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    Rush Limbaugh obituary

    Rush Limbaugh, who has died aged 70 after suffering from cancer, virtually created the style of political “shock jock” radio that made him so influential. His broadcasts, featuring attacks on opponents as purveyors of what we now call “fake news”, became the template for television’s Fox News, and at its peak played a huge part in Newt Gingrich’s “Republican Revolution” of 1994, which recaptured the House of Representatives from Bill Clinton’s Democrats.Limbaugh set the tone for the internet age of politics, calling women’s rights activists “feminazis”, referring to HIV/Aids as “Rock Hudson’s disease” and claiming “environmentalist wackos” were “a bunch of scientists organised around a political position”.He argued that the existence of gorillas disproved evolution, characterised both the Deepwater Horizon oil spill in the Gulf of Mexico (2010) and the mosque shootings in Christchurch, New Zealand (2019) as “false flag” operations organised by leftists, and accused the Virginia governor Terry McAuliffe of allowing the Charlottesville rioting in 2017 to worsen in order to boost his presidential ambitions. “Have you ever noticed how composite sketches of criminals always look like [the black activist] Jesse Jackson?” he asked his listeners.When he cut off callers on air, he would play a vacuum cleaner noise, shouting “caller abortion”. His listeners, whom he dubbed “ditto-heads” ate it up, while those who were offended often tuned in to express their disgust. In recent years the independent fact-checking site PolitiFact consistently rated Limbaugh high in terms of “pants on fire” untruths, and just as consistently at zero on truths.Limbaugh (pronounced “LIM baw”) was born in Cape Girardeau, Missouri, into a family of conservative judges that included his father, whose name was also Rush. His mother, Mildred (nee Armstrong), was the family clown, and encouraged “Rusty” in his love of radio. He did poorly at school, then quit Southeast Missouri State University after a year and found a job with a radio station in McKeesport, Pennsylvania, as “Bachelor Jeff Christie”, but was fired after he told a black caller he claimed to find difficult to understand to “take the bone out of your nose and call again”.He was then fired from a nighttime show in Pittsburgh when new management took over. In Kansas City his morning current affairs talk show on KUDL then an evening talk show on KFIX both ended in sackings for what he described as differences with management; at this point he considered himself a “moderate failure”.He married Roxy McNeely, a radio sales executive, in 1977; they divorced in 1980.By then Limbaugh was working with the Kansas City Royals baseball team in group ticket sales and special events, and in 1983 he married Michelle Sixta, an usherette in the Royals’ Stadium Club. That year he returned to radio with KMBZ in Kansas City, but again got fired for being controversial, in part about the local Chiefs football team. However, one consultant who had enjoyed his KMBZ style suggested him as a candidate to replace the equally controversial Morton Downey Jr on KRBK in Sacramento, California, to which Limbaugh moved in 1984. At KRBK Limbaugh began to attract attention. In 1987, during the Ronald Reagan era, the Federal Communications Commission repealed the Fairness Doctrine, which had required users of the public airwaves to allow equal time if they broadcast political opinion. This opened the floodgates to the likes of Limbaugh, and in 1988 he moved to WABC in New York, which became the flagship for a 56-station network broadcast of his show, scheduled, unusually for talk, at midday. By 1990 he had five million listeners.Another godsend for his show was the election of Clinton in 1992, the year in which Limbaugh began a syndicated TV programme produced by the future Fox News boss Roger Ailes. Limbaugh’s deeply personal anti-Clinton campaigning was so effective that when Gingrich and the Republicans re-took the House, they made him an honorary member of the Republican caucus. He and Sixta had divorced in 1990, and in 1994 he married Marta Fitzgerald , an aerobics instructor. He told an interviewer he struggled with love because: “I am too much in love with myself.”The TV show ended in 1996, but on radio Limbaugh went from strength to strength. He now lived in Palm Beach, Florida, where he produced his radio show from his “southern command” centre. In 2003 the sports network ESPN hired him as an analyst on their Monday Night Football broadcast team, but a few weeks into the season he upset viewers by saying that the Philadelphia Eagles quarterback Donovan McNabb was overrated “because the media is very desirous that a black quarterback do well”.It was an especially odd remark given that one-third of the league’s starting quarterbacks were black; that year one of them, Tennessee’s Steve McNair, would be joint winner of the league’s Most Valuable Player award. Limbaugh resigned three days later. The following Monday he admitted to an addiction to prescription drugs, including OxyContin.He was divorced from Marta in 2004, and for the next two years was linked romantically to the CNN anchor Daryn Kagan. In 2006 Limbaugh was arrested on his return from a trip to the Dominican Republic, where he had bought viagra with a false prescription. Although charges were dropped, WBAL in Baltimore became the first station to ditch his show.The George W Bush years seemed to stretch him; he said the US torture of prisoners in 2003 at the Abu Ghraib prison in Iraq was “no worse than what happens at a Skull and Bones initiation”, perhaps forgetting that Bush and his father were both members of that Yale University secret society. But just as Clinton had been a godsend, so Barack Obama seemed to inspire Limbaugh to new heights of partisan venom. Apart from claiming that Obama was foreign-born, he accused the president of allowing ebola into the US in revenge for African slavery. When Republicans rallied in the 2010 midterm elections, Limbaugh again reaped much of the credit.In 2008 he had signed an eight-year $400m contract with the Cumulus broadcasting company, and in 2013 he moved his home station to New York’s WOR. After signing a four-year extension in 2018, his income that year totalled $84.5m, second only to one of the original, non-political, fellow shock jocks, Howard Stern. In 2010 he married for the fourth time, to Kathryn Rogers, a party planner. Elton John sang at their wedding reception for a reported $1m fee.In 1992 Limbaugh wrote, with John Fund, The Way Things Ought to Be. Both it and the 1993 sequel, See, I Told You So, were bestsellers. In 2013 he wrote the first in a series of six children’s books featuring a character called Rush Revere – named after the Americn patriot Paul Revere – who goes back in time to have adventures during the American revolution.In 2017, after the ascension to the presidency of his Palm Beach neighbour Donald Trump, Limbaugh joined Trump in suggesting that dire warnings about the possible impact of Hurricane Irma in Florida were fake news designed to push “a climate change agenda”. He quickly became an object of derision when he had to evacuate his home before the storm hit.In January 2020 he was diagnosed with advanced lung cancer; he announced it on air the following month, the day before he received the presidential medal of freedom from Trump. Nevertheless he failed to throw his full backing to Trump’s attempts to overturn the election result; he accused the president’s lawyers of failing to support their claims of voter fraud with evidence.He is survived by Kathryn. • Rush Hudson Limbaugh III, broadcaster, born 12 January 1951; died 17 February 2021 More

