Benoist de Sinety, former vicar general of Paris, was on his scooter that April evening in 2019, driving across the Pont Neuf toward the Left Bank when he spotted flames in his rearview mirror billowing from under the eaves of Notre-Dame. He cursed, made a U-turn and sped toward the cathedral. Mary Queen of Scots […] More
The House on Thursday night blocked the release of a damaging Ethics Committee report about former Representative Matt Gaetz, Republican of Florida, as Republicans voted to bury it, an expected move that makes it less likely the materials will ever be made public.Republicans closed ranks to turn back two nearly identical Democratic-written resolutions that would have forced the release of the report on the ethics panel’s yearslong investigation into allegations of sexual misconduct and illicit drug use by the former congressman.They did so by moving to refer both measures back to the committee, which has so far refused to make public its conclusions.The vote on the first resolution was 206 to 198, almost entirely along party lines, with nearly all Republicans voting to block the report’s release and Democrats voting to make it public. The vote on the second measure, which included language about preserving the records but also demanded their release, was 204 to 198, also almost all along party lines.Just one Republican, Representative Tom McClintock of California, sided with the Democrats.Democrats have continued to press for the release of the ethics report, even though Mr. Gaetz has resigned from Congress and removed himself as President-elect Donald J. Trump’s choice for attorney general, at least in part because the ethics report was complicating his confirmation process.Speaker Mike Johnson has said that because Mr. Gaetz is no longer a sitting member of Congress, the release of the report would set a bad precedent in the House and has urged the Republican-led committee not to release its findings.Democrats have argued that burying the report is concealing credible allegations of sexual misconduct.“No workplace would allow that information to be swept under the rug simply because someone resigned from office,” Representative Sean Casten, the Illinois Democrat who has spearheaded the move to release the report, told ABC News.Mr. Gaetz has denied all of the allegations.Representative Steve Scalise of Louisiana, the House majority leader, called the question of releasing the report “moot” since Mr. Gaetz has resigned.Tom Brenner for The New York Times“The member being referenced in the resolution has actually resigned from the House of Representatives; therefore, the question is moot,” Representative Steve Scalise of Louisiana, the House majority leader, said on the floor Thursday night, moving to refer the resolution back to the committee.Since 2021, the House Ethics Committee has been investigating allegations about Mr. Gaetz. That year, it opened an inquiry into sexual misconduct allegations as well as claims that Mr. Gaetz misused state identification records, converted campaign funds to personal use, accepted impermissible gifts under House rules, and shared inappropriate images or videos on the House floor, among other transgressions.The secretive, bipartisan committee met earlier on Thursday for close to three hours to discuss the report, but all of its members were mum as they left the meeting.After the session, the committee issued a terse statement saying that it “met today to discuss the matter of Representative Matt Gaetz. The committee is continuing to discuss the matter. There will be no further statements other than in accordance with committee and House rules.” More
State and local officials were working to assess the full scope of the damage, but early reports appeared to show that the quake did not cause major destruction.An earthquake with a magnitude of 7.0 struck off the coast of Northern California on Thursday, briefly prompting a tsunami warning and leaving residents rattled from Southern Oregon to the San Joaquin Valley in California.State and local officials in California were working to assess the full scope of the damage, and early reports appeared to show that the earthquake did not cause major destruction. But it was the strongest to shake the state in more than five years.Here’s what we know so far.Where did the earthquake hit?The quake struck about 30 miles off the California coast a little before 11 a.m. local time, about 62 miles southwest of Ferndale, which has a population of about 1,300 people. It hit near a seismically active area known as the Mendocino Triple Junction, where three major tectonic plates meet.More than a dozen aftershocks were reported after the initial earthquake, including one with a magnitude of 4.3. The aftershocks could continue for weeks, according to the U.S. Geological Survey.Stephen DeLong, a geologist with the Earthquake Science Center at the U.S.G.S., said in a news briefing on Thursday that those closest to the epicenter, including residents of Ferndale, were the most likely to feel shaking or see any damage.The quake was the strongest to hit California since July 2019, when an earthquake with a magnitude of 7.1 hit near Ridgecrest in the Mojave Desert.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More
