More stories

  • in

    The Wounded World review: brilliant biography of WEB Du Bois at war

    My favorite kind of history makes you feel you are living inside every moment the author creates. This can only happen when the fruits of rigorous research are assembled with the flair of a novelist. Chad L Williams, a Brandeis professor, does all that and more in his riveting new biography of William Edward Burghardt Du Bois.The first Black man to earn a Harvard PhD, Du Bois’s passion and thoughtfulness still make him America’s most important Black intellectual. Besides his brilliance, he never shied away from friction: another useful quality for any good biographer.Williams’s focus is Du Bois’s role in the first world war and the book about it which preoccupied him for many years, though he never managed to publish it. But Williams also includes the most important details of Du Bois’s life before and long after.One of the many pleasures of this volume is that author and subject are equally interesting writers.Du Bois established himself as a thoughtful radical and eager combatant with The Souls of Black Folk, an essay collection published in 1903, into which Williams says he poured “all his brilliance and anguish”. Combining “philosophical clairvoyance, historical audacity, literary imagination, sociological precision, autobiographical introspection, political urgency, musical lyricism, and poetic emotion”, it was “a text that defied classification”.It also made Du Bois a declared enemy of Booker T Washington, who founded the Tuskegee Institute in Alabama. Washington pleased white supremacists by declaring that “in all things purely social we can be as separate as the fingers”. Williams writes that Du Bois portrayed his rival as anointed by white capitalists “North and South to legitimize the social, political and economic marginalization of the race”.It was here that Du Bois offered one of his first famous insights: the color line endowed Black Americans with the peculiar sensation of “double consciousness”. This was the “sense of always looking at one’s self through the eyes of others, of measuring one’s soul by the tape of a world that looks on in amused contempt and pity … One ever feels his two-ness, an American, a Negro; two souls, two thoughts, two unreconciled strivings; two warring ideals in one dark body, whose dogged strength alone keeps it from being torn asunder.”Williams discovered Souls as an undergraduate. It has been a touchstone ever since. The “dogged strength” of African Americans forms the spine of this biography.Six years after publishing his foundational volume, Du Bois became a founder of the National Association for the Advancement of Colored People (NAACP), where he was director of research and, most importantly, editor of its monthly magazine, the Crisis. This gave him a direct line into the hearts and minds of tens of thousands of African Americans, for 24 years beginning in 1910.In 1915, Du Bois correctly identified the Great War as proof that “European civilization has failed”. But he also believed the loyalties of people of color had to lie with England, France and Belgium, despite their terrible colonial records, because a triumph by Germany would be the worst possible outcome.Du Bois used his pulpit at the Crisis to celebrate the role of Black Africans fighting for France, photos of the tirailleurs sénégalais carrying arresting captions like: “Black soldiers from Senegal fighting to protect the civilization of Europe from itself.”When Woodrow Wilson led America into battle in 1917, Du Bois was fiercely anti-war: “It is an awful thing! It is Hell. It is the end of civilization. It is an appeal to barbarism.” But with what Williams calls “a mix of resignation, pragmatism, patriotism, and hope”, Du Bois supported entry, because he saw it as “an opportunity for African Americans to claim their full civic rights”.Du Bois clashed frequently with the NAACP board but he had a crucial ally in Joel Spingarn, the chairman. This was an early example of the Black-Jewish alliance which would be an important feature of the civil rights movement of the 1950s and 60s. Spingarn enraged many Black newspapers when he advocated for a segregated training school for Black officers. But Du Bois agreed that, given the depths of prejudice, this was a necessary evil. He called the segregated facility “a temporary measure” designed to “FIGHT, not encourage discrimination in the army”.The secretary of war accepted the NAACP request. More than 1,000 Black officers were trained. But when Du Bois got himself a passport and passage to France, he discovered bigoted white officers making Black lives hell. They spread the libel that Black soldiers were raping vast numbers of French women. One colonel requested the removal of Black officers from his regiment, because they supposedly prevented the development of “mutual confidence and esprit de corps”. Black officers, Du Bois wrote, were disgusted by the “seemingly bottomless depths of American color hatred”.He surveyed French mayors, all over the country. Reports came back: Black Americans were treating French women with much greater respect than white American troops did. The entire 369th Infantry Regiment, the Black Rattlers from Harlem, embedded with the French army, received the Croix de Guerre.When the war was over, Du Bois and 5,000 others watched in awe as the French honored its troops of color with a gala celebration at the Palais du Trocadéro. The Théâtre-Français acted out “battlefield exploits of the colonial troops … and singers from the opera gave a rousing rendition” of the Marseillaise. The spectacle “surpassed any tribute to Black men” Du Bois “had ever seen”.I can only hint at the number of beguiling moments that fill the pages of this great book. The best part of this job is an occasional chance to celebrate great work. This gripping history is a cause for celebration.
    The Wounded World: WEB Du Bois and the First World War is published in the US by Macmillan More

  • in

    ‘Excessive loyalty’: how Republican giant George Shultz fell for Nixon, Reagan … and Elizabeth Holmes