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    American Kompromat review: Trump, Russia, Epstein … and a lot we just don't know

    Craig Unger’s new book has already made headlines, in this newspaper and elsewhere, because of a charge from an ex-KGB colonel, Yuri Shvets, that Donald Trump has been a KGB asset for 40 years.But as Unger himself points out, former CIA director Michael Morell has called Trump an “unwitting agent” of the Russians; former national security director James Clapper has described him “in effect … an intelligence asset”; and former CIA director John Brennan has said Trump is “wholly in the pocket of Putin”. So Shvets’ accusation isn’t really very surprising.Many other Trump-Russia books have dated Trump’s initial contact with the Russians to a visit to Trump Tower by then Soviet ambassador to the United Nations Yuri Dubinin, in 1986. Unger – through Shvets – reports that the association actually began six years earlier when Trump purchased 200 television sets from Semyon Kislin, a Soviet émigré who co-owned Joy-Lud electronics on Fifth Avenue. According to Shvets, Kislin was actually a spotter agent for the KGB. Kislin denies any connection.In any case, the meaning of this transaction – like scores of anecdotes recorded in these pages – is never fully explained. The subtitle of Unger’s book is How the KGB Cultivated Donald Trump, and Related Tales of Sex, Greed, Power and Treachery – a rubric that enables the author to throw in almost every bit of unconfirmed gossip ever published about everyone from convicted sex trafficker Jeffrey Epstein to former British press magnate Robert Maxwell. And Maxwell’s daughter, Ghislaine, who was – or wasn’t, depending on which page of this book you’re on – Epstein’s girlfriend as well as allegedly his collaborator in recruiting underage girls to sate Epstein’s seemingly unquenchable sexual appetite.As well as being a publisher, according to Unger, Maxwell was extremely close to the Israeli secret service, Mossad, and the KGB. And perhaps Mossad was actually responsible for killing Maxwell, whose drowning off his yacht was officially ruled an accident.Unger’s sourcing for this is typical of the book. He writes: “According to the Sunday Age, in Melbourne, Australia, on 2 November 1991 … an unnamed source close to the Israeli cabinet told Hersh that Maxwell would soon be eliminated. The author did not know how seriously to take the threat. Three days later, Robert Maxwell went missing …”Hersh is Seymour Hersh, probably the most famous investigative journalist of his generation, but in the copious source notes of Unger’s book there is no indication Unger ever contacted Hersh to confirm this Australian bulletin. Since Hersh is in the phone book, and he actually answers his own phone, I found it quite easy to reach him.Did he remember being contacted “by a source close to the Israeli cabinet” who told him Maxwell was about to be knocked off?“I have absolutely no memory of getting such a tip,” Hersh told me. “And I must note that most people, so I gather, who want to kill prominent others do not usually discuss such in advance.”And so it goes throughout Unger’s book: dozens and dozens of wild stories and salacious accusations, almost all “too good to check”, in the parlance of old-time journalists.This is particularly true of the lengthy section about Epstein, who is here because he had the largest collection of kompromat of anyone in history. Or did he?Unger writes that it was “widely known” that Epstein “was making tapes of grave sexual crimes”. But Unger has never seen any of the tapes, or found any reliable witness who says that he has.: “The people who knew weren’t talking,” Unger writes. “There was speculation that it was used to facilitate deals with Wall Street power brokers and to cement the loyalty of various actors in the drama, be they high-powered lawyers, heads of state, royalty, billionaires, media moguls, or operatives in any intelligence service.”On page 186, we are treated to a barrage of bold-faced names from Epstein’s notorious black book – everyone from Deepak Chopra, Mick Jagger and Michael Jackson to Bill Clinton, Queen Elizabeth and Saudi prince Bandar bin Sultan al-Saud. And that sounds very exciting – until you get to page 195, when Unger admits that “being on Epstein’s contact list meant nothing in and of itself. It’s far more indicative of the power brokers he and Ghislaine were cultivating than whether they actually had knowledge of or participated in Epstein’s nefarious activities.”Unger is much more interesting in a long section about Opus Dei, the secret Catholic society with origins in fascist Spain which the lawyer and Columbia lecturer Scott Horton describes as “the most effective secret society in American history, especially when it comes to changing the nature of the judiciary and filling vacancies with people who are their picks”.There is also the remarkable story of FBI agent Robert Hanssen, the most successful Soviet double agent of modern times, who belonged to Opus Dei and whose brother-in-law, John Paul Wauck, got a job writing speeches for then acting attorney general William Barr in 1991. At that moment, Unger writes, Barr was overseeing “the greatest mole hunt in FBI history, yet presumably [was] unaware that the mastermind spy they were hunting was his own speech writer’s brother-in-law, and that all three of them were closely tied to Opus Dei”.Details like that keep you turning the pages. But Unger’s willingness to include almost anything to titillate makes this book wildly uneven, and ultimately unsatisfactory. More

