More stories

  • in

    His socialist podcast became a surprise hit. Now he’s an uncommitted Democratic delegate

    @font-face{font-family:Guardian Headline Full;src:url(https://assets.guim.co.uk/static/frontend/fonts/guardian-headline/noalts-not-hinted/GHGuardianHeadline-Light.woff2) format(“woff2”),url(https://assets.guim.co.uk/static/frontend/fonts/guardian-headline/noalts-not-hinted/GHGuardianHeadline-Light.woff) format(“woff”),url(https://assets.guim.co.uk/static/frontend/fonts/guardian-headline/noalts-not-hinted/GHGuardianHeadline-Light.ttf) format(“truetype”);font-weight:300;font-style:normal}@font-face{font-family:Guardian Headline Full;src:url(https://assets.guim.co.uk/static/frontend/fonts/guardian-headline/noalts-not-hinted/GHGuardianHeadline-LightItalic.woff2) format(“woff2”),url(https://assets.guim.co.uk/static/frontend/fonts/guardian-headline/noalts-not-hinted/GHGuardianHeadline-LightItalic.woff) format(“woff”),url(https://assets.guim.co.uk/static/frontend/fonts/guardian-headline/noalts-not-hinted/GHGuardianHeadline-LightItalic.ttf) format(“truetype”);font-weight:300;font-style:italic}@font-face{font-family:Guardian Headline Full;src:url(https://assets.guim.co.uk/static/frontend/fonts/guardian-headline/noalts-not-hinted/GHGuardianHeadline-Regular.woff2) format(“woff2”),url(https://assets.guim.co.uk/static/frontend/fonts/guardian-headline/noalts-not-hinted/GHGuardianHeadline-Regular.woff) format(“woff”),url(https://assets.guim.co.uk/static/frontend/fonts/guardian-headline/noalts-not-hinted/GHGuardianHeadline-Regular.ttf) format(“truetype”);font-weight:400;font-style:normal}@font-face{font-family:Guardian Headline Full;src:url(https://assets.guim.co.uk/static/frontend/fonts/guardian-headline/noalts-not-hinted/GHGuardianHeadline-RegularItalic.woff2) format(“woff2”),url(https://assets.guim.co.uk/static/frontend/fonts/guardian-headline/noalts-not-hinted/GHGuardianHeadline-RegularItalic.woff) format(“woff”),url(https://assets.guim.co.uk/static/frontend/fonts/guardian-headline/noalts-not-hinted/GHGuardianHeadline-RegularItalic.ttf) format(“truetype”);font-weight:400;font-style:italic}@font-face{font-family:Guardian Headline Full;src:url(https://assets.guim.co.uk/static/frontend/fonts/guardian-headline/noalts-not-hinted/GHGuardianHeadline-Medium.woff2) format(“woff2”),url(https://assets.guim.co.uk/static/frontend/fonts/guardian-headline/noalts-not-hinted/GHGuardianHeadline-Medium.woff) format(“woff”),url(https://assets.guim.co.uk/static/frontend/fonts/guardian-headline/noalts-not-hinted/GHGuardianHeadline-Medium.ttf) format(“truetype”);font-weight:500;font-style:normal}@font-face{font-family:Guardian Headline Full;src:url(https://assets.guim.co.uk/static/frontend/fonts/guardian-headline/noalts-not-hinted/GHGuardianHeadline-MediumItalic.woff2) format(“woff2”),url(https://assets.guim.co.uk/static/frontend/fonts/guardian-headline/noalts-not-hinted/GHGuardianHeadline-MediumItalic.woff) format(“woff”),url(https://assets.guim.co.uk/static/frontend/fonts/guardian-headline/noalts-not-hinted/GHGuardianHeadline-MediumItalic.ttf) format(“truetype”);font-weight:500;font-style:italic}@font-face{font-family:Guardian Headline Full;src:url(https://assets.guim.co.uk/static/frontend/fonts/guardian-headline/noalts-not-hinted/GHGuardianHeadline-Semibold.woff2) format(“woff2”),url(https://assets.guim.co.uk/static/frontend/fonts/guardian-headline/noalts-not-hinted/GHGuardianHeadline-Semibold.woff) format(“woff”),url(https://assets.guim.co.uk/static/frontend/fonts/guardian-headline/noalts-not-hinted/GHGuardianHeadline-Semibold.ttf) format(“truetype”);font-weight:600;font-style:normal}@font-face{font-family:Guardian Headline Full;src:url(https://assets.guim.co.uk/static/frontend/fonts/guardian-headline/noalts-not-hinted/GHGuardianHeadline-SemiboldItalic.woff2) format(“woff2”),url(https://assets.guim.co.uk/static/frontend/fonts/guardian-headline/noalts-not-hinted/GHGuardianHeadline-SemiboldItalic.woff) format(“woff”),url(https://assets.guim.co.uk/static/frontend/fonts/guardian-headline/noalts-not-hinted/GHGuardianHeadline-SemiboldItalic.ttf) format(“truetype”);font-weight:600;font-style:italic}@font-face{font-family:Guardian Headline Full;src:url(https://assets.guim.co.uk/static/frontend/fonts/guardian-headline/noalts-not-hinted/GHGuardianHeadline-Bold.woff2) format(“woff2”),url(https://assets.guim.co.uk/static/frontend/fonts/guardian-headline/noalts-not-hinted/GHGuardianHeadline-Bold.woff) format(“woff”),url(https://assets.guim.co.uk/static/frontend/fonts/guardian-headline/noalts-not-hinted/GHGuardianHeadline-Bold.ttf) format(“truetype”);font-weight:700;font-style:normal}@font-face{font-family:Guardian Headline Full;src:url(https://assets.guim.co.uk/static/frontend/fonts/guardian-headline/noalts-not-hinted/GHGuardianHeadline-BoldItalic.woff2) format(“woff2”),url(https://assets.guim.co.uk/static/frontend/fonts/guardian-headline/noalts-not-hinted/GHGuardianHeadline-BoldItalic.woff) format(“woff”),url(https://assets.guim.co.uk/static/frontend/fonts/guardian-headline/noalts-not-hinted/GHGuardianHeadline-BoldItalic.ttf) format(“truetype”);font-weight:700;font-style:italic}@font-face{font-family:Guardian Headline Full;src:url(https://assets.guim.co.uk/static/frontend/fonts/guardian-headline/noalts-not-hinted/GHGuardianHeadline-Black.woff2) format(“woff2”),url(https://assets.guim.co.uk/static/frontend/fonts/guardian-headline/noalts-not-hinted/GHGuardianHeadline-Black.woff) format(“woff”),url(https://assets.guim.co.uk/static/frontend/fonts/guardian-headline/noalts-not-hinted/GHGuardianHeadline-Black.ttf) format(“truetype”);font-weight:900;font-style:normal}@font-face{font-family:Guardian Headline Full;src:url(https://assets.guim.co.uk/static/frontend/fonts/guardian-headline/noalts-not-hinted/GHGuardianHeadline-BlackItalic.woff2) format(“woff2”),url(https://assets.guim.co.uk/static/frontend/fonts/guardian-headline/noalts-not-hinted/GHGuardianHeadline-BlackItalic.woff) format(“woff”),url(https://assets.guim.co.uk/static/frontend/fonts/guardian-headline/noalts-not-hinted/GHGuardianHeadline-BlackItalic.ttf) format(“truetype”);font-weight:900;font-style:italic}@font-face{font-family:Guardian Titlepiece;src:url(https://assets.guim.co.uk/static/frontend/fonts/guardian-titlepiece/noalts-not-hinted/GTGuardianTitlepiece-Bold.woff2) format(“woff2”),url(https://assets.guim.co.uk/static/frontend/fonts/guardian-titlepiece/noalts-not-hinted/GTGuardianTitlepiece-Bold.woff) format(“woff”),url(https://assets.guim.co.uk/static/frontend/fonts/guardian-titlepiece/noalts-not-hinted/GTGuardianTitlepiece-Bold.ttf) format(“truetype”);font-weight:700;font-style:normal}@media (min-width: 71.25em){.content__main-column–interactive{margin-left:160px}}@media (min-width: 81.25em){.content__main-column–interactive{margin-left:240px}}.content__main-column–interactive .element-atom{max-width:620px}@media (max-width: 46.24em){.content__main-column–interactive .element-atom{max-width:100%}}.content__main-column–interactive .element-showcase{margin-left:0}@media (min-width: 46.25em){.content__main-column–interactive .element-showcase{max-width:620px}}@media (min-width: 71.25em){.content__main-column–interactive .element-showcase{max-width:860px}}.content__main-column–interactive .element-immersive{max-width:1100px}@media (max-width: 46.24em){.content__main-column–interactive .element-immersive{width:calc(100vw – var(–scrollbar-width));position:relative;left:50%;right:50%;margin-left:calc(-50vw + var(–half-scrollbar-width))!important;margin-right:calc(-50vw + var(–half-scrollbar-width))!important}}@media (min-width: 46.25em){.content__main-column–interactive .element-immersive{transform:translate(-20px);width:calc(100% + 60px)}}@media (max-width: 71.24em){.content__main-column–interactive .element-immersive{margin-left:0;margin-right:0}}@media (min-width: 71.25em){.content__main-column–interactive .element-immersive{transform:translate(0);width:auto}}@media (min-width: 81.25em){.content__main-column–interactive .element-immersive{max-width:1260px}}.content__main-column–interactive p{color:#121212;max-width:620px}.content__main-column–interactive ul{max-width:620px}.content__main-column–interactive:before{position:absolute;top:0;height:calc(100% + 15px);min-height:100px;content:””}@media (min-width: 71.25em){.content__main-column–interactive:before{border-left:1px solid #dcdcdc;z-index:-1;left:-10px}}@media (min-width: 81.25em){.content__main-column–interactive:before{border-left:1px solid #dcdcdc;left:-11px}}.content__main-column–interactive .element-atom{margin-top:0;margin-bottom:0;padding-bottom:12px;padding-top:12px}.content__main-column–interactive p+.element-atom{padding-top:0;padding-bottom:0;margin-top:12px;margin-bottom:12px}.content__main-column–interactive .element-inline{max-width:620px}@media (min-width: 61.25em){figure[data-spacefinder-role=inline].element{max-width:620px}}:root{–dateline: #606060}.element.element-atom{padding:0}#article-body >div .element-atom+p:first-of-type,#article-body >div .element-atom+.sign-in-gate+p:first-of-type,#article-body >div .element-atom+#sign-in-gate+p:first-of-type,.content–interactive >div .element-atom+p:first-of-type,.content–interactive >div .element-atom+.sign-in-gate+p:first-of-type,.content–interactive >div .element-atom+#sign-in-gate+p:first-of-type,#feature-body .element-atom+p:first-of-type,#feature-body .element-atom+.sign-in-gate+p:first-of-type,#feature-body .element-atom+#sign-in-gate+p:first-of-type,[data-gu-name=body] .element-atom+p:first-of-type,[data-gu-name=body] .element-atom+.sign-in-gate+p:first-of-type,[data-gu-name=body] .element-atom+#sign-in-gate+p:first-of-type{padding-top:14px}#article-body >div .element-atom+p:first-of-type:first-letter,#article-body >div .element-atom+.sign-in-gate+p:first-of-type:first-letter,#article-body >div .element-atom+#sign-in-gate+p:first-of-type:first-letter,.content–interactive >div .element-atom+p:first-of-type:first-letter,.content–interactive >div .element-atom+.sign-in-gate+p:first-of-type:first-letter,.content–interactive >div .element-atom+#sign-in-gate+p:first-of-type:first-letter,#feature-body .element-atom+p:first-of-type:first-letter,#feature-body .element-atom+.sign-in-gate+p:first-of-type:first-letter,#feature-body .element-atom+#sign-in-gate+p:first-of-type:first-letter,[data-gu-name=body] .element-atom+p:first-of-type:first-letter,[data-gu-name=body] .element-atom+.sign-in-gate+p:first-of-type:first-letter,[data-gu-name=body] .element-atom+#sign-in-gate+p:first-of-type:first-letter{font-family:Guardian Headline,Guardian Egyptian Web,Guardian Headline Full,Georgia,serif;font-weight:700;font-size:111px;line-height:92px;float:left;text-transform:uppercase;box-sizing:border-box;margin-right:8px;vertical-align:text-top;color:var(–series-title-text)}#maincontent .element.element–showcase.element-showcase figcaption,#feature-article-container .element.element–showcase.element-showcase figcaption,#standard-article-container .element.element–showcase.element-showcase figcaption,#comment-article-container .element.element–showcase.element-showcase figcaption{position:static!important;width:100%;max-width:620px}.element.element–immersive.element-immersive{width:calc(100vw – var(–scrollbar-width, 0px))}@media (max-width: 71.24em){.element.element–immersive.element-immersive{max-width:978px}.element.element–immersive.element-immersive figcaption{padding-inline:10px}}@media (max-width: 71.24em) and (min-width: 30em){.element.element–immersive.element-immersive figcaption{padding-inline:20px}}@media (min-width: 46.25em) and (max-width: 61.24em){.element.element–immersive.element-immersive{max-width:738px}}@media (max-width: 