    “Without Reagan the cold war would not have ended, but without Shultz, Reagan would not have ended the cold war.” This quotation of Mikhail Gorbachev – from the preface of In the Nation’s Service, a biography of George Shultz – now has a bittersweet taste. Reagan died in 2004, Shultz in 2021 (at 100) and Gorbachev in 2022. The cold war is having a renaissance that threatens the legacies of all three.Vladimir Putin has returned Russia to authoritarianism, suspended its participation in the last US-Russia arms control pact and, with the invasion of Ukraine, put the risk of catastrophic confrontation between major powers back on the table.This would have been heartbreaking for Shultz, a second world war veteran who as secretary of state was at Reagan’s side during the summits that ended the cold war. He was a statesman and Republican of the old school who endorsed the wars in Vietnam and Iraq. He was also complicated.In the Nation’s Service, which Shultz authorised but did not control, portrays a man who loved not wisely. He was loyal to Richard Nixon during Watergate, loyal to Reagan during Iran-Contra, loyal to his party when it was cannibalised by Donald Trump and loyal to Elizabeth Holmes when Theranos, her blood-testing company, was exposed as a fraud.“It’s a thread through his life, excessive loyalty, and it grew out of his service in the marines in world war two, where obviously if you’re in combat your life depends on the loyalty and support of your comrades in the Marine Corps,” says the book’s author, Philip Taubman, a New York Times reporter and bureau chief in Moscow from 1985 to the end of 1988.“But as he carried that on through his life, it was a very strong impulse and so he stuck with Nixon too long.”Shultz, who studied at Princeton and the Massachusetts Institute of Technology and became dean of the University of Chicago, was Nixon’s labour secretary and led an effort to desegregate southern schools systems. He was the first director of the Office of Management and Budget before becoming treasury secretary.He resisted many of Nixon’s requests to use the Internal Revenue Service (IRS) to investigate his “enemies” but did give in to the demand to pursue Lawrence O’Brien, a top Democrat. The Watergate scandal engulfed the White House but Shultz did not resign until May 1974, three months before Nixon himself.Speaking at a Stanford University office in Washington, Taubman, 74, says: “I pressed him on this involvement in the Larry O’Brien investigation. I said, ‘I don’t understand how you allowed that to happen and why you didn’t resign at that point.’“His basic defence was he understood Nixon was involved in misconduct and he thought that had he resigned and Nixon had put someone else in the treasury secretary’s job, there would have been less of an obstacle for Nixon to use the IRS in punitive ways. It was a kind of self-congratulatory explanation. He clearly should have resigned before he did.”Reagan brought Shultz into his cabinet in 1982. Shultz hoped to ease cold war tensions but met with opposition from anti-Soviet ideologues.Taubman, who spent a decade writing the book, with exclusive access to papers including a secret diary maintained by an executive assistant, explains: “It was incredibly brutal. It was probably, if not the most ferocious infighting of any postwar American presidency, certainly one of the top two. He just ran into a buzzsaw.“The people around Reagan who set the tone for foreign policy in the first year … were hardliners on the Soviet Union. What they wanted to do was not contain the Soviet Union, which had been the American strategy since the end of the second world war. They wanted to roll back Soviet gains around the world and Soviet influence.”Shultz rarely got to meet Reagan one-on-one. “He was mystified by Reagan and he was puzzled and unsettled by the turmoil in the administration. For a guy who’d lived through the Nixon administration, you’d think he would have been a hardened internal combatant.“He would come back to his office and tell the aide who recorded all this in his diary, ‘I can’t get through to the president. How is it that the secretary of state can’t meet with the president of the United States to talk about US-Soviet relations?’ … It took several years before he and Reagan began to kind of connect.“One of the things that was clear, as I did the research, was just how disengaged Reagan was. There would be decisions taken that he would sign off on and then they would be reversed by people under him. It was incredibly chaotic and he wouldn’t grasp it by the lapels and say, ‘OK, I agree with George, this is what we’re going to do.’ He just let this turmoil fester until the second term.”In February 1983, history was given a helping hand when a blizzard forced Reagan to cancel a Camp David weekend. He and his wife, Nancy, invited Shultz and his wife to dinner. Shultz could see that for all his hot rhetoric about the “evil empire”, Reagan hoped to ease tensions with Russia.“If you’re looking for the key moments in the ending of the cold war,” Taubman says, “you have … the realisation among the two of them that they have in common a fundamental desire to wind down the cold war, the ascension of Gorbachev, his appointment of Eduard Shevardnadze as Soviet foreign minister, and the beginning of real negotiations over a huge range of issues: arms control; issues involving countries like Cuba, Nicaragua, Angola where there was proxy fighting going on; human rights issues, which Reagan felt very strongly about, as did Shultz, which Gorbachev and his predecessors had resisted but Gorbachev eventually began to agree to discuss.”The capitalist Reagan and communist Gorbachev held their first meeting in Switzerland in 1985. Shultz went to Moscow to negotiate the terms of the summit and made sure the leaders kept talking in private. He was pivotal in making another summit happen in Iceland the following year.But again he was deferential to a fault, this time over Reagan’s “Star Wars” program.Taubman says: “Shultz completely understood that the Strategic Defence Initiative (SDI), the space-based missile defence exotic technology, was unworkable but he wasn’t brought into the discussions until the last minute, just a few days before Reagan was going to give his speech about it on national television. He opposed it. He tried to get Reagan to back away.