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      Seth Meyers on Trump’s Tesla photo-op: ‘This is how oligarchy works’

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      Late-night hosts talked Donald Trump marketing Elon Musk’s Tesla cars with taxpayer money and how Trump’s tariffs are sinking the US economy.Seth MeyersThe one silver lining of the economic downturn since Trump took office, according to Seth Meyers, is that Tesla shares are plummeting too. Musk’s car company is now worth half of what it was at its mid-December peak.On Tuesday, Trump intervened to pump up Tesla’s stock price by doing a promo for the company with taxpayer money. He transformed the south lawn of the White House into a Tesla car lot, looking to “buy” a new car with Musk himself. Asked by reporters if he would pay with a credit card, Trump said he was “old-fashioned” and preferred checks.“So fun to see the crypto president just fully admit he’s still a check guy,” the Late Night host laughed.Trump also climbed into a Tesla with Musk and exclaimed: “That’s beautiful! This is a different pedal … everything is computer!”“You know, I give the man a hard time, but then he says something that really puts something into perspective,” Meyers joked. “Because when you really think about it, everything’s computers.”Musk then had to explain to Trump that driving a car is like “driving a golf cart … it’s like a golf cart that goes really fast.”“A car is a golf cart that goes really fast. I mean, is that how they have to explain things to Trump in the Situation Room?” Meyers wondered.What is Trump getting out of the photo-op? Musk already spent nearly $300m on the 2024 election and has reportedly promised to funnel another $100m directly into political entities controlled by Trump. “And it says everything about Trump that his reaction to that is: ‘Thank you for that, in exchange, I’ll buy one Tesla,’” said Meyers.“This is how oligarchy works,” he added. “If you’re favored by the regime, you get an infomercial paid for by taxpayers.“But you say something the regime doesn’t like, you get disappeared in the middle of the night without any due process or even an accusation of a crime,” he added, pointing to the story of Mahmoud Khalil, a Columbia graduate student and leader of pro-Palestinian protests who was arrested by immigration agents, claiming his student visa was revoked, even though he is a legal permanent resident.Stephen ColbertOn the Late Show, Stephen Colbert lamented the economy’s “toboggan ride to skid row” because of Trump’s tariffs. “But today, Trump implemented a plan to quell fear of tariffs with more tariffs. Remember, you’ve got to fight fire with setting our money on fire,” he joked.Trump’s sweeping tariffs on foreign steel and aluminum went into effect on Wednesday, “Of course, these tariffs, like any tariffs, are a tax that we pay on the stuff that we buy,” Colbert explained, noting that the price of a new car could increase as much as $12,000. “So from now on, teenagers are going to have to try to get to third base in the backseat of a bike.”To quell outrage – even the Rupert Murdoch-owned Wall Street Journal called the tariffs “the dumbest in history” – Trump sent his commerce secretary, Howard Lutnick, to make the rounds on the news. Asked by a CBS journalist if he thought the tariffs would still be worth it if they led to a recession, Lutnick answered: “These policies are the most important thing America has ever had.”“Yes, these tariffs are THE most important thing America has ever had,” Colbert deadpanned. “More important than the Declaration of Independence, more important than landing on the moon, more important than making the taco shell out of the Dorito.”He added: “You know someone is lying when they use that big of a superlative about anything.”Jimmy KimmelAnd in Los Angeles, Jimmy Kimmel also checked in on a dire state of affairs. “The prices Trump said he would lower on day one are still high, our eggs have the flu and half the Department of Education is about to get laid off,” he said.Those Department of Education employees are now at the whims of Linda McMahon, education secretary and wife of the WWE founder, Vince McMahon. “Could you imagine getting fired by the wife of the disgraced wrestling meathead? Don’t let the folding chair hit you on the way out,” Kimmel said.“Here’s a math problem: if the Department of Education has 4,000 employees, and the president cuts 50% of the workforce, how many edibles do I need to get through the next four years?”As for Trump, “he’s Thanos-ed the Department of Education,” Kimmel concluded. “Goodbye half the Department of Education. Goodbye half the National Park Service. Goodbye half of our allies, goodbye half of your 401(k). They all disappeared, and they’re not coming back.” More

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      US arts funding agency sued over Trump order targeting LGBTQ+ projects

