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    In these dark times, Americans must harness the power of the civil rights movement again | Al Sharpton

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    It can often be challenging to keep track of everything in Donald Trump’s US; the executive orders, the changes to decades-long protocols, the draconian legislation, the abandonment of established policies – and just the utter chaos.That in itself is part of the Trump administration’s strategy – throw everything at us all at once to see what sticks and what they can get away with. There is, in fact, so much happening simultaneously that it is virtually impossible to tackle it all.That is why efforts on the ground, in our communities and in our neighbourhoods are as vital as they ever were. Just like the grassroots civil rights movement of the 1960s forced change at the top, now too is a moment when our work can and must push back against Trump and a far right that is strategically dismantling every measure of progress. We must resist in order to exist.View image in fullscreenWhen Trump was being sworn into office on 20 January, my organisation, National Action Network, held a massive rally at the historic African Methodist Episcopal church in Washington DC. It was important for us to gather at this church, at a location that has long served as a place of refuge and comfort during dark times. As we once again find ourselves caught in the winds of uncertainty, chaos and injustice, we must organise, strategise and execute our own plan of action in order to save any measure of advancement and our hard-won civil rights.Despite the cruelty emanating from the Oval Office, there is a lot that can be done at the state and local level, and in our communities. In fact, state laws and policies often affect people more directly than federal policies at times. Therefore engaging state- and locally elected officials is vital – let them hear from you. After all, they are in office to serve the people and serve our interests, so our interests must be known. Whether it’s women’s reproductive rights, voting rights, LGBTQ+ rights, protecting immigrants, or any other issue, our concerns must be addressed. This is not a time for sitting back and watching helplessly; there is a lot that we can and must do to peacefully fight back.Here’s how we can push backOne of the first executive orders that Trump signed in office was to eliminate diversity, equity and inclusion (DEI) programmes in federal agencies. Many corporations, such as Target, McDonald’s, Walmart and others, unfortunately have fallen in line and capitulated to pressure from the right to either scale back significantly their DEI policies, or eliminate them altogether. It is why I announced on Martin Luther King Day that National Action Network will lead a strategic boycott of two companies that have dropped their DEI commitments.We’ve put together a group that is engaged in a 90-day study of which corporations have abandoned their DEI initiatives the most – and how much of their consumer base is in the Black community and how much of our wealth they receive. We will announce which companies we’re strategically boycotting at National Action Network’s upcoming annual conference, held from 2 to 5 April at the Sheraton Times Square hotel in New York City.Not only will we boycott specific entities that don’t respect us, but we are also simultaneously supporting those who stand with us. After retail giant Costco announced that it will remain firm in its DEI policies, I led hundreds of people in a “buy-cott” at a Costco in East Harlem. That was followed by similar buy-cotts at Costco locations in New Jersey, Los Angeles and all over the south. It is vital to proactively support those who support us. We must remember why we have DEI in the first place – in order to rectify institutional policies that purposefully excluded us. Trump and other businesses may attack DEI, but they cannot dictate where we spend our hard-earned dollars. Our actions will speak for us even as they try to silence us.This is just one example of how we can push back individually and collectively during these challenging and dark times. There is much that we can do at the local community level to protect ourselves and our neighbours, and speak out where needed. When they cut social services, help those less fortunate and help people understand how they can navigate an increasingly confusing system. When they continue to eliminate DEI and voting protections, make sure people are empowered to know how to weather the storms – and how to still participate in the electoral process.When they go after reproductive rights, help women know where and how they can seek the care they may need and stay safe. When they target undocumented immigrants, make sure they know their rights. When they target the LGBTQ+ community, stand with them and continue to push for greater equality and inclusion. Over these next four years, it will be incumbent upon all of us to unite as one because the vile attacks against us are resting on a theory of divide and conquer.During the great civil rights movement, Black Americans and our allies organised, marched, boycotted and put enough pressure on the White House to bring about substantive change that was then codified into law. People didn’t just give us our rights out of the kindness of their hearts; we demanded them. It was pressure from the grassroots that then forced elected officials to act. We once again find ourselves living in an era where our work, our voices and our actions can and must speak volumes and bring about a nation where all of us are valued, protected and afforded the same rights and liberties.Trump and the right are counting on us to be defeated or deflated; we must strategise and push back because there are more of us than them. Those of us who care about diversity, inclusion, equality and justice far outweigh those working to destroy it. We just need to use our power effectively – and as one.

    The Rev Al Sharpton is an American Baptist minister, civil rights activist and radio talkshow host More

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    Bloody Sunday: restored photos show the violence that shocked a nation

    Sixty years ago, on 7 March 1965, civil rights leaders and nonviolent activists attempted to march from Selma to Montgomery in a fight for African Americans’ rights to vote. But as they crossed the Edmund Pettus Bridge in Selma, Alabama, they were met with unfounded brutal violence from Alabama state troopers. This day is commemorated as Bloody Sunday. Among the marchers was photojournalist “Spider” Martin who worked for the Birmingham News; he documented the violence firsthand, shocking the nation with his revealing images of the reality of voter suppression.Though the march occurred six decades ago, Doug McCraw, a native son of Tuscaloosa, Alabama, and producer of the exhibit Selma Is Now, on display in Montgomery, Alabama, until 1 June, argues that the fight for civil and voting rights continues today. McCraw writes in his co-produced book, Selma Is Now: The March for Justice Continues, “sacrifices made by the marchers in March 1965 paved the way for the liberties we enjoy today, but the struggle for social justice continues.”View image in fullscreenAs a result of Donald Trump and his supporters spreading false claims of voter fraud after losing the 2020 presidential race, many Republican lawmakers implemented voting laws that disproportionately affect African Americans’ ability to vote in the years to come.The new voting laws included redrawing district lines giving Black voters less power at the polls and reducing the number of ballot drop boxes for mail-in ballots. Additionally, states such as Ohio and Idaho imposed stricter ID requirements for in-person and mail-in voting. These restrictions reflect the injustices that marchers risked their lives to challenge.Martin’s newly restored photos, on view at the exhibit Selma Is Now, show his work as the only news photographer to capture the moments that occurred on Bloody Sunday and the subsequent marches from Selma to Montgomery. During the 1960s, the public primarily witnessed major events like Bloody Sunday through images in