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    Kill Switch review: how the Senate filibuster props up Republican power

    For nearly a month, Mitch McConnell and his Senate Republicans have waged the parliamentary equivalent of a guerrilla war. Having lost the Georgia runoffs and with them the Senate, McConnell has still managed to stymie formal reorganization of the chamber. In an already sulfurous political landscape, the filibuster – the need for super-majorities of 60 votes to pass legislation – looms once again as a flashpoint.
    In other words, Adam Jentleson’s book is perfectly timed and aptly subtitled. Kill Switch: The Rise of the Modern Senate and the Crippling of American Democracy is an authoritative and well-documented plea for abolishing a 19th-century relic used to thwart the majority’s agenda.
    As Jentleson makes clear, the filibuster was first wielded by an agrarian and slave-holding south in opposition to the north’s burgeoning manufacturing economy – and modernity itself. A century on, in the 1960s, the filibuster became synonymous with Jim Crow, segregation and the malignant doctrine of separate but equal.
    A 54-day filibuster of the 1964 Civil Rights Act refocused the nation on the jagged legacy of slavery, a full 101 years after Abraham Lincoln issued the Emancipation Proclamation. In a century and a half, so much and so little had changed.
    In Jentleson’s telling, John Calhoun stands as progenitor of the filibuster. As a senator from South Carolina in the 1840s, he sought to gag voices supporting the abolition of slavery. Constricting debate was one way to do it. Calhoun had also been vice-president to John Quincy Adams and Andrew Jackson. He saw slavery as more than just an evil to be tolerated. As Jentleson notes, to Calhoun, slavery was “a good. A positive good.”
    Calhoun also believed states could secede from the union. For that, he earned the ire of Jackson, a fellow slave-owner. Jackson reportedly said: “John Calhoun, if you secede from my nation, I will secede your head from the rest of your body.” Old Hickory was an ex-general as well as a president.
    Jentleson draws a line from Calhoun to McConnell via Richard Russell, a segregationist Georgia senator and Democrat who served from 1933 to 1971. Russell once said: “Any southern white man worth a pinch of salt would give his all to maintain white supremacy.” One of the Senate’s three office buildings is named after him.
    As for the Senate’s current minority leader, Kill Switch reminds the reader of an earlier McConnell quote: “The single most important thing we want to achieve is for President Obama to be a one-term president.” A dubious distinction, but one Donald Trump would instead come to hold.
    Jentleson is not a dispassionate observer. An avowed Democrat, he was once deputy chief of staff to Harry Reid. As Democratic leader in the Senate for a decade, Reid, an ex-boxer from Nevada, frequently sparred with McConnell. Reid’s legacy includes the Affordable Care Act and scrapping the filibuster for nominations to lower federal courts and the executive branch.
    Picking up where Reid left off, McConnell ended the filibuster for supreme court confirmations. Neil Gorsuch, Brett Kavanaugh and Amy Coney Barrett have him to thank for their jobs, not just Trump.
    “With the flick of a wrist,” Jentleson writes, McConnell had gone “nuclear himself”.
    These days, the author hangs his hat at Democracy Forward, a political non-profit chaired by a Democratic super-lawyer, Marc Elias, which includes on its board John Podesta, a veteran of the Clinton and Obama White Houses. Ron Klain, now Joe Biden’s chief of staff, was once treasurer. The group’s targets have included Ivanka Trump and her alleged ethics violations.
    Kill Switch can become myopic when it points the finger elsewhere. For example, the book takes Republicans to task for attempting in 2013 to block the confirmation of Mel Watt, a longtime North Carolina congressman, to run the Federal Housing Finance Agency (FHFA), a financial regulator. But Jentleson makes no mention of Watt’s lapses.
    Watt sought to slash funding for the Office of Congressional Ethics (OCE) – after it cleared him over allegations he diluted consumer protection legislation in exchange for campaign contributions. For his efforts, the liberal-leaning Citizens for Responsibility and Ethics in Washington branded Watt’s conduct “disgraceful”.
    In 2018, furthermore, reports surfaced of Watt being investigated for sexual harassment. More than a year later, the FHFA reached a settlement.
    Jentleson can also make too much out of race and ethnicity, interconnected realms strewn with pitfalls and landmines. He asserts that of the Senate’s current members of color, only two are Republican: Tim Scott of South Carolina, an African American, and Marco Rubio of Florida, whose parents came from Cuba. But Rubio self-identifies as both white and Hispanic.
    Book embed
    In the beginning, senators relied on the filibuster to block civil rights and labor legislation. Now it’s the new normal, wielded by Democrats and Republicans alike. Not much legislating gets done. When the Republican party is home to a congresswoman who muses about Jewish laser beams deployed to “clear space or something for high speed rail”, as a colleague put it, finding common ground is unlikely.
    Whether the filibuster is abolished or modified remains to be seen. Although only a simple majority is needed to end it, it appears safe for now. Two Democrats have voiced opposition to changing the rules and the president is OK with the status quo.
    If the Democrats can bypass the filibuster through reconciliation, a process used for budgeting that relies upon a simple majority, calls to end the filibuster will likely soften. If not, expect the filibuster to remain front and center heading into the 2022 midterms. Keep Kill Switch close at hand.
    Kill Switch: The Rise of the Modern Senate and the Crippling of American Democracy, is published by Liveright Publishing Corporation More