46.24em){.element.element–immersive.element-immersive{margin-left:-10px!important;margin-right:0!important;left:0}}@media (max-width: 46.24em) and (min-width: 30em){.element.element–immersive.element-immersive{margin-left:-20px!important}.element.element–immersive.element-immersive figcaption{padding-inline:20px}}.furniture-wrapper{position:relative}@media (min-width: 61.25em){.furniture-wrapper{display:grid;grid-column-gap:20px;grid-row-gap:0px;grid-template-columns:[title-start headline-start meta-start standfirst-start] repeat(5,1fr) [title-end headline-end meta-end standfirst-end portrait-start] repeat(5,1fr) [portrait-end];grid-template-rows:[title-start portrait-start] .25fr [title-end headline-start] 1fr [headline-end standfirst-start] .75fr [standfirst-end meta-start] auto [meta-end portrait-end]}.furniture-wrapper #headline h1,.furniture-wrapper [data-gu-name=headline] h1,.furniture-wrapper .content__headline h1,.furniture-wrapper .headline h1{border-top:1px solid #dcdcdc}.furniture-wrapper #meta,.furniture-wrapper [data-gu-name=meta]{position:relative;padding-top:2px;margin-right:0}.furniture-wrapper .standfirst .content__standfirst,.furniture-wrapper #standfirst .content__standfirst,.furniture-wrapper [data-gu-name=standfirst] .content__standfirst,.furniture-wrapper .content__standfirst .content__standfirst{margin-bottom:4px}.furniture-wrapper .standfirst p:first-of-type,.furniture-wrapper #standfirst p:first-of-type,.furniture-wrapper [data-gu-name=standfirst] p:first-of-type,.furniture-wrapper .content__standfirst p:first-of-type{border-top:1px solid #dcdcdc;padding-bottom:0}}@media (min-width: 61.25em) and (min-width: 71.25em){.furniture-wrapper .standfirst p:first-of-type,.furniture-wrapper #standfirst p:first-of-type,.furniture-wrapper [data-gu-name=standfirst] p:first-of-type,.furniture-wrapper .content__standfirst p:first-of-type{border-top:unset}}@media (min-width: 61.25em){.furniture-wrapper figure{margin:0 -10px}}@media (min-width: 71.25em){.furniture-wrapper{grid-template-columns:[title-start headline-start meta-start] repeat(2,1fr) [meta-end standfirst-start] repeat(5,1fr) [title-end headline-end standfirst-end portrait-start] repeat(7,1fr) [portrait-end];grid-template-rows:[title-start portrait-start] .25fr [title-end headline-start] 1fr [headline-end standfirst-start meta-start] .75fr [standfirst-end meta-end portrait-end]}.furniture-wrapper #meta:before,.furniture-wrapper [data-gu-name=meta]:before{content:””;width:540px;position:absolute;top:0;background-color:#dcdcdc;height:1px}.furniture-wrapper .standfirst p,.furniture-wrapper #standfirst p,.furniture-wrapper [data-gu-name=standfirst] p,.furniture-wrapper .content__standfirst p{border-top:unset}.furniture-wrapper .standfirst:before,.furniture-wrapper #standfirst:before,.furniture-wrapper [data-gu-name=standfirst]:before,.furniture-wrapper .content__standfirst:before{content:””;width:1px;background-color:#dcdcdc;height:100%;position:absolute;top:0;left:.5px}}@media (min-width: 81.25em){.furniture-wrapper{grid-template-columns:[title-start headline-start meta-start] repeat(3,1fr) [meta-end standfirst-start] repeat(5,1fr) [title-end headline-end standfirst-end portrait-start] repeat(8,1fr) [portrait-end];grid-template-rows:[title-start portrait-start] .25fr [title-end headline-start] 1fr [headline-end standfirst-start meta-start] .75fr [standfirst-end meta-end portrait-end]}.furniture-wrapper #meta:before,.furniture-wrapper [data-gu-name=meta]:before{width:620px}.furniture-wrapper .standfirst:before,.furniture-wrapper #standfirst:before,.furniture-wrapper [data-gu-name=standfirst]:before,.furniture-wrapper .content__standfirst:before{left:-.5px}}.furniture-wrapper .article-header .content__labels >div,.furniture-wrapper [data-gu-name=title] .content__labels >div{padding-top:2px}.furniture-wrapper #headline h1,.furniture-wrapper [data-gu-name=headline] h1,.furniture-wrapper .content__headline h1,.furniture-wrapper .headline h1{font-weight:600;max-width:620px;font-size:32px}@media (min-width: 71.25em){.furniture-wrapper #headline h1,.furniture-wrapper [data-gu-name=headline] h1,.furniture-wrapper .content__headline h1,.furniture-wrapper .headline h1{max-width:540px;font-size:50px}}@media (min-width: 46.25em){.furniture-wrapper .keyline-4,.furniture-wrapper [data-gu-name=lines]{margin-right:0}}@media (min-width: 61.25em){.furniture-wrapper .keyline-4,.furniture-wrapper [data-gu-name=lines]{display:none}}.furniture-wrapper .keyline-4 svg,.furniture-wrapper [data-gu-name=lines] svg{stroke:#dcdcdc}@media (min-width: 46.25em){.furniture-wrapper #meta,.furniture-wrapper [data-gu-name=meta]{margin-right:0}}.furniture-wrapper #meta .meta__social,.furniture-wrapper #meta .meta__social ul li a span,.furniture-wrapper #meta .meta__comment,.furniture-wrapper [data-gu-name=meta] .meta__social,.furniture-wrapper [data-gu-name=meta] .meta__social ul li a span,.furniture-wrapper [data-gu-name=meta] .meta__comment{border-color:#dcdcdc}.furniture-wrapper #meta .content__meta-container_dcr >div >gu-island,.furniture-wrapper [data-gu-name=meta] .content__meta-container_dcr >div >gu-island{display:none}.furniture-wrapper .standfirst,.furniture-wrapper #standfirst,.furniture-wrapper [data-gu-name=standfirst],.furniture-wrapper .content__standfirst{margin-left:-10px;padding-left:10px;position:relative}@media (min-width: 46.25em){.furniture-wrapper .standfirst,.furniture-wrapper #standfirst,.furniture-wrapper [data-gu-name=standfirst],.furniture-wrapper .content__standfirst{padding-top:2px}}.furniture-wrapper .standfirst p,.furniture-wrapper #standfirst p,.furniture-wrapper [data-gu-name=standfirst] p,.furniture-wrapper .content__standfirst p{font-weight:400;font-size:20px;padding-bottom:14px}.furniture-wrapper .standfirst a,.furniture-wrapper #standfirst a,.furniture-wrapper [data-gu-name=standfirst] a,.furniture-wrapper .content__standfirst a{color:var(–series-title-text)}.furniture-wrapper figure{position:relative;margin-top:0;margin-bottom:2px;grid-area:portrait}@media (min-width: 61.25em){.furniture-wrapper figure{margin-bottom:0}}@media (max-width: 46.24em){.furniture-wrapper figure{width:calc(100vw – var(–scrollbar-width, 0px));margin-left:-10px}}@media (max-width: 46.24em) and (min-width: 30em){.furniture-wrapper figure{margin-left:-20px}}.furniture-wrapper figcaption{position:absolute;bottom:0;padding:4px 10px 12px;background-color:#121212b8;color:#999;max-width:unset;width:100%;margin-bottom:0;min-height:46px}.furniture-wrapper figcaption span{color:#dcdcdc}.furniture-wrapper figcaption span svg{fill:#dcdcdc}.furniture-wrapper figcaption span:nth-of-type(1){display:none}.furniture-wrapper figcaption span:nth-of-type(2){display:block;max-width:90%}@media (min-width: 30em){.furniture-wrapper figcaption{padding:4px 20px 12px}}.furniture-wrapper figcaption.hidden{opacity:0}.furniture-wrapper #caption-button{display:block;position:absolute;bottom:10px;right:8px;z-index:100;background-color:#121212b8;border:none;border-radius:50%;padding:6px 5px 5px}.furniture-wrapper #caption-button svg{transform:scale(.85)}@media (min-width: 30em){.furniture-wrapper #caption-button{right:20px}}.content__main-column–interactive:before{top:-12px;height:calc(100% + 24px)}.content__main-column–interactive h2{max-width:620px}body.ios #feature-article-container .element-atom+p:first-letter,body.ios #feature-article-container .element-atom+.sign-in-gate+p:first-letter,body.ios #feature-article-container .element-atom+#sign-in-gate+p:first-letter,body.ios #standard-article-container .element-atom+p:first-letter,body.ios #standard-article-container .element-atom+.sign-in-gate+p:first-letter,body.ios #standard-article-container .element-atom+#sign-in-gate+p:first-letter,body.ios #comment-article-container .element-atom+p:first-letter,body.ios #comment-article-container .element-atom+.sign-in-gate+p:first-letter,body.ios #comment-article-container .element-atom+#sign-in-gate+p:first-letter,body.android #feature-article-container .element-atom+p:first-letter,body.android #feature-article-container .element-atom+.sign-in-gate+p:first-letter,body.android #feature-article-container .element-atom+#sign-in-gate+p:first-letter,body.android #standard-article-container .element-atom+p:first-letter,body.android #standard-article-container .element-atom+.sign-in-gate+p:first-letter,body.android #standard-article-container .element-atom+#sign-in-gate+p:first-letter,body.android #comment-article-container .element-atom+p:first-letter,body.android #comment-article-container .element-atom+.sign-in-gate+p:first-letter,body.android #comment-article-container .element-atom+#sign-in-gate+p:first-letter{color:var(–original-pillar-colour, #000)}body.ios #feature-article-container .article__header,body.ios #standard-article-container .article__header,body.ios #comment-article-container .article__header,body.android #feature-article-container .article__header,body.android #standard-article-container .article__header,body.android #comment-article-container .article__header{height:0}body.ios #feature-article-container .furniture-wrapper,body.ios #standard-article-container .furniture-wrapper,body.ios #comment-article-container .furniture-wrapper,body.android #feature-article-container .furniture-wrapper,body.android #standard-article-container .furniture-wrapper,body.android #comment-article-container .furniture-wrapper{padding:4px 10px 0}body.ios #feature-article-container .furniture-wrapper .content__labels,body.ios #standard-article-container .furniture-wrapper .content__labels,body.ios #comment-article-container .furniture-wrapper .content__labels,body.android #feature-article-container .furniture-wrapper .content__labels,body.android #standard-article-container .furniture-wrapper .content__labels,body.android #comment-article-container .furniture-wrapper .content__labels{font-weight:700;font-family:Guardian Headline,Guardian Egyptian Web,Guardian Headline Full,Georgia,serif;color:var(–byline-anchor, #c70000);text-transform:capitalize}body.ios #feature-article-container .furniture-wrapper h1.headline,body.ios #standard-article-container .furniture-wrapper h1.headline,body.ios #comment-article-container .furniture-wrapper h1.headline,body.android #feature-article-container .furniture-wrapper h1.headline,body.android #standard-article-container .furniture-wrapper h1.headline,body.android #comment-article-container .furniture-wrapper h1.headline{font-size:32px;font-weight:700;padding-bottom:12px;color:#121212!important}body.ios #feature-article-container .furniture-wrapper figure.element-image,body.ios #standard-article-container .furniture-wrapper figure.element-image,body.ios #comment-article-container .furniture-wrapper figure.element-image,body.android #feature-article-container .furniture-wrapper figure.element-image,body.android #standard-article-container .furniture-wrapper figure.element-image,body.android #comment-article-container .furniture-wrapper figure.element-image{position:relative;margin:14px 0 0 -12px;width:calc(100vw – var(–scrollbar-width, 0px));height:auto}body.ios #feature-article-container .furniture-wrapper figure.element-image .figure__inner,body.ios #feature-article-container .furniture-wrapper figure.element-image img,body.ios #feature-article-container .furniture-wrapper figure.element-image a,body.ios #standard-article-container .furniture-wrapper figure.element-image .figure__inner,body.ios #standard-article-container .furniture-wrapper figure.element-image img,body.ios #standard-article-container .furniture-wrapper figure.element-image a,body.ios #comment-article-container .furniture-wrapper figure.element-image .figure__inner,body.ios #comment-article-container .furniture-wrapper figure.element-image img,body.ios #comment-article-container .furniture-wrapper figure.element-image a,body.android #feature-article-container .furniture-wrapper figure.element-image .figure__inner,body.android #feature-article-container .furniture-wrapper figure.element-image img,body.android #feature-article-container .furniture-wrapper figure.element-image a,body.android #standard-article-container .furniture-wrapper figure.element-image .figure__inner,body.android #standard-article-container .furniture-wrapper figure.element-image img,body.android #standard-article-container .furniture-wrapper figure.element-image a,body.android #comment-article-container .furniture-wrapper figure.element-image .figure__inner,body.android #comment-article-container .furniture-wrapper figure.element-image img,body.android #comment-article-container .furniture-wrapper figure.element-image a{background-color:transparent;width:calc(100vw – var(–scrollbar-width, 0px));height:auto!important}body.ios #feature-article-container .furniture-wrapper .standfirst,body.ios #standard-article-container .furniture-wrapper .standfirst,body.ios #comment-article-container .furniture-wrapper .standfirst,body.android #feature-article-container .furniture-wrapper .standfirst,body.android #standard-article-container .furniture-wrapper .standfirst,body.android #comment-article-container .furniture-wrapper .standfirst{padding-top:4px;padding-bottom:24px;margin-right:-10px}body.ios #feature-article-container .furniture-wrapper .standfirst__inner p,body.ios #standard-article-container .furniture-wrapper .standfirst__inner p,body.ios #comment-article-container .furniture-wrapper .standfirst__inner p,body.android #feature-article-container .furniture-wrapper .standfirst__inner p,body.android #standard-article-container .furniture-wrapper .standfirst__inner p,body.android #comment-article-container .furniture-wrapper .standfirst__inner p{font-family:Guardian Headline,Guardian Egyptian Web,Guardian Headline Full,Georgia,serif}body.ios #feature-article-container .furniture-wrapper .standfirst__inner a,body.ios #standard-article-container .furniture-wrapper .standfirst__inner a,body.ios #comment-article-container .furniture-wrapper .standfirst__inner a,body.android #feature-article-container .furniture-wrapper .standfirst__inner a,body.android #standard-article-container .furniture-wrapper .standfirst__inner a,body.android #comment-article-container .furniture-wrapper .standfirst__inner a{color:var(–byline-anchor, #c70000)}body.ios #feature-article-container .furniture-wrapper .meta,body.ios #standard-article-container .furniture-wrapper .meta,body.ios #comment-article-container .furniture-wrapper .meta,body.android #feature-article-container .furniture-wrapper .meta,body.android #standard-article-container .furniture-wrapper .meta,body.android #comment-article-container .furniture-wrapper .meta{margin:0}body.ios #feature-article-container .furniture-wrapper .meta .byline,body.ios #feature-article-container .furniture-wrapper .meta .byline__author,body.ios #feature-article-container .furniture-wrapper .meta span.byline__author a,body.ios #feature-article-container .furniture-wrapper .meta .meta__byline span,body.ios #standard-article-container .furniture-wrapper .meta .byline,body.ios #standard-article-container .furniture-wrapper .meta .byline__author,body.ios #standard-article-container .furniture-wrapper .meta span.byline__author a,body.ios #standard-article-container .furniture-wrapper .meta .meta__byline span,body.ios #comment-article-container .furniture-wrapper .meta .byline,body.ios #comment-article-container .furniture-wrapper .meta .byline__author,body.ios #comment-article-container .furniture-wrapper .meta span.byline__author a,body.ios #comment-article-container .furniture-wrapper .meta .meta__byline span,body.android #feature-article-container .furniture-wrapper .meta .byline,body.android #feature-article-container .furniture-wrapper .meta .byline__author,body.android #feature-article-container .furniture-wrapper .meta span.byline__author a,body.android #feature-article-container .furniture-wrapper .meta .meta__byline span,body.android #standard-article-container .furniture-wrapper .meta .byline,body.android #standard-article-container .furniture-wrapper .meta .byline__author,body.android #standard-article-container .furniture-wrapper .meta span.byline__author a,body.android #standard-article-container .furniture-wrapper .meta .meta__byline span,body.android #comment-article-container .furniture-wrapper .meta .byline,body.android #comment-article-container .furniture-wrapper .meta .byline__author,body.android #comment-article-container .furniture-wrapper .meta span.byline__author a,body.android #comment-article-container .furniture-wrapper .meta .meta__byline span{color:var(–byline-anchor, #c70000)}body.ios #feature-article-container .furniture-wrapper .meta__misc,body.ios #standard-article-container .furniture-wrapper .meta__misc,body.ios #comment-article-container .furniture-wrapper .meta__misc,body.android #feature-article-container .furniture-wrapper .meta__misc,body.android #standard-article-container .furniture-wrapper .meta__misc,body.android #comment-article-container .furniture-wrapper .meta__misc{padding:0}body.ios #feature-article-container .furniture-wrapper .meta__misc svg,body.ios #standard-article-container .furniture-wrapper .meta__misc svg,body.ios #comment-article-container .furniture-wrapper .meta__misc svg,body.android #feature-article-container .furniture-wrapper .meta__misc svg,body.android #standard-article-container .furniture-wrapper .meta__misc svg,body.android #comment-article-container .furniture-wrapper .meta__misc svg{stroke:var(–byline-anchor, #c70000)}body.ios #feature-article-container .furniture-wrapper .element–showcase #caption-button,body.ios #standard-article-container .furniture-wrapper .element–showcase #caption-button,body.ios #comment-article-container .furniture-wrapper .element–showcase #caption-button,body.android #feature-article-container .furniture-wrapper .element–showcase #caption-button,body.android #standard-article-container .furniture-wrapper .element–showcase #caption-button,body.android #comment-article-container .furniture-wrapper .element–showcase #caption-button{display:flex;padding:5px;justify-content:center;align-items:center;width:28px;height:28px;right:14px}body.ios #feature-article-container .article__body,body.ios #standard-article-container .article__body,body.ios #comment-article-container .article__body,body.android #feature-article-container .article__body,body.android #standard-article-container .article__body,body.android #comment-article-container .article__body{padding:0 12px}body.ios #feature-article-container .article__body figure.element-image:not(.element–thumbnail):not(.element–immersive),body.ios #standard-article-container .article__body figure.element-image:not(.element–thumbnail):not(.element–immersive),body.ios #comment-article-container .article__body figure.element-image:not(.element–thumbnail):not(.element–immersive),body.android #feature-article-container .article__body figure.element-image:not(.element–thumbnail):not(.element–immersive),body.android #standard-article-container .article__body figure.element-image:not(.element–thumbnail):not(.element–immersive),body.android #comment-article-container .article__body figure.element-image:not(.element–thumbnail):not(.element–immersive){margin:0;width:calc(100vw – 24px – var(–scrollbar-width, 0px));height:auto}body.ios #feature-article-container .article__body figure.element-image:not(.element–thumbnail):not(.element–immersive) figcaption,body.ios #standard-article-container .article__body figure.element-image:not(.element–thumbnail):not(.element–immersive) figcaption,body.ios #comment-article-container .article__body figure.element-image:not(.element–thumbnail):not(.element–immersive) figcaption,body.android #feature-article-container .article__body figure.element-image:not(.element–thumbnail):not(.element–immersive) figcaption,body.android #standard-article-container .article__body figure.element-image:not(.element–thumbnail):not(.element–immersive) figcaption,body.android #comment-article-container .article__body figure.element-image:not(.element–thumbnail):not(.element–immersive) figcaption{padding:0}body.ios #feature-article-container .article__body figure.element-image.element-immersive,body.ios #standard-article-container .article__body figure.element-image.element-immersive,body.ios #comment-article-container .article__body figure.element-image.element-immersive,body.android #feature-article-container .article__body figure.element-image.element-immersive,body.android #standard-article-container .article__body figure.element-image.element-immersive,body.android #comment-article-container .article__body figure.element-image.element-immersive{width:calc(100vw – var(–scrollbar-width, 0px))}@media (prefers-color-scheme: dark){body.ios #feature-article-container .furniture-wrapper,body.ios #standard-article-container .furniture-wrapper,body.ios #comment-article-container .furniture-wrapper,body.android #feature-article-container .furniture-wrapper,body.android #standard-article-container .furniture-wrapper,body.android #comment-article-container .furniture-wrapper{background-color:#1a1a1a}body.ios #feature-article-container .furniture-wrapper .content__labels,body.ios #standard-article-container .furniture-wrapper .content__labels,body.ios #comment-article-container .furniture-wrapper .content__labels,body.android #feature-article-container .furniture-wrapper .content__labels,body.android #standard-article-container .furniture-wrapper .content__labels,body.android #comment-article-container .furniture-wrapper .content__labels{color:var(–byline-anchor, #ff5943)}body.ios #feature-article-container .furniture-wrapper h1.headline,body.ios #standard-article-container .furniture-wrapper h1.headline,body.ios #comment-article-container .furniture-wrapper h1.headline,body.android #feature-article-container .furniture-wrapper h1.headline,body.android #standard-article-container .furniture-wrapper h1.headline,body.android #comment-article-container .furniture-wrapper h1.headline{background-color:unset;color:#dcdcdc!important}body.ios #feature-article-container .furniture-wrapper .standfirst p,body.ios #standard-article-container .furniture-wrapper .standfirst p,body.ios #comment-article-container .furniture-wrapper .standfirst p,body.android #feature-article-container .furniture-wrapper .standfirst p,body.android #standard-article-container .furniture-wrapper .standfirst p,body.android #comment-article-container .furniture-wrapper .standfirst p{color:#dcdcdc}body.ios #feature-article-container .furniture-wrapper .standfirst a,body.ios #standard-article-container .furniture-wrapper .standfirst a,body.ios #comment-article-container .furniture-wrapper .standfirst a,body.android #feature-article-container .furniture-wrapper .standfirst a,body.android #standard-article-container .furniture-wrapper .standfirst a,body.android #comment-article-container .furniture-wrapper .standfirst a,body.ios #feature-article-container .furniture-wrapper .meta .byline__author,body.ios #feature-article-container .furniture-wrapper .meta span.byline__author a,body.ios #standard-article-container .furniture-wrapper .meta .byline__author,body.ios #standard-article-container .furniture-wrapper .meta span.byline__author a,body.ios #comment-article-container .furniture-wrapper .meta .byline__author,body.ios #comment-article-container .furniture-wrapper .meta span.byline__author a,body.android #feature-article-container .furniture-wrapper .meta .byline__author,body.android #feature-article-container .furniture-wrapper .meta span.byline__author a,body.android #standard-article-container .furniture-wrapper .meta .byline__author,body.android #standard-article-container .furniture-wrapper .meta span.byline__author a,body.android #comment-article-container .furniture-wrapper .meta .byline__author,body.android #comment-article-container .furniture-wrapper .meta span.byline__author a{color:var(–byline-anchor, #ff5943)}body.ios #feature-article-container .furniture-wrapper .meta__misc svg,body.ios #standard-article-container .furniture-wrapper .meta__misc svg,body.ios #comment-article-container .furniture-wrapper .meta__misc svg,body.android #feature-article-container .furniture-wrapper .meta__misc svg,body.android #standard-article-container .furniture-wrapper .meta__misc svg,body.android #comment-article-container .furniture-wrapper .meta__misc svg{stroke:var(–byline-anchor, #ff5943)}body.ios #feature-article-container .furniture-wrapper figure.element-image.element–showcase figcaption,body.ios #standard-article-container .furniture-wrapper figure.element-image.element–showcase figcaption,body.ios #comment-article-container .furniture-wrapper figure.element-image.element–showcase figcaption,body.android #feature-article-container .furniture-wrapper figure.element-image.element–showcase figcaption,body.android #standard-article-container .furniture-wrapper figure.element-image.element–showcase figcaption,body.android #comment-article-container .furniture-wrapper figure.element-image.element–showcase figcaption{color:#606060}body.ios #feature-article-container #article-body >div,body.ios #feature-article-container .content–interactive >div,body.ios #feature-article-container #feature-body,body.ios #feature-article-container [data-gu-name=body],body.ios #standard-article-container #article-body >div,body.ios #standard-article-container .content–interactive >div,body.ios #standard-article-container #feature-body,body.ios #standard-article-container [data-gu-name=body],body.ios #comment-article-container #article-body >div,body.ios #comment-article-container .content–interactive >div,body.ios #comment-article-container #feature-body,body.ios #comment-article-container [data-gu-name=body],body.android #feature-article-container #article-body >div,body.android #feature-article-container .content–interactive >div,body.android #feature-article-container #feature-body,body.android #feature-article-container [data-gu-name=body],body.android #standard-article-container #article-body >div,body.android #standard-article-container .content–interactive >div,body.android #standard-article-container #feature-body,body.android #standard-article-container [data-gu-name=body],body.android #comment-article-container #article-body >div,body.android #comment-article-container .content–interactive >div,body.android #comment-article-container #feature-body,body.android #comment-article-container [data-gu-name=body]{background-color:#1a1a1a!important}body.ios #feature-article-container #article-body >div .element-atom+p:first-letter,body.ios #feature-article-container #article-body >div .element-atom+.sign-in-gate+p:first-letter,body.ios #feature-article-container #article-body >div .element-atom+#sign-in-gate+p:first-letter,body.ios #feature-article-container .content–interactive >div .element-atom+p:first-letter,body.ios #feature-article-container .content–interactive >div .element-atom+.sign-in-gate+p:first-letter,body.ios #feature-article-container .content–interactive >div .element-atom+#sign-in-gate+p:first-letter,body.ios #feature-article-container #feature-body .element-atom+p:first-letter,body.ios #feature-article-container #feature-body .element-atom+.sign-in-gate+p:first-letter,body.ios #feature-article-container #feature-body .element-atom+#sign-in-gate+p:first-letter,body.ios #feature-article-container [data-gu-name=body] .element-atom+p:first-letter,body.ios #feature-article-container [data-gu-name=body] .element-atom+.sign-in-gate+p:first-letter,body.ios #feature-article-container [data-gu-name=body] .element-atom+#sign-in-gate+p:first-letter,body.ios #standard-article-container #article-body >div .element-atom+p:first-letter,body.ios #standard-article-container #article-body >div .element-atom+.sign-in-gate+p:first-letter,body.ios #standard-article-container #article-body >div .element-atom+#sign-in-gate+p:first-letter,body.ios #standard-article-container .content–interactive >div .element-atom+p:first-letter,body.ios #standard-article-container .content–interactive >div .element-atom+.sign-in-gate+p:first-letter,body.ios #standard-article-container .content–interactive >div .element-atom+#sign-in-gate+p:first-letter,body.ios #standard-article-container #feature-body .element-atom+p:first-letter,body.ios #standard-article-container #feature-body .element-atom+.sign-in-gate+p:first-letter,body.ios #standard-article-container #feature-body .element-atom+#sign-in-gate+p:first-letter,body.ios #standard-article-container [data-gu-name=body] .element-atom+p:first-letter,body.ios #standard-article-container [data-gu-name=body] .element-atom+.sign-in-gate+p:first-letter,body.ios #standard-article-container [data-gu-name=body] .element-atom+#sign-in-gate+p:first-letter,body.ios #comment-article-container #article-body >div .element-atom+p:first-letter,body.ios #comment-article-container #article-body >div .element-atom+.sign-in-gate+p:first-letter,body.ios #comment-article-container #article-body >div .element-atom+#sign-in-gate+p:first-letter,body.ios #comment-article-container .content–interactive >div .element-atom+p:first-letter,body.ios #comment-article-container .content–interactive >div .element-atom+.sign-in-gate+p:first-letter,body.ios #comment-article-container .content–interactive >div .element-atom+#sign-in-gate+p:first-letter,body.ios #comment-article-container #feature-body .element-atom+p:first-letter,body.ios #comment-article-container #feature-body .element-atom+.sign-in-gate+p:first-letter,body.ios #comment-article-container #feature-body .element-atom+#sign-in-gate+p:first-letter,body.ios #comment-article-container [data-gu-name=body] .element-atom+p:first-letter,body.ios #comment-article-container [data-gu-name=body] .element-atom+.sign-in-gate+p:first-letter,body.ios #comment-article-container [data-gu-name=body] .element-atom+#sign-in-gate+p:first-letter,body.android #feature-article-container #article-body >div .element-atom+p:first-letter,body.android #feature-article-container #article-body >div .element-atom+.sign-in-gate+p:first-letter,body.android #feature-article-container #article-body >div .element-atom+#sign-in-gate+p:first-letter,body.android #feature-article-container .content–interactive >div .element-atom+p:first-letter,body.android #feature-article-container .content–interactive >div .element-atom+.sign-in-gate+p:first-letter,body.android #feature-article-container .content–interactive >div .element-atom+#sign-in-gate+p:first-letter,body.android #feature-article-container #feature-body .element-atom+p:first-letter,body.android #feature-article-container #feature-body .element-atom+.sign-in-gate+p:first-letter,body.android #feature-article-container #feature-body .element-atom+#sign-in-gate+p:first-letter,body.android #feature-article-container [data-gu-name=body] .element-atom+p:first-letter,body.android #feature-article-container [data-gu-name=body] .element-atom+.sign-in-gate+p:first-letter,body.android #feature-article-container [data-gu-name=body] .element-atom+#sign-in-gate+p:first-letter,body.android #standard-article-container #article-body >div .element-atom+p:first-letter,body.android #standard-article-container #article-body >div .element-atom+.sign-in-gate+p:first-letter,body.android #standard-article-container #article-body >div .element-atom+#sign-in-gate+p:first-letter,body.android #standard-article-container .content–interactive >div .element-atom+p:first-letter,body.android #standard-article-container .content–interactive >div .element-atom+.sign-in-gate+p:first-letter,body.android #standard-article-container .content–interactive >div .element-atom+#sign-in-gate+p:first-letter,body.android #standard-article-container #feature-body .element-atom+p:first-letter,body.android #standard-article-container #feature-body .element-atom+.sign-in-gate+p:first-letter,body.android #standard-article-container #feature-body .element-atom+#sign-in-gate+p:first-letter,body.android #standard-article-container [data-gu-name=body] .element-atom+p:first-letter,body.android #standard-article-container [data-gu-name=body] .element-atom+.sign-in-gate+p:first-letter,body.android #standard-article-container [data-gu-name=body] .element-atom+#sign-in-gate+p:first-letter,body.android #comment-article-container #article-body >div .element-atom+p:first-letter,body.android #comment-article-container #article-body >div .element-atom+.sign-in-gate+p:first-letter,body.android #comment-article-container #article-body >div .element-atom+#sign-in-gate+p:first-letter,body.android #comment-article-container .content–interactive >div .element-atom+p:first-letter,body.android #comment-article-container .content–interactive >div .element-atom+.sign-in-gate+p:first-letter,body.android #comment-article-container .content–interactive >div .element-atom+#sign-in-gate+p:first-letter,body.android #comment-article-container #feature-body .element-atom+p:first-letter,body.android #comment-article-container #feature-body .element-atom+.sign-in-gate+p:first-letter,body.android #comment-article-container #feature-body .element-atom+#sign-in-gate+p:first-letter,body.android #comment-article-container [data-gu-name=body] .element-atom+p:first-letter,body.android #comment-article-container [data-gu-name=body] .element-atom+.sign-in-gate+p:first-letter,body.android #comment-article-container [data-gu-name=body] .element-atom+#sign-in-gate+p:first-letter{color:var(–byline-anchor, #ffffff)}}.prose h2{font-size:24px}body.ios #feature-article-container #caption-button,body.ios #standard-article-container #caption-button,body.ios #comment-article-container #caption-button{padding:6px 5px 0}body.android #feature-article-container #caption-button,body.android #standard-article-container #caption-button,body.android #comment-article-container #caption-button{padding:2px 4px 0}.furniture-wrapper.has-guardian-org-logo #meta gu-island[name=Branding],.furniture-wrapper.has-guardian-org-logo [data-gu-name=meta] gu-island[name=Branding]{display:block!important}.furniture-wrapper.has-guardian-org-logo [name=Branding] a{color:var(–byline-anchor)}body.ios,body.android{background-color:#fff}body.ios #feature-article-container .furniture-wrapper .content__labels,body.ios #standard-article-container .furniture-wrapper .content__labels,body.ios #comment-article-container .furniture-wrapper .content__labels,body.android #feature-article-container .furniture-wrapper .content__labels,body.android #standard-article-container .furniture-wrapper .content__labels,body.android #comment-article-container .furniture-wrapper .content__labels,body.ios #feature-article-container .furniture-wrapper h1.headline,body.ios #standard-article-container .furniture-wrapper h1.headline,body.ios #comment-article-container .furniture-wrapper h1.headline,body.android #feature-article-container .furniture-wrapper h1.headline,body.android #standard-article-container .furniture-wrapper h1.headline,body.android #comment-article-container .furniture-wrapper h1.headline{font-weight:700}.furniture-wrapper .standfirst div p,.furniture-wrapper #standfirst div p,.furniture-wrapper [data-gu-name=standfirst] div p,.furniture-wrapper .content__standfirst div p{color:#121212}