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      Several arts organizations are suing the National Endowment for the Arts (NEA) over its new requirements following Donald Trump’s executive order barring the use of federal funds for the promotion of “gender ideology”.The groups, which are seeking funding for projects that support art about or are made by transgender and non-binary people, say they have in effect been unconstitutionally blocked from receiving grants from the agency that was built to promote artistic excellence, despite having received funds for similar projects in the past.“Because they seek to affirm transgender and non-binary identities and experiences in the projects for which they seek funding, plaintiffs are effectively barred by the ‘gender ideology’ certification and prohibition from receiving NEA grants on artistic merit and excellence grounds,” says the lawsuit, filed on Thursday.It goes on to say that the NEA’s gender ideology prohibition goes against the agency’s governing statute and “violates the first and fifth amendments by imposing a vague and viewpoint-based restriction on artists’ speech”.The lawsuit argues that Congress had already made clear when creating the NEA that the only criteria for judging applications were “artistic excellence and artistic merit”.The groups are being represented in the litigation by the American Civil Liberties Union (ACLU).“This gag on artists’ speech has had a ripple effect across the entire art world, from Broadway to community arts centers,” Vera Eidelman, senior staff attorney at the ACLU, said in a statement. “Grants from the NEA are supposed to be about one thing: artistic excellence.During his first day in office, Trump issued an executive order directing that federal funds “shall not be used to promote gender ideology”. The order is titled “Defending Women from Gender Ideology Extremism and Restoring Biological Truth to the Federal Government”.The Trump administration’s rollbacks of LGBTQ+ rights have since greatly affected the arts world. Last month, Trump named himself the chair of the John F Kennedy Center for the Performing Arts in Washington DC after accusing it of hosting drag shows that are “specifically targeting our youth”. More

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      Stephen Colbert on Trump-Zelenskyy meeting: ‘Embarrassing, chilling and confusing’

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      Late-night hosts recap Donald Trump’s shocking rebuke of the Ukrainian president, Volodymyr Zelenskyy, during a disastrous White House press conference.Stephen ColbertStephen Colbert braced himself on Monday to recap Friday’s chaotic White House meeting between Trump, JD Vance and Zelenskyy that devolved into a shouting match between the two world leaders, with Trump as the aggressor, blaming Zelenskyy for continuing Russia’s war in his country.“In just 10 minutes, Donald Trump reversed 80 years of postwar US foreign policy,” the Late Show host explained. “A mere six weeks ago, America defended democracy against autocrats and promoted free and open societies all over the world. Now, we’re on the same pickleball team with Russia. And you don’t want to know who’s pickled balls we’re playing with.“So our friends are now our enemies, our enemy is now our friend, we’re breaking up with Europe, we’re friends with Russia,” he continued. “You could argue that’s a good thing, you could argue that’s a bad thing. But what you can’t argue with is that’s the thing.”The talks, nominally to sign a deal in which Ukraine promised the US 50% of its profits from rare earth minerals, collapsed within 10 minutes. “So things were looking promising, but then everything exploded and collapsed. It’s a phenomenon political scientists refer to as the Emilia Pérez Oscar campaign,” Colbert quipped.