“When that failed, he tried to get Reagan to be less grandiose about the objectives – failed in all of that. Then … he got in line, saluted and supported it right through the summit in Reykjavik in 1986 where, had Reagan been more flexible about Star Wars, they might have achieved far-reaching arms control agreements. But Reagan wouldn’t give ground.”Gorbachev visited Washington in 1987 and signed a landmark deal to scrap intermediate-range nuclear missiles. Reagan went to Moscow in 1988. The tension drained out of the cold war and Shultz was “indispensable”, Taubman argues. “He was literally the diplomat-in-chief of the United States and he and Shevardnadze were the workers in the trenches who took the impulses of Gorbachev and Reagan and turned them into negotiations and then agreements.”But Shultz’s triumph was short-lived. “He was saddened when George HW Bush came into office because Jim Baker, the incoming secretary of state, and Brent Scowcroft, the national security adviser, decided Reagan and Shultz had gone too far too fast with Gorbachev. They put a pause in relations and that really annoyed Shultz and disappointed him.“He probably was somewhat hopeful under [Russian president Boris] Yeltsin, where things began to look more promising again. Then with Putin he was involved in so-called ‘track two’ diplomacy, where he and Henry Kissinger and some other former American officials would go to Moscow or Beijing and have consultations with Russian and Chinese leaders, talking about things that couldn’t be talked about in official diplomatic channels. He began to realise that Putin was taking Russia back into an authoritarian model.”Shultz’s loyalty was tested again when his beloved Republican party surrendered to Trump, who in 2017 became the first US president with no political or military experience. Trump’s “America first” mantra threatened alliances Shultz and others spent decades nurturing. Yet Shultz was reluctant to speak out.Taubman recalls: “I had a very tough interview with him about this because I knew he was no fan of Donald Trump and that he could see the Republican party was taking a dark turn. So I sat down with him and I said, ‘What are you going to say about Donald Trump? The election’s coming up. Do you feel any obligation to speak out publicly?’“He bobbed and weaved and didn’t really want to say anything and then eventually he said, ‘Henry Kissinger and I are talking about what, if anything, to say.’ A number of weeks later, they did say something. But being somewhat cynical, I’m afraid, I think it was calculated to have minimal impact. They issued a statement on the Friday of Labor Day weekend, which is notoriously a time when everyone’s gone home for the long weekend, saying, ‘We two Republican stalwarts do not plan to vote for either candidate.’“So that’s not bad … but they didn’t denounce Trump and they said, ‘We’re ready to serve if asked, not in an official position, but as an informal adviser to whomever gets elected.’ They sort of punted at that point before the election.“Trump comes into office and increasingly Shultz is concerned about the direction he’s going and the party’s going but he didn’t want to speak up publicly.”Taubman remembers a private meeting in San Francisco, where Trump came up.“Shultz pulls out of his pocket the text of a speech about immigration that Reagan had given, which was a fabulous, wholehearted endorsement of the role of immigrants in American history and how they had continually revitalised the country. He read that text to that group, I think, for as blunt a rebuff of Trump as he could muster at that time.“Then he spoke out later, critically of Trump’s foreign policy. But when all this crazy stuff went down in Ukraine and Rudy Giuliani, of all people, was over there trying to undermine the US ambassador, an outrageous intervention in American foreign policy, he said nothing about it at the time.“He was not unwilling to part company with the party and certainly with Trump but he never chose to take a public stand. I don’t know to this day whether he just didn’t want to anger the president. Probably to his dying day Shultz maintained a respect for the office. Maybe he was just too old to want to engage in a battle with the party and Trump. But there’s no question he and I had private conversations and thought the party had taken a dark turn.”Shultz took a position at Stanford but there was a sour postscript to his career. In his 90s, he threw his weight behind Holmes and her company, Theranos, which promised to revolutionise blood testing. He helped form a board, raised money and encouraged his grandson, Tyler Shultz, to work at the company.When Tyler took concerns about Holmes to the media, she set her lawyers on him and put him under surveillance. Shultz refused to cut ties with Holmes, causing a deep rift in the family. In 2018, Holmes was indicted on charges involving defrauding investors and deceiving patients and doctors. Last year, she was sentenced to more than 11 years in prison.Taubman says: “I think, frankly, he fell in love with Elizabeth Holmes. It was not a physical relationship but I believe he was infatuated with her and she understood that and played on it in a calculating way.“She got him to do all kinds of things to help her put together her board of directors: Henry Kissinger, Bill Perry, all kinds of senior national security officials, none of whom knew the first thing about biomedical issues. Then he played a major role in selling her to the media, and suddenly she’s on the cover of Fortune and Forbes. She’s the darling of Silicon Valley.“I learned … that he wanted to talk to her every day on the telephone and she would show up at his parties. He invited her to the family Christmas dinners. It was a shocking situation, especially in retrospect.”Taubman confronted Shultz. “He continued to defend her to my amazement and, frankly, my disappointment. I came at him pretty hard and he would not let go. He wouldn’t disown her. By this point, it was clear what was going on at Theranos. This was the ultimate expression of excessive loyalty.”Shultz’s family is still bitter.“Tyler continues to be hurt by his grandfather’s conduct. Puzzled by it. He attributed it in his own podcast to either colossal misjudgment or, ‘My grandfather was in love with her or he had a huge financial benefit invested in her.’ All of which was true.“It turns out she gave George Shultz a lot of Theranos stock and, at its peak valuation, that was worth $50m, so there may have been a financial motive too. At the sentencing, George’s son Alex [Tyler’s father] testified and talked about how she had desecrated – which is a wonderful word, a very apt word – the Shultz family.”Taubman reflects: “As I was working on the biography in those last years, when I would talk to people about Shultz, there were no longer questions like, ‘Tell me about his service as secretary of state, tell me what he did to end the cold war.’ It was all, ‘What’s he doing with Elizabeth Holmes?’ It stunted his last decade.“It shouldn’t overshadow what else he did. It was a sad coda at the end of his life. When you look back, he was a major figure in the latter half of the 20th century and pivotal figure in ending the cold war. And for that he deserves enormous credit.”
    In the Nation’s Service: the Life and Times of George P Shultz is published in the US by Stanford University Press More

