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    Wole Soyinka, Nigerian Nobel laureate and Trump critic, says US visa revoked

    The Trump administration has revoked the visa for Wole Soyinka, the acclaimed Nigerian Nobel prize-winning writer who has been critical of Trump since his first presidency, Soyinka revealed on Tuesday.“I want to assure the consulate … that I’m very content with the revocation of my visa,” Soyinka, who won the 1986 Nobel prize for literature, told a news conference.Soyinka previously held permanent residency in the United States, though he destroyed his green card after Donald Trump’s first election in 2016.Soyinka speculated that his recent comments comparing Trump to the Ugandan dictator Idi Amin might have struck a nerve and contributed to the US consulate’s decision.Soyinka said earlier this year that the US consulate in Lagos had called him in for an interview to reassess his visa, which he said he would not attend.According to a letter from the consulate addressed to Soyinka, seen by Agence France-Presse, officials have cancelled his visa, citing US state department regulations that allow “a consular officer, the secretary, or a department official to whom the secretary has delegated this authority … to revoke a nonimmigrant visa at any time, in his or her discretion”.Reading the letter aloud to journalists in Lagos, Nigeria’s economic centre, he jokingly called it a “rather curious love letter from an embassy”, while telling any organisations hoping to invite him to the United States “not to waste their time”.“I have no visa. I am banned,” Soyinka said.The US embassy in Abuja, the capital, said it could not comment on individual cases, citing confidentiality rules.The Trump administration has made visa revocations a hallmark of its wider crackdown on immigration, notably targeting university students who were outspoken about Palestinian rights.Soyinka said he had recently compared Trump to Uganda’s Amin, something he said Trump “should be proud of”.“Idi Amin was a man of international stature, a statesman, so when I called Donald Trump Idi Amin, I thought I was paying him a compliment,” Soyinka said. “He’s been behaving like a dictator.”The 91-year-old playwright behind Death and the King’s Horseman has taught at and been awarded honours from top US universities including Harvard and Cornell.His latest novel, Chronicles from the Land of the Happiest People on Earth, a satire about corruption in Nigeria, was published in 2021. Soyinka described the book as his “gift to Nigeria” in an interiview with the Guardian.In February, the Crucible theatre in Sheffield staged Death and the King’s Horseman.Soyinka left the door open to accepting an invitation to the United States should circumstances change, but added: “I wouldn’t take the initiative myself because there’s nothing I’m looking for there. Nothing.”He went on to criticise the ramped-up arrests of undocumented immigrants in the country.“This is not about me,” Soyinka said. “When we see people being picked off the street – people being hauled up and they disappear for a month … old women, children being separated. So that’s really what concerns me.”Trump’s crackdown has seen national guard troops deployed to US cities and citizens temporarily detained as part of aggressive raids, as well as the curtailing of legal means of entry. More

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    Jon Stewart on Trump’s taunts of an illegal third term: ‘We know he’s thought about it’