newspapers and magazines. Martin’s photographs were so influential that they sparked nationwide protests, prompting President Lyndon B Johnson to order 2,000 national guard troops to escort the marchers from Selma to Montgomery on 20 March 1965, to prevent another Bloody Sunday.View image in fullscreenKaren Graffeo, a photographer, professor of art at the University of Montevallo, and director of photo restoration for Selma Is Now, points to the importance of the photos today: “The photographs are particularly alive considering recent challenges to human rights and the rise of self-aggrandizing politicians in a warring world.”The images provoked Andrea Young, daughter of the civil rights activist Andrew Young – who marched across the bridge on Bloody Sunday and later served as executive director of the Southern Christian Leadership Conference, mayor of Atlanta, and US ambassador to the United Nations – to recall being nine years old when her parents brought her to the third and final march, 13 days after Bloody Sunday.View image in fullscreenView image in fullscreen“My parents believed so much in America that they brought their children,” Andrea notes. “See the hope emanating from the people in these photographs. The adults knew how ugly America could be, and they loved America enough to march in hope, to march in love, to march forward, letting their light shine.”Like Andrea’s parents, many African Americans faced disenfranchisement in the years leading up to Bloody Sunday. Jim Crow laws made it difficult for African Americans to vote; they faced poll taxes, literacy tests and intimidation tactics that prevented Black people from voting, despite the passage of the 15th amendment granting them that right. Meanwhile, Black people were being lynched by the Ku Klux Klan (KKK), and on 15 September 1963, the KKK bombed a Black church in Birmingham, killing four young girls. By 7 March 1965, less than 1% of Black people were eligible to vote in some counties in Alabama.John Lewis, who became a US congressman, is quoted in Selma Is Now: The March for Justice Continues as saying in 2018 that Martin’s photographs told the story of a people denied the right to participate in democracy. His “images made it plain and clear that hundreds, thousands, millions of people could not participate in the democratic process simply because of the color of their skin”.View image in fullscreenView image in fullscreenDuring the encounter with police, at least 58 people were injured, including several who were hospitalized after being struck with clubs, whips, cattle prods and teargas. Among those injured was Lewis, who suffered a fractured skull from a police baton.In spite of these injustices, an estimated 600 civil rights activists set out to march from Selma to Montgomery to protest racial discrimination in voting rights. Chevara Orrin, the daughter of James Luther Bevel, asked Andrew Young what inspired him to keep marching. “I once asked Ambassador Andrew Young if the civil rights movement’s ‘foot soldiers’ ever experienced what we now call ‘Black fatigue’. He responded, ‘Child, we didn’t have the luxury of fatigue. We had to press on.’”View image in fullscreenView image in fullscreenMartin’s images illustrate the fatigue and determination of all those who marched. Dr Martin Luther King Jr noted the powerful impact of his pictures, telling him, “Spider, we could have marched, we could have protested forever, but if it weren’t for guys like you, it would have been for nothing. The whole world saw your pictures.” He credited Martin’s images with influencing the passing of the Voting Rights Act signed by President Johnson exactly five months after Bloody Sunday.Tracy Martin, the daughter of Spider Martin and co-producer of the book, Selma Is Now: The March for Justice Continues, recalls her father’s courage, and the current importance of his work. “Daddy faced beatings and death threats while capturing through his lens the most iconic images of a movement that changed a region and a nation,” she writes. “As his daughter, I have the privilege and responsibility to continue disseminating his work around the country as a reminder to us of just what was at stake in 1965.” More

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    Hazel Dukes, lifelong civil rights leader, dies aged 92

    Hazel Dukes, the president of the New York state chapter of the NAACP and lifelong civil rights advocate, died Saturday at the age of 92.Dukes peacefully passed away in her New York City home surrounded by family, her son, Ronald Dukes, said in a statement.Dukes, who led the New York state NAACP for nearly five decades, fought tirelessly for voting rights, economic development, fair housing and education through her career. Even in her 90s, she spoke out against police brutality and for adequate health care in underserved neighborhoods, the NAACP’s New York state chapter said in a statement.In 2023, former US secretary of state Hillary Clinton presented Dukes with the NAACP’s highest honor – the Spingarn Medal.“I’m not tired yet,” Dukes said in her acceptance speech for the award. She added that she would continue her advocacy and empower the next generation of NAACP leaders.Dukes helped lay the foundation for Black women to ascend to the nation’s highest offices. In 1972, she took the stage at the Democratic National Convention to second the presidential candidacy of Shirley Chisholm, the first Black woman to run for the party’s nomination.Dukes was instrumental in former president Joe Biden’s decision to choose a Black woman as his 2020 running mate, she noted in an interview with CBS last year. Her career-long fight was bookended by former vice-president Kamala Harris’s 2024 bid for the presidency.In a post in X Saturday, Harris called Dukes one of the heroes “upon whose broad shoulders we stand”.Dukes said in the CBS interview: “I’m just proud of Kamala. I’m just excited if I can live to see this happen. It would be the joy of my life.”Dukes was the president of her own consulting firm. She also served as the member of the NAACP national board of directors. Leaders of the NAACP said in a statement Saturday that Dukes was a “living embodiment” of the NAACP and that her legacy has touched every aspect of the movement.The New York City mayor, Eric Adams, ordered flags to be lowered at half-staff as a tribute to Dukes. More

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    ‘A vivid distillation of a deeply fractured country’: a history of the United States in nine photographs

    The American photographer Peter van Agtmael experienced a life-changing moment, aged 19, when he happened on a copy of Magnum Degrees, a photobook published in 2000 of dramatic images from the previous decade.“I got an instantaneous education in the beauty, violence, mystery, complexity and simplicity of photography,” he writes in his afterword to Magnum America, a much bigger, more mysterious and complex compendium of photographs spanning nine decades, from postwar 1940s to the present day.Magnum was formed as a cooperative by a group of renowned war photographers, including Robert Capa and Henri Cartier-Bresson, in 1947. It’s cooperative nature was initially a reflection of its founders’ stoical postwar optimism in the face of the horrors and traumas they had witnessed, but also their shared spirit of creative independence.Magnum America traces the nation’s often turbulent journey from those tentatively optimistic postwar years to the existential anxiety of the present political moment in which democracy itself hangs in the balance. Though punctuated by celebrated portraits and observational series on ordinary American lives, it is the hard-hitting photojournalism that arrests, from Capa’s blurred but powerful images from the D-day landing at Omaha beach to Van Agtmael’s eye-of-the-storm reportage of the siege of the Capitol by Trump supporters in 2021.Van Agtmael and his fellow editor, the curator and feminist academic Laura Wexler, have not attempted to create a definitive visual history of the United States as reflexed through the lenses of Magnum photographers, but instead deftly explore ideas of history, culture, myth and national identity. The book comprises 600 images – some famous, some relatively unknown – culled from a total of 227,450. The selection here reflects that mix, but concentrates on images of conflict and political drama that are pertinent to today’s fraught pre-election moment.The book is also a revealing social history of Magnum itself: the ideal and the often problematic reality. For too long, it reflected the predominantly white, male world of photojournalism, the exceptions being pioneers such as Eve Arnold, Martine Franck, Inge Morath and, later, Susan Meiselas. And, though Magnum photographers made some of the most memorable images of the black civil rights struggle in the 1960s, it wasn’t until 1988 that Eli Reed became the first black photographer to enter the Magnum fold. That irony went unnoticed for a long time. Today, Magnum is a diverse organisation, but it is its relevance – and, by extension, photojournalism’s role – that is also at stake in a world of relentless image-making and instant image-dissemination, an environment unimaginable to its founders. The ongoing carnage in Gaza enters our consciousness daily on social media, where local photojournalists as well as ordinary people with mobile phones bear witness at great risk in the midst of an ongoing humanitarian disaster. Not one photojournalist from Magnum or any other western photo agency has reported from Gaza because of Israel’s refusal to admit even embedded members of the international media. The integral act of bearing witness, which is at the core of Magnum’s collective being, continues just as powerfully all the same. The next big volume of retrospective Magnum images may have to find a way of grappling with that dilemma.1940s: Robert CapaAmerican troops landing on Omaha beach, D-day, Normandy, France, 6 June 1944View image in fullscreenOn 6 June 1944, Robert Capa was one of a handful of photographers granted permission to cross the English Channel with allied forces during the D-day operation to liberate occupied France. He travelled with American soldiers from E Company of the 16th Infantry Regiment. This blurred but evocative image was taken in the immediate wake of their arrival at Omaha beach, where they were met with cannon and small arms fire from embedded German troops as they leapt off their landing crafts into cold, choppy waters. It remains one of the most visceral images of that pivotal, but at times chaotic, operation, during which about 4,440 allied soldiers lost their lives and close to 6,000 were wounded.Intriguingly, the circumstances in which the 11 images that comprise Capa’s reportage from Omaha beach were created – which he described in characteristically self-mythologising fashion in his memoir, Slightly Out of Focus – have recently been contested. Likewise his contention that they were all that remained of 106 pictures he sent to Life magazine on his return to England, the rest having been mysteriously destroyed after being left too long at a high temperature by an unfortunate lab assistant who was processing them.Whatever the truth, the photographs that were taken under extreme duress during his relatively short time on the beach – he made it on to a departing boat after a severe panic attack in which his hands were shaking so badly he could not reload his camera – are a powerful and up-close record of that day’s tumultuous events. There have been several attempts to identify the “soldier in the surf”, with Private Huston “Hu” Sears Riley the most likely contender. That he has not been definitively identified lends another level of poignancy to the image.Capa, one of Magnum’s founders, was arguably the most revered photojournalist of the 20th century. His most famous quote epitomised his cavalier approach: “If your pictures aren’t good enough, you’re not close enough.” In 1954, 10 years after this photograph was taken, he was killed, aged 40, by a landmine in Vietnam, while covering the first Indochina war.1950s: Elliott ErwittWilmington, North Carolina, 1950View image in fullscreenElliott Erwitt was invited to join Magnum by Robert Capa in 1953. Having studied photography and film-making at college in California, Erwitt, aged 25, had already made a name for himself as an editorial photographer for various commercial magazines. He would go on to become one of the world’s most famous image-makers, best known for his striking, slightly surreal pictures of the everyday. His similarly offbeat portraits of dogs have been the subject of five photobooks to date. It is fair to say that Erwitt’s dedication to being, as he put it, “serious about not being serious” has tended to shift attention away from his more unsettlingly powerful images. One of the most rawly observant is his photograph of a grief stricken and bewildered Jackie Kennedy at her husband’s funeral.His photograph Wilmington, North Carolina, 1950 possesses a resonance that is at odds with its neutral geographical title. Like many images in Magnum America, it captures a significant moment, simultaneously evoking the darkness of the US’s past and signalling a turbulent future of hard-won progress. The tentative beginning of the civil rights movement was still four years away when this picture was taken, and it was 14 years before that struggle achieved one of its seminal victories when the passing of the Civil Rights Act in 1964 outlawed segregation. The separate drinking fountains, marked “White” and “Colored”, the one modern and sleekly designed, the other makeshift and worn, speak of a time not that distant when discrimination was a given in certain states. The face of the man crouching over the sink beneath the Colored sign is blurred, and his stance suggests he is looking towards the other fountain that is so close yet out of bounds. As a signifier of the postwar era of US segregation in the south, Erwitt’s grainy image remains starkly affecting and deeply symbolic.1960s: Paul FuscoRobert Kennedy funeral train, USA, 1968View image in fullscreenIt was a year of sustained social and political turbulence in the US, the war in Vietnam dividing the country across generational lines and provoking widespread protests that often culminated in violence. The conflict on the streets reached a climax of sorts at the Democratic convention in Chicago in August 1968, when police brutally attacked activists and bystanders, the violence captured on TV cameras and broadcast nationally on news reports.By then, the already divided nation had been traumatised by the recent assassinations of two progressive leaders: the black civil rights figurehead Martin Luther King Jr and the Democratic presidential candidate Robert F Kennedy. Paul Fusco boarded the train taking Kennedy’s body from New York to Washington focused on how he would cover the senator’s state funeral at Arlington cemetery for Look magazine. When the train emerged from a long dark Manhattan tunnel into daylight, he was taken aback by what he saw. Ordinary citizens, young and old, had gathered in clusters by the railway track, standing in silent homage to the young politician whose death, like his life, had echoed that of his older, more famous brother, President John F Kennedy.The train moved slowly, perhaps out of respect for the dead senator, taking eight hours rather than the usual four to complete its journey. Along the entirety of the route, people congregated trackside in their summer clothes. Fusco shot about 2,000 photos en route to Washington. In them, he freeze-framed for posterity a nation in mourning: families and friends holding hands, men standing to attention to salute, a woman kneeling in prayer. Mostly, though, a seemingly endless succession of ordinary Americans of every race, creed and colour gaze upwards as the train trundles past from city to suburb and on through sun-dappled rural neighbourhoods, their collective silence palpable in every frame.At the time, the editors of Look bafflingly decided not to publish any of Fusco’s extraordinary funeral train series. After the magazine ceased publication in 1971, they remained unseen for another 30 years, consigned to the vast archive of the Library of Congress until they were uncovered by a Magnum researcher. Almost six decades on, they evoke another now distant US, one united in grief but also, as Fusco later put it, “grateful for the commitment and hope Bobby nurtured in the