    View image in fullscreenThe elected officials, party functionaries, staffers and donors descending on Chicago for the most rollicking Democratic national convention in more than half a century will welcome an unlikely guest. Daniel Denvir, who as host of the socialist podcast The Dig regularly criticizes the Democratic party from its left, will attend as an alternate Rhode Island delegate for the uncommitted movement, a nationwide effort to pressure the Democrats to change course on the war in Gaza.The movement has shifted its focus to Kamala Harris after Joe Biden dropped out of the presidential race. Denvir is a forceful voice on the topic, having spent the last 10 months honing and broadcasting a leftist perspective on the US role in the Middle East. The pivot to focus on Palestine has culminated in Thawra, a 16-part, 40-hour conversation with the historian Abdel Razzaq Takriti on Arab radical movements that has spanned five months of programming.The link between on-the-ground organizing and historical analysis is at the heart of The Dig’s political education project. “I had long thought that the academic left was far too cloistered from the activist left in the United States,” Denvir recalls of the show’s founding impetus, “and that activists and organizers outside of academia would greatly benefit from understanding the world better in their efforts to change it.”View image in fullscreenIn the show’s near-decade of life, it has become a crucial hub of the left media ecosystem, with political guests including Rashida Tlaib, Bernie Sanders and the former Greek finance minister Yanis Varoufakis joined by Marxist academics such as David Harvey, Ruth Wilson Gilmore and Silvia Federici.In the aftermath of 7 October, listenership has leapt, with October downloads up about 150% from the month prior. That bump came thanks to episodes like one on the history of Hamas, Germany’s bizarre relationship with Israel, and historical tensions between Zionism and anti-Zionism within the Jewish diaspora, which together have been downloaded a quarter of a million times.The Dig was born into a moment of growth of the American left: the Democratic Socialists of America were expanding, American attitudes toward capitalism were cooling, and Trump’s presidency was propelling protests and resistance movements. It has matured alongside surging nationwide support for unions, rising labor militancy on campuses and youthful demonstrations against US support for Israel’s war in Gaza.The Dig’s listeners are “overwhelmingly sharp, interesting people, committed to doing important work to transform the world, all over the world. What do they need to know?” Denvir says, in explaining how he chooses his subjects. “I’m trying to map out the terrain.”Denvir’s visit to Chicago for the DNC will bring his intensive study of the history of the Middle East to bear on the current political moment. “We continue to witness constant massacres of Palestinians perpetrated by the Israeli military with American weapons. It’s clear that the administration’s policy is not only morally abhorrent, but also driving away large numbers of voters who Kamala Harris needs to defeat Donald Trump,” Denvir says. “Our uncommitted delegation will be inviting Harris delegates from across the nation to join us in calling for an arms embargo on Israel. We speak for the majority of Democratic voters who have long supported a ceasefire.”As he reminds listeners at the end of each episode, in a cheeky nod to Marx: while other podcasts aim to understand the world, The Dig aims to change it.‘It’s empowering to people’The Dig has been focusing primarily on the war in Gaza since last October – specifically on, as Denvir describes it, undoing the “reactionary, colonialist propaganda” fueling US support for the unfolding catastrophe.“This sense that the Arab world is full of backward fundamentalists who irrationally want to do violence unto us in the US is only possible if the actual history showing that things are precisely otherwise is thoroughly mystified,” Denvir says. “Thawra is a project aimed at the very heart of the mystifications that have sustained a century-plus of colonialism and imperialism in the Middle East and that has led to the current genocide in Gaza.”Early experience attuned Denvir to narratives emerging from outside Washington. He cut his teeth in media freelancing in Ecuador, where he lived in 2008 with his partner, the political scientist Thea Riofrancos. When they returned to the US, he worked as a staff reporter for the Philadelphia City Paper, and – after moving in 2015 to Providence for Riofrancos’s job – cobbled together piecemeal writing work in a hollowing-out digital news ecosystem. As an experiment, he made a scuffling effort to kick the podcast off in September of that year, without finding much direction: one of the guests on his first episode was an editor of the libertarian magazine Reason.During that election season, Denvir campaigned for Bernie Sanders and joined the growing Democratic Socialists of America. The podcast found its footing, Denvir recalls, amid “Trump’s election in the context of my own unemployment and lack of a clear path as a journalist”. It was soon picked up by Jacobin magazine, where it is still hosted.Denvir’s aim was to “translate the intellectual and academic left to a broader audience”, he says, addressing its persistent gap with activists and organizers – a gap he found less pronounced in Latin America. “There shouldn’t be a hard divide between organizing and analysis or theorization,” Denvir says. “Organizing is a way to test those theories and see what works and what doesn’t.”Initially, Denvir invited journalists, scholars and organizers to discuss “American class warfare” in the form of its punitive immigration system, mass incarceration, and social and labor movements. In the years since, Denvir began doing more interviews with book authors, becoming something of a socialist Terry Gross.The show has also become more international: even before the turn to Palestine, Denvir conducted multipart interviews on the history of Iran, China, and the relationship between Cuba and southern Africa. Though he lacks formal graduate education, he evinces a professor’s comfort with critical theory and its vocabulary. His voice is schoolboyish and bright, his delivery considered, and he occasionally breaks out in small fits of laughter in reaction to his interlocutors’ – and his own – just-so points.View image in fullscreenIf its themes seem at first blush seem disparate, the show coheres by finding the connectedness of sundry struggles for liberation. “Labor or housing or immigrant rights or anti-carceral or anti-cop organizing, all of that is at its best when it’s systemically aligned with a broader struggle for socialist transformation, and a broader understanding of the capitalist order,” Denvir says.“Everything he does he brings the same care to. That itself is part of his political analysis that everything matters,” says Riofrancos of Denvir. “Every person’s important, every issue is important, everything requires care and attention, everything has a history. Everything has a struggle behind it.”His urge toward comprehensiveness means that episodes often run above the two-hour mark, occasionally approaching three. “I’m pushing the boundaries of what people think is possible, or reasonable, on a podcast,” he says. But anything less would mean for a fundamentally different podcast. I pointed out to Denvir that this length puts him in league with Joe Rogan. The difference, he says, is that “I don’t smoke weed until after I get off air”.The show’s great success is in achieving a scholarly rigor that’s accessible to the masses. Riofrancos, who as senior adviser to The Dig consults with Denvir on question lists and the show’s direction, says guests regularly thank Denvir for his especially close reads, often comparing the experience to their dissertation defenses.Yet “you can be someone that does not have academic formation and listen to his podcast and become more intellectual and knowledgeable. I think that’s empowering to people,” says Riofrancos. “When you listen, you feel like you’re getting smarter, you feel like you’re touching something that’s new to you.‘I’ve learned something I can use’Astra Taylor, a film-maker, writer and co-founder of the Debt Collective debtors’ union, first appeared on The Dig in 2018 to discuss a book she’d co-authored on Hannah Arendt. She was won over by Denvir’s close attention to the art of interviewing, they became friends, and she has since come to guest-host the show, including interviewing Denvir about his own book All-American Nativism in 2020. Like Riofrancos, she sees the show as being “not just smart” but also “empowering”.“You exit a Dig interview and you’re like: ‘I’ve learned something I can use to be a part of this bigger socialist movement, that over the course of history has changed the world,’” Taylor says. “We might be losing right now, we might be in an electoral morass, but when I take this long perspective I see that people have made it through similarly complicated, fraught periods, that people have transcended their circumstances, that people have been unrelenting in their quest to build power.”The Dig’s backlog of episodes reads as an index of how the left interpreted crucial political events over the last eight years. A two-part episode on higher education in crisis and university unionism closely followed my own graduate workers’ union’s six-week strike in the winter of 2022, helping me to contextualize that charged experience. The late Mike Davis, whose The Monster at Our Door analyzed the threat of a global virus outbreak, came on for an episode at the outset of the Covid pandemic to situate the moment; when the George Floyd protests broke out three months later, he came back to discuss Prisoners of the American Dream, his treatment of the destructive effect of racism on US socialist and labor politics. Adjacent episodes more directly spoke to demands to defund police and the context of the uprising.As the show has become more popular, Denvir has himself turned more directly toward building power. In 2020, after throwing himself into the Sanders campaign, Denvir argued for retooling that campaign’s infrastructure to fight more lastingly for social and economic justice. At the state level, he and other veterans of the campaign co-founded Reclaim RI, which has become a vehicle for tenant organizing and pursuing housing justice in Rhode Island.Joe Shekarchi, speaker of the Rhode Island house of representatives, credits Reclaim RI with playing an important role in addressing the state’s housing woes, including authorizing $10m toward launching a first-of-its-kind public housing developer at the state level. “Dan is a gentleman. He’s polite,” says Shekarchi. “I consider myself a moderate; I’m sure he would consider himself a progressive, but he’s someone I can sit down and have a productive conversation with, come to an agreement and work collaboratively to get whatever the issue is over the goal line.”View image in fullscreenThis summer, Denvir is taking his productive conversations on the road. On 26 July, he co-hosted a live episode in London interviewing the former Labour leader Jeremy Corbyn and the political scientist Laleh Khalili, on Palestine and international politics. This month, he will travel to the DNC; two weeks later, he will tape a live episode at the Socialism 2024 conference, also in Chicago, on the geopolitics of energy transition.Each of these disparate geographies and themes is of a larger piece. The world as interpreted by The Dig is deeply interrelated, comprehensible through close study and changeable insofar as it can be understood. The convention is the next opportunity to put that framework into action.“We can’t win social democratic reforms on the domestic front without challenging US power abroad,” Denvir says. “We are confronting climate change, the genocide in Gaza and increasingly violent great power rivalries: we need a global program that acts in concert with progressive forces around the world.” More