    Late-night hosts reacted to Donald Trump’s taunts about an illegal third presidential term and his demolition of the East Wing of the White House.Jon StewartFrom his Monday night post on the Daily Show, Jon Stewart assessed the threat of Trump attempting to run for a third term as president, which is illegal under the 22nd amendment to the constitution.Asked by reporters for his thoughts on comments by Steve Bannon that he had a plan for such a campaign, Trump answered: “I would love to do it … I have my best numbers ever.”He also claimed, however: “I haven’t really thought about it.”“That’s the tell for whenever he’s asked about something that he is definitely going to do that is dubious legally, ethically or morally,” Stewart noted. “He says he hasn’t thought about it. But of course we know he’s thought about it because he already has the merch,” he added, pointing to “Trump 2028” hats that Trump has displayed in the Oval Office.“What’s interesting about Trump is he’s actually worked through the various scenarios of running for a third term that he has not thought about,” said Stewart, pointing to Trump’s further comments that “I think the people wouldn’t like that. It’s too cute.”“Too cute? No, that’s why you don’t go to Build-a-Bear as an adult,” Stewart replied. “Running as the vice-president to skirt the 22nd amendment isn’t cute. But he’s the kinda guy who’s like ‘I respect Americans too much to play games. If I’m going to run again, I’m going to rip off the constitution’s head and shit down its neck.’“Indications are very clear he’s gonna do it,” he continued, “because you don’t move into a house, knock down a wing and build a 90,000-sq-ft ballroom for the next guy.“Trump’s not a house-flipper,” he added. “He’s not Ellen. He’s in it for the long haul.”Jimmy KimmelJimmy Kimmel returned from a weeklong family trip to Ireland with renewed perspective on his home country. “In case you’re wondering what people in other countries think about what’s going on here in our country, I’ll tell you: they’re worried about us,” he said. “They’re very worried. They’re worried about us in the same way you worry about a nephew who you maybe haven’t seen for a few years and he shows up at Thanksgiving missing all of his front teeth? That kind of worry.”People in Ireland, Kimmel reported, had a lot of questions for him about Trump, including: “Why is he knocking down part of the White House?”“I don’t know. Nobody knows,” he answered. “I don’t think he even knows.“Back here at home, the unrest continues to rage out of control. Antifa terrorists are destroying government – oh wait, that’s the White House,” Kimmel joked over a photo of the demolished East Wing. “That’s what Trump did on purpose, without permission, to the White House. I told you we should’ve made him put down a security deposit!”Nevertheless, Trump’s treasury secretary, Scott Bessent, defended the move on NBC News: “I think this was a judgment call by the president. The president is a master builder. I don’t know, I assume that maybe parts of the East Wing, there could’ve been asbestos, there could’ve been mold.“There could’ve been some old Chinese food, could’ve been ghosts! We don’t know,” Kimmel joked. “All we know is that the only solution was to completely smash the whole place down. I wish the master builder would master-build in private like the rest of us do.”Seth MeyersOn Late Night, Seth Meyers also touched on the Trump 2028 hats seen on his desk during meetings with congressional Democrats.“It’s so weird to make a hat for a thing that can’t happen,” said Meyers. “Wearing a Trump 2028 hat is like wearing a hat that says Super Bowl champion New York Jets.”“So Trump put some hats on the desk during a meeting with Democrats,” he continued, “and the Democrats in attendance definitely thought it was weird.”As the House minority leader, Hakeem Jeffries, a Democrat from New York, told CNN: “it was the strangest thing ever.”“Come on, the strangest thing ever? Don’t you live Brooklyn?” Meyers laughed. “If someone Rollerbladed into a Brooklyn deli wearing a full mermaid costume, the only thing anyone would say is ‘the usual, Jeff?’“It’s not even the strangest thing Trump has done,” he continued. “Not long before that meeting, he wandered on to the roof of the White House.“Think about how insane this is: this was supposed to be a meeting about keeping the government open, making sure troops get paid and families get nutrition assistance and air traffic controllers can do their jobs,” Meyers added. “And instead the president’s main interest was trolling.“Trump can’t help himself,” he concluded. “The Maga movement cares more about trolling libs than making government function, which is why he keeps going on about this unconstitutional third term.”Stephen Colbert“It was a beautiful day here in America because Donald Trump was out of the country,” said Stephen Colbert on the Late Show. To start the week, Trump was on a “field trip” to Asia, where “he’s going to tear down the Great Wall and put up a ballroom,” Colbert quipped.The trip includes stops in Japan, South Korea and Malaysia, where Trump danced to a marching band in a way that Colbert could only describe as “shuffling and swinging his wrists like a low-battery Chuck E Cheese robot”.In Japan, the new prime minister, Sanae Takaichi, reportedly planned to gift Trump a gold golf ball. “It is so sad to see how easy it is to butter up the president of the United States,” Colbert remarked. “OK quick, Trump’s visiting, what are we going to get him this time? Gold burger? Gold TV? Have we tried spray-painting a woman gold?”Colbert also touched on the fourth week of the ongoing government shutdown. “The longer it goes, the more used to having no government we get and then the less likely it is to ever end,” he said.The shutdown is now restricting military pay. But on Friday, an anonymous donor – later identified as Timothy Mellon – gifted $130m to pay troops during the shutdown. “I know that sounds nice, I get it, but I don’t like the idea of the armed forces having a private sponsor,” Colbert said. “I don’t want our next invasion to be code-named ‘Operation Chili’s New El Diablo Triple Dipper Rib Tips: Can You Stand the Heat?’” More

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    Why we’re holding a teach-in about American history at the Smithsonian | Kellie Carter Jackson and Nicole Hemmer