legions of the poor, the black and countless other forgotten Americans”.1970s: Alex WebbNixon resignation, Washington DC, 1974View image in fullscreenOn 8 August 1974, at 9pm, Richard Nixon, who was facing impeachment and removal from office for his role in the Watergate scandal, announced that he was resigning as president of America. He was the first and as yet only US head of state to do so. “As president,” he told the country in a live television broadcast from the White House, “I must put the interests of America first.”The evidence of his misdemeanours, as uncovered by the Washington Post reporters Bob Woodward and Carl Bernstein with the help of an anonymous source known as “Deep Throat”, suggested that sentiment had not been foremost in his mind two years earlier, when a break-in had occurred at the Watergate offices of the Democratic National Committee in Washington DC. It had been carried out by a group devoted to Nixon’s re-election, which included his former close associate G Gordon Liddy. Along with six others, Liddy was subsequently jailed for his part in the burglary.Woodward and Bernstein’s exhaustive investigation also uncovered evidence of wiretaps of the phones of those Nixon considered his most dangerous enemies. The break-in and cover-up was exposed in detail in the televised Watergate hearings that by turns enthralled and appalled the US public over 51 days in 1973.That Nixon hung on in office as long as he did was testament to his tenacity as well as his sense of entitlement. Tricky Dicky, as he came to be known, escaped the humiliation of impeachment and a possible prison sentence and was subsequently pardoned by his successor, Gerald Ford.When the news of his resignation broke, Alex Webb evoked the country’s collective response in his image of a single, anonymous individual intensely perusing the Washington Post on the streets of the capital. The front page headline, “Nixon Resigns”, resonates across the years, through the subsequent impeachments of Bill Clinton and Donald Trump, as well as the turbulence of the latter’s first term of office, the incendiary nature of his departure from it, and the possibility of his imminent return. “It changed history,” Woodward recently said of the crimes he helped to uncover. “It was a red light for presidents.” We may find out soon enough if that is still the case.1980s: Susan MeiselasUS/Mexican border, 8am: undocumented workers discovered in a “drop off” site, Interstate 5, Oceanside, California, 1989View image in fullscreenThroughout his 2016 election campaign, Donald Trump repeatedly promised his faithful that he would construct “a big beautiful wall” between the US and Mexico, one that stretched across its 2,000-mile length, thus ending once and for all the flow of illegal migrants that, he claimed, threatened the security and identity of the US. The construction of a border wall was already well under way long before Trump began his campaign, with more than 600 miles of the southern border barricaded and protected by immigration authorities. It signified the strategy of deterrence through military-style policing that had been officially sanctioned by President Clinton in 1995.This photograph by Susan Meiselas was taken in 1989, when the border was more porous and economic migrants regularly made the crossing, mainly to do the myriad low-paid menial jobs that helped keep the American, and in particular the Californian, economy afloat. By then, Meiselas had made her name with her documentary reportage from the long civil war in El Salvador and the Nicaraguan revolution.For her series Crossings, she worked with the migrants and the border security patrols tasked with apprehending them. Many of those sent back to their homeland would try to enter again by different routes, such was their dedication to the dream of reinventing themselves in the US. This image dramatically evokes the precariousness of the immigrant journey by capturing the moment some undocumented workers are discovered by a border patrol officer at the drop-off site they’ve been left at by smugglers after crossing the border. “When people are coming across the border, they are giving up on their homeland,” she said later of this photo and others like it. “That’s a very hard thing to do. There’s an uncertainty; maybe it’s that uncertainty that you are seeing.”1990s: Eli ReedMembers of the Nation of Islam among the ruins of the Rodney King riots, Los Angeles, California, 1992View image in fullscreenThe Magnum archive is rich in memorable images of the struggle – and solidarity – of African American activists during the civil rights era by the likes of Leonard Freed, Burt Glinn, Bruce Davidson and Danny Lyon. It wasn’t until 1988, 41 years after the agency’s formation, that Eli Reed became the first black member of the organisation. “By signing him on, the agency granted loftiness to its existence,” Gordon Parks would later attest. Four decades earlier, in 1948, he had made a similar breakthrough when he became Life magazine’s first black staff photographer.From the moment he took up a camera as a young man, Reed’s ambition has been to capture the full range of black people’s experience, from the everyday to the politically seismic, the intimately tender to the collectively traumatic. To this end, his book Black in America, published in 1997, is punctuated throughout with moments of tentative optimism but also tempered by a deep anger and frustration that Reed, an activist with a camera, shared with many of his subjects.This striking image was made in the immediate aftermath of the riots in Los Angeles that followed the acquittal of four LAPD officers who had been captured on camera a year earlier brutally beating a young black man, Rodney King. It features three besuited members of the Nation of Islam, a black nationalist organisation that believes in the formation of a separate state for African Americans within the US. Despite their extremist views, they are regarded by some in the black community as role models who uphold the traditional values of discipline and self-respect, while espousing self-determination as the only alternative to endemic racism.Here, the three young men stand, alert and yet seemingly unconcerned by the proximity of Reed’s camera, in front of the ruins of a building destroyed in the riots. The stark contrast between their aura of calm authority and the wreckage that signifies chaos and disorder lends the image an edgy complexity. One of the underlying questions posed by Reed’s immersive reportage is how the black community should respond to often murderous police brutality. It has been answered in frequently dramatic fashion in the decades since, most resoundingly in the rise of the Black Lives Matter movement, which became a global phenomenon after the police killing of George Floyd in 2020.2000s: Thomas HoepkerYoung people during lunch break in Brooklyn with the twin towers burning across the river, 11 September 2001View image in fullscreenThe terrorist attack on the twin towers in lower Manhattan on the morning of 11 September 2001 was captured by several Magnum photographers, and their images of the cataclysm and its aftermath were published in a large-format book, New York September 11, less than two months after the event. The exception was Thomas Hoepker’s complex and, for some, provocative portrait of a group of young people gathered by the river’s edge in Williamsburg, Brooklyn, while a dense plume of grey smoke billows from the familiar skyline in the middle distance. The image so disoriented its creator that he chose not to include it in the book, waiting until 2006, the fifth anniversary of the attack, before publishing it.Hoepker’s initial anxiety, it turned out, was justified. After its belated publication, Hoepker wrote a short article in response to a column in the New York Times that decried his “shocking” photograph and suggested that the five young people in it were relaxing, having already started to “move on” from the shock and horror of the attack. Hoepker admitted that he had initially found the image “ambiguous and confusing”, and had swiftly come to the conclusion that publishing it so close to the actual event “might distort the reality as we had felt it on that historic day”.This, in