  • in

    Harry Belafonte, singer, actor and tireless activist, dies aged 96

    Harry Belafonte, the singer, actor and civil rights activist who broke down racial barriers, has died aged 96.As well as performing global hits such as Day-O (The Banana Boat Song), winning a Tony award for acting and appearing in numerous feature films, Belafonte spent his life fighting for a variety of causes. He bankrolled numerous 1960s initiatives to bring civil rights to Black Americans; campaigned against poverty, apartheid and Aids in Africa; and supported leftwing political figures such as Cuba’s Fidel Castro and Venezuela’s Hugo Chavez.The cause of death was congestive heart failure, his spokesman told the New York Times. Figures including the rapper Ice Cube and Mia Farrow paid tribute to Belafonte. The US news anchor Christiane Amanpour tweeted that he “inspired generations around the whole world in the struggle for non-violent resistance justice and change. We need his example now more than ever.”Bernice King, daughter of Dr Martin Luther King, shared a picture of Belafonte at her father’s funeral and said that he “showed up for my family in very compassionate ways. In fact, he paid for the babysitter for me and my siblings.” The Beninese-French musician Angélique Kidjo called Belafonte “the brightest star in every sense of that word. Your passion, love, knowledge and respect for Africa was unlimited.”Belafonte was born in 1927 in working-class Harlem, New York, and spent eight years of his childhood in his impoverished parents’ native Jamaica. He returned to New York for high school but struggled with dyslexia and dropped out in his early teens. He took odd jobs working in markets and the city’s garment district, and then signed up to the US navy aged 17 in March 1944, working as a munitions loader at a base in New Jersey.After the war ended, he worked as a janitor’s assistant, but aspired to become an actor after watching plays at New York’s American Negro Theatre (along with fellow aspiring actor Sidney Poitier). He took acting classes – where his classmates included Marlon Brando and Walter Matthau – paid for by singing folk, pop and jazz numbers at New York club gigs, where he was backed by groups whose members included Miles Davis and Charlie Parker.He released his debut album in 1954, a collection of traditional folk songs. His second album, Belafonte, was the first No 1 in the new US Billboard album chart in March 1956, but its success was outdone by his third album the following year, Calypso, featuring songs from his Jamaican heritage. It brought the feelgood calypso style to many Americans for the first time, and became the first album to sell more than a million copies in the US.The lead track was Day-O (The Banana Boat Song), a signature song for Belafonte – it spent 18 weeks in the UK singles chart, including three weeks at No 2. His version of Mary’s Boy Child was a UK chart-topper later that year, while Island in the Sun reached No 3. He released 30 studio albums, plus collaborative albums with Nana Mouskouri, Lena Horne and Miriam Makeba. The latter release won him one of his two Grammy awards; he was later awarded a lifetime achievement Grammy and the Academy’s president’s merit award.Bob Dylan’s first recording – playing harmonica – was on Belafonte’s 1962 album, Midnight Special. The previous year, Belafonte had been hired by Frank Sinatra to perform at John F Kennedy’s presidential inauguration.Belafonte maintained an acting career alongside music, winning a Tony award in 1954 for his appearance in the musical revue show, John Murray Anderson’s Almanac, and appearing in several films, most notably as one of the leads in Island in the Sun, along with James Mason, Joan Fontaine and Joan Collins, with whom he had an affair. He was twice paired with Dorothy Dandridge, in Carmen Jones and Bright Road, but he turned down a third film, an adaptation of Porgy and Bess, which he found “racially demeaning”.He later said the decision “helped fuel the rebel spirit” that was brewing in him, a spirit he parlayed into a lifetime of activism, using his newfound wealth to fund various initiatives. He was mentored by Martin Luther King Jr and Paul Robeson, and bailed King out of a Birmingham, Alabama, jail in 1963 as well as co-organising the march on Washington that culminated in King’s “I have a dream” speech. He also funded the Freedom Riders and SNCC, activists fighting unlawful segregation in the American south, and worked on voter registration drives.He later focused on a series of African initiatives. He organised the all-star charity record We Are the World, raising more than $63m for famine relief, and his 1988 album, Paradise in Gazankulu, protested against apartheid in South Africa. He was appointed a Unicef goodwill ambassador in 1987, and later campaigned to eradicate Aids from Africa.After recovering from prostate cancer in 1996, he advocated for awareness of the disease. He was a fierce proponent of leftwing politics, criticising hawkish US foreign policy, campaigning against nuclear armament, and meeting with both Castro and Chavez. At the meeting with Chavez, in 2006, he described US president George W Bush as “the greatest terrorist in the world”. He also characterised Bush’s Black secretaries of state Colin Powell and Condoleezza Rice as being like slaves who worked in their master’s house rather than in the fields, criticisms that Powell and Rice rejected.He was a frequent critic of Democrats, particularly Barack Obama, over issues including Guantanamo Bay detentions and the fight against rightwing extremism. He criticised Jay-Z and Beyoncé in 2012 for having “turned their back on social responsibility … Give me Bruce Springsteen, and now you’re talking. I really think he is Black.” Jay-Z responded: “You’re this civil rights activist and you just bigged up the white guy against me in the white media … that was just the wrong way to go about it.”He continued to take occasional acting roles. In 2018, he appeared in the Spike Lee movie BlacKkKlansman. In 2014, 12 Years a Slave director Steve McQueen announced he was working with Belafonte on a film about Paul Robeson, though it wasn’t developed.Belafonte was married three times, first to Marguerite Byrd, from 1948 to 1957, with whom he had two daughters, activist Adrienne and actor Shari. He had two further children with his second wife, Julie Robinson: actor Gina and music producer David. He and Robinson divorced after 47 years, and in 2008 he married Pamela Frank, who survives him. More