    On 26 October, podcasters, professors, journalists and ordinary citizens will gather on the steps of the Smithsonian National Museum of American History for a teach-in in defense of history and museums.The teach-in comes at a moment when the Smithsonian system faces unprecedented attacks from the Trump administration, which has threatened to bar funding for any exhibits that touch on the darker sides of US history. The threats against the Smithsonian are part of the administration’s war against history and historians: interfering in history curricula at schools across the country, redirecting federal grants to projects that promote American exceptionalism, and yoking the country’s 250th anniversary celebration to the Maga agenda.That’s why we’re staging an intervention in the form of a teach-in, put together by the hosts of two historical podcasts, This Day and The Memory Palace. In an authoritarian regime, one of the first things that is taken from the public is honest and credible information. The past itself becomes treacherous terrain: authoritarians attempt to seize control of the country’s history, reworking it into a vision of a glorious, powerful, patriotic – and largely fictional – past. The people and events may be real, but the stories they’re used to tell are false. In such a moment, telling the truth, and teaching the truth, about the country’s history is an act of both defiance and solidarity.A teach-in represents a different kind of activism than the No Kings rallies held last weekend. Such rallies show mass opposition to the regime; but a teach-in represents a step toward deeper organizing and activism. Consider the first teach-in ever held in the US: It took place 60 years ago, in 1965, at the University of Michigan, Ann Arbor. Professors planned a one-day strike to oppose the Vietnam war but met stiff resistance from Governor George Romney, the state legislature and university administrators. So instead of withdrawing their labor, they decided to use it.Marshall Sahlins, an anthropology professor, first suggested the idea of a teach-in. “They say we’re neglecting our responsibilities as teachers,” he said. “Let’s show them how responsible we feel. Instead of teaching out, we’ll teach in – all night.” Organizers gathered in the apartment of two fellow professors, Zelda and William Gamson, to plot their protest: an all-night event with lectures, debate and open discussion. (The Smithsonian teach-in will flip this format, running from dawn until dusk.)Led by faculty and Students for a Democratic Society, the teach-in lasted for 12 hours. Faculty gave mini-lectures and participated in debates to enormous audiences. About 3,500 people, including 200 professors, attended the teach-in, which spilled into new spaces as the crowd grew. Organizers improvised as the night went on: one can imagine faculty and students offering poetry, a performance or singing. It was the perfect incubator for the anti-war protest movement, rooting students in well-sourced information about the stakes of the war and the harm that was being produced. The demonstration was powerful and contagious. The teach-in quickly spread to campuses all over the country.In the decades that followed, teach-ins became a fixture on college campuses. Teach-ins about apartheid, about reproductive rights, about sexual consent, about the Iraq war, about Palestine – the policy issues that grabbed students’ attention were transformed into opportunities to deepen their understanding while building communities of informed activists. Nor were they limited to campuses. In the 1990s, activists held teach-ins about globalization in advance of the World Trade Organization protests; in 2011, teach-ins became a central component of the Occupy Wall Street movement. Teach-ins move beyond soundbites, slogans and chants; they challenge attenders to dive into nuanced conversations. To borrow from the scholar bell hooks, they turn the community into a classroom. They can provide context, describe consequences and instruct the uninformed or misinformed. They can also provide a syllabus of sorts or reading lists. If authoritarian regimes thrive on ignorance and apathy, then a key antidote in every oppositional movement is learning and action.The Teach-In in Defense of History and Museums builds on this long legacy. And it comes at a critical time in the battle over the nation’s past. While it is a coincidence that Trump is in office while the US celebrates its 250th anniversary, his administration’s push toward a particular kind of whitewashed narrative is not. From the moment he announced his run for president, Trump has positioned himself as a culture warrior in the fight to define not just America’s future, but also its past. In his first year in office, white supremacists marched on Charlottesville, Virginia, in a deadly fight over the town’s Confederate statues – and the meaning of its racist history. A few years after that, Trump responded to the 1619 Project and its exploration of the legacy of slavery with his own 1776 Commission.So it is little wonder that as Trump has attempted to radically expand his power in his second term, he has focused so much attention on seizing control of the nation’s past as well. But America’s past does not belong to Trump, the right wing, or even the left. This weekend’s teach-in will emphasize stories about the country’s history rooted in archives and evidence, but also in a shared belief that the work to strengthen American democracy cannot succeed unless it is rooted in a real understanding of the country’s contentious past – its joys and its sorrows, its benefits and its harms, its brilliant promise and its unrealized dreams. And it will also model an alternative to the “debate-me-bro” culture that defines so much of political life in the US today, showing that activism works best when it is not about scoring rhetorical points but rather deepening our understanding of the issues and nation we seek to shape.What is powerful about the Smithsonian is that literally it stands on its own and metaphorically speaks for itself. From the original star-spangled banner, to Lincoln’s top hat, to a stool in a Greensboro lunch counter, to Archie Bunker’s chair, these relics make America. Defending museums is about more than preserving nostalgia. It is about protecting what was, what is and what could be.

    Kellie Carter Jackson is the Michael and Denise Kellen ’68 associate professor and chair of the Africana studies department at Wellesley College. Nicole Hemmer is an associate professor of history and director of the Rogers Center for the American Presidency at Vanderbilt University More

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    BBC reporters cannot wear Black Lives Matter T-shirts in newsroom, says Tim Davie

    BBC journalists cannot wear T-shirts in the newsroom supporting the anti-racist movement Black Lives Matter, the corporation’s director general has said.Tim Davie said the BBC stood against racism but it was “not appropriate for a journalist who may be covering that issue to be campaigning in that way.“You cannot have any assumption about where people are politically. You leave it at the door, and your religion is journalism in the BBC. And I tell you: the problem I’ve got is people react quite chemically to that.“So you can’t come into the newsroom with a Black Lives Matter T-shirt on. We stand absolutely firmly against racism in any form.“I find some of the hatred in society at the moment utterly abhorrent, personally, really upsetting, but that is a campaign that has politicised objectives. Therefore, it is not appropriate for a journalist who may be covering that issue to be campaigning in that way.“And, for some people joining the BBC, that is a very difficult thing to accept. And it has not been an easy thing to get done this, and we wrestle with it every day.”Speaking about diversity and impartiality at the BBC at the Cheltenham literature festival, Davie also drew a parallel with impartiality when reporting on mainstream political campaigning.“I feel very, very strongly that if you walk into the BBC newsroom, you cannot be holding a Kamala Harris mug when you come to the election – no way, that’s not even acceptable,” he said.The BBC director general also said his “number one priority” was “trying to navigate a course where you are impartial” and that required “elements of diversity”, adding that “socioeconomic diversity” was something that “hadn’t been talked about enough”.He added: “It is absolutely a big battle, and I’m getting questions: ‘Why are you giving a voice to Reform?’, ‘Why are you doing this?’ We’re not giving a voice, we’re covering – covering what people are interested in, covering the reality of what people feel.”skip past newsletter promotionafter newsletter promotionDavie was also asked whether he felt safe when he had been shouted at and people had come into his personal space.He said: “It’s not for the faint-hearted; these jobs in public life now, I mean, they are really quite demanding. I’m no great Californian hippy, but you have to look after yourself, you really have to.” More