With his surfboard tucked under his arm, Alex Felton was about to walk a couple of blocks to San Francisco’s Ocean Beach on Thursday morning when his cellphone blared. “TSUNAMI WARNING!” an alert screamed. “You are in danger.”A lifelong surfer, Mr. Felton, 31, has ridden 10-foot waves at Ocean Beach many times. He considered jumping into the ocean anyway, he acknowledged later. But texts from friends convinced him to follow the alert’s directions and move away from the coast, not toward it.Which friends were worried that he might make a bad decision? “All of them,” he said with a grin.Bay Area residents rode a metaphorical wave together on Thursday, after a 7.0-magnitude earthquake off the California coast shook the ground for hundreds of miles and prompted the National Weather Service to issue a tsunami warning for coastal counties in Northern California and southern Oregon.First, blaring phone alerts scared the wits out of people across the region, their hearts pounding as they wondered what sort of disaster-movie-type scenario was about to occur. Then they calmed down and even laughed as the alert was called off about an hour later.“It was a lot to take in, in the moment,” said Johnny Williams, who owns a bookstore in Berkeley. “It felt like a science fiction movie.”Alex Felton, right, working the afternoon shift at Aqua Surf Shop in San Francisco. His planned morning surf session was interrupted by a tsunami warning. Loren Elliott for The New York TimesWe are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More
About five minutes after a 7.0-magnitude earthquake struck off the coast of Northern California on Thursday morning, forecasters issued a tsunami warning at the highest of four levels.The warning, sent shortly before 11 a.m. Pacific Time, advised people to evacuate because of the potential for waves that could “injure or kill people and weaken or destroy buildings.” It was part of the National Tsunami Warning Center’s protocol in response to an earthquake, according to Dave Snider, a tsunami warning coordinator at the National Oceanic and Atmospheric Administration. The warning was canceled about an hour later, but Mr. Snider said it was typical for a broad alert to be issued initially before it was refined or rolled back.In the first five minutes of an earthquake, the warning center acts quickly to decide whether to issue an alert and at which level, based on the magnitude and the location “because that’s all we have” at that point, Mr. Snider said.Then, about 20 minutes after a quake strikes, the center receives more details that can inform whether a warning should remain active.The center continued monitoring data from deep ocean sensors and coastal tide stations on Thursday, watching for “any very small and local problems to develop from underwater landslides,” Mr. Snider said. After determining that no tsunami was occurring, the center canceled the warning at 11:54 a.m.The warning center takes care with its decision to issue a tsunami warning, Mr. Snider said. “That’s a big deal.” More
The new musical, about a shipwreck and its aftermath, opened Nov. 19 at the Longacre Theater.“Swept Away,” a darkly elegiac musical featuring the songs of the Avett Brothers, will end its Broadway run Dec. 15, less than a month after opening.The musical, about a 19th-century shipwreck and its aftermath, explores the lengths to which human beings will go in order to survive. Although set in fictional circumstances, it is based on a real 19th-century tragedy that led to an important legal case in Britain.“Swept Away” began previews Oct. 29 and opened Nov. 19 at the Longacre Theater. At the time of its closing it will have played 20 previews and 32 regular performances.The show cost up to $14.5 million to capitalize, according to a filing with the Securities and Exchange Commission, and that money has not been recouped. The weekly grosses were consistently well below what it cost to run, which is unsustainable.