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    Godfrey Hodgson obituary

    The journalist and historian Godfrey Hodgson, who has died aged 86, was among the most perceptive and industrious observers of his generation, particularly in the field of American society and politics.His reputation was founded on his landmark study, America in Our Time: From World War II to Nixon (1976), acknowledged by the Cambridge historian Gary Gerstle as “one of the great works of political and social history written in the past half century”. At 600 pages long and in continuous print since its first publication, it was but one item in a prolific output that ran to more than 15 books, extensive university teaching and a lifetime of newspaper and television reporting (as well as numerous Guardian obituaries). As a journalist, Hodgson reckoned he had worked in 48 of the 50 US states.The central thesis of America in Our Time was that, from the end of the second world war until the mid-1960s, what Hodgson called a “liberal consensus” defined American politics. Conservatives accepted most of the New Deal domestic philosophy espoused by Democrats, and liberals mostly accepted the aggressive foreign policy advocated by Republicans to contain and defeat communism. In theory, the free enterprise system would create abundance at home, leaving America free to civilise the world. The term “liberal consensus” had been used before, but Hodgson was responsible for its entry into the lexicon of American history.Viewed from an age thrown into turmoil by Donald Trump, this analysis appears sadly optimistic. But it held sway as a key tenet in American academia for many years – a considerable achievement for a British writer in US scholarship. It was a measure of Hodgson’s intellectual honesty that in 2017 he could contribute to a collection of essays, The Liberal Consensus Reconsidered (edited by Robert Mason and Iwan Morgan), reflecting on the inadequacies of his earlier theory and analysing why the period had come to an end; the answers were mainly to do with race, Vietnam and the failure of US capitalism.Born in Horsham, now in West Sussex, Godfrey returned to the Yorkshire of his family roots at the age of three when his father, Arthur Hodgson, was appointed headteacher of Archbishop Holgate’s grammar school, York. Two tragedies overshadowed his childhood. At the age of two, he contracted osteomyelitis, a bone infection; when he was seven, it became clear that his mother, Jessica (nee Hill), was suffering from untreatable multiple sclerosis.The former left him with a disfigured right arm and an iron determination to succeed: one of his proudest achievements was later to bowl for the Winchester college first XI. The latter resulted in his being packed off to the Dragon school in Oxford at the age of nine, to shield him from his mother’s illness. He learned of her death in 1947 as a lonely 13-year-old far from home. Perhaps in part to compensate, he poured his considerable intellectual energies into study, winning scholarships to both Winchester and Magdalen College, Oxford, where he gained a first in history in 1954.Hodgson’s introduction to the US came in the form of a copy of John Gunther’s classic study Inside USA, a gift from his father on his 14th birthday. He first encountered the real thing in 1955, when, aged 21, he sailed on the Queen Mary to take up a postgraduate scholarship at the University of Pennsylvania in Philadelphia. There he worked in the college library, and wrote his MA thesis on the civil war – not the American one of Lincoln but the English one of Cromwell. He also discovered jazz, and the American south, a region for which he developed a special affection.Back in Britain, he learned his reporting skills on the Times before joining the Observer in 1960, initially to write the paper’s Mammon column. His great opportunity came two years later, when, aged 28, he returned to Washington as the Observer’s correspondent (1962-65), appointed by the editor, David Astor, as one of the gifted young men who would elevate his paper’s foreign coverage. This was a golden time to be a reporter in America and Hodgson loved it.He