  • in

    ‘And really, that song?’: Celine Dion rebukes Trump for unauthorized use of Titanic tune

    Celine Dion, the Canadian pop icon, has rebuked and mocked the Donald Trump campaign for unauthorized use of her hit song about the sinking Titanic as a musical interlude during a recent rally.Dion, beloved by millions of people for her tear-jerking ballads, issued a strong and somewhat tongue-in-cheek statement on Saturday, a day after Trump played a video clip of My Heart Will Go On from the film Titanic at a campaign event in Bozeman, Montana.A statement published on X and on Dion’s Instagram account, which has more than 8m followers, said: “Celine Dion’s management team and her record label, Sony Music Entertainment Canada Inc, became aware of the unauthorized usage of the video, recording, musical performance, and likeness of Celine Dion singing My Heart Will Go On at a Donald Trump/JD Vance campaign rally in Montana.“In no way is this use authorized, and Celine Dion does not endorse this or any similar use.“… And really, THAT song?”The song is featured in the 1997 Oscar-winning film about the 1912 shipwreck, though is more about love, loss and resilience than a large ship crashing into an iceberg.The response on social media was mostly mocking.“Perfect – because when your campaign’s headed for an iceberg, you might as well set it to music,” said a user named Marc Broklawski on X.“Is Trump’s campaign being trolled from within?” wrote NBC Universal executive Mike Sington.“For me it’s perfect for the Tumptanic!” said Antonio Cusano on Instagram.Others were disappointed in Dion, who previously refused to perform at Trump’s inauguration after he was elected president in 2016.“Too bad for her – it would be a positive thing. Sadly she doesn’t see it that way. I have been her fan for 30 years but I will have to respectfully disagree with her political beliefs,” wrote Heidi Joy on Instagram.This isn’t even the first time a singer has pushed back on Trump using their music. In May 2023, Village People sent a cease-and-desist letter and threatened legal action after Trump used their song Macho Man and other hit songs without their permission.In the letter, Karen Willis, the wife of Village People’s lead singer Victor Willis, wrote: “Since that time we have been inundated with social media posts about the imitation performance [which] many fans, and the general public as well, mistakenly believe to be that of the actual VILLAGE PEOPLE in violation of the Lanham Act.“Therefore, the performance has, and continues to cause public confusion as to why Village People would even engage in such a performance. We did not.”Many Trump supporters and observers have likely heard Trump’s use of the band’s song YMCA over the years, which Willis noted in the letter was previously “tolerated” by her husband and the band. However, as of May 2023, she said “we cannot allow such use by him to cause public confusion as to endorsement”. More

  • in

    ‘We invest in artists as changemakers’: using art to help increase US voter participation

    Everything is politics, so the saying goes, and never more so during an election year. With its newest collection, Art for Change is taking the “everything” one step further.Since 2018, Art for Change has curated programs of online sales and exhibitions to raise money for a number of charities. Ahead of the 2024 presidential election, Art for Change has partnered with When We All Vote, a non-partisan non-profit founded by Michelle Obama that seeks to up voter participation.On their own, many of the pieces in this collection may not feel overtly political. An art novice would probably imagine a collaboration like this to include art similar to the red, white and blue of Shepard Fairey’s Hope and We The People posters – not Jordan Kasey’s surreal illustration of a baby and mother, Daniel Gordon’s still life of red apples and white poppies, or Aaron Johnson’s vivid auroral depiction of a couple with a bird flying from one’s heart.But interspersed with pieces like Caris Reid’s playful rendering of the word “VOTE” against a starry backdrop and Rico Gatson’s colorful celebration of Shirley Chisholm, the first Black woman elected to Congress, each piece in this collection takes on new context. Especially under the mission statement of When We All Vote, which will receive a portion of all the sales of prints and original works, the artwork of this collection come together to show what’s at stake with each election – what exactly a person risks losing by choosing not to vote.“The When We All Vote collection as a whole creates a narrative that we hope evokes various nuances of America,” said Jeanne Masel, founder of Art for Change. “As a group, they convey a sense of Americana, from the image of an apple to a whimsical take on a ‘Vote’ poster, to abstractions that evoke raw emotions.”Masel added: “What I love about this collection is how varied and multivalent it is, which I think can also be read as reflecting our country’s diversity.”Johnson completed Oh My Heart in 2023 and had not originally intended for it to convey a political message. “My piece can be looked at as kind of a love story,” he said. “It’s a coming together of two figures, melded together into like a non-duality.”As part of this collection, the love story of Oh My Heart comes to represent the ties that hold us together. “In a lot of times in my work, I’m thinking about the interconnectedness of all beings, our interconnectivity with each other as humans or interconnectivity with nature,” Johnson said. “I think that all wraps back around to the idea of community and the idea of why of it’s important to vote, having empathy for others and having a sense of a shared community. I feel like that’s a message that runs kind of kind of parallel to what we’re looking for when we’re going to vote. How do we function together as good citizens? How do we take care of each other as citizens?”View image in fullscreenLike Johnson, Kenny Rivero’s body of work, which looks at architecture and outdoor street space as sentient observers of our daily lives, does not always translate into something political. But once he agreed to work with Art for Change for this collaboration, he thought of Witness Revelator, a painting he finished in 2020 of a Black individual emerging from a dark rectangular portal in a gray brick wall. The witness in Witness Revelator is “a witness to your vote”, Rivero said.“There’s a lot of things that we do alone, that we do intimately and in private and in secret, and I think voting is one of those things, especially now where everything is so polarized,” he said. “There’s this thing you’re doing that is private but you’re being tallied in something greater, something much more impactful. Witness Revelator, for me, is connected to that in the way of somebody witnessing the effort that you’re making to create progress or create change.”Since its start six years ago, Art for Change has raised more than $300,000 for nonprofit partners and has collaborated with more than 100 artists, all of whom are guaranteed 50% of the profits from sales. Masel describes Art for Change as “art for the socially conscious collector”, but also a way for artists to have a platform for social change. “We invest in artists as changemakers,” she said.View image in fullscreenThis collection is the second time Rivero has worked with Art for Change, in part because he said he believes that artists have a unique role in a democracy, no matter the subject matter or intended message of their work.“I think that artists are on the frontlines of creating new ideas on how to relate to each other,” Rivero said. “Because we’re constantly engaging with these ideas around family, community and relationships, so I think that we look to artists, not necessarily on how to rebuild society, but to tell us what’s wrong with it. Where does it hurt?”Art for Change collaborated with When We All Vote for the 2020 election, working with four artists to raise more than $30,000 for the non-profit. This year, 14 artists are participating, with Art for Change pledging to donate a guaranteed $10,000.“A visual medium has the power to drive social change and impact, and having these artists involved and spreading the word to get out and vote is so important,” Masel said. “This project really harnesses a great creativity and joy to inspire change.”

