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      in US Politics

      'Truth and lies have eroded': why an artist took over a billboard at the US-Mexico border

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      The artist Stefan Brüggemann woke up at his London apartment last Wednesday to Donald Trump declaring he had won the presidency. It was, of course, a lie. “The second I turned on YouTube, I saw him and Mike Pence declare victory,” Brüggemann says.It was a moment that epitomized the political climate in which the Mexican-German artist had launched his latest project, which tackles the interchangeability of fact and deception. On the day of the US election Brüggemann unveiled two neon words – “Truth” and “Lie” – perched on a billboard at the US Mexico border.At six feet height and beaming in red, white and blue, Truth/Lie can be read in two ways. When viewed from San Diego towards Tijuana, Baja California, it spells “TRUTH”; when viewed from Mexico, the word “LIE” is framed against the backdrop of a mountainous American landscape.Brüggemann, whose career spans several decades, seeks to highlight how the meaning of two seemingly straightforward words has been diluted in an era of political polarization and ideological chaos. More

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      in US Politics

      'It's up to people to change the system': the artists using stamps as resistance

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      In 2020, artists making political statements have typically done so on the streets, with murals, protest placards or by knocking down old monuments.But much overlooked is the envelope as a place for art. Since a stamp symbolizes the mail-in vote, it has come to represent a form of resistance, a form of direct action. The New York non-profit TRANS > has created a stamp project called These Times. The project, which will premiere both online and in sticker format, features 50 artists and institutions who stress the urgency of voting.“The post office is at the helm of democracy,” says the New York-based curator, Sandra Antelo-Suarez. “It’s our civic duty to vote.“It’s about creating grassroots structures that, along with museums, artists and art galleries, create an economy of response,” she adds.It all started in March when the pandemic hit. Antelo-Suarez found herself frustrated. “I wanted to create a response, thinking about how culture and the art world could respond.” She began asking artists to participate in a grassroots project, one that would bring art to people’s homes. “I thought: stamps.“I asked 50 artists in my personal network to make a gesture in an artwork that’s a tribute to our culture, which is being lost.” More