covered the push for civil rights in the south, witnessing the tense confrontations as the first black students were escorted into the universities of Mississippi and Alabama, and he was at the Lincoln Memorial in Washington to hear Martin Luther King’s “I have a dream” speech. Events just kept on coming: the Cuban missile crisis, the Kennedy assassination and the complex presidency of Lyndon Johnson, who, even then, Hodgson rated more highly than the liberal commentariat of the day.Returning to London, he developed his coverage of America as a reporter on the ITV current affairs programme This Week (1965-67) and as editor of the Sunday Times Insight team (1967-71), during which time he co-wrote An American Melodrama (1969) with Bruce Page and Lewis Chester, the story of the 1968 election that brought Richard Nixon to the White House. He anchored LWT’s The London Programme (1976-81), was one of the four founding presenters of Channel 4 News (with Peter Sissons, Trevor McDonald and Sarah Hogg) from 1982 until 1985, and for two years from 1990 was foreign editor of the Independent. He was also a stalwart of Granada’s late-night What the Papers Say.He enjoyed showing that the first Thanksgiving was not celebrated with turkey and cranberry sauce – because there wasn’t anyFriends observed in the younger Hodgson a rumbling tension between his yearning for academic recognition and his enjoyment of the more material pleasures of journalism, a trade that suited his gregarious personality well. He was fortunate in being able to reconcile these conflicting needs as director of the Reuters Foundation (1992-2001), a post that combined mentoring bright young foreign reporters with a fellowship at Green Templeton College, Oxford. The move opened up a world of graduate teaching, both in Britain and the US, which he continued into his 80s.His Oxford appointment chimed well with the generosity he showed towards aspiring young colleagues. I experienced this personally as we travelled through the American south together in the summer of 1967, researching a television documentary on the civil rights movement. Each day would begin with a reading from the appropriate state guide of the Federal Writers’ Project, an inspiration of FDR’s New Deal, and continue as a free-flowing lecture often late into the evening.The same spirit inspired his involvement in starting up, with the journalist Ben Bradlee and the literary agent Felicity Bryan, the Laurence Stern fellowship. Since 1980 it has funded a three-month summer programme on the Washington Post for a young British reporter (Guardian beneficiaries of the scheme have included David Leigh, Gary Younge, Audrey Gillan, Jonathan Freedland and Ian Black); after the Covid-19 pandemic it will return as the Stern-Bryan fellowship.Hodgson’s later books ranged from biographies of the US statesmen Henry Stimson (The Colonel, 1990) and Edward House (Woodrow Wilson’s Right Hand, 2006) to critical studies of the rise of conservatism, including The World Turned Right Side Up (1996) and More Equal Than Others (2004). Always at his best when challenging conventional wisdoms, as in The Myth of American Exceptionalism (2009), he enjoyed particularly showing in A Great and Godly Adventure (2006) that the first Thanksgiving was not celebrated with turkey and cranberry sauce – because there wasn’t any – and that the early American settlers did not see themselves as revolutionaries against the British crown.Following a serious fall in 2007, he nursed himself back to health by writing a delightful history of the local river near his West Oxfordshire home, Sweet Evenlode (2008). Above all, Hodgson could tell a good story.In 1958 he married Alice Vidal, and they had two sons, Pierre and Francis. They divorced in 1969, and the following year he married Hilary Lamb, with whom he had two daughters, Jessica and Laura. Hilary died in 2015, and he is survived by his children.• Godfrey Michael Talbot Hodgson, journalist and historian, born 1 February 1934; died 27 January 2021• John Shirley died in 2018 More

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    How Amanda Gorman became the voice of a new American era