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    Expanding variety at Royal Albert Hall | Brief letters

    It’s good to see the variety of entertainment available at the Royal Albert Hall expanding (More rice, bigger chairs and reinforced toilets: sumo wrestling comes to London, 15 October). I know little about sumo wrestling, but I assume it’s not over till the fat man falls?Richard BarnardWivenhoe, Essex Perhaps King Charles can show he is a true monarch of the people by appointing one of his subjects from Yorkshire as a replacement Duke of York (Prince Andrew gives up royal titles including Duke of York after ‘discussion with king’, 17 October). May I nominate David Hockney or Alan Bennett?Colin BurkeCartmel, Cumbria It’s a minor point regarding Simon Jenkins’ column on the royal family (16 October), but I’d hardly call an eight-bedroom, Grade II-listed Georgian mansion in Windsor Great Park and prospective home of the future king a “modest house”.John De la CruzLondon Is this a new benchmark for shortest time in big jobs (Ange Postecoglou sacked by Nottingham Forest after 40 days as head coach, 18 October)? Has “Doing a Postecoglou” now replaced “Doing a Truss”?Phil SinnottCrosby, Liverpool A whole article about narcissistic personality disorder (15 October) without mentioning Donald Trump?Margaret Squires St Andrews, Fife Should the sun have been shining out of his arse (Trump hates this ‘super bad’ photo of him in Time magazine. I almost feel sympathy … almost, 15 October)?Andy Smith London More

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    The podcast showing what resistance looks like under Trump 2.0: ‘Where’s the progressive Project 2025?’

    In a recent episode of Unnamed and Unbound: Black Voters Matter Podcast, the co-host Cliff Albright spoke with his guests about the power of resilience and community building during a time of uncertainty. Resilience takes different forms, he said, such as mutual aid drives or Washington DC protests featuring go-go music during the national guard’s continued deployment in the capital. “As food is becoming more expensive, and as food programs are being cut, whether it’s Snap or Meals on Wheels, you’ve got a lot of organizations and Black communities that are looking at: ‘How do we feed ourselves?’” Albright, the co-founder and executive director of the voting rights and community empowerment organization Black Voters Matter, said. “The best of our resistance has always included some form of taking care of ourselves.”After the presidential election in November, the Black Voters Matter team got to work. In late January, Albright, his co-founder LaTosha Brown, and the group’s legal director and chief of staff April England-Albright launched the podcast about voting rights and organizing to help keep Black communities informed. Their goal is also to dispel misinformation by engaging people who may be vulnerable to the Trump administration’s propaganda, Albright said, and need some “persuasion in terms of how to interpret what’s going on around us”. For England-Albright, she’d like for activists to build coalitions that learn from the shortcomings of past movements. Ultimately, Brown hopes that listeners feel a sense of belonging in the podcast and that they are encouraged to build community.Some of their guests have included Jennifer Wells from the community organizing group Community Change, Ife Finch Floyd from the policy advocacy organization Georgia Budget and Policy Institute, and Deante’ Kyle, host of the pop culture and politics podcast Grits and Eggs.In addition to the podcast, Black Voters Matter has also given nearly $4m in grants to local organizations including churches, neighborhood associations and NAACP chapters to help organizers canvas and mobilize voters this year. The organization also provides technical support to grassroots groups, such as training them on how to send out mass political text messages. A documentary about Black Voters Matter, titled Love, Joy and Power: Tools for Liberation released this year followed the organization’s work in 2020. Its use as a blueprint for progressive organizers, Albright said, “is critical towards the work that we’re doing now and to understand how we can win” in future elections.“I think that there is a sobering reality of millions of people in this country that in order to create the nation that we desire, we deserve,” Brown said, “it cannot, under any circumstances, be built on the same foundation of corporate greed and race and white supremacy.”The podcast’s inception began shortly after the election results poured in the morning after the 2024 presidential race. Brown sat immobile in her hotel kitchen in Washington DC, in shock that Donald Trump won after she sounded the alarm for years. Prior to the election, she and the Black Voters Matter team had travelled throughout the country to engage voters in an effort to build political power among Black communities.A wave of emotions ranging from betrayal to bitterness and then fear washed over her. “I just felt all of the weight of this Black woman being rejected when she was the best and the most prepared. She was the most patriotic. She was the most transparent,” Brown said. “It was like white privilege, dancing in your face.”“Do we not know what we’ve done?” Brown recalled wondering as she continued to watch the election results come in. She wanted others to know that they weren’t alone in their sense of despair. “I see our podcast like a lighthouse in the storm,” Brown said. It provides a space to discuss organizing strategies in the current sociopolitical environment.Ultimately, current movement builders are creating more clandestine networks similar to the Underground Railroad, said Brown.“What we’ve decided is we’re going to focus on our own wellbeing and creating alternatives for our community and for those who really want to see a multiracial democracy. So what we’re going to do is we’re going to keep building. We’re organizing, and when the time is right, you will know we’re there.”For England-Albright, the podcast helps amplify Black Voters Matter’s coalition building by hosting guests from other community empowerment organizations. “So often in this country policy has not exemplified that we matter,” England-Albright said. “We’ve always wanted to serve as a beacon of hope and light that we do matter in this country, regardless of policy.” Her personal experience working in the government has informed her view on Trump’s second term.As a former supervising attorney for the Department of Education’s office for civil rights during Trump’s first term, she said that she has an insider’s view into how the Trump administration has weaponized the powers of the executive branch in his second term. Project 2025, a conservative agenda published by the rightwing thinktank the Heritage Foundation, laid the blueprint for the Trump administration “to radically reduce the civil servants for the federal government and replace them with individuals who would pass a loyalty test,” England-Albright said. “The reason why he did that was because civil servants played a major role in essentially preventing and halting some of the darker things he wanted to do originally.”To survive Trump’s second term, England-Albright said that activists must build coalitions unlike “we’ve ever had before”. In the past, organizations were often singularly focused on issues, such as saving the environment or protecting voting rights. But this time requires an amalgamation of forces, she said: “We have to find a way to merge all of our individual desires or top button issues to become one, to create the kind of wall that is going to be necessary in this moment.”She wants to see progressives create a long-term strategy that ensures their policies survive in rightwing administrations. “Where is the progressive Project 2025?” She asked. “We have to create permanent laws, whether it comes in constitutional amendments, I don’t care, but we’ve got to do something that makes sure that our voices are permanent in this country.”Amid his disappointment about the current state of politics, Albright retains a sense of optimism by acknowledging that a fight is needed to get through the turbulence and pain. In the fifth and sixth episodes of Unnamed and Unbound: Black Voters Matter Podcast released earlier this year, Albright spoke to guests at a gathering at Alabama’s Dallas county courthouse to commemorate the 60th anniversary of Bloody Sunday. On 7 March 1965, Dr Martin Luther King Jr led thousands of nonviolent civil rights marchers who were brutally beaten by law enforcement as they crossed the Edmund Pettus Bridge in Selma, Alabama. “When I say love, you say power,” Albright said in a call and response with attendees. Love and power, Albright told the audience, is at the center of his work at Black Voters Matter. That weekend, Selma residents discussed their hopes and fears, focusing on the effects of gun violence on their community.“I personally often will call on Dr King’s quotes about love and power: ‘Power without love is reckless and abusive, and love without power is sentimental and anemic. Power at its best is love implementing the demands of justice,’” Albright said. “So as long as we can be rooted in that; not the sentimental and anemic love, the love that’s bolstered by power, then we can get through this.” More

