Aurelia Butler

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    Johnson Moves to Block a Bill Allowing New Parents in the House to Vote by Proxy

    A long-simmering fight over whether to allow members of Congress to vote remotely after the birth of a new child is coming to a head on Tuesday afternoon, when Speaker Mike Johnson’s behind-the-scenes efforts to quash the majority-supported change to the chamber’s rules will be tested on the House floor.The quiet push from a bipartisan group of younger lawmakers and new parents started more than a year ago, when Representative Anna Paulina Luna, Republican of Florida, began agitating for a change to House rules that would allow new mothers to designate a colleague to vote by proxy on their behalf for up to six weeks after giving birth. Ms. Luna landed on the idea after her own child was born.There is no maternity or paternity leave for members of Congress, who can take time away from the office without sacrificing their pay but cannot vote if they are not physically in the Capitol. Proponents of the change have called it a common-sense fix to modernize Congress, where there are more women and more younger members than there were 200 years ago.Democrats including Representatives Brittany Pettersen of Colorado, who gave birth to her second child earlier this year, and Sara Jacobs of Colorado joined Ms. Luna’s effort, expanding the resolution to include new fathers and up to 12 weeks of proxy voting during a parental leave.But Mr. Johnson has adamantly opposed them at every turn, arguing that proxy voting is unconstitutional, even though the Supreme Court refused to take up a Republican-led lawsuit challenging pandemic-era proxy voting rules in the House. Mr. Johnson and his allies have argued that any accommodation that allow members to vote without being physically at the Capitol, no matter how narrow, creates a slippery slope for more, and that it harms member collegiality.“I do believe its an existential issue for this body,” Representative Virginia Foxx, Republican of North Carolina and chairwoman of the Rules Committee, said on Tuesday. “Congress is defined as the ‘act of coming together and meeting.’” Changing that, she said, “undermines the fabric of that sacred act of convening.”We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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    Xiaomi Driverless Technology in Focus After Fatal Electric Car Crash

    A popular electric vehicle made by the Chinese consumer electronics giant Xiaomi crashed into a concrete guardrail while deploying its autonomous driving feature. Three people died.China’s Xiaomi, a consumer electronics giant turned automaker, said it is cooperating with a police investigation into a fatal crash involving one of its electric vehicles while the driver was using the car’s autonomous driving features.A Xiaomi SU7 sedan drove into a concrete guardrail on an expressway in eastern China late on Saturday night at around 60 miles per hour, according to a post on Xiaomi’s official social media account. On Tuesday, local media published reports about the collision and ensuing fire, which killed three college students, along with pictures of the charred remains of the vehicle.Xiaomi said the driver deployed the company’s Navigate On Autopilot, an assisted driving feature, while going around 70 miles per hour on the expressway. The car was traveling at that speed when it reached a roadblock, because a portion of the road was under repair with traffic diverted into a different lane.Seconds before the collision, the car warned that there were obstacles ahead and started to decelerate but it was too late. The company said it called the police and emergency services.The fatal crash took place one year after the launch of Xiaomi’s SU7 electric vehicle, marking a major shift for a company that had gained a cultlike following for its smartphones and home appliances. And the SU7, which bears a resemblance to the Porsche Taycan at a fraction of the price, has been a breakthrough success in China’s cutthroat electric vehicle market. It sold more than 200,000 units in its first year.The ability of a company with no automotive experience to build and sell a car capable of gaining market share so quickly is a testament to the advantages of China’s supply chain of batteries and key components for electric vehicles. It is also a warning to the automotive industry that the competition is no longer limited to traditional car brands, but to almost any company adept at manufacturing electronic products efficiently and inexpensively.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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    Millions of Women Will Lose Access to Contraception as a Result of Trump Aid Cuts

    The United States is ending its financial support for family planning programs in developing countries, cutting nearly 50 million women off from access to contraception.This policy change has attracted little attention amid the wholesale dismantling of American foreign aid, but it stands to have enormous implications, including more maternal deaths and an overall increase in poverty. It derails an effort that had brought long-acting contraceptives to women in some of the poorest and most isolated parts of the world in recent years.The United States provided about 40 percent of the funding governments contributed to family planning programs in 31 developing countries, some $600 million, in 2023, the last year for which data is available, according to KFF, a health research organization.That American funding provided contraceptive devices and the medical services to deliver them to more than 47 million women and couples, which is estimated to have averted 17.1 million unintended pregnancies and 5.2 million unsafe abortions, according to an analysis by the Guttmacher Institute, a sexual health research organization. Without this annual contribution, 34,000 women could die from preventable maternal deaths each year, the Guttmacher calculation concluded.“The magnitude of the impact is mind-boggling,” said Marie Ba, who leads the coordination team for the Ouagadougou Partnership, an initiative to accelerate investments and access to family planning in nine West African countries.The funding has been terminated as part of the Trump administration’s disassembling of the United States Agency for International Development. The State Department, into which the skeletal remains of U.S.A.I.D. was absorbed on Friday, did not reply to a request for comment on the decision to stop funding family planning. Secretary of State Marco Rubio has described the terminated aid projects as wasteful and not aligned with American strategic interest.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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    Markets Remain Uneasy as Trump Prepares to Impose Sweeping ‘Reciprocal’ Tariffs