    On Wednesday in Washington DC, a striking young woman stood at a podium on the steps of the US Capitol, surrounded by the country’s leaders, who were masked against the pandemic. She was unmasked, at a safe distance, so she could speak with resonance and force, spreading her enthusiastic vision without danger. She radiated joy, conviction and purpose as she declaimed the poem she had written to mark the inauguration of Joe Biden as 46th president of the US: The Hill We Climb. Tears sprang from the eyes of many listeners, those weary and wary from four years of domestic discord, whether they sat on folding chairs at the Capitol, or on easy chairs in their homes. Hearing her words, they felt hope for the future.That woman’s name is Amanda Gorman. She is America’s first national youth poet laureate and, at 22, she also is the youngest poet accorded the honour of delivering the presidential inaugural poem. But despite her youth, Gorman’s assurance and bearing made her seem to stand outside time. Erect as a statue, her skin gleaming as if burnished, her hair cornrowed, banded with gold and drawn tightly back into a red satin Prada headband, worn high like a tiara, she evoked what poet Kae Tempest calls the “Brand New Ancients”: the divinity that walks among us in the present day. According to Greek mythology, nine muses, daughters of Zeus and Mnemosyne, inspire creative endeavour, with five devoted to different kinds of poetry – epic, romantic, lyric, comic or pastoral and sacred. Gorman suggested a new poetic muse – one to inspire the poetry of democracy.Gorman told the New York Times that she had not wanted to dwell on the rancour, racism and division of America’s four years under the Trump administration: she wanted to “use my words to envision a way in which our country can still come together and can still heal”. That way would require action, her poem declares: “We lift our gazes not to what stands between us, but what stands before us. We close the divide because we know to put our future first, we must first put our differences aside. We lay down our arms so we can reach out our arms to one another, we seek harm to none and harmony for all.”Gorman knows the importance of taking action to make the change you want to see. Raised in Los Angeles by a single mother, Joan Wicks, a middle-school English teacher, Gorman overcame daunting obstacles to forge her path. Amanda and her twin sister Gabrielle, an activist and filmmaker, were born prematurely. In kindergarten, the future poet was diagnosed with an auditory disorder that gave her a speech impediment. When she was in third grade, a teacher introduced her to poetry, and it was through writing and reciting poetry that she found her voice. She found a role model in the poet Maya Angelou, whose autobiography I Know Why the Caged Bird Sings reminded her of her own life, she remarked in one interview: “[Angelou] overcame years of not speaking up for herself, all for the love of poetry.”Gorman has presidential plans. ‘I am working on hashtags,’ she told the Harvard Gazette. ‘Save the 2036 date on your iPhone calendar’As Gorman struggled to improve her spoken fluency, she also strove for social justice. For her, it was clear from the start that expression was to be both poetic and political. In 2014, at the age of 16, she founded a non-profit organisation to support poetry workshops and youth advocacy leadership skills, called One Pen One Page. The following year, she published her first poetry book, The One for Whom Food Is Not Enough, and went to Harvard to study sociology. (She graduated in 2020.) Her clarity of expression received a turbo boost from musical theatre while she was in college, with the arrival of Lin-Manuel Miranda’s musical Hamilton, whose lyrics she memorised and recited (the song Aaron Burr, Sir helped her pronounce her “R”s, she has said).In the spring of her sophomore year in 2017, she was named America’s first national youth poet laureate, an honour that took her and her poetry to public events across the country. At one of these, held at the Library of Congress, Dr Jill Biden heard her read a poem she had written in the wake of the white supremacist “Unite the Right” march in Charlottesville, titled In This Place (An American Lyric). Three years later, Biden, as first lady-elect, suggested the young poet for the inaugural honour.In the first week of January, Gorman was halfway through writing The Hill We Climb when a mob of angry Trump supporters invaded the US Capitol in an attempt to violently overturn the election result. She finished the poem in the hours after the melee, undeterred, with that jarring tumult as backdrop.On inauguration day, Gorman wore a ring depicting a caged bird, a gift from Oprah Winfrey that attests to the link the young poet represents between the past and the future. It not only summoned thoughts of the poet’s first inspiration, Angelou; it reminded anyone looking for portents that Angelou, as the US poet laureate, had also recited a poem to a new president on the Capitol steps: Bill Clinton, in 1993. One day, Gorman may be the audience, not the author, of such a poem: she has presidential plans. “I am working on hashtags,” she told the Harvard Gazette. “Save the 2036 date on your iPhone calendar.” The last lines of The Hill We Climb, containing an intended echo of Miranda’s Hamilton, constitute a poetic battle cry: “We will rebuild, reconcile, and recover in every known nook of our nation in every corner called our country our people diverse and beautiful will emerge battered and beautiful, when the day comes we step out of the shade aflame and unafraid, the new dawn blooms as we free it, for there is always light if only we’re brave enough to see it, if only we’re brave enough to be it.”Her words not only electrified Washington, they have prompted a surge of admiration in the public at large. That same day, her two forthcoming books were Amazon’s top two bestsellers. Instagram feeds flash continuously with images of her triumphal stand at the Capitol; op-eds across the country have called for poetry education programmes in schools, and television news broadcast highlights of her performance hour after hour – lyric adrenaline bursts to reanimate democracy.Gorman has appeared on many of these news programmes. On one, Good Morning America on ABC, Miranda made a surprise appearance to congratulate her. “The right words in the right order can change the world; and you proved that yesterday,” he told her. “Keep changing the world, one word at a time.”As if anyone could stop her. As she writes in her forthcoming book, Change Sings:
    I can hear change hummingIn its loudest, proudest song.I don’t fear change coming,And so I sing along. More

