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    How comedian Michael Spicer hangs politicians out to dry

    Michael Spicer has been trying – mostly failing – to make it as a comedian for the best part of two decades. As a teenager, Spicer amassed enough rejection letters to wallpaper the spare bedroom of his family home. (He was a precocious teenager.) Spicer kept plugging away at comedy writing throughout his 20s and 30s, pitching to TV commissioners but receiving unending rejections. “A lot of the stuff I wrote wasn’t quite good enough,” he admits. It wasn’t that Spicer wasn’t getting anywhere at all – “I would always touch the surface of success,” he says – but he certainly wasn’t getting anywhere fast.Parts in BBC satirical comedy The Mash Report, hosted by Nish Kumar, and the Diane Morgan sitcom Mandy were promising, but they weren’t enough to make ends meet, so Spicer took a job writing copy for a shipping company. His mother couldn’t understand why his career never seemed to take off.“She’d say to me,” Spicer chuckles, “‘but there’s so much rubbish on TV. How can there not be room for you?’” He watched his comedy peers, like Morgan and Kumar, break through into the mainstream. “They became household names,” he says, “while I was playing characters like ‘Tosser Number 1’, or ‘Man on the Street’. It was hard in a way, although I felt nothing but good things for them, because I knew how talented they were.”And then, in June 2019, Spicer was scrolling through Twitter while at work at the shipping firm. He saw a viral clip of Boris Johnson being interviewed by Talk Radio during the Tory leadership race. The interviewer asked Johnson what he did to relax. “You could see that he was really struggling for an answer,” Spicer says. “The two sides of his brain were literally fighting each other: do I tell the truth, or lie?” As Johnson stared into the distance, stalling for time, Spicer observed that it looked like he was waiting for advice to be fed into his ear.When Spicer got home that evening, he filmed a minute-long video in which he pretended to be Johnson’s adviser, feeding him lines through a headpiece. “Say something, you vase of wank!” Spicer urges, sitting behind a pile of box-binders and notes. The video cuts back to Johnson being interviewed. “Buses…I make models of buses,” says Johnson. Spicer uploaded the video to Twitter around 10pm, then went to bed. He woke up to find that his social media feed had exploded. The video changed everything for him. “It was completely surreal,” he says. “It felt like a fever dream.”Since that day, Spicer has spun off his harried political aide character into series The Room Next Door, which features the comedian attempting to avert some of the most unbelievable moments in recent political discourse. (There have been many.) Such is the success of The Room Next Door – which he uploads to Twitter, Instagram and YouTube, and has amassed 50m views – that Spicer has appeared on James Corden’s The Late Late Show, has a 10-date live tour booked for next year, and a book coming out in October. (The Secret Political Adviser is a collection of emails, texts, memos and documents collated by Spicer’s fictitious political adviser spanning the period 2016-2020 – ie when everything started going wrong in the world.)Spicer is 43. All the doors he’s been knocking on for years have suddenly swung open; suited attendants wait to take his coat and offer him a drink. The career he’s been working towards since he was a teenager is finally here. “It would have been nice to have a career in comedy without this constant narrative of horror behind it,” he observes. “But here we are.”Spicer represents the new vanguard of comedians satirising the political quagmire we’ve become embroiled in since the Brexit vote and the election of Donald Trump. We are living in the age of political gaffes: there are so many of them, and they come so thick and fast, that what would once have led the news agenda for 24 hours gets forgotten in minutes. Trump regularly says things so extreme that they are barely legal – in 2020 alone, he has touted bleach injections as a cure for coronavirus, encouraged police to shoot civilians, defended armed vigilantes, and suggested that he won’t accept the election result – and yet the world keeps turning. Outrage can only sustain itself for so long.In this age of howlers so big you can see them from outer space – the gulf of guff, the ocean of lies – the role of the comedian is to remind us that the times we are living in are not normal, no matter how desensitised we have become to the cringing failures and mendacious distortions of our elected leaders.“Usually, the writers of political satire would impersonate a president and do scripted lines,” says Dr Dannagal Young, a political humour expert at the University of Delaware. “Their role is to reframe situations or digest them down to their most absurd. But what’s different about this new wave of comedy is that the words being satirised are the actual words being spoken by elites, and the role that’s played by someone like Michael Spicer is to be the foil: the person who comes in and highlights the ridiculousness of everything being said.” More

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    Cynthia Nixon: 'Will Donald Trump leave quietly? I don't know'

    Cynthia Nixon Zooms on to my screen from some decking in Long Island. The blue-grey sky is dramatically ominous, a sea breeze blows her hair into photogenic chaos and she is, of course, pretty damn famous – especially to those of us of the Sex and the City generation. So the overall effect is of watching a film, but one that is talking straight to you. Yet, within what feels like barely five seconds, we are discussing the end of democracy, with only the briefest detour to cover the impact wrought on her New York home by coronavirus.“When you’re in New York City, what it reminds me of is the time right after September 11th. It was, in a way, less terrifying than it looked to people watching from the outside, just as it’s strangely less scary to have cancer than to watch someone you love have cancer.”She packs a lot into a sentence – history, terrorism, love, cancer – and is clearly political to her bones: not at all interested in things that simply happen (pandemics and their attendant disruptions) but instead in systems, choices and worldviews. “In terms of the overall political scene across the country, it’s just terrifying. People keep writing these articles about the end of democracy, and it does feel like a real possibility when you have a president who’s trying to sink the Post Office.”At 54, Nixon is a relatively recent discovery as a prominent advocate of the Democratic party’s furthest left: she stood against Andrew Cuomo in the 2018 election for the governor of New York, a race in which she now considers she was doomed from the start. “I was triply burdened,” she says. “I was a woman. I was a gay woman. I was a person who had been an activist for a long time, but had never held political office, and obviously the governor is a really big place to start. And I am an actress, which is a barely coded word for ‘bimbo’ or ‘ditz’. I don’t, in my personal life, ever call myself an actress – I call myself an actor. But Cuomo tried to use that word as often as he could, in a very derogatory way.” More