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      in US Politics

      Inflated ego: Trump baby blimp joins Museum of London collection

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      The the Donald Trump baby blimp, a 6-metre-high inflatable caricature that became a symbol of UK protest against the US president, has secured its place in history at a leading museum.The helium-filled balloon, paid for through crowdfunding, depicts the outgoing president as a snarling orange baby wearing a nappy, with its tiny hands clutching a smartphone. It first took to the skies above Parliament Square during protests over Trump’s first presidential visit to the UK in 2018.It was present again on his state visit in 2019, and has also been flown in France, Argentina, Ireland, Denmark and various locations in the US.Now, after a global tour, the Trump baby, designed by Matt Bonner, and constructed by Imagine Inflatables of Leicester, has been acquired by the Museum of London. It will be conserved and could be displayed as part of the museum’s protest collection, which includes artefacts from the Suffragette movement, climate-crisis rallies and peace activism.The creators of the effigy said they hoped it served as a reminder of the fight against the “politics of hate”.“While we’re pleased that the Trump baby can now be consigned to history along with the man himself, we’re under no illusions that this is the end of the story,” they said in a statement to PA Media.“We hope the baby’s place in the museum will stand as a reminder of when London stood against Mr Trump – but will prompt those who see it to examine how they can continue the fight against the politics of hate.“Most of all, we hope the Trump baby serves as a reminder of the politics of resistance that took place during Trump’s time in office.”On the blimp’s first outing in 2018, Nigel Farage called it “the biggest insult to a sitting US president ever”. Trump himself said: “I guess when they put out blimps to make me feel unwelcome, no reason for me to go to London.”Sharon Ament, the director of the Museum of London, said: “Of course the museum is not political, and does not have any view about the state of politics in the States.” But the blimp touched on a typical British response, she said: satire. “We use humour a lot. And we poke fun at politicians. This is a big – literally – example of that.”The blimp had just arrived at the museum, she said, squashed into a suitcase. “It is timely, because it’s coming to us in the final days of President Trump being President Trump … the most ironic and fitting thing now is that it’s currently in quarantine in the museum. All objects have to be put into quarantine before they go into the collection because they could have insects.”The museum is a fitting home for the effigy, which is “a response from Londoners”, she said. “It was born in London … it was an extraordinary and imaginative idea.”“This large inflatable was just a tiny part of a global movement,” said the blimp’s creators. “A movement that was led by the marginalised people who Trump’s politics most endangered – and whose role in this moment should never be underestimated.” More

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      in US Politics

      'Truth and lies have eroded': why an artist took over a billboard at the US-Mexico border

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      The artist Stefan Brüggemann woke up at his London apartment last Wednesday to Donald Trump declaring he had won the presidency. It was, of course, a lie. “The second I turned on YouTube, I saw him and Mike Pence declare victory,” Brüggemann says.It was a moment that epitomized the political climate in which the Mexican-German artist had launched his latest project, which tackles the interchangeability of fact and deception. On the day of the US election Brüggemann unveiled two neon words – “Truth” and “Lie” – perched on a billboard at the US Mexico border.At six feet height and beaming in red, white and blue, Truth/Lie can be read in two ways. When viewed from San Diego towards Tijuana, Baja California, it spells “TRUTH”; when viewed from Mexico, the word “LIE” is framed against the backdrop of a mountainous American landscape.Brüggemann, whose career spans several decades, seeks to highlight how the meaning of two seemingly straightforward words has been diluted in an era of political polarization and ideological chaos. More

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      in US Politics

      'It's up to people to change the system': the artists using stamps as resistance

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      In 2020, artists making political statements have typically done so on the streets, with murals, protest placards or by knocking down old monuments.But much overlooked is the envelope as a place for art. Since a stamp symbolizes the mail-in vote, it has come to represent a form of resistance, a form of direct action. The New York non-profit TRANS > has created a stamp project called These Times. The project, which will premiere both online and in sticker format, features 50 artists and institutions who stress the urgency of voting.“The post office is at the helm of democracy,” says the New York-based curator, Sandra Antelo-Suarez. “It’s our civic duty to vote.“It’s about creating grassroots structures that, along with museums, artists and art galleries, create an economy of response,” she adds.It all started in March when the pandemic hit. Antelo-Suarez found herself frustrated. “I wanted to create a response, thinking about how culture and the art world could respond.” She began asking artists to participate in a grassroots project, one that would bring art to people’s homes. “I thought: stamps.“I asked 50 artists in my personal network to make a gesture in an artwork that’s a tribute to our culture, which is being lost.” More