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    The Hill We Climb: the Amanda Gorman poem that stole the inauguration show

    When day comes, we ask ourselves where can we find light in this never-ending shade? The loss we carry, a sea we must wade. We’ve braved the belly of the beast. We’ve learned that quiet isn’t always peace, and the norms and notions of what “just” is isn’t always justice. And yet, the dawn is ours before we knew it. Somehow we do it. Somehow we’ve weathered and witnessed a nation that isn’t broken, but simply unfinished. We, the successors of a country and a time where a skinny Black girl descended from slaves and raised by a single mother can dream of becoming president, only to find herself reciting for one.And yes, we are far from polished, far from pristine, but that doesn’t mean we are striving to form a union that is perfect. We are striving to forge our union with purpose. To compose a country committed to all cultures, colors, characters, and conditions of man. And so we lift our gazes not to what stands between us, but what stands before us. We close the divide because we know, to put our future first, we must first put our differences aside. We lay down our arms so we can reach out our arms to one another. We seek harm to none and harmony for all. Let the globe, if nothing else, say this is true: That even as we grieved, we grew. That even as we hurt, we hoped. That even as we tired, we tried. That we’ll forever be tied together, victorious. Not because we will never again know defeat, but because we will never again sow division.Scripture tells us to envision that everyone shall sit under their own vine and fig tree and no one shall make them afraid. If we’re to live up to our own time, then victory won’t lie in the blade, but in all the bridges we’ve made. That is the promise to glade, the hill we climb, if only we dare. It’s because being American is more than a pride we inherit. It’s the past we step into and how we repair it. We’ve seen a force that would shatter our nation rather than share it. Would destroy our country if it meant delaying democracy. This effort very nearly succeeded.But while democracy can be periodically delayed, it can never be permanently defeated. In this truth, in this faith, we trust,for while we have our eyes on the future, history has its eyes on us. This is the era of just redemption. We feared it at its inception. We did not feel prepared to be the heirs of such a terrifying hour, but within it, we found the power to author a new chapter, to offer hope and laughter to ourselves.So while once we asked, ‘How could we possibly prevail over catastrophe?’ now we assert, ‘How could catastrophe possibly prevail over us?’We will not march back to what was, but move to what shall be: A country that is bruised but whole, benevolent but bold, fierce and free. We will not be turned around or interrupted by intimidation because we know our inaction and inertia will be the inheritance of the next generation. Our blunders become their burdens. But one thing is certain: If we merge mercy with might, and might with right, then love becomes our legacy and change, our children’s birthright.So let us leave behind a country better than the one we were left. With every breath from my bronze-pounded chest, we will raise this wounded world into a wondrous one. We will rise from the golden hills of the west. We will rise from the wind-swept north-east where our forefathers first realized revolution. We will rise from the lake-rimmed cities of the midwestern states. We will rise from the sun-baked south. We will rebuild, reconcile, and recover.In every known nook of our nation, in every corner called our country, our people, diverse and beautiful, will emerge, battered and beautiful.When day comes, we step out of the shade, aflame and unafraid. The new dawn blooms as we free it. For there is always light, if only we’re brave enough to see it. If only we’re brave enough to be it. More

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    Open letter calls for publishing boycott of Trump administration memoirs