  • in

    Alexandra Petri’s US history review: if you’re going to lie, lie big – and funny

    In the 18th century, sexting was much more difficult. It had to be conducted by letter, of course, resulting in long delays and messages arriving out of order – particularly if you were on opposite sides of the Atlantic, as John and Abigail Adams were in the late 1770s.Incredibly, we now have a record of their attempts to exchange lewd notes, published this month in Alexandra Petri’s US History: Important American Documents (I Made Up). The Washington Post humor columnist takes us on a tour of centuries of US history, including a first-hand look at the Adamses struggling to confirm how many petticoats and long shirts have been removed at any point in a year-and-a-half-long correspondence, interrupted by concerns over the health of their cows and a particularly lascivious note from Benjamin Franklin.It’s one of dozens of very funny essays stretching from the arrival of Europeans in the Americas to the presidency of Donald Trump. At a time when many elected officials are seeking to rewrite history to make America look better, “why stop at saying slavery was not so bad or Andrew Jackson was a swell guy? Why not actually commit to the principle of the thing and insert all the bizarre documents that you think ought to be there?” Petri writes.“If you’re going to lie about the past, lie big!”Petri works in a huge variety of formats: letters, poetry, scripts, maps. Important early documents include a European’s guide to naming places: (Options: “name of king but put town on the end”, “New [place you just left]”, “your ethnic group, plural, but put ‘boro’ on the end”); a guide to toys for Puritan parents (“There is nothing silly about this putty. It is plain, functional putty that can be used to imprint passages of scripture”); and a more realistic take on the minutemen, titled The Hour Men, because what if you need snacks or misplace your musket?Later we witness the author and women’s rights activist Elizabeth Cady Stanton trapped in a romcom while planning the landmark Seneca Falls convention, “because whenever a work-oriented woman goes to a small town for any reason, the town tries to seize her and put her in a Hallmark romance”. Stanton knows she “really ought to work on the Declaration of Sentiments,” Petri writes. “But for the first time in her life, she was feeling sentiments rather than just declaring them.”There’s a record of what civil war photographers said to posing troops: “Say: ‘Everyone I love will soon be dead!’ But don’t say it with your mouth, say it with your eyes.’” And there are plenty of literary parodies, including musing on what Edgar Allan Poe’s work would have been like had he just had a good handyman – maybe that telltale heart could have been removed and the House of Usher could have remained standing – and a rewriting of Fahrenheit 451 that dares to ask how, if books are banned, there are still enough being printed for book-burners to have a full-time job.More recent documents include a record of what Nancy Reagan’s psychic began predicting after she realized her words were affecting policy: “A romantic partner continues to be receptive to your influence. Consider urging him to do something about the Aids crisis.”Visual elements feature a blend of Thoreau and a perennially missing man, in the form of “Where’s Walden?”, and a PowerPoint presentation by Nikola Tesla’s friends, concerned that the physicist is in love with a pigeon (which is something he actually admitted to, one of several genuine pieces of history I learned from this book).Petri’s writing is consistently witty and erudite without the slightest hint of pretentiousness, and her tone is generally jovial and upbeat. Most of the book will be accessible to anyone who paid attention in high school history class, though there are a few essays with prerequisites: a spoof of the writer Shirley Jackson, for instance, went over my head despite a dim memory that I was forced to read The Lottery somewhere along the line. As is generally the case with parody, the better you know the original, the funnier it will be.“If you’re going to lie, lie big.” But Petri’s lies spring from vast knowledge of the facts of US history. If you can make the 19th-century debate over monetary policy funny, you’re clearly on to something.
    Alexandra Petri’s US History: Important American Documents I Made Up is published in the US by WW Norton More

  • in

    A Fever in the Heartland review: chilling tale of the Klan and a dangerous leader

