Party, or P.K.K., is classified as a terrorist organization by Turkey, the United States and other countries. The group’s leader, Abdullah Ocalan, made his appeal in a written statement that was read aloud during a news conference by members of Turkey’s main pro-Kurdish political party who had just visited him in prison.Mr. Ocalan called for the P.K.K. to lay down its weapons, saying in the statement that the group had outlived its life-span and should decide to disband.“Convene your congress and make a decision,” he said in the statement, read aloud first in Kurdish then in Turkish. “All groups must lay down their arms and the P.K.K. must dissolve itself.”The news conference was packed with journalists and with Kurdish politicians. Some in the audience applauded and gave a standing ovation when a photo of Mr. Ocalan appeared on a screen.The rare message from Mr. Ocalan raised the possibility that a conflict that has killed more than 40,000 people over four decades could finally end. It could also echo across borders, given Mr. Ocalan’s profound influence over members of the group in Turkey and Iraq as well as affiliated Kurdish militias in Syria and Iran.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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    Trump Says Canada and Mexico Tariffs Will Go Into Effect Next Week

    Tariffs on imports from Canada and Mexico would go into effect on March 4 “as scheduled,” President Trump said on Thursday morning, claiming that those countries were still not doing enough to stop the flow of drugs into the United States.China will also face an additional 10 percent tariff next week, on top of the 10 percent he imposed earlier this month, the president wrote in a post on Truth Social.“Drugs are still pouring into our Country from Mexico and Canada at very high and unacceptable levels,” he said. “A large percentage of these Drugs, much of them in the form of Fentanyl, are made in, and supplied by, China.” He added that the levies were necessary until the flow of drugs “stops, or is seriously limited.”In an effort to stem the flow of migrants and drugs, Mr. Trump threatened to impose tariffs on all products from Canada, Mexico and China in early February. But after Mexico and Canada promised measures like sending more troops to the border and, in the case of Canada, appointing a “fentanyl czar,” Mr. Trump paused their tariffs for one month.He moved ahead with imposing a 10 percent tariff on all products from China, on top of those already in place, which prompted China to retaliate with its own tariffs on American goods.The post Thursday appeared to be an attempt by Mr. Trump to clarify his plans, after his remarks at the White House on Wednesday sowed confusion about whether the tariffs had been delayed.When asked about tariffs on Canada and Mexico on Wednesday, Mr. Trump said that they would proceed — but mentioned April 2, which is when he has said another batch of tariffs on various countries, which he has called reciprocal tariffs, would go into effect.Some investors interpreted those remarks as a sign the president meant to continue delaying the tariffs related to drugs and migrants, and the value of the peso and the Canadian dollar increased. But a White House official on Wednesday clarified that the April 2 date referred to other tariffs, not those on Canada and Mexico.“The April Second Reciprocal Tariff date will remain in full force and effect,” Mr. Trump wrote Thursday. More

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    Pro-Russia Politicians in Ukraine, Inspired by Trump and Putin, See an Opening

    From prison and from exile, supporters of Moscow have been ramping up social media posts aimed at backing Russia’s call for elections in Ukraine and slamming President Volodymyr Zelensky.Three years ago, support for members of a Ukrainian political party that advocated closer ties with President Vladimir V. Putin of Russia plunged to near zero after Russian forces invaded Ukraine, flattening whole cities and killing tens of thousands of Ukrainians.The party, called the Opposition Platform for Life, was banned, some members went to jail on charges of treason, and others fled Ukraine. A few former members banded together in a new faction and still sit in Parliament, but have generally kept quiet since the Russian invasion.Now some of those pro-Russian politicians are attempting an unlikely comeback, inspired by President Trump’s attacks on Ukraine’s current leadership and Russian demands, echoed by Mr. Trump, that the country hold elections.The politicians are posting widely viewed videos on social media in which they have promoted themselves as future candidates; criticized President Volodymyr Zelensky and his government; and praised Mr. Trump.The efforts are unlikely to gain much traction in a country that remains overwhelmingly hostile to Russia and the people who have supported it. But analysts say the videos, which are rife with misinformation, could nonetheless stoke divisions at a time when Ukraine’s unity and its leaders are under threat from a hostile Mr. Trump.Oleksandr Dubinsky, a former member of Parliament, has produced videos promoting what he calls a pro-Trump and pro-peace agenda from prison, where is he serving time for treason. His videos place blame Ukraine’s leaders for the war, saying they are committing genocide against the Ukrainian people, an echo of Russian propaganda.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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    ‘A Sloth Story’ Review: Slow Cooking