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    ‘Indecency has become a new hallmark’: writer and historian Jelani Cobb on race in Donald Trump’s America

    “From the vantage point of the newsroom, the first story is almost never the full story,” writes Jelani Cobb. “You hear stray wisps of information, almost always the most inflammatory strands of a much bigger, more complicated set of circumstances.”The dean of Columbia University’s Graduate School of Journalism in New York could be reflecting on the recent killing of the racist provocateur Charlie Kirk. In fact, he is thinking back to Trayvon Martin, a 17-year-old African American student from Florida who was shot dead by a white Latino neighbourhood watch volunteer in 2012.“The Martin case – the nightmare specter of a lynching screaming across the void of history – ruined the mood of a nation that had, just a few years earlier, elected its first black president, and in a dizzying moment of self-congratulation, began to ponder on editorial pages whether the nation was now ‘post-racial’,” Cobb writes in the introduction to his book Three or More Is a Riot: Notes on How We Got Here: 2012-2025.Many of the essays in the collection were written contemporaneously, affording them the irony – sometimes bitter irony – of distance. Together they form a portrait of an era bookended by the killing of Martin and the return to power of Donald Trump, with frontline reporting from Ferguson and Minneapolis along the way. They make a compelling argument that everything is connected and nothing is inevitable about racial justice or democracy.As Cobb chronicles across 437 pages, the 2013 acquittal of Martin’s killer, George Zimmerman, became a catalyst for conversations about racial profiling, gun laws and systemic racism, helping to inspire the formation of the Black Lives Matter movement.Three years later, Dylann Roof, a 21-year-old white supremacist, attended a Bible study session at Emanuel African Methodist Episcopal Church in Charleston, South Carolina, then opened fire and killed nine Black parishioners. Cobb notes that Roof told police he had been “radicalised” by the aftermath of Martin’s killing and wanted to start a “race war”.View image in fullscreenSpeaking by phone from his office at Columbia, Cobb, 56, says: “It was a very upside-down version of the facts because he looked on Martin’s death and somehow took the reaction to it as a threat to white people and that was what set him on his path. Roof was this kind of precursor of the cause of white nationalism and white supremacy that becomes so prominent now.”Then, in the pandemic-racked summer of 2020, came George Floyd, a 46-year-old African American man murdered by a white police officer who kneeled on his neck for almost nine minutes as Floyd said, “I can’t breathe,” more than 20 times. Black Lives Matter protesters took to the streets with demands to end police brutality, invest in Black communities and address systemic racism across various institutions.Cobb, an author, historian and staff writer at the New Yorker magazine, continues: “It was the high tide. A lot of the organising, a lot of the kinds of thinking, the perspective and the work and the cultural kinds of representations – these things had begun eight years earlier with Trayvon Martin’s death.“This was an excruciating, nearly nine-minute-long video of a person’s life being extinguished and it happened at a time when people had nothing to do but watch it. They weren’t able to go to work because people were in lockdown. All of those things made his death resonate in a way that it might not have otherwise. There had been egregious instances of Black people being killed prior to that and they hadn’t generated that kind of societal response.”Cities such as Minneapolis, Seattle and Los Angeles reallocated portions of police budgets to community programmes; companies committed millions of dollars to racial-equity initiatives; for a time, discussions of systemic racism entered mainstream discourse. But not for the first time in US history, progress – or at least the perception of it – sowed the seeds of backlash.“It also was a signal for people who are on the opposite side of this to start pushing in the opposite direction and that happened incredibly swiftly and with incredible consequences to such an extent that we are now in a more reactionary place than we were when George Floyd died in the first place,” Cobb says.No one better embodies that reactionary spirit than Donald Trump, who rose to political prominence pushing conspiracy theories about Barack Obama’s birthplace and demonising immigrants as criminals and rapists. His second term has included a cabinet dominated by white people and a purge of diversity, equity and inclusion (DEI) initiatives.Trump lost the presidential election a few months after Floyd died but returned to power last year, defeating a Black and south Asian challenger in Kamala Harris. According to Pew Research, Trump made important gains with Latino voters (51% Harris, 48% Trump) and won 15% of Black voters – up from 8% in 2020.What does Cobb make of the notion that class now outweighs race in electoral politics? “One of the things that they did brilliantly was that typically politics has worked on the basis of: ‘What will you do for me?’” Cobb says. “That’s retail politics. That’s what you expect.“The Trump campaign in 24 was much more contingent upon the question of: ‘What will you do to people who I don’t like?’ There were some Black men who thought their marginal position in society was a product of the advances that women made and that was something the Republican party said overtly, which is why I think their appeal was so masculinist.”Trump and his allies weaponised prejudice against transgender people to attract socially and religiously conservative voters, including demographics they would otherwise hold in “contempt”. “I also think that we tended to overlook the question of the extent to which Joe Biden simply handing the nomination to Kamala Harris turned off a part of the electorate,” Cobb says.He expresses frustration with the well-rehearsed argument that Democrats became too fixated on “woke” identity politics at the expense of economic populism: “They make it seem as if these groups created identity politics. Almost every group that’s in the Democratic fold was made into an identity group by the actions of people who were outside.