    Hubris can be difficult to resist, no matter how well one appreciates the danger. Foremost, in his new book A Fever in the Heartland: The Ku Klux Klan’s Plot to Take Over America and the Woman Who Stopped Them”, Timothy Egan indicates just how self-destructive hubris can be.It led to the downfall of David C Stephenson, a sadistic, grifting, backstabbing, vengeful, womanizing grand wizard of the Ku Klux Klan, the center of Egan’s story of extremism and white rage, a tale with many parallels to our own time. Similar overconfidence might yet bring down Donald J Trump. For sure, reading Egan’s gripping book, my own hubris nearly waylaid me.At first, it seemed no writer could possibly offer anything different from what had already been compellingly presented on TV. In 1989, I was among rapt multitudes introduced by the miniseries Cross of Fire to this lurid tale from the second rise of the Klan.The KKK was born at the close of the civil war, in resentment of burgeoning African American independence. By the 1890s it was fading, with the introduction of Jim Crow laws, but the first world war “birthed” a more virulent second coming. Determined to keep Black people in their place, klansmen were also antisemitic, anti-Catholic, anti-Native American, anti-immigrant, anti-queer, anti-abortion and anti-communist.Cross of Fire, made 70 years later, concerned a rape and murder. Madge Oberholtzer was a 28-year-old educator, unmarried and living with her parents. Stephenson, her assailant, led the Indiana branch of the Klan. Armed with a private force, 30,000-strong, wielding graft and bribes, he reigned supreme, the governor and many other officials firmly under his thumb. When he was brought to trial, he was in no doubt he would get off.Cross of Fire was shown in two segments, two hours each, and reached about 20 million viewers. Back then, I think, a certain optimism was still alive in America. With most social struggles behind us, it was broadly imagined, we were well on the way to rectifying our worst problems. In that context, a televised account of the Klan’s insidious rise across 1920s America seemed almost hard to believe.But the truth is chilling. At one point, the Klan reached millions of white Americans. Feeling threatened by newly enfranchised women, growing numbers of immigrants and African Americans made restive by commendable war service, many such white men felt certain they had been robbed of the position their fathers and grandfathers knew. Stevenson was a crusading would-be strong man. If not plain-spoken, he was at least an ignorant man’s idea of a wise one. Seemingly amiable, seemingly much like those who followed him, to some he felt like an answered prayer.If this is starting to sound familiar, back in 1989 it seemed outrageously implausible. Weren’t the 1920s the Roaring Twenties, the rebellious, modernizing Jazz Age? Was it not an era of prosperity and wellbeing? The problem is a matter of nuance. Setbacks or backlash attendant to progress are seldom acknowledged with the same emphasis as advancement. That’s why it is imperative to teach all American history, good or bad.The idea of making America great again is an old one, rooted in a nativist embrace of Anglo-Saxon, Protestant supremacy. A hundred years ago, many were throughly taken in by nationalist rhetoric and circus-like spectacle.Stephenson had no education beyond high school. He was an ardent fan of Mussolini. He claimed he had studied psychology and knew how to play on people’s emotions. Klan rallies whipped up followers, as frenzied as any at Nuremberg, into ecstatic orgies of cheering. Some called beseechingly for Stephenson to become president. In the flickering light of flaming crosses, large banners insisted: “America is for Americans.” It all planted a seed in a man convinced that everything – and anyone – could be bought.In his book, Egan explains how, much as with African Americans and the Black church, to many whites, Klan membership “gave meaning, shape and purpose to the days”.From neo-Confederates to hardline Brexiters, how perplexing is the malfeasance, the villainy, the rank hypocrisy of those who preach law and order and freedom and justice the loudest? It all brings to mind Churchill’s observation about Stalin and Russia after the pact with Hitler in 1939: “A riddle wrapped in a mystery inside an enigma.”Undaunted, Egan examines and sorts out the complexities and contradictions of the rise of Stephenson and the Klan. In doing so, unlike a writer for TV, he has no need for dramatic license.In Cross of Fire, Oberholtzer marries Stephenson – or so she thinks. It turns out the officiant is a henchman. This detail is important. It sets into motion a supposed honeymoon, a joyride on a private railway car to Chicago, a wedding trip that facilitates Stephenson’s crime.Dealing in fact, Egan reveals that not even a pretend wedding took place. Oberholtzer believed Stephenson could keep her state job from being cut but she never trusted him to the extent of getting married. She was drugged and taken by force.On her deathbed, she summoned the will to give an account of her ordeal. A transcript was presented in court. So was a doctor’s testimony. As much as the poison Oberholtzer ingested, the doctor said, sepsis, from deep bites on her face, breasts, tongue and elsewhere, resulted in Oberholtzer’s death. With timely attention, her life might have been saved.Another fact absent from Cross of Fire but featured in Egan’s account is yet more disturbing. Stephenson was found guilty of Oberholtzer’s murder and sentenced to life, but he was never chastened. He broke parole and was re-imprisoned but he ultimately died a natural death, in 1966, aged 74. He tricked, cheated, married and sexually assaulted many times more. It is this learning of the limits of the wages of sin that distinguishes A Fever in the Heartland as an honest look at what really happened.
    A Fever in the Heartland is published in the US by Viking More

  • in

    Democrats bid to use censorship law against DeSantis and ban his book

    Democrats in Florida are attempting to use a state law that censors books in public schools against the governor who signed it, Ron DeSantis, by asking schools to review or ban the Republican governor’s own book, The Courage to be Free.“The very trap he set for others is the one that he set for himself,” Fentrice Driskell, the Democratic minority leader in the Florida state house, told the Daily Beast.DeSantis published The Courage to be Free in February, in what was widely seen as an opening shot in his campaign for the Republican presidential nomination. He has said he wrote the book himself.Seeking to compete with Donald Trump – who enjoys convincing leads in polling – DeSantis has established himself as a ruthless culture warrior, willing to use government power against opposing interests and viewpoints.He signed the law regarding books in schools last year. It includes guidelines for content deemed inappropriate on grounds of race, sexuality, gender and depictions of violence.But the law has run into problems over interpretations of its language, not least when a children’s book about Roberto Clemente, a baseball legend who faced racial discrimination, landed at the centre of national controversy.Seeking to take advantage of such uncertainties, Florida Democrats are highlighting instances of language in DeSantis’s book which they contend could violate his own guidelines.As reported by the Beast, in The Courage to be Free, DeSantis “use[s] the terms ‘woke’ and ‘gender ideology’ 46 times and 10 times respectively, both of which could constitute ‘divisive concepts’ the governor has argued should stay out of curricula up to the college level”.DeSantis also claims students have been forced to “chant to the Aztec god of human sacrifice” and, as well as describing violence at Black Lives Matter protests, cites a video showing “dead black children, dramatically warning … about ‘racist police and state-sanctioned violence’”.DeSantis also describes the 2017 mass shooting at congressional baseball practice in which Steve Scalise, a senior Republican, was seriously wounded.Such passages, Democrats contend (in what the Florida publisher Peter Schorsch called a “clever bit of trolling”), could fall foul of the governor’s own rules.According to the Beast, only one school district initially responded to Democrats’ complaints. Marion county, near Orlando, said no public school there possessed the governor’s book.Driskell told the Beast: “We’re leaning into one of [DeSantis’s] weaknesses.“… If America doesn’t want Florida’s present reality to become America’s future reality, people need to know what it’s like here. This is our way of fighting back, but also highlighting how ridiculous some of this becomes, right?” More

  • in

    ‘Going against the grain’: is bipartisanship really possible in America?