    President Trump said he has settled on a final plan for sweeping “reciprocal” tariffs, but he declined to reveal the details ahead of an announcement in the Rose Garden at 4 p.m. on Wednesday, a move that appeared to rattle markets and governments around the world.Speaking to reporters in the Oval Office on Monday, Mr. Trump said the U.S. would be “very nice, relatively speaking,” in imposing tariffs on a vast array of countries — including U.S. allies — that he believes are unfairly inhibiting the flow of American exports.“That word reciprocal is very important,” Mr. Trump told reporters. “What they do to us, we do to them.”The administration has been weighing several different strategies for the tariffs in recent weeks. One option examined by the White House is a 20 percent flat tariff on all imports, which advisers have said could help raise more than $6 trillion of revenue for the U.S. government.But advisers have also discussed the idea of assigning different tariff levels to different countries, depending on the trade barriers they impose against American products. They have also said that some countries might avoid tariffs entirely by striking trade deals with the United States.A White House official cautioned that the decision was not set in stone and that the president would make the final decision.By Tuesday morning, the president’s comments appeared to leave markets uneasy. Stocks edged down at the start of trading, with the S&P 500 opening about 0.4 percent lower after a choppy day yesterday that ended with the index registering its worst month and quarter since 2022.Investors are still seeking clarity on the scope of Trump’s reciprocal tariffs, and the economic uncertainty surrounding a global trade war has fueled stock market volatility in recent weeks. Mr. Trump plans to unfurl his tariff plans on Wednesday at an event in the Rose Garden with his cabinet, according to White House press secretary Karoline Leavitt.Danielle Kaye More

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    The Caretaker of Muncy Farms

    In November 1940, four children showed up after dark at a stone farmhouse in rural Pennsylvania. They arrived by car down a long dirt driveway. The headlights illuminated the tall elm trees surrounding the manor house, and the rooms inside were lit up brightly.Brian, Susan, Sheila and Malcolm Barlow, ages 12 to 5, had just endured the blackout of the London Blitz, the German bombing during World War II.To protect her children, Violet Barlow, their mother, had placed them on a boat from England to Canada, a 3,000-mile journey. The children then took a train to New York City, where they spent several weeks in immigration limbo, and then got on another train to the small town of Muncy, Pa.Awaiting them was Margaret Brock, who owned the farmhouse and country estate called Muncy Farms, dating to 1769 and set on more than 800 acres of fields and woods along the Susquehanna River. Muncy Farms was once part of a 7,000-acre estate. The original stone farmhouse dates to 1769. Some 85 years later, Malcolm Barlow, the youngest sibling, still remembered the menu that first night. “It was leg of lamb, brussels sprouts, roasted potatoes and apple pie à la Mode,” he said. “A very British dinner.”We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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    Fisher Center at Bard Announces Civis Hope Commissions

    The Fisher Center at Bard has announced a wave of works by artists including Suzan-Lori Parks, Courtney Bryan, Barrie Kosky and Lisa Kron.Hope may seem daring in this age of angst and uncertainty, but it is at the heart of three major new works coming to the Fisher Center at Bard, including a musical adaptation of “Yentl the Yeshiva Boy,” the performing arts center announced on Tuesday.With a $2.5 million gift from the Civis Foundation, matched by Bard College for an initial endowment of $5 million, the Fisher Center said it would create the Civis Hope Commissions, a program to support “contemporary artists who will examine, interrogate and transform American artifacts, archival materials or artworks from the past to imagine a more perfect, just and hopeful future.”Gideon Lester, the Fisher Center’s artistic director and chief executive, described the program in an interview as “a rallying cry for the possibility of art.”“Art can describe things as they might be,” he said, “and see things not only as they are framed by the current news cycle. Great art has the ability to shift our consciousness and show us what we might become if we were really inhabiting our best selves. That’s what these commissions are really about.”The Civis Hope Commissions are intended to continue in perpetuity, but the Fisher Center announced three projects to start: “Jubilee,” a new musical with a libretto by the Pulitzer Prize-winning playwright Suzan-Lori Parks, based on Scott Joplin’s opera “Treemonisha”; Courtney Bryan’s first opera, an adaptation of Tennessee Williams’s “Suddenly Last Summer”; and the “Yentl” musical, which will be the celebrated director Barrie Kosky’s first project developed in the United States.These commissions had already been in the works at the Fisher Center, but were chosen for the Civis program because they fit its mandate, Lester said, adding that working under the Civis umbrella allowed him and the artists “an opportunity to think about them in a new way.”We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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    Book Review: ‘Bad Nature,’ by Ariel Courage