“Swept Away” is the second new musical of this season to close shortly after opening, following “Tammy Faye,” at a time when new musicals face an ever-more-challenging path on Broadway.The Avett Brothers have a devoted fan base, and “Swept Away” was praised by the New York Times’s chief theater critic, Jesse Green, who described it as “really about the gravest decisions humans can make, the depths of souls that are darker than the sea’s.”But other reviews were mixed, and the musical, like the actual history that inspired it, includes cannibalism, which, although not featured prominently in marketing materials or press coverage, may have been a turnoff for some potential ticket buyers. Broadway is also packed with shows, many of which feature more familiar titles or performers, and “Swept Away” was unable to break through in that crowded marketplace.Many of the show’s songs were featured on the Avett Brothers album “Mignonette,” and a cast recording is scheduled to be released in February. John Logan, the Tony-winning author of “Red,” wrote the musical’s book, and it was directed by Michael Mayer, a Tony winner for “Spring Awakening.”The 90-minute show centers on four men stranded on a lifeboat — the only survivors of the shipwreck. They are played by John Gallagher Jr., a Tony winner for “Spring Awakening,” as well as Stark Sands (“Kinky Boots”), Adrian Blake Enscoe and Wayne Duvall.The lead producers of “Swept Away” are Matthew Masten, Sean Hudock and Madison Wells Live (founded by Gigi Pritzker). Before arriving on Broadway, the musical had runs at Berkeley Repertory Theater in California in 2022 and at Arena Stage in Washington in late 2023 and early 2024. More
The billionaire Kenneth C. Griffin, who bought the stegosaurus fossil for $44.6 million, is loaning it to the American Museum of Natural History in New York for four years.The most expensive dinosaur fossil ever sold at auction, a stegosaurus that the billionaire Kenneth C. Griffin bought over the summer for $44.6 million, has a new home: the American Museum of Natural History in New York.The museum announced on Thursday that it would be the first institution to exhibit the sought-after stegosaurus, as part of a four-year loan from Griffin.“It’s one of the dinosaurs that every kid knows how to draw,” Sean M. Decatur, the museum’s president, said in an interview this week before the dinosaur was revealed. “This is a unique opportunity to have something that simultaneously, I think, really resonates in the public imagination about dinosaurs, but also from a research standpoint, is really a pretty special specimen to understand.”The mounted stegosaurus was revealed from behind a billowing beige curtain on Thursday morning to reporters, photographers, museum employees and a group of elementary school children. It is scheduled to go on view to the public on Sunday after it is fully prepared for exhibition.The Sotheby’s sale of the unusually complete specimen — which is nicknamed Apex — shattered records in the booming fossil market. And it established a new king of the dinosaur world, at least in the eyes of the auction market: The stegosaurus dethroned the Tyrannosaurus rex, the previous record-holder.But the auction also stoked fears among academic paleontologists that museums and universities were being priced out of their research field by well-heeled private collectors. After purchasing the stegosaurus, Griffin, the founder and chief executive of the hedge fund Citadel, said he intended to lend the specimen to an American institution so it would be available to scientists and the public.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More
Fictional fear can be beautifully distracting from life’s real terrors.This personal reflection is part of a series called Turning Points, in which writers explore what critical moments from this year might mean for the year ahead. You can read more by visiting the Turning Points series page.Turning Point: The American horror film genre more than doubled its market share in the past decade.As a Mexican — specifically a Mexican child who had to face death early in my life — I learned a nifty trick pretty quickly: the way my culture transfigures fear of death into art. Into storytelling. Into music.Mexican identity is one and the same with death. It is a direct response to the fear of vanishing, yes. But it took some years of living in the United States and in several other countries to understand that this is not just a Mexican thing.All artistic endeavors throughout history, around the world, come from the same source. We tell stories to remain. To deny the void. To fight the void. We sing and dance and make movies and tell jokes to explain a bit of the unexplainable, to tame the endless darkness, all of the things that lurk beyond what we can see, the shadows beyond our tiny campfire.Our relationship with fear is fascinating. It is the feeling, other than pain, that we hate the most. We bottle fear to consume in tiny doses in the form of roller coasters, bungee jumping and our all-time favorite: horror movies.I love horror movies. I just adore them, and I am very much not alone in that. Unlike superheroes or musicals or westerns, the business of horror is perennial; it will never go away. Audiences show up for horror year-round, decade after decade. There are whole streaming services dedicated to horror, and they do well. A single genre, go figure.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More