    On election night 2016, Van Jones, the criminal justice advocate and former Obama administration official turned CNN anchor, processed his shock on live television. “This was a whitelash against a changing country,” he said. “It was a whitelash against a Black president, in part. And that’s the part where the pain comes.” The clip, in which Jones appeared near tears and essentially called Donald Trump a “bully” and a “bigot”, went viral. For many, it was shorthand for shock and dismay, an articulation of unspeakable anger, and a rare example of a pundit calling it like it was.So it was confusing that over the next few years, Jones, a Black man from western Tennessee, was seen at the Trump White House, conducted the first (and uncomfortably chummy) TV interview with Trump’s son-in-law/adviser Jared Kushner, and touted his communication with the administration and congressional Republicans in the name of bipartisan criminal justice reform. In spring 2019, Jones appeared at the Conservative Political Action Conference – the Maga hat-filled, far-right convention known as CPAC – as an avowed Democrat willing, for better and for worse and with a considerable amount of controversy, to engage with the opposition. He appeared on stage with the chairman of the American Conservative Union, prompting the question, from myself, from the panel’s moderator and surely from audience members: “Why are you here?”The answer – the distance between 2016 and 2019, and the messy, at times contradictory journey in between – forms the backbone of the The First Step, a new, wide-ranging and thoughtful documentary on his fraught activism and the bipartisan criminal justice legislation he championed. Created by the brothers team of director Brandon Kramer and producer Lance Kramer, The First Step opens with that CPAC appearance and takes it name from the First Step Act, the bill heralded by Jones and his criminal justice organization, #cut50, that was signed into law by President Trump in 2018. The measure barred punitive practices such as shackling pregnant prisoners, placed inmates in facilities closer to their families, cut down some federal sentences by anywhere from weeks to years and allowed those convicted of pre-2010 crack cocaine offenses to apply for resentencing to a shorter term.During the initial Trump years, Jones “felt like somebody needed to be engaging and reaching across the aisle and trying to see if there was any sliver of room to get something accomplished on some of the issues where there is some bipartisan support”, said Brandon Kramer. The First Step Act was thus a hodgepodge of reforms and concessions, with a wide range of supporters (people as ideologically opposed as Kamala Harris and Ted Cruz) and skeptics. Some Republicans interested in decreasing mass incarceration backed it; other hardliners, such as the then attorney general, Jeff Sessions, opposed it. Many progressives viewed the measure as too little, too patchwork, one whose passage would allow Republicans to claim criminal justice reform without meaningfully addressing mandatory minimum sentencing laws. Jones’s bipartisan approach – as in, courting Republicans, Jared Kushner and Democrats – drew plenty of critics; the bill was initially opposed by liberal groups including the NAACP Legal Defense Fund and the ACLU.It also makes for a fascinating, thorny watch, one which, Jones’s occasional foot-in-mouth moments or glad-handing aside, tangles with evergreen questions of political work: incremental change versus radical reform, resoluteness versus compromise, how and when to build a coalition. The Kramers, who worked with Jones on a 2016 web series called The Messy Truth, in which Jones spoke to people across the political spectrum, were interested in someone “going against the grain and doing something really tough and controversial and being able to tell those stories in a really complex way,” said Brandon. “It felt like no matter what would come out of that, it would be a really important document and story for the American public to have.” The First Step began production during the Women’s March in January 2017 and filmed into 2020, as the bill was worked and nearly killed, reworked and nearly killed and then passed, and beyond. “People talk about bridge-building, but it’s very rare that you get to see bridge-building in action,” said Brandon.The film proceeds along three intertwined tracks: first, the work to pass the bill itself, trying to nail down support from Democrats and attract Republicans with a Trump endorsement, as well as Trump’s Oval Office, on the day of signing. (Jones addresses Trump personally and gratefully.) Second, on Jones’s personal journey to activism, from shy, bookish kid to Yale Law School to fighting to shut down prisons in San Francisco in the 1990s, which convinced him that “you cannot help people en masse with one party or with one race. The only way you’re gonna help is you get everybody together.”Jones, whose style encompasses hard-won insights (“you can’t fight an opponent you don’t understand,” he says of researching the right), whiffs and bromides in one impassioned mix, is often a besieged island of one; “He who walks in the middle of the road gets hit on both sides,” says the bishop TD Jakes in a phone call with a fatigued Jones. We meet his small #cut50 team as well as some of his prominent liberal critics, from his friend Senator Cory Booker to progressive criminal justice advocates. The First Step Act is “not the law that we need right now”, says the Black Lives Matter co-founder Patrisse Cullors in the film. “This bill is going to jeopardize the work that we’ve done for the last couple decades.”And third, the film sits in on meetings facilitated by Jones between two grassroots groups grappling with addiction and incarceration: an organization of Black and Hispanic residents from South Central LA besieged by the crack epidemic and the “war on drugs”, and some predominantly white, Trump-voting citizens of McDowell county, West Virginia, reeling from the opioid crisis and cyclical arrests. Each group visits the other; most find common ground in shared trauma and frustration over a system that punishes rather than rehabilitates, if not in justifying the others’ vote in 2016. In one of the film’s most riveting scenes, Jones tries to convince the LA group members to visit Trump’s White House to tell their stories, because the people who shouldn’t be in power will make the trip, and “the right people won’t go” to make an impact. Some do make an uncomfortable visit, greeted by Kellyanne Conway; others view engagement as a bridge too far, certain that Trump and Conway “will find a way to misuse it”.The tension between engagement and non-engagement, incremental work versus comprehensive reform, course throughout the film with, of course, no definitive resolution. “There are very legitimate and important reasons why to engage, and there’s legitimate and important reasons why some people don’t engage or why they’re fighting for a more comprehensive reform,” said Brandon. “The hope is that you see people who represent your view, but you’re also given a window into a different strategy or opinion or view.”“It’s valuable for the human experience but also the political process to be able to engage with these kind of narratives but also just paradoxes in this space,” said Lance Kramer of the multitude of experiences and approaches professed in the film. “I think it’s a healing space, when you have that opportunity.”If anything, the US political environment has only grown more polarized, and the Republican party more untethered from reality, in the years since The First Step was filmed; it can feel weird to watch the film, and its depiction of bipartisan efforts, in a post-January 6 context. But, as Jones and the film-makers point out, there is still a point to political bridge-building. The First Step Act did get passed, allowing thousands of federal prisoners to go home early. The film ends with immediately eye-watering clips of former inmates reunited with their families, months or years ahead of time. “There’s virtues in still trying to get things done and not just throwing up our hands and giving up,” said Lance. “At the end of the day, it’s people’s lives that depend on it.”
    The First Step is now available digitally in the US More