turn, prompted one of the people in the photograph, Walter Sipser, to respond, accusing both Hoepker and the NYT columnist of distorting his reality. He pointed out that the three people chatting to him and his girlfriend were passing strangers, the group having found themselves “suddenly bound together… in the aftermath of a catastrophe”. Rather than feeling relaxed, they were, he explained, united “in a profound state of shock and disbelief, like everyone else we encountered that day”. A scene that had initially appeared “ambiguous and confusing” to the photographer felt cynically manipulative to the subjects, for whom it is a stolen and distorted moment in which nothing but the unimaginable horror unfolding in the background is what it seems. Here, the idea of bearing witness that has traditionally underpinned photojournalism in general, and Magnum in particular, seems to collapse in on itself.2010s: Alec SothLockdown drill, Belle Plaine high school, Minneapolis, Minnesota, 2014View image in fullscreenSchool shootings are a particularly American phenomenon, the deadliest of which have imprinted the names of their locations – Columbine, Sandy Hook, Virginia Tech – on our collective consciousness. According to a recent CNN report, there were at least 58 shootings on US school grounds and collage campuses between January and mid-October of this year, resulting in 28 deaths and more than 72 injuries.Alec Soth’s dramatic photograph was taken during a school lockdown drill that had interrupted an eight-grade gym class at Belle Plaine high school in his home town, Minneapolis. These kinds of drills are compulsory in more than 20 states. That they are now such a common feature in US schools, that they have become almost normalised, speaks volumes about US gun culture and the failure of legislation to control it. Kenneth Trump, the president of National School Safety and Security Services, told the New York Times: “The majority of today’s generation of students and school staff view lockdowns as a routine part of the school culture, just as we have viewed fire drills for many years.”Soth’s deftly composed photograph is startling in its stillness and atmosphere of vulnerability. The young girls huddled together, faces hidden in hands, heads bowed in silent thought. Their pale limbs are in dramatic contrast to the deep red of their school T-shirts and the shiny gym lockers. The drama here lies in the dread possibility of what might one day come to pass, and one cannot help but ponder where the schoolgirls’ thoughts have wandered in this silent, confined space. It is an image neither violent nor transgressive but that disturbs all the same in its evocation of a singular kind of collective cognitive dissonance.2020s: Peter van AgtmaelStorming of the Capitol, Washington DC, 6 January 2021View image in fullscreenThe tumultuous events of 6 January 2021, when a riotous mob stormed the Capitol building after an inflammatory speech by Donald Trump, hang like a storm cloud over the imminent US election. As the election results pivoted towards a Democrat victory, Trump had urged his followers to converge on the Capitol to “stop the steal”. Many thousands responded, fighting their way into the Capitol building where they ransacked offices, smashed furniture and wandered the corridors in search of the politicians that Trump had demonised. Chief among them were Nancy Pelosi, Speaker of the House of Representatives, and Mike Pence, his presidential running mate, who had refused to challenge the result. Both were perilously close to the rioters inside the building before they were safely evacuated.Peter van Agtmael, whose photojournalism over the past few decades has interrogated the US’s foreign wars and its concurrent domestic discontents was in the midst of the mob at Capitol Hill on the day. From the eye of the hurricane, he captured protesters clashing violently with outnumbered police armed with batons and pepper spray. This image distills the greater scattered disorder that erupted around the Capitol building and the dogged determination of the protesters, one of whom has scaled a high wall, his hand clinging to a marble ledge as he bends to help others beneath him. Only his baseball cap is visible and beyond it a panoramic of the unruly horde spread out across the grounds, many of them carrying US flags.In the background, the tall Washington Monument, built in honour of the first US president, points towards the sky, a symbol of the birth of US democracy. Beneath it, all is chaos and disorder. Van Agtmael’s dramatic image is a vivid distillation of a deeply fractured US. It may also be an augury of more turbulent times to come.

    Magnum America by Peter van Agtmael and Laura Wexler is published by Thames & Hudson (£125). To support the Guardian and Observer order your copy at guardianbookshop.com. Delivery charges may apply More

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    Ruby Bridges: civil rights pioneer rejects claim book makes white children uncomfortable

    Increasingly, the US civil rights icon Ruby Bridges – the first Black child to integrate a school in Louisiana – has seen some adults seek to prevent grade-school students from accessing the books and films that chronicle her story, saying the tale makes white children feel bad about themselves.But that justification is “ridiculous” because “my biggest fans are kids all around the world”, Bridges told NBC’s Meet the Press moderator Kristen Welker in an interview airing on Sunday morning’s episode of the show.“All of the letters, all of the mail, I have little girls from all walks of life, different nationalities that dress up like Ruby Bridges,” the now 69-year-old activist said in an excerpt of the interview that NBC shared in advance with the Guardian.“I found through … traveling that they resonate with the loneliness, probably the pain that I felt. There’s all sorts of reasons that they are drawn to my story. So I would have to disagree [that it makes certain children feel guilty].”Delivered in a recurring segment known as Meet the Moment, which aims to spotlight people who influence political issues outside Washington, Bridges’ remarks to Welker come a little more than a year after one parent’s complaint prompted a school in Florida to stop showing its students a 1988 made-for-TV movie about her.The parent in question complained that the movie – which some schools usually show to students during Black History Month in February – might teach children that “white people hate Black people”.Separately, Bridges’ autobiographical picture book I Am Ruby Bridges was included in a collection of 64 “diverse” titles from Scholastic Books – the US’s largest children’s book publisher – that librarians are allowed to opt out of for popular book fairs that Scholastic helps stage at campuses nationwide.Scholastic defended itself by saying it had been forced into that position to shield teachers and librarians in largely conservative regions which may have enacted prohibitions against children’s books addressing race, gender and sexuality.Other works by Bridges have also been targeted by book bans schemed up by groups such as Moms for Liberty.In her conversation with Welker, Bridges dismissed the idea that her experience could unduly make white children uncomfortable.“That’s just an excuse not to share the truth, to cover up history,” Bridges said. “But I believe that history is sacred – that none of us should have the right to change or alter history in any way.”Bridges was six years old in November 1960 when US deputy marshals escorted her past jeering crowds into New Orleans’ William Frantz elementary school.With her white sweater, matching hair bow, black patent leather shoes and a small satchel in her right hand that day, she became the first Black child to desegregate an all-white elementary school in New Orleans – a scene immortalized in the 1963 Norman Rockwell painting named The Problem We All Live With.Bridges grew up to start an eponymous foundation dedicated to promoting tolerance and change through academic education. Meanwhile, the Akili Academy now occupying the school which Bridges integrated has a majority Black student population and is a stop on Louisiana’s Civil Rights Trail. More