“If you were talking about African Americans, Black politics was created by segregation. White people said that they were going to act in their interest in order to prevent African Americans from having access. Women, through the call of feminism, came to address the fact that they were excluded from politics because men wanted more power. You could go through every single group.”Yet it remains commonplace to talk about appealing to evangelical Christian voters or working-class non-college-educated voters, he says: “The presumption implicit in this is that all those people see the world in a particular way that is understandable or legible by their identity, and so there’s a one-sidedness to it. For the entirety of his political career, Trump has simply been a shrewd promulgator of white-identity politics.”That trend has become supercharged in Trump’s second term. He has amplified the great replacement theory, sought to purge diversity, equity and inclusion initiatives and complained that museums over-emphasise slavery. His actions have built a permission structure for white nationalists who boast they now have a seat at the top table.Many observers have also expressed dismay at Trump’s concentration of executive power and the speed and scale of his assault on democratic institutions. Cobb, however, is not surprised.“It’s about what I expected, honestly,” he says, “because throughout the course of the 2024 campaign, Trump mainly campaigned on the promises of what he was going to do to get back at people. They’re using the power of the state to pursue personal and ideological grievances, which is what autocracy does.”skip past newsletter promotionafter newsletter promotionIt is now fashionable on the left to bemoan the rise of US authoritarianism as a novel concept, a betrayal of constitutional ideals envied by the world. Cobb has a more complex take, suggesting that the US’s claim to moral primacy, rooted in the idea of exceptionalism, is based on a false premise.He argues: “America has been autocratic previously. We just don’t think about it. It’s never been useful … to actually grapple with what America was, and America had no interest in grappling with these questions itself. Who has ever managed personal growth while constantly screaming to the world about how special and amazing they are?”Cobb’s book maps an arc of the moral universe that is crooked and uneven, pointing out that, between the end of reconstruction and 1965, 11 states in the south effectively nullified the protections of the 13th, 14th and 15th amendments of the constitution, imposing Jim Crow laws, voter suppression and violence to disenfranchise Black citizens.“The constitution gave Black people the right to vote but, if you voted, you’d be killed and this was a known fact,” he says. “This went on for decade after decade after decade. You can call that a lot of things. You can’t call that democracy. It was a kind of racial autocracy that extended in lots of different directions.”He adds: “We should have been mindful that the country could always return to form in that way, that its commitment to democracy had been tenuous. That was why race has played such a central role in the dawning of this current autocratic moment. But it’s not the only dynamic.“Immigration, which is tied to race in some ways, is another dynamic. The advances that women have made, the increasing acceptance and tolerance of people in the LGBTQ communities – all those things, combined with an economic tenuousness, have made it possible to just catalyse this resurgence of autocracy in the country.”It is therefore hardly unexpected that business leaders and institutions would capitulate, as they have in the past, he says: “We might hope that they would react differently but it’s not a shock when they don’t. Go back to the McCarthy era. We see that in more instances than not, McCarthy and other similar kinds of red-baiting forces were able to exert their will on American institutions.”Cobb’s own employer has been caught in the maelstrom. In February, the Trump administration froze $400m in federal research grants and funding to Columbia, citing the university’s “failure to protect Jewish students from antisemitic harassment” during Gaza protests last year. Columbia has since announced it would comply with nearly all the administration’s demands and agreed to a $221m settlement, restoring most frozen funds but with ongoing oversight.Cobb does not have much to add, partly for confidentiality reasons, though he does comment: “In life, I have tended to not grade harshly for exams that people should never have been required to take in the first place.”He is unwavering, however, in his critique of Trump’s attack on the university sector: “What’s happening is people emulating Viktor Orbán [the leader of Hungary] to try to crush any independent centres of dissent and to utilise the full weight of the government to do it, and also to do it in hypocritical fashion.“The cover story was that Columbia and other universities were being punished for their failure to uproot antisemitism on their campuses. But it’s difficult to understand how you punish an institution for being too lenient about antisemitism and the punishment is that you take away its ability to do cancer research, or you defund its ability to do research on the best medical protocols for sick children or to work on heart disease and all the things that were being done with the money that was taken from the university.“In fact, what is being done is that we are criminalising the liberal or progressive ideas and centres that are tolerant of people having a diverse array of ideas or progressive ideas. The irony, of course, is that one of the things that happens in autocracy is the supreme amount of hypocrisy. They have an incredible tolerance for hypocrisy and so all these things are being done under the banner of protecting free speech.”That hypocrisy has been on extravagant display again in the aftermath of Kirk’s killing by a lone gunman on a university campus in Utah. Trump and his allies have been quick to blame the “radical left” and “domestic terrorists” and threaten draconian action against those who criticise Kirk or celebrate his demise. The response is only likely to deepen the US’s political polarisation and threat of further violence.Spencer Cox, the governor of Utah and a rare voice urging civil discourse, wondered whether this was the end of a dark chapter of US history – or the beginning. What does Cobb think? “There’s a strong possibility that it will get worse before it gets better,” he says frankly.“We’re at a point where we navigated the volatile moment of the 1950s, the 1960s, because we were able to build a social consensus around what we thought was decent and what we thought was right, and we’re now seeing that undone. Indecency has become a new hallmark.“But we should take some solace in the fact that people have done the thing that we need to do now previously. The situation we’re in I don’t think is impossible.” More