    The When We All Vote virtual exhibit is now available on the Art for Change website More

  • in

    ‘Let’s kick ass!’: Hollywood celebrities share their support of Tim Walz

    Hollywood figures, including Julianne Moore and Rob Reiner, have shared their support for Kamala Harris’s vice-presidential pick, Tim Walz.The 60-year-old Minnesota governor was announced as the running mate of Harris, the presumptive Democratic candidate for president, on Tuesday after weeks of speculation.The decision was praised on social media by stars such as Cynthia Nixon, best known for her role in Sex and the City and her unsuccessful campaign to be governor of New York. “I’m Walzing on air,” she wrote while thanking Harris.Film-maker and Democratic fundraiser Rob Reiner, who had called on Joe Biden to step down in early July, reposted a montage of Walz and then later wrote: “Harris/Walz. Let’s kick ass!”Paul Feig, director of Bridesmaids and The Heat, also shared his support, writing that he was “so happy” about the decision while sharing his Saturday Night Live dream casting. “If only Chris Farley was still around to play him opposite Maya Rudolph’s Kamala,” he wrote.Acclaimed documentary film-maker Ken Burns, who has previously warned against Donald Trump, reposted a tweet from Walz, adding his support. “You can’t go wrong with a social studies teacher,” he wrote. “Excited to have @Tim_Walz on the ticket. Good to have someone who knows American history.”Oscar winner Jamie Lee Curtis, who thanked the president for his “leadership, grace under pressure, strength and resilience” after he withdrew from the race, shared a picture of Harris and Walz, with the tagline: “LET’S GO AMERICA!” The same image was also shared by fellow Oscar winner Julianne Moore who wrote: “This is such exciting news! I cannot wait to vote for this ticket.”John Cusack, who had called for Biden to step down, expressed confidence over the decision in a post. “It’s no absolute guarantee dems win – but absolutely gives us the best chance,” he wrote.Wonder Woman actor Lynda Carter referred to Walz as “a champion who understands America” while Abbott Elementary star Sheryl Lee Ralph called him “an honest, forthright family man with morals and true values”.In a statement announcing Walz as her choice, Harris wrote: “As a governor, a coach, a teacher and a veteran, he’s delivered for working families like his. We are going to build a great partnership.” More

  • in

    TV tonight: who will win the race for the White House?

    Trump vs Harris: The Battle for America9pm, Channel 4With less than four months to go until polling day, the US presidential race has suddenly become very interesting indeed. Joe Biden’s withdrawal has seemingly supercharged Democrat hopes of averting the catastrophe of a second Donald Trump term. Kamala Harris presents a very different kind of challenge and suddenly Trump is the candidate looking elderly and vulnerable. Matt Frei presents this documentary exploring the race. What does Harris stand for? Will the Republicans have to completely rethink their campaign, thanks to her arrival? And what on earth was Trump thinking when he chose the abrasive, charmless JD Vance as his running mate? Phil HarrisonIrvine Welsh’s Crime9pm, ITV1After the conclusion of the traumatic Confectioner case, Dougray Scott’s DI Ray Lennox is hoping to put the past behind him. Good luck with that: as this second season of the gripping crime thriller begins, Lennox investigates an attack on a former colleague but soon suspects a high-level cover-up as establishment figures conspire to slam every door. Phil HarrisonCause of Death9pm, Channel 5It is back to the Lancashire coroner’s office for two cases: one, a 75-year-old woman found dead at the bottom of the stairs. In another, a fit and active 83-year-old has collapsed in his bathroom. But is that all there is to it? That’s what Dr Adeley and team must determine. Ellen E JonesMr Bigstuff9pm, Sky MaxDanny Dyer is still getting plenty of mileage out of a patchy script as this slight but amiable comedy reaches its penultimate episode. This week, urgent action is required as Lee (Dyer) discovers that his past has caught up with him. And, as the wedding day approaches, Kirsty has a confession to make. PHView image in fullscreenLove Me9pm, U&WLike a more refined, downbeat Cold Feet, this Australian relationship drama is far from groundbreaking but nicely judged. The season one finale sees our three related protagonists, all grieving the loss of the family matriarch, try to overcome their flaws and find new happiness, with mixed results. Jack SealeAlaska Daily9pm, AlibiAs the backwater newsroom drama approaches the end of its first series, hard-headed hacks Eileen and Roz remain convinced that the wrong suspect is being railroaded in the Gloria Nanmac murder case. Can they zero in on the real killer without getting too distracted by an influx of tempting job offers? Graeme VirtueFilm choiceView image in fullscreenHoney Boy (Alma Har’el, 2019), 2.45am, Channel 4Given the accusations of abuse levelled against him, it never feels right to praise Shia LaBeouf for anything. That said, you would have to be a monster not to be moved by Honey Boy. LaBeouf loosely based his screenplay on his own childhood, and the post-traumatic stress disorder it gave him. Lucas Hedges essentially plays LaBeouf, and LaBeouf plays a version of his father that pulsates with toxic fury. There is no doubting that the film has heart – its sincerity is full-throated – but you can’t help wondering how much of it was made to explain the worst elements of LaBeouf’s personality. Stuart HeritageLive sportOlympics 2024, 8am, BBC One Coverage includes the early rounds of the women’s 100m hurdles, the men’s 5,000m and the men’s high jump. More

  • in

    All in the Family by Fred Trump review – when dollars are thicker than blood

    Forget about the sanctity of the human family or its sticky glue of love. If you’re a Trump, the institution is a convenient mechanism for ensuring inheritance, whether of gilded financial assets or brazen moral defects. Trumps are branded merchandise, and their dynastic DNA is a double helix of greed, graft and feuding malice.Since numbers on ledgers are what matter to this mercenary dynasty, they advance arithmetically. In All in the Family, the last in a series of Fred Trumps identifies his great-grandfather – who absconded from Germany to avoid military service and founded a property empire by establishing a chain of brothels in Canada – as Fred Zero. His son Fred I, a rack-renting landlord in the New York suburbs, then begat Fred II, who defied the family by preferring a career as an airline pilot; then, after being reduced to a “second-tier Trump”, he drank himself to an early death, which made his younger brother Donald the heir apparent. Fred III, the author of this memoir, aspires to be “a different kind of Trump” but coyly trades on his tainted surname, describing himself on LinkedIn as “a third-generation member of a prominent New York real estate family”.Trumpism consists, as Fred III puts it, of “name promotion”. Fred I advertised the homes he built by anchoring a yacht emblazoned with Trump signs off Coney Island on summer weekends. The logo has since been affixed to hotels, golf clubs, a failed airline, a dodgy university and several bankrupt casinos; it currently sells Bibles, high-top sneakers that yell “FIGHT FIGHT FIGHT” and a Victory cologne that purports to waft out the intimate essence of Donald.What Fred III calls the “T-word” – almost as odious as the forbidden N-word, which he remembers Donald using when enraged by vandals who damaged his car – undergoes some slick mutations in the course of this chronicle. Fred Zero was born Friedrich Drumpf, which sounds like a belch or sneeze. Anglicised, the surname evokes trump cards and trumped-up accusations, a better match for the family’s ruthlessly competitive creed. Fred I’s middle name was Christ, rhyming with mist, which he derived from his German mother. But he worried that this might repel the Jewish tenants in his New York apartment blocks, so he dropped the “h” and called himself Crist instead. Fred III adopted the new spelling when he bizarrely christened his first son Cristopher; there would be no Fred IV, he decided, because “it was time to stop counting”.The other Trumps remained at their adding machines, policing the succession. Donald’s sister, Maryanne – a judge who retired from the bench after a charge of misconduct, foiling his whimsical scheme to appoint her to the supreme court – complained because Fred III jumped the queue by producing Cristopher: according to her dotty theory of primogeniture, her own son, Fred I’s oldest grandchild, had the right to marry and procreate first. Then when Donald’s creditors threatened to foreclose on his debts during the 1990s, Maryanne and the other siblings produced a will altered by the already senile Fred I that disinherited Fred II’s offspring and cruelly cut off the medical insurance for Fred III’s severely disabled son William.View image in fullscreenFred III and his sister, Mary, sued to claw back a portion of the spoils to which they felt entitled. Mary, a trained psychologist, additionally declared war on the family in her book Too Much and Never Enough, published as a spoiler during Donald’s re-election campaign in 2020; in it, incensed by his mismanagement of the pandemic, she accuses him of “mass murder”. Her brother’s charges against their uncle are milder. Anxious to maintain a semblance of peace, Fred III reminiscences fondly about his access to the Oval Office and takes pride in his complimentary membership of a Trump golf club. The family’s handed-down anecdotes about Donald’s bratty behaviour amount, as Fred III sees it, to little more than “stupid kid stuff”: hyper-aggressive and liable to tantrums, he delighted in “the pain he hoped he had caused” by stealing toys from other children or hurling an eraser at a teacher he disliked. That might sound trivial, but these infantile urges still activate the old man who itches to regain power and they will be converted into vengeful authoritarian policies if he is re-elected.Despite a settlement, the financial dispute with the aunts and uncles continues to rankle. For the Trumps, Fred III realises: “Blood only went so far – as far as the dollar signs.” Arguing about his grandfather’s will, he defends the protocols of “multigenerational wealth”, but that very terminology splices together genetic and economic heritage. As he ought to know, families pass on congenital failings as well as stocks and shares. His father once told him that he had “inherited a bad gene” and warned him to be careful about drinking; Fred III admits to having had his own foreordained struggle with alcoholism.Donald, like Hitler, trusts in eugenics. At a recent rally in Minnesota, he promoted himself as a pure-bred product of “the racehorse theory”, and he fancies that his genes make him “a very stable genius”. His apostles agree. He recovered from Covid, according to the self-styled Maga life coach Brenden Dilley, because “he’s got God-tier genetics, top fucking one percentile genetics, right?” This insane conceit explains Donald’s spasm of disgust when Fred III tells him that William’s affliction is “some kind of genetic thing”. “Not in our family,” Donald replies with a snort, “there’s nothing wrong with our genes!”skip past newsletter promotionafter newsletter promotionThe most lethal moment in the book occurs when Donald helpfully suggests that Fred III, rather than spending money on William’s care, should “just let him die and move down to Florida”. The advice comes from a remote-control executioner: after the death of the Iraqi terrorist Abu Bakr al-Baghdadi, Fred III listens to Donald exultantly telling the king of Jordan on the phone: “I killed him, I killed him like a dog.” What shocks me most, reading the exchange about William, is the casual logic of the follow-up. Why Florida? It’s Donald’s home, now that he is such a pariah in New York, and he commends it to his nephew as a moral Bermuda Triangle, a swamp for human alligators.Fred III makes a final attempt to redeem his tarnished lineage by citing “something that William inherited from our family”. No, this is not a trust fund; it is the young man’s “heart-melting blue eyes”, his only means of communicating with the world. It’s a nice try, but a harsher truth is proclaimed by the book’s epigraph from The Godfather, which quotes Michael, soon to be installed as mob boss, when he shrugs that the gangsterism of the Corleones is “not personal, it’s strictly business”. Donald, who customarily deflects condemnation by projecting it on to others, used to rant about “the Biden crime family”; indirectly exposing the self-disgust that skulks behind his self-love, he was of course describing the vicious, venal conduct of his own clan. More