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    Solidarity and strategy: the forgotten lessons of truly effective protest

    ‘Nothing appears more surprising to those, who consider human affairs with a philosophical eye, than the easiness with which the many are governed by the few; and the implicit submission, with which men resign their own sentiments and passions to those of their rulers,” the Scottish philosopher David Hume wrote in his 1777 essay Of the First Principles of Government. Centuries later, his observation still holds. Despite having numbers on our side, the vast majority of people continue to be dominated by a small subset of the population. Why?Today, an oligarchic minority rules because they have extreme wealth. The 2022 World Inequality Report found that the richest 10% today take over 52% of all income, leaving the poorest half just 8.5%. The same year, the bottom half of US citizens, or more than 160 million people, held a mere 2% of the country’s total wealth. An upper class owns most of the land and capital, which allows them, in turn, to exert control over politics and pass on enormous fortunes to their offspring, effectively establishing a modern-day aristocracy.In opposition to the power of money stands the power of the many – at least in theory. In practice, things are more complicated. As Hume noted long ago, power does not flow from sheer numbers alone. What matters is not merely absolute numbers but organised numbers. Without solidarity and organisation, numerical advantage doesn’t mean much. It doesn’t matter if there are thousands of workers and only a handful of bosses if those workers lack a union, or if there are millions of citizens and one dictator if people are too atomised and afraid to try to topple the regime.Yet history has shown time and again that even a proportionally small number of people, if they are well organised, can have an outsized effect. People getting organised is what brought down slavery and Jim Crow, outlawed child labour in the US and elsewhere, and overthrew the legal subjugation of women. If it wasn’t for people acting in concert, universal suffrage would not exist, and neither would the eight-hour workday or the weekend. There would be no entitlement to basic wages, unemployment insurance, or social services, including public education. It would still be a crime to be gay or trans. Women would still be under the thumb of their husbands and at the mercy of sexist employers, and abortion would never have been legalised, however tenuously. Disabled people would lack basic civil rights. The environment would be totally unprotected and even more polluted. Without collective action, colonised people would never have ousted their oppressors, Indigenous people would not have survived attacks from genocidal settlers, and apartheid would not have been overthrown.Often, the powerful like to take credit for social change after the fact, portraying progress as the inevitable result of economic development and enlightened, beneficent leadership. We praise President Franklin Delano Roosevelt for forging the New Deal, with its wealth of social programmes and labour protections, instead of paying tribute to the militant labour movement that forced his administration’s hand, inflicting real costs on bosses and investors through thousands of work stoppages, picket lines and strikes. Similarly, the civil rights legislation of the 1960s did not come about because of Lyndon B Johnson’s bravery, but rather because a militant and well-organised minority fought boldly against a hostile and often violent majority, pushing them to shift their behaviours, if not their beliefs.Throughout the first half of the 20th century, the labour movement and the civil rights movement had a complex relationship, but ultimately collaboration strengthened them both. The 1963 March on Washington was a march for “jobs and freedom”, and many of the signs held aloft during that historic gathering bore the stamp of the trade unions that helped fund the event and provided critical logistical support. In the decades that followed, there was a steep decline in the membership bases of unions and civic associations, as the right wing began a concerted campaign to undermine their legal ability to organise.Scholars have since documented the way the late 20th century was, for the activist left, characterised by a shift to a shallow, professional and often philanthropically funded model of “advocacy”, one that elevates self-appointed leaders and elite experts to speak on behalf of constituencies to whom they are not directly accountable. Rather than organising people to fight for themselves, these groups promote professionals who attempt to exert influence inside the halls of power. Instead of protests, they publish white papers; in place of strikes, they circulate statements; instead of cultivating solidarity, they seek access to decision-makers.These kinds of elite strategies can occasionally produce positive results, but the approach is often counterproductive, and certainly not democratic. This top-down approach puts its faith in the persuasive abilities of a tiny few, and denies the fact that politics is a power struggle – and that engaging and organising more people gives your position more leverage.The sociologist Theda Skocpol uses the phrase “diminished democracy” to describe this shift from membership to management-led initiatives. A similar trend of diminishing democracy is apparent in the growing number of people who think of themselves as allies or activists, but who are not connected to political organisations. Millions of concerned citizens support social justice causes – they want an end to racism, a shift toward ecological sustainability, better treatment for workers, and so on – and they raise awareness by sharing on social media, committing random acts of kindness, voting for progressive candidates and showing up at rallies. And yet, they are not actually organised.The diminished organisational capacity in American civic life is reflected in the weakness of social movements that appear, on the surface, to be robust. The 21st century has witnessed the biggest protests, and the most popular petitions, in history, yet they have produced comparatively small effects. On 15 February 2003, across the world, an estimated 10 million people came out in opposition to the impending war in Iraq. Since then, in the US, protests have only become bigger. In 2017, the Women’s March, held the day after Donald Trump’s inauguration, attracted an estimated 5 million people, taking part in at least 400 actions worldwide, from large cities to small towns. In the autumn of 2019, teenagers called for a global climate strike, which inspired more than 6 million people to protest at 4,500 locations in 150 countries. In 2020, the protests against racism and police brutality continued the trend, rapidly becoming the largest movement in the country’s history. After the murder of George Floyd, an estimated 15 to 26 million people demonstrated nationwide over a one-month period.Of course, there is much to cheer about here, especially when people move from the sidelines to the streets. During the anti-police brutality protests of 2020, half of those who protested reported that it was their first time ever doing so.View image in fullscreenBut we’ve seen again and again that size alone doesn’t guarantee success. President George W Bush dismissed the anti-war actions as a “focus group”, and barrelled ahead with an illegal war that would cost more than 1 million lives; protesters never unleashed the kind of sustained resistance that played a role in ending the war in Vietnam. The Women’s March protests were meaningful and inspiring to the participants, and offered a vital outlet for dissent that fed the electoral energy that deposed Donald Trump, but failed to deeply shift policy or the patriarchal status quo. The youth leaders of the global climate strike hoped for something more confrontational – teenage organiser implored adult allies to walk off the job and escalate the fight – but the few grownups who skipped work didn’t do so in a coordinated fashion. If the adults had organised as the teenagers did and halted business as usual around the world, more might have come