  • in

    American Ramble review: a riveting tale of the divided United States

    In spring 2021, Neil King trekked 330 miles from his Washington DC home to New York City. He passed through countryside, highways, towns and churchyards. His 25-day walk was also a journey through time. He looked at the US as it was and is and how it wishes to be seen. His resultant book is a beautifully written travelog, memoir, chronicle and history text. His prose is mellifluous, yet measured.In his college days, King drove a New York cab. At the Wall Street Journal, his remit included politics, terror and foreign affairs. He did a stint as global economics editor. One might expect him to be jaded. Fortunately, he is not. American Ramble helps make the past come alive.In Lancaster, Pennsylvania, King stops at the home of James Buchanan, the bachelor president from 1857 to 1861, who sympathized with the south and loathed abolition. Ending slavery could wait. Of the supreme court’s infamous Dred Scott decision, Buchanan highly approved.Also in Lancaster, King visits a townhouse once owned by Thaddeus Stevens, the 19th-century Republican congressman and radical abolitionist. At the start of the civil war, Abraham Lincoln, the first Republican president, viewed the conflict as the vehicle for preserving the Union. He opposed slavery but opposed secession more. For Stevens, slavery was an evil that demanded eradication.Elsewhere in Pennsylvania, King describes how the ancestors of one town greeted Confederate troops as heroes while another just 20 miles away viewed them as a scourge. Forks in the road are everywhere.King pays homage to the underground railroad, describing how the Mason-Dixon Line, the demarcation between north and south, free state and slave, came into being. Astronomy and borders had a lot to do with it. All of this emerges from the scenery and places King passes on his way.Imagining George Washington’s crossing of the Delaware, he delivers a lesson on how such rivers came to be named. Names affixed to bodies of water by Indigenous peoples gave way to Dutch pronunciation, then anglicization. The Delaware, however, derived its moniker from Lord De La Warr, a “dubious aristocrat” otherwise known as Thomas West.Yet joy and wonder suffuse King’s tale. He smiles on the maker’s handiwork, uneven as it is. American Ramble depicts a stirring sunset and nightfall through the roof-window of a Quaker meeting house. Quiet stands at the heart of the experience. The here and now is loud and messy, but King ably conveys the silent majesty of the moment. The Bible recounts the Deity’s meeting with the prophet Elijah. He was not in the wind, a fire or an earthquake. Rather, He resided in a whisper.King recalls an earlier time in a Buddhist monastery. Warned that surrounding scenery would detract from solitude and commitment, he nevertheless succumbed. King is nothing if not curious.The quotidian counts too. He pops cold beers, downs pizzas and snarfs chicken parmesan. A wanderer needs sustenance. He is grateful for the day following the night. Predictability is miraculous, at times invaluable.King is a cancer survivor and a pilgrim. He is a husband and father, son and brother. Life’s fragility and randomness have left their mark. His malady is in remission but he moves like a man unknowing how long good fortune will last. His voice is a croak, a casualty of Lyme disease. He is restless. Life’s clock runs. He writes of how his brother Kevin lost his battle with a brain tumor.King puts his head and heart on the page. His life story helps drive the narrative, a mixture of the personal, political and pastoral. But it is not only about him. He meets strangers who become friends, of a sort. At times, people treat him as an oddity – or simply an unwanted presence. More frequently, they are open if not welcoming. As his walk continues, word gets out. Minor celebrity results.The author is awed by generosity, depravation and the world. He is moved by a homeless woman and her daughter. Traversing the New Jersey Turnpike presents a near-insurmountable challenge. A mother and son offer him a kayak to paddle beneath the traffic. He accepts.A Colorado native, King is at home in the outdoors. Nature is wondrous and sometimes disturbing. Rough waters complicate his passages. He studies heaps on a landfill. He meets a New Jerseyan with pickup truck adorned by Maga flags. The gentleman bestows beer, snacks and jokes. King divides the universe into “anywheres” and “somewheres”. He puts himself in the first camp and finds placed-ness all around.American Ramble captures the religious and demographic topography that marks the mid-Atlantic and north-eastern US. Here, dissenters, Anabaptists, German pietists, Presbyterians and Catholics first landed. King pays homage to their pieces of turf. His reductionism is gentle. He appreciates the legacy of what came before him. Landscapes change, human nature less so, even as it remains unpredictable.“When I crossed the Delaware two days before,” he writes, “I had entered what I later came to call Presbyteriana, a genteel and horsey patch settled by Presbyterians and Quakers.” Princeton University stands at its heart.E pluribus unum was tough to pull off when the settlers came. It may even be tougher now. King quotes Nick Rizzo, a denizen of Staten Island, New York City’s Trumpy outer borough: “We are losing our ability to forge any unity at all from these United States.”Rizzo joined King along the way. In the Canterbury Tales, April stands as the height of spring. It was prime time for religious pilgrimages, “what with Chaucer and all, and it being April”, Rizzo explains.“Strangers rose to the occasion to provide invaluable moments,” King writes. Amen.
    American Ramble: A Walk of Memory and Renewal is published in the US by HarperCollins More