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    The not-so secret language of fascist fashion

    Fascism is back in style. Forget the old symbols: swastikas, nooses, Confederate flags, skinheads’ shaved heads and combat boots. Extremism has a new look, and it is as fashionable as ever.Today’s extremist styles are more diverse and more subtle. Beyond T-shirts that advertise blatant racism, polo shirts with coded symbols create a shared in-group identity and signal support of violence to other believers. Tradwife-style prairie dresses and beauty regimens promote conservative visions of family. Clothing is a powerful tool to spread fascist ideas to promote authoritarianism and recruit new members to this cause.The far right’s weaponization of fashion to advance hateful ideas is not new. Fascist movements have long understood the power of aesthetics. In 1920s Italy, Benito Mussolini harnessed black shirts and the ancient Roman symbol of the fasces (a bundle of sticks with an axe, which stands for power and authority) to build his power and his brand. German clothier Hugo Boss, a card-carrying Nazi, produced the uniforms of the Schutzstaffel (SS) paramilitary and the Hitler Youth. Hate came with a slick, tailored look. In the US, the white robes of the Ku Klux Klan and burning crosses have long been trademarks of white supremacy. In the 1980s, the original fascists’ skinhead successors appropriated and repurposed bomber jackets, shaved heads and combat boots as their distinct form of military-ish chic.View image in fullscreenNow, welcome to fascist fashion 3.0. The aesthetics of modern-day extremists are far reaching and mainstream. Even more so since 2017 and the “Unite the Right” rally in Charlottesville, Virginia, fascist fashion – or fascion (an amalgam of “fashion” and “fascism”) – is now at your fingertips. Right-wing groups have their own labels, co-opt pre-existing fashion brands and hawk their wares online via TikTok and eBay.Much of this ideological apparel can evade notice – if you are not in the know. Instead of blunt hate-filled slogans, the far right uses language like “my favorite color is white” and “defending our culture” – vague messages that could be interpreted in different ways and offer plausible deniability (however tenuously, because who is the “we” and what “culture” is under siege and in need of protection? And nationalist rhetoric has long been a favorite tool of the right).Coded visual elements and references are instrumental to conveying the message, to those who know how to read it. Use of specific fonts associated with the Nazi regime or those that look faintly Germanic – with dark, peaked letters – help groups to embed their ideology in what seems like innocent slogans or visual cues.Sometimes, the references come from other cultures or subcultures; today’s reactionaries reference Nordic symbols and imagery of “Valhalla”, as a nod to an imaginary past of white, hypermasculine Europe (FBI director Kash Patel’s recent promise to see slain conservative activist Charlie Kirk in Valhalla raised eyebrows). Gaming memes such as “Pepe the Frog”, which the alt-right has appropriated to convey antisemitic sentiments, also find their way into clothing.Sometimes the messages are even more coded. A T-shirt at a Nationals game with the number 88 and the word “nationalist” above it might not draw attention, but the combination is a celebration of a neo-Nazi sentiment (88 is a well-known white supremacist numerical code for “Heil Hitler”; the letter “h” is the eighth letter of the English alphabet, and repeating it twice references the infamous salute).This new fashion no longer seeks to shock or to antagonize, but to appeal to a sense of identity and belonging, said Monica Sklar, associate professor of textiles, merchandising and interiors and curator of the Anne Barge Historic Clothing and Textiles Collection at the University of Georgia. “The idea is not being quite a subculture but to be embedded in the power structure. Instead of coding things to move away from the masses, this fashion is coding things to move into the masses,” and this is a purposeful shift.View image in fullscreenTake, for example, a black polo shirt with white stripes at the hems of the sleeves and collar from the activewear brand Will2Rise. It is sold under the name “3.0 Perry Polo”, a reference to the famous British brand Fred Perry, whose black and yellow design was “hijacked” by the far-right group Proud Boys since its founding in 2016. (In 2020, Fred Perry discontinued the model as a result). In the Will2Rise version, Fred Perry’s logo of golden laurels