of it. The racial justice protests of 2020 were historic and changed the terms of the national debate, and many local groups and electoral campaigns harnessed the movement’s momentum to important effect – but the scale of these victories hardly matches the massive outcry and depth of public support the numbers in the streets indicate. What might have happened had a larger fraction of the tens of millions who demonstrated been channelled into member-based organisations to work toward common goals?Elsewhere in the world we see a similar problem. The protests of the Arab spring brought out huge numbers of people across the Middle East, from Tunisia and Egypt to Bahrain and Syria. The numbers sparked significant political consequences in some cases, but the lack of organisation around clear alternatives meant that the results were not necessarily improvements. Syria devolved into a devastating and protracted civil war; Egypt saw its authoritarian leader resign, only to eventually be replaced by a military dictatorship; Tunisia was the lone nation in the region that adopted democracy, but a decade after the 2011 protests, its president was already reconsolidating power, expanding his executive powers, and diminishing checks and balances, undermining the reforms that the revolution initiated.Uprisings can sometimes create a mirage of popular power, but without the organisation, strategy and vision necessary to influence what follows, the presence of large numbers is insufficient to produce transformative results, leaving more disciplined and mercenary formations to fill the void.It’s worth lingering on this dilemma, because it is tempting to think that the problem is that our movements aren’t big enough. This is where the question of organisation comes in. It’s not enough to pursue numbers alone. If material transformation is your goal, it may well be better to have a dozen staunch supporters than 1,000 fair-weather friends; 100 dedicated organisers will probably accomplish more than 100,000 email contacts or retweets.Consider what it took to compose and deliver a petition two centuries ago. In 1839, the London Working Men’s Association presented a People’s Charter to the British parliament, demanding electoral reforms including universal male suffrage and annual elections. They gathered more than 1,280,000 names, representing workers of every imaginable occupation and background, on a massive scroll that was three miles long. Simply transporting it across town was a feat that demonstrated the dedication and ingenuity of the ringleaders, and the depth of popular support. When the petition was rejected by parliament, public outcry inspired organisers to try again. They presented a second charter in May 1842, signed by more than 3 million people, which was also ignored, and then a third petition delivered in 1848. Today, the UK parliament’s official website recounts this history, noting that while the Chartist movement formally disbanded before it succeeded, it helped catalyse change, including the electoral reform bills of 1867 and 1884, and that by 1918 “five of the Chartists’ six demands had been achieved”. Today, a million virtual petition signatures are an indication of good digital marketing skills, not the devotion of the organisers or the signatories to a cause.View image in fullscreenThis is why labour unions are so critically important. They organise people to come together in the real world and to engage in a series of collective actions that ultimately can’t be ignored. At their best, unions facilitate collective discipline and long-haul dedication, enabling people to use a clear form of leverage: the withholding of labour.To make a real and lasting mark, transformative solidarity must involve expanding the number of supporters while also strengthening the relationships between participants. Consider the civil rights movement. Today, everyone knows about the Montgomery bus boycott led by Rosa Parks, but few realise it lasted 381 days, and we rarely acknowledge the years of organising that laid the groundwork, nor do we recall earlier efforts that helped hone the boycott in Montgomery, including the Baton Rouge bus boycott of 1953. Similarly, we have vague inklings that the suffragettes struggled to secure the right to vote, but we often fail to grasp the tireless decades of meetings, planning and petitioning, or we forget the fact that their tactics included property destruction: bombing, arson and breaking windows. These organisers didn’t confine themselves to civil debate, or seek unity with racist and patriarchal authorities who viewed Black people and women as subhuman. They engaged in an unremitting, high-stakes confrontation.An excellent example of the power of radical imagination in building transformative solidarity is the movement for disability justice. The idea that disabled people occupy a distinct social category first began to take shape amid the large-scale social changes of the 19th-century industrial era. This was the period when workers began to see themselves as a cohesive group with a unique form of social power, and when women and also gay people, particularly gay men, began to understand themselves in new ways.Something similar was true of disabled people. Of course, mentally and physically impaired people have always existed, but the nature of the barriers and prejudice disabled people face, as well as the ways disability is understood, have changed as underlying conditions have evolved. While religious superstition and persecution of disabled people were common during the middle ages, preindustrial economies also permitted many people with a disability to contribute to their household’s economic survival; they lived and worked alongside family members at home or in nearby farms and workshops, doing tasks that their bodies could accomplish. As production industrialised, this ceased to be the case. Piecework and factory lines demanded rote precision, and people’s bodies were increasingly valued for their ability to make precise mechanical movements. “Industrial capitalism thus created not only a class of proletarians but also a new class of ‘disabled’ who did not conform to the standard worker’s body and whose labour-power was effectively erased, excluded from paid work,” observe scholars Marta Russell and Ravi Malhotra. “As a result, disabled persons came to be regarded as a social problem and a justification emerged for segregating them out of mainstream life and into a variety of institutions, including workhouses, asylums, prisons, colonies and special schools.”In a world of rapidly increasing inequality and cutthroat competition, disability came to signify dependence and inferiority as eugenicist ideas gained ground. Social Darwinism, a popular form of eugenics thinking in the 19th century, rationalised discrimination against people with physical and mental impairments as well as other marginalised populations, to whom disabilities were attributed. Women, Black people, Jewish people, gay people and immigrants were all said to lack the physical and mental capacities required for full equality and inclusion – they were emotional, feeble-minded, degenerate, diseased and so on. Sadly, members of these groups too often reinforced the ableist stigma, distancing themselves from disabled people in an attempt to assert their full humanity and prove their relative worth.Given these pervasive prejudices and other barriers, it’s no wonder solidarity was slow to build among (and with) disabled people. And yet, if there is any oppressed group that has numbers on its side, it ispeople with disabilities, who make up the world’s largest minority – and a growing one, given the fact that every able-bodied person lucky to live long enough faces the prospect of joining those ranks. (One might imagine that would be grounds for a robust alliance of the able-bodied and disabled, yet the typical attitude of the able-bodied toward disabled people remains pity, not solidarity.)In the 1970s, the disability justice movement took off in earnest when people began to apply insights from the movement for racial equality to their own lives: perhaps they too were part of a constituency that was also entitled to civil rights? The mere possibility of a world that