    Five-hundred American authors and literary professionals have signed a letter calling on US publishers not to sign book deals with members of the Trump administration, saying “those who enabled, promulgated, and covered up crimes against the American people should not be enriched through the coffers of publishing”.Put together by the author Barry Lyga, the letter, which is continuing to add names, has been signed by bestselling writers including Celeste Ng, author of Little Fires Everywhere, Holly Black and Star Wars author Chuck Wendig. Titled “no book deals for traitors”, it opens by stating that the US “is where it is in part because publishing has chased the money and notoriety of some pretty sketchy people, and has granted those same people both the imprimatur of respectability and a lot of money through sweetheart book deals”.Lyga told Publishers Weekly: “Traditionally, members of an outgoing administration can – and do – rely on the cushion of a fat book contract with a healthy advance. In the case of the Trump administration and its history of outrages, lies, and incitement to insurrection, we cannot allow this to stand. No one should be enriched for their contribution to evil.”Endorsed by a range of editors, authors, booksellers and publishing staff, the letter goes on to state that “no participant in an administration that caged children, performed involuntary surgeries on captive women, and scoffed at science as millions were infected with a deadly virus should be enriched by the almost rote largesse of a big book deal”, and that “no one who incited, suborned, instigated or otherwise supported the 6 January 2021 coup attempt should have their philosophies remunerated and disseminated through our beloved publishing houses”.In November, the Rupert Murdoch-owned tabloid the New York Post claimed that Trump was “being bombarded with book and TV deals that could be worth a staggering $100m”, although his son, Donald Trump Jr, chose to self-publish his most recent tome.Lyga’s letter comes in the same week that rightwing Missouri senator Josh Hawley was forced to find a new publisher for his book The Tyranny of Big Tech, after it was dropped by Simon & Schuster over his backing of baseless claims that the election was stolen. America’s National Coalition Against Censorship has spoken out against the cancellation of Hawley’s deal, saying that while it shares “the outrage of our fellow citizens” over the attack on the US Capitol, it was deeply concerned about Simon & Schuster’s decision to drop the book. “Cancelling the book weakens free expression … It is crucial that publishers stand by their decision to publish, even when they strongly disagree with something the author has said,” said the free speech organsiation. “Cancelling a book encourages those who seek to silence their critics, producing more pressure on publishers, which will lead to more cancellations. The best defence for democracy is a strong commitment to free expression.”The debate comes in the midst of a reckoning for big publishers about the titles they release. In November, staff at Penguin Random House Canada protested over the press’s decision to publish a new book from Canadian psychologist Jordan Peterson, the self-styled “professor against political correctness”. Hachette dropped Woody Allen’s memoir last year after a staff walkout, and Hachette imprint Little, Brown in the UK cancelled a contract with Julie Burchill to publish Welcome to the Woke Trials after it said she “crossed a line” with her comments about Islam on Twitter to the journalist Ash Sarkar.Tony Schwartz, who ghostwrote Donald Trump’s 1987 memoir The Art of the Deal, was given the nickname Dr Frankenstein by his former editor for the gloss his book brought to the man who would become president. Schwartz spoke out about how “staggeringly dangerous” he felt a Trump presidency would be in 2016, saying: “Oh my god, I’ve contributed to creating the public image of the man who is sociopathic and people don’t realise it.”Lyga’s letter points to Son of Sam laws, which prevent criminals from benefiting financially by writing about their crimes. “In that spirit, those who enabled, promulgated, and covered up crimes against the American people should not be enriched through the coffers of publishing,” say the publishing professionals, adding: “We believe in the power of words and we are tired of the industry we love enriching the monsters among us, and we will do whatever is in our power to stop it.”Lyga told the LA Times that each signatory to his letter “will act to the dictates of their conscience and to the extent they are able to effect change”, pointing to the Hachette walkout which led to the cancellation of the Allen memoir. “We are committing to doing what we individually can when and if the time comes,” he added.“To those who believe this is censorship, I can say only this,” he wrote on Twitter. “If the first amendment guarantees book deals, then there are some publishers who turned down books of mine in the past who now owe me money.” More

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    Josh Hawley finds new publisher after Simon & Schuster cancels book

    The rightwing Missouri senator Josh Hawley has found a publisher for a book dropped by Simon & Schuster over his role in attempting to overturn the US election on the day of the Capitol riot – and Simon & Schuster will distribute it.The Tyranny of Big Tech will now be published by Regnery, a conservative press, in a deal first reported by the Federalist, a rightwing outlet.But under a distribution agreement announced in 2018, Simon & Schuster “handles distribution for Regnery titles in all markets and territories around the world” and “sales in Canada and export markets”.Simon & Schuster declined to comment.The publisher dropped Hawley’s book a day after the attack on the Capitol by supporters of Donald Trump left five dead. More than 100 arrests have been made, amid reports some rioters planned to kidnap and even kill lawmakers. Trump was impeached for a second time over the riot, charged with inciting it.Hawley was photographed raising a fist towards Trump supporters at the Capitol on the day of the riot. Later, with the Capitol in lockdown, he went through with his objections to electoral college results, in support of Trump’s claims the election was stolen, which have repeatedly been thrown out of court.Hawley faces growing calls for censure, even expulsion, by Senate leadership. Some donors have suspended contributions. As reported by the Guardian on Monday, one major Hawley donor, the billionaire Jeffrey Yass, has said he feels “deceived”.On dropping Hawley’s book, Simon & Schuster said: “We did not come to this decision lightly. As a publisher it will always be our mission to amplify a variety of voices and viewpoints: at the same time we take seriously our larger public responsibility as citizens, and cannot support Senator Hawley after his role in what became a dangerous threat to our democracy and freedom.”Hawley responded angrily, saying: “This could not be more Orwellian … Let me be clear, this is not just a contract dispute. It’s a direct assault on the first amendment … I will fight this cancel culture with everything I have. We’ll see you in court.”Simon & Schuster said it was “confident that we are acting fully within our contractual rights”.On Monday, the Federalist report about Hawley’s new deal accused Simon & Schuster of “quickly caving to a pressure campaign organized by leftist activists and making the Missouri Republican one of the highest-profile victims of cancel culture”.The report also channelled Republican defenses of Trump, referring to the insurrection at the Capitol as an “incursion” which it said was “the result of organized planning rather than impromptu incitement, as media and leftist activists had initially claimed”.Numerous rioters have been recorded, inside the Capitol and since the attack, saying they were following Trump’s instructions.“We are listening to Trump – your boss,” one told a police officer in remarks reported by the New Yorker. More