“Zelenskyy kept reminding these numbnuts that Putin breaks every single deal he ever signs,” he added. When a reporter then asked Trump what would happen if Putin broke any deal, the president responded: “What if anything? What if a bomb drops on your head right now.“Yeah, that’s how Putin’s going to break the ceasefire,” Colbert responded. “This meeting was embarrassing, chilling and confusing.”Seth MeyersOn Late Night, Seth Meyers also tore into Vance and Trump for their handling of the Zelenskyy meeting, starting with Vance’s insistence that Zelenskyy thank Trump personally for US aid. “JD Vance sounds like a boyfriend who just got caught cheating for the third time – ‘You keep asking where I was last night, but have you said thank you once for the bracelet I got you!’” said Meyers.“For the record, Zelenskyy has said thank you many times, directly to the American people, in English, a language he speaks more fluently than Donald Trump,” he added.Meyers went on to note: “Diplomacy is good, we should try to achieve a ceasefire to stop the killing and bring peace, but it is possible – in fact, it’s necessary – to do that while also remaining clear-eyed about who the aggressor is. Who violated sovereignty and international law and human rights by starting the war in the first place.“But Trump doesn’t give a shit about any of that,” he continued. “All he cares about is self-enrichment and raw power and territorial conquest. That’s why he’s doing a solid for Russian oligarchs by letting them keep their superyachts.”Meyers also blasted Democrats for their feckless response, referring to comments from Hakeem Jeffries, the House minority leader, that “we’ll need to see some mature leadership from the Trump administration.”“What is wrong with all of you?” Meyers fumed. “You want to see some mature leadership from the Trump administration? Well, I want to see all the gold in Fort Knox. And guess what? Neither of us is getting what we fucking want!“Seriously, Democrats, show some spine,” he added. “Do you want to get primaried? Why do you guys keep acting like this is your first day on the job?”Jon StewartAnd on the Daily Show, Jon Stewart mulled an offer by Elon Musk to appear for an interview on the show, as long as it was unedited. “After thinking about his offer, I thought, you know, hey, that’s actually how the in-studio interviews normally are. It’s unedited,’” Stewart said. “So sure, we’d be delighted.”Stewart added that he would “sweeten the pot” and keep the cameras rolling for as long as Musk wanted their conversation to last. “The interview can be 15 minutes. It can be an hour. It can be two hours, whatever,” he said.Musk later appeared to renege on his offer, posting on X that “Jon Stewart is much more a propagandist than it would seem” and not “bipartisan”.“The guy who custom-made his own dark Maga hat that he wears to opine in the Oval Office with the president who he spent $270m to elect thinks I’m just too partisan,” Stewart laughed. “I’m really not sure what he thinks bipartisan means, but it’s generally not ‘I support Donald Trump and also Germany’s AFD party.’ That’s not bipartisan, that’s just the same shit.“Look, Elon, I do have some criticisms about Doge,” he continued. “I support, in general, the idea of efficiency and delivering better services to the American public in cheaper and more efficient ways. And if you want to come on and talk about it on the show, great. If you don’t want to, sure.“But can we just drop the pretense that you won’t do it because I don’t measure up to the standards of neutral discourse that you demand and display at all times? Because quite frankly, that’s bullshit.” More