is replaced with a modern design of the white supremacist Patriot Front logo, which depicts an upright fasces surrounded by a circle.While valorization of masculine power and fitness is an important part of this new aesthetics, women – who are traditionally associated with fashion and adornment – also have a role in shaping the look. Adhering to traditional ideas of gender, the new Republican look of extreme plastic surgery and heavy makeup combines with tradwives’ 1950s dress silhouettes of cinched waists and flowery patterns to celebrate hyperfemininity.These styles not only allow their wearers to blend in, but they also play a role in normalizing an aesthetics of radicalism and violence. Sociologist and American University professor Cynthia Miller-Idriss, who studies extremism and polarization, has written that “it is simply much harder to recognize ideas as hateful when they come in an aesthetic package that doesn’t fit the image people hold in their heads about what white supremacists look like”. When the radical right looks like the mythical boy and girl next door, it’s hard to know who can be a threat.View image in fullscreenBut it is exactly this quality that enables extremist fashion to glide into the mainstream. Slogans like “White Life Matters” and other iconography found today on clothing and bumper stickers are reflecting sentiments that started much further to the right. Some of the symbols we see, like an image of a US flag where the stripes are made of machine guns, originated in the militia movement. By the time these items are circulating in the market, the message has been repackaged and toned down by a hair, but the ideas behind the symbols are the same.This is all part of the fashion cycle.To be sure, not every conservative or offensive outfit is fascist. Indeed, the lines between hate speech and hyperpatriotism can be blurry. As Sklar points out, “in the US, subcultural dress is much subdued, much more piecemeal,” and thus harder to define or recognize. Moreover, the wearer of these more mainstream, watered-down versions of fascist messages is not always aware of their extreme origins. However, sometimes, this fashionable choice is deliberate, and the decision of whether to expose it as such can entail great risks.To make things more complicated, as more extreme fashions migrate into the mainstream, we are becoming more desensitized to the ideas they represent. Fascism becomes a selling point with a commercial value. The Florida GOP is selling “Alligator Alcatraz” merch without fear of censure. If only a few years ago appealing to racist sentiments might have brought serious public backlash, today campaigns such as Sydney Sweeney’s American Eagle jeans promotion only bring more attention to the company. Even Charlie Kirk’s death became an opportunity; some companies are branding his assassin’s T-shirt as the “Charlie Kirk Land of the Free T-Shirt.”View image in fullscreenFashion is not static. It changes all the time. What used to be in the margins a few years ago are now on trend. Brand identity can also shift. While in 2020, a Maga hat or a tradwife aesthetics would not be registered as fascist, by 2025, with Trump’s actions and statements becoming increasingly more authoritarian, those styles gain new meaning.Moreover, the Trump administration’s adoption of not only the Maga styles but those of the far right, aids in the shifting of the brand. Pete Hegseth, the secretary of defense, wears tattoos that are associated with white supremacy. When Ice agents storm the streets of big cities with their ski masks, bullet-proof vests, and khakis, they often look more like the Patriot Front or the Three Percenters militia than representatives of the government.View image in fullscreenBut this new visibility also makes it easier to expose the fascism and contradictions behind all the freedom talk. Kristi Noem’s impeccable curly hair extensions and heavy makeup has earned the homeland security secretary the nickname “Ice Barbie”. Her appearance came to define the cruelty of the administration’s immigration policies. As more people associate certain fashions and symbols with actions and policies they oppose, the less appealing they become.Like we learned to recognize the more traditional fascist symbols, we are now learning to identify the new visual language of the right. In 1935, Sinclair Lewis warned in his novel, It Can’t Happen Here, that when fascism comes to the US it won’t look like the European brand. Instead, it would be wrapped in a flag and carrying a cross. In 2025, we also know that it wears a Maga hat and an Ice vest. More