embraced every individual, regardless of physical or mental ability or health, provided motivation.Part of the challenge, in those early days, was that many disabled people didn’t necessarily identify as such. Instead, they saw themselves as individuals with distinctive embodiments or medical conditions. It wasn’t obvious to people with different impairments that they were part of the same “Us”. For solidarity to develop between a deaf person, a blind person, a person with cerebral palsy, a person with polio, a person missing a limb, a person with Down’s syndrome, and a person with autism or another form of neurodivergence, a shift in consciousness was required, an act of radical imagination.In the early days of the disability rights movement, organising work was even more challenging than it is today. Countless obstacles blocked the way, many of them physical, such as the existence of stairs where there could be a ramp. Even when disabled individuals embraced solidarity in principle, they had a difficult time physically joining with others to put their values into practice. When the call for disability rights first rang out, dropped kerbs and wheelchair lifts on public buses were rare or nonexistent in the US, and channels of communications were similarly inaccessible, which meant getting the word out could be as hard as getting out into the streets. Fortunately, activists understood that a small number of participants could have an outsised impact if they used the right tactics and had the right strategy. And so they began coordinated and confrontational campaigns of civil disobedience to vividly dramatise their oppression and demand public services and equal protection under the law.View image in fullscreenIn 1977 in San Francisco, about 150 disabled radicals occupied the fourth floor of the Department of Health, Education and Welfare for 25 days. “Blind people, deaf people, wheelchair users, disabled veterans, people with developmental and psychiatric disabilities and many others, all came together,” leader Judith Heumann later recalled. “We overcame years of parochialism.”The demonstrators held their ground despite great physical discomfort – the space was not meant to be lived in, and certainly not by people with a wide range of functional needs – and demanded that officials clarify and enforce existing rules protecting disabled people from discrimination under certain circumstances. Knowledgable disabled spokespeople sparred with lawmakers about legislative proposals in televised broadcasts, and the organisers sent a delegation to Washington to further lobby officials. Brad Lomax, a member of the Black Panther Party who had multiple sclerosis, was responsible for the party bringing hot meals to the sit-in each day. The pivotal protest helped strengthen government regulations and provided an example for organisers around the country to follow. In Denver the next year, 19 disabled activists, the Gang of 19, got out of their wheelchairs and lay down to stop traffic, demanding accessible public transportation. That event directly led to the creation of the Americans Disabled for Accessible Public Transit, Adapt, which organised similar protests across the country and brought a further degree of militancy and national visibility to the movement.Once disabled people began to organise to build transformative solidarity, they changed the landscape of the US at an astonishing pace. In 1990, the Americans with Disabilities Act was passed, a groundbreaking piece of legislation that, in many ways, is more far-reaching than its civil rights-era predecessor, for it requires not only that establishments open their doors to previously excluded groups, but that they remake the entrance, widening the frame and adding a ramp or an elevator.Today, we take dropped kerbs, wheelchair lifts, accessible bathroom stalls and closed captioning for granted, but each of these adaptations was hard-won. During the lead-up to the ADA’s passage, disabled activists secured critical support from key Republican officials, finding common ground with individual politicians who had disabled loved ones whose rights they felt called to protect. At the same time, activists refused to play into attempts to divide and conquer by homophobic conservative politicians who wanted the legislation to deny protections for people with HIV and Aids. Society has been dramatically transformed as a result of strategic organising by disabled people who imagined a world where discrimination wasn’t sanctioned by the state, and where people with a wide range of embodiments would be able to move around not only unimpeded, but actively and creatively assisted.Where disability rights are concerned, incredible progress has been made, but much remains to be done. Today, resources are funnelled into youth- and life-extension therapies, instead of into planning for the unavoidable reality of human difference, ageing and fragility. We obsess over personal wellness while sidelining the issue of public health. We focus on cures for impairments and illness, when we should also work to make the world more hospitable to those who are disabled or unwell. Meanwhile, we fail to examine how our economic system maims and sickens millions – think repetitive stress injuries on the job, how poverty negatively impacts mental health, or asthma or cancer caused by poisoned air – while denying people treatment and care.Instead of submitting to this injury and devaluation, we should heed disability theorist Alison Kafer’s call to organise toward what she calls an “accessible future” – one that values and makes space for a multitude of bodies and modes of moving, thinking and being. As some early theorists of solidarity recognised more than a century ago, we are all interdependent, and we all begin and often end our lives in states of total dependency. Instead of marginalising disabled people and vilifying vulnerability, a society founded on the principle of solidarity would understand human variation and mutual reliance as the basis of a decent and desirable society.The kind of solidarity required to secure a more accessible and inclusive future will not appear spontaneously. It needs to be organised into being. Real organising is a kind of alchemy: a process that turns alienation into connection, despair into dedication, and oppression into strength while fashioning a whole that is stronger than its parts.Again and again, people build solidarity and leave the world a better place, as the examples of movements for labour, civil and disability rights all show. And yet we still struggle to tell these inherently collective stories. Too often the tale of “Us” gets whittled down into a tale of an “I” – a story about a visionary liberator or self-sacrificing saint who changed the world. We turn a handful of protesters and rebels into icons, but hear comparatively little about the organising communities that shaped and supported them, or the ones that they tried to build to carry their efforts forward.Our simplifying, celebrity-obsessed culture distorts the legacies of talented organisers and historical figures while also amplifying a handful of contemporary telegenic activists – the latter too often possessing a knack for social media and self-promotion, but lacking a commitment to an organised base they are accountable to. This emphasis on lone heroes is a kind of flipside to the fixation on increasing numbers for their own sake, or on notching bigger protests rather than better ones. An unhelpful binary emerges as a result: social movements are imagined to consist of charismatic individuals on the one side and nameless masses on the other.But real organising is something else entirely. Every successful effort to challenge the status quo has required a multitude of people playing a wide range of roles. Allowing for this diversity is one way to grow both numbers and meaningful organisation. When we come together in an organised fashion – forging new self-conceptions, embracing radical visions and acting strategically – we can wield the power of numbers to disrupt business as usual, wrest concessions and pave the way for future victories.Adapted from Solidarity: The Past, Present, and Future of a World-Changing Idea, published by Pantheon Books More