    A family of sloths take their food truck to the big city in this animated movie directed by Ricard Cussó and Tania Vincent.The prospect of an animated movie about sloths introduces an invigorating challenge. What’s the best way to spin a comedic children’s story about the slowest-moving mammals on Earth? Sid, the central sloth in the “Ice Age” franchise, is slow of wit but swift in body, while “Zootopia” installed its sloth, Flash, as an unhurried employee of the Department of Mammal Vehicles.“A Sloth Story,” an Australian animated feature directed by Ricard Cussó and Tania Vincent, takes slothful speed and applies it not to gags, but to a sentimental story set in the culinary world. The Romero-Flores family have been in the restaurant business for generations, and are known for their slow cooking. But once the foursome survives a natural disaster that destroys their hometown, they’re forced to take their recipes on the road in a clanking food truck.The movie belongs to “The Tales from Sanctuary City,” an Australian franchise, and like its predecessors, “A Sloth Story” suffers from a plasticky visual design. The characters seem stiff, like action figures, and their food items, meant to look appetizing, are often rendered as colored medallions.The plot is a standard clash between art and commerce, embodied by a restless preteen sloth named Laura (voiced by Teo Vergara) and Dotti (Leslie Jones), a fast-food tycoon cheetah. It does make several gestures at real-world issues, most notably in the opening climate catastrophe and in a scene parodying cultural appropriation in the culinary industry. But “A Sloth Story” mainly sticks to the basics — solidarity, identity, growing pains — in a tale generic enough to match its title.A Sloth StoryRated PG. Running time: 1 hour 30 minutes. In theaters. More

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    Gene Hackman and the Pugnacious Nature of Surprise

    He could be both paternal and terrifying, and had the ability to almost goad you into liking men who would otherwise be despicable.When you first see Gene Hackman in “The French Connection,” he’s wearing a Santa suit, conversing with a bunch of kids. It’s a jolly image that runs counter to what we’ll soon come to know about Jimmy “Popeye” Doyle, the porkpie-hat-wearing detective that became one of Hackman’s most notable roles. The Santa disguise starts to peel off as he leaves the children behind to sprint after and brutalize a perp. Kindly Santa, this man is not.But that was the extraordinary power of Hackman, who was found dead Wednesday at his home in Santa Fe., N.M., at the age of 95. Throughout his long career — that was somehow too short, thanks to a conscious retirement — he mixed warmth with menace. He could be paternal as well as terrifying, sometimes all within the same film.Hackman often played men doggedly pursuing impossible goals despite looming threats and their superiors telling them to back off, but there was a doggedness about him, too. He had a pugnacious ability to almost goad you into liking guys who would otherwise be despicable, be they criminals, cops or just absentee fathers. Despite their often unsavory behavior, Hackman made it fun to spend time with these people, even if you might not want to encounter them in real life.Hackman never quite made sense as a movie star. When he was cast alongside Warren Beatty in Arthur Penn’s “Bonnie and Clyde” (1967), the movie that would net him his first Oscar nomination, that became obvious. While Beatty as one of the eponymous robbers was smooth with a luscious mane of black hair, Hackman’s Buck Barrow, Clyde’s brother, was jittery and balding — but no less an entrancing and terrifying presence, with a livewire energy that felt genuinely unmoored.“Bonnie and Clyde” cast members, from left: Hackman, Estelle Parsons, Warren Beatty, Faye Dunaway and Michael J. Pollard.Bettman, via GettyHackman routinely inspired the use of the term “Everyman” in articles, but that seemed like an incomplete way of capturing his appeal. In 1989, The New York Times Magazine qualified that description by calling him “Hollywood’s Uncommon Everyman.” Twelve years later, The Times described him as “Hollywood’s Every Angry Man.” He was an Everyman with an asterisk.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More