  • in

    ‘It’s not a theoretical proposition’: the ‘war game’ imagining a coup in the US

    On 6 January 2025, US democracy stands at a crossroads. Congress must certify the results of an election that the loser refuses to concede. The Capitol is besieged by a wave of protesters who believe the election was stolen. Some of them are armed and determined to seize power for their leader. Similar groups have amassed at state capitols around the country. And a portion of the DC National Guardsmen – as well as a portion of the US military, including a handful of high-ranking officials – are on their side.This is a fictional scenario, played out in a “war game” simulation with real government and military officials in a mock situation room. But according to a new documentary capturing the role-playing exercise, such a crisis of authority – and the fracturing of the military along partisan lines – is a very real possibility in the politically polarized US, one that we should prepare for. “It’s not a theoretical proposition,” said Jesse Moss (Boys State, Girls State), a co-director of War Game, now playing in US theaters. “Even a very small sliver of the US active duty military that chooses to side with, say, a defeated candidate in a national election, could destabilize our country and put our democracy in jeopardy.”War Game, which premiered at Sundance earlier this year, observes the six-hour event held at a Washington DC hotel room in January 2023. The simulation, developed by the Vet Voice Foundation, is one of several role-playing exercises developed in response to the events of January 6, to help military and government officials prepare for another worst-case scenario. How will the US government react if it happens again? And what if the president can’t count on the support of the military? Nearly one in five January defendants had a military background. In May 2021, 124 retired general and admirals signed an open letter propagating the lie that Joe Biden stole the 2020 election from Donald Trump. As Benjamin Radd, a game producer who viscerally recalls living through the breakdown of institutional authority in 1979 Iran, puts it: “Think about the unthinkable.”While other exercises, such as those recently led by the Brennan Center for Justice and the Democracy Futures Project, focus specifically on role-playing responses to a second Trump presidency, War Game mostly doesn’t name the elephant in the room, examining instead the forces and potentials of political extremism in the US. The distance – using footage of January 6, but not naming the names – allowed for some renewed urgency and clarity. “Sometimes it’s impossible to see something that’s right in front of you,” said Tony Gerber, the film’s other co-director. “And you have to find new ways to show people that thing, because there’s this sort of intentional blindness to see that thing that’s right there.”The exercise participants, a bipartisan group of military and cabinet officials from the last five presidential administrations, must respond to what is essentially a more organized version of January 6. The so-called “red cell”, developed by military veterans Kristofer Goldsmith and Chris Jones, present a multi-faceted and mutating threat on the ground and online, where the situation room – comprised of mock president-elect Hotham (former Montana governor Steve Bullock) and his team of advisers – must also fight an information game. Jones and Goldsmith, both experts on domestic extremist movements who understand veterans’ disillusionment with the government’s status quo, based their mock insurgency group, the Order of Columbus, on Trump’s Maga movement, the conspiracy quasi-religion known as QAnon and far-right paramilitary groups involved in the Capitol attack, such as the Proud Boys or Oath Keepers.Participants – including former senator Heidi Heitkamp, retired major general of the Maryland national guard Linda Singh, Lt Gen (Ret) Jeffrey Buchanan, former senator Doug Jones and Elizabeth Neumann, deputy chief of staff of the Department of Homeland Security under Trump – must decide how to combat a metastasizing threat, complete with mock news coverage, speeches and social media posts egging insurgents to follow their “real” leader. They must contend with a video from a high-ranking general, based on the former Trump official and Stop the Steal rally speaker Michael Flynn, calling on the military to disobey the commander in chief. With the DC Guardsmen compromised, should they mobilize other national guards? Should the federal government get involved in coup attempts at state capitols? How much force is too much? And when, if ever, should the president invoke the Insurrection Act, considered the game’s nuclear option, which allows the executive to deploy the US military on its own citizens? (Though the film-makers had total editorial control, they ran potential security issues by Vet Voice: “We didn’t want to give any insurrectionists a handbook to stage a coup,” said Moss.)That last decision is particularly resonant, given the law’s potential for great destruction in the wrong hands. The film’s one mention of Donald Trump by name comes in footage from the Congressional January 6 hearings, in which Jason van Tatenhove, a former member of the Oath Keepers, confirmed that the group’s leader, Stewart Rhodes, urged then president Trump to invoke the Insurrection Act, promising that veterans would support him. “Regardless of the outcome of this election, that act is a power the president has, and it’s a power that’s worth thinking about,” said Moss.View image in fullscreen“This film doesn’t lose its meaning and its relevance with this election,” Gerber added. “A problem like this doesn’t metastasize overnight. This has been cooking and growing and coming to fruition for years. And we as a nation have to ask ourselves, how did we get here?”To that end, the film attempts to “understand, with empathy, how a young man or a young woman coming home after serving overseas could be radicalized”, said Gerber. In cutaways from the real-time exercise, Goldsmith, Jones and game designer Janessa Goldbeck movingly discuss the real threat of extremism in the military, particularly for veterans struggling to reintegrate into society after service, in wars based on government lies or obfuscation, in a country where fewer and fewer civilians have personal ties to the armed forces. They’ve witnessed it, in themselves or in loved ones. “I do understand the insurgents,” says Goldsmith in the film. “I understand what led them down that path. Because I was there after I got home from Iraq.”For participants in the game, the exercise offered a rattling six hours of both anxiety and the empowerment of preparation. The simulation had “real intentional utility”, said Moss, in that it produced a report shared with policymakers, but also as way to excise fear, anger and shock over what happened four years ago this January, over what is still dividing the country. “These divisions, these fears, this extremism – it’s not over there. It’s right here. It’s within our country. It’s within our family,” said Moss. The film provides “a kind of catharsis to deal with the traumas that we carry, and to think about, in hopefully a constructive way, where we might be going”.

    War Game is out now in New York and will expand to other cities on 9 August, with a UK date to be announced More

  • in

    Doctors told Pelosi of concern for Trump’s mental health, ex-speaker says in book

    In early 2019, at a memorial service for a prominent psychiatrist, a succession of “doctors and other mental health professionals” told Nancy Pelosi they were “deeply concerned that there was something seriously wrong” with Donald Trump, “and that his mental and psychological health was in decline”.“I’m not a doctor,” the former speaker writes in an eagerly awaited memoir, “but I did find his behaviors difficult to understand.”Pelosi’s book, The Art of Power: My Story as America’s First Woman Speaker of the House, will be published next week. The Guardian obtained a copy.Pelosi was speaker between 2007 and 2011, and between 2019 and 2023, the latter spell coinciding with Trump’s chaotic presidency. Her memoir comes out amid a tumultuous 2024 presidential campaign, in which Trump is the Republican nominee for a third successive election.Questions about Trump’s fitness for office form a thread through the book. At 78, Trump is the oldest candidate ever, his campaign-trail utterances studied for frequent mistakes, his speeches are often rambling and marked by bizarre references.Trump’s volcanic behavior and disregard for societal norms also stoke such questions, not least because he left office having been impeached twice, the second time for inciting the deadly January 6 Capitol attack; has been convicted on 34 criminal charges and faces 54 more; has been ordered to pay hundreds of millions of dollars in civil cases including one concerning a rape claim a judge called “substantially true”; and has promised if re-elected to govern as “a dictator” on “day one”.On the page, Pelosi says she did not solicit statements about Trump’s mental health from attendees at the memorial for Dr David Hamburg, “a distinguished psychiatrist who … served as the president of the Carnegie Corporation, where he had been a great voice for international peace”, and who died in April 2019.Elsewhere in The Art of Power, however, the former speaker is not shy of stating her views about Trump’s mental health, calling him “imbalanced” and “unhinged”.By 6 January 2021, Pelosi writes, “I knew Donald Trump’s mental imbalance. I had seen it up close. His denial and then delays when the Covid pandemic struck, his penchant for repeatedly stomping out of meetings, his foul mouth, his pounding on tables, his temper tantrums, his disrespect for our nation’s patriots, and his total separation from reality and actual events. His repeated, ridiculous insistence that he was the greatest of all time.”She describes how subordinates including Mark Meadows, Trump’s final chief of staff, indulged improper behavior, allowing Trump to “surreptitiously listen” to private meetings with congressional leaders, eventually prompting Pelosi to ban all cellphones from her meeting rooms on Capitol Hill.Pelosi also describes getting calls from Trump, often late at night, including one in which she says Trump insisted missile strikes on Syria he had just ordered were Barack Obama’s fault, eventually prompting Pelosi to tell him: “It’s midnight. I think you should go to sleep.”Pelosi devotes attention to the events of 6 January 2021, when she and other congressional leaders were hurried from a mob who meant them harm, then spent hours trying to get Trump to call them off.Much of Pelosi’s account is familiar, thanks to the work of the House January 6 committee, which she created, and of her own daughter, Alexandra Pelosi, a documentarian who was filming her mother that day.“People still ask me how I remained so calm,” Pelosi writes, of the hours when Congress was under attack, she and other leaders were evacuated to Fort McNair, and Vice-President Mike Pence was in hiding as the mob chanted about hanging him.“My answer is that I was already deeply aware of how dangerous Donald Trump was.“He continues to be dangerous. If his family and staff truly understood his disregard for both the fundamentals of the law and for basic rules, and if they had reckoned with his personal instability over not winning the [2020] election, they should have staged an intervention. Whether because of willful blindness, money, prestige, or greed, they didn’t – and America has paid a steep price.”Saying she had quickly realised she had “more respect for the office of president of the United States than Trump”, Pelosi says “it was clear to me from the start that he was an imposter – and that on some level, he knew it”.Still she is not done. After describing how electoral college votes were eventually counted and Joe Biden’s victory confirmed, she says she “and many others wanted a consequence for the deranged, unhinged man who was still president of the United States”.That led to an impeachment and a second failed Senate trial, after the Republican leader there, Mitch McConnell of Kentucky, made a historic miscalculation: that Trump did not require conviction and barring from office, as he was politically finished.Pelosi describes another failed effort to remove Trump from office, on grounds of being unfit.“Following January 6,” she writes, “the Democratic leadership discussed asking the vice-president to invoke the 25th amendment to the constitution, which allows for the vice-president and a majority of cabinet members to certify that a president is unable to discharge the duties of the office.”She and the Senate majority leader, Chuck Schumer of New York, “placed a call to Vice-President Pence about this possibility”.Elsewhere, Pelosi writes that she admires Pence for his actions on January 6, when he refused to be spirited from the Capitol despite having to hide from a murderous mob sent by his own president, then ultimately presided over certification of election results.But when it came to the 25th amendment, Pence let Pelosi down.“The vice-president’s office kept us on hold for 20 minutes,” Pelosi writes, adding that “thankfully” she was at home at the time, “so I could also empty the dishwasher and put in a load of laundry.“Ultimately, Vice-President Pence never got on the phone with us or returned our call.” More