    In Ariel Courage’s novel, “Bad Nature,” a powerful career woman sets out on a road trip intending to kill her father.BAD NATURE, by Ariel CourageFor many people, being diagnosed with terminal cancer at the age of 40 might prompt an instant reassessment of priorities. For Hester, the narrator of Ariel Courage’s debut novel, “Bad Nature,” this means immediately quitting her job in Manhattan to drive across the country and murder her father.It’s the sole item on her bucket list, and it’s also unfinished business: Her first attempt, at 13, when she shot him with a BB gun to stop him from abusing her mother, coincided with his permanent exit from their household. Since then, their relationship has consisted of Hester checking the internet now and then “to confirm he was alive and therefore still killable.” Think of “Bad Nature” as the anti “Eat, Pray, Love.”Personal-crisis travel narratives by white women, both memoirs and fiction, tend to follow certain conventions: protagonists embarking on journeys of earnest, emotional introspection in response to devastating news. These women tend not to be jerks. Hester — a lawyer who spends her days negotiating settlements for her conglomerate employer’s E.P.A. violations — runs right over these expectations with her Jaguar E-Type, then throws the car in reverse to do it again.Putting an unlikable heroine in the (literal) driver’s seat of a debut is an admirable feat, and Courage pulls it off through her character’s ruthless self-awareness, acerbic humor and one-liners so hilarious it’s tempting to read them aloud. “I wondered what my tumor was up to,” she thinks. “My breast was such an inhospitable place, meager and thin. I pictured my tumor like a goat on a cliff’s face, hunting for roughage to gnaw on. You almost had to root for it, the underdog. I called it Beryl.”Over the course of her journey — which quickly strays from the linear path she’s planned — Hester is not immune to personal growth, but “Bad Nature” is refreshingly more interested in social critique — particularly of American individualism and its harm to the collective good. Before she’s even left New York she’s already picked up a hitchhiker named John, a radical environmentalist (and sometimes eco-terrorist) whose current mission involves breaking into government “cleanup” sites and documenting their chemical damage via artistic photographs.Guiding Hester to several of these sites along her westward route, John becomes an unlikely but convincing foil to her amoral, fur-wearing consumerism: He’s “a species of ethical genius” who shuns materialism, shows interpersonal care and has an encyclopedic knowledge about the environmental impact of every human action, from drinking coffee to shooting someone. John challenges Hester’s long-held yet barely examined values by forcing her to confront the tangible fallout of the same kind of work that made her wealthy — and its link to terminal illnesses like her own.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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    Beatles Movies Cast Revealed, Including Paul Mescal and Barry Keoghan

    The director Sam Mendes announced the stars of his four-film series, each told from the perspective of a different Beatle, set to be released in 2028. There has been no shortage of movies about the Beatles. But the director Sam Mendes is embarking on a project that stands apart for its ambition — four films, each from a different band member’s perspective — and now we know who will be playing the Fab Four.The films will star Paul Mescal as Paul McCartney, Harris Dickinson as John Lennon, Joseph Quinn as George Harrison and Barry Keoghan as Ringo Starr, according to Mr. Mendes’s production company.The four films, which will tell the story of one of the world’s most influential and adored bands, will be released together in April 2028, “creating the first bingeable theatrical experience,” the company wrote. In announcing the films last year, Mr. Mendes, the British director best known for films like “American Beauty” (1999) and “Revolutionary Road” (2008), said he was “honored to be telling the story of the greatest rock band of all time, and excited to challenge the notion of what constitutes a trip to the movies.”He announced the cast at the CinemaCon convention in Las Vegas on Monday, according to The Hollywood Reporter. While the Beatles have been big-screen subjects before — including in Danny Boyle’s “Yesterday” (2019) and Sam Taylor-Johnson’s “Nowhere Boy” (2009) — this is the first time that the members of the band and their estates have granted full life story and music rights for a scripted film, according to Sony Pictures.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More