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      And the loser is … politics: why was this year’s Oscars so reluctant?

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      Twenty-two years ago, the last time Adrien Brody won the Academy award for best actor, film-maker Michael Moore accepted his own Oscar for Bowling for Columbine, a documentary about America’s obsession with guns, by offering a preview of sorts of his next feature, Fahrenheit 9/11. He decried then president George W Bush as “fictitious” (alluding to his fishy, supreme court-assisted election win a year and a half earlier) and excoriated the Bush administration for sending the United States to war with Iraq – just three days earlier, in fact – for “fictitious reasons”. It was received with a mixture of applause and boos, probably the most memorable moment of the night, give or take Brody planting a kiss on Halle Berry.Two years later, when Fahrenheit 9/11 might have been similarly honored (and almost certainly would have been, as it became the highest-grossing non-music doc ever in the US, a record it still holds after two decades), Moore wasn’t on stage. Months earlier, he had decided not to submit his movie for consideration, nominally because he didn’t feel like he needed to steal focus from other, less widely seen docs, and also because he was negotiating an airing of the film on TV, which would scotch its eligibility anyway. By the time the Oscars rolled around, however, the presidential election Moore had hoped to affect with that television airing was long over; Bush won again, and maybe a documentary designed to prevent this from happening wouldn’t have seemed worth all the fuss, anyway. The administration’s worst policies were still in place, but protesting them seemed less urgent. Better to just put on a fun show.Politically speaking, this year’s 97th Academy Awards felt more like that ceremony 20 years ago: we lost; let’s forget about it. But considering that the second Trump administration is embarking upon the most destructive and illegal government purge seen in modern US history while also shifting alliances toward strongman figures overseas, it felt conspicuous that it was barely commented upon, beyond host Conan O’Brien’s joke that Anora was well-received because it featured a character actually standing up to Russians. Even this felt more like a typical (if barbed) current-events laugh than a direct rebuke of fascism, a remnant of Brien’s dutiful-late-night-monologue days.Brody, returning to the stage for his work in The Brutalist and lacking Berry to clinch (though she did find him on the red carpet for a revenge smooch), rambled on about career pitfalls, the less glamorous side of acting, and … what was he on about, exactly? Nevertheless, he shushed the encroaching orchestra for an emotional crescendo that never quite arrived. Through this record-setting speech, literally the longest in Oscar history, Brody never seemed to land on anything in particular to say; he thanked his co-stars and his partner and his parents, like most people do, but on a more roundabout path. The closest he came to making a bigger-picture statement was a sort of mealy-mouthed pro-peace, pro-tolerance lip service that’s intentionally difficult to ascribe to any particular things happening in the real world (perhaps in keeping with the ambiguities of The Brutalist, the thorny but sometimes elusive movie he won for).That’s not to put the lack of politics at the Oscars purely on Brody – or even to say that politics at the Oscars make a bit of difference beyond burnishing their self-styled reputation as an important event, and perhaps confirming some rightwingers’ perception of Hollywood as a haven for condescending far-left elites. Of course, the political makeup of Hollywood is more complicated than that; for one thing, it’s collectively about as revolutionary as the most entrenched centrist Democrats. (In New York terms: more Schumer than AOC.) But this also means that anything to the left of “We love you, Dear President Trump” will be received in certain corners as leftist rhetoric anyway. In other words, there’s nothing anyone can say – including nothing itself – that will turn the event into the “apolitical” ideal rightwingers claim to long for. As such, it was a little bit strange to see this particular time, of all times, being treated like business as usual. No one famous had anything more specific than allusions to Trump and other sources of global discord, beyond Daryl Hannah saying briefly supportive words about Ukraine in the wake of their president’s disastrous encounter with Trump’s bulldozing?Admittedly, these gestures don’t necessarily affect much, if any, change. In the past, some of them have been downright clumsy or self-important. But movies are about image-making, and at a time when so much rightwing radicalism is being passed off as normal, there were plenty of opportunities to refute that narrative, rather than just referring vaguely to “divisive” times. Though there’s something charming about Sean Baker’s single-issue campaigning on behalf of the theatrical experience, certainly an appropriate topic to address at the Academy Awards, it’s also a bit mordantly funny that the director of Anora, one of the more provocative best picture winners in recent history, has so little appetite for controversy (regardless of his much-discussed-online Twitter habits). And for those addicted to bragging about their 65-inch TVs providing a better experience than a giant movie screen, “take your kids to the movies for real” could still read as controversial anyway.View image in fullscreenPerhaps appropriately, the most political moment of the night was in Moore’s old category, best documentary feature. The Academy awarded No Other Land, a film that sounds, on paper, like an act of healing: it was made by a collective of both Palestinians and Israelis, about the friendship between a Palestinian activist and a Jewish Israeli journalist. But the movie is also about the displacement of the Palestinian people by Israel, and its pro-Palestine point of view was considered radioactive enough that (despite months of acclaim and awards) it hasn’t yet secured official US distribution, instead booking its showings through its PR handlers. The Academy, not always known for their bold choices in this category, will most assuredly bring more eyes and ears to No Other Land, more so even than the platform the film-makers received as winners on the telecast.That’s ultimately the kind of Oscar politics that can make a difference; any movie fan should know that actions do often speak louder than words (or, specifically: movies are louder, and more memorable, than most acceptance speeches). Yet it’s still possible to take something chilling away from this year’s ceremony: “politicizing” the Oscars with a speech is known as something that typically has no greater consequence than, well, more complaints about politicizing the Oscars. Yet even with the risk far lower than, say, anyone who works for the government right now, most were too cowed, or maybe too exhausted, to bother speaking up. Actions speak louder, but the silence can still be pretty deafening. More

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      Stephen Colbert on Trump’s second term: ‘The last five weeks have been shock and awful’

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      Late-night hosts took aim at Donald Trump’s disastrous start to his second term as president and looked at the rising cost of food.Stephen ColbertOn The Late Show, Stephen Colbert spoke about his expectations versus his reality of Trump’s comeback, saying that the president has done “every terrible thing I could imagine” but that “I just never imagined he’d do all of them at once.”He said: “The last five weeks have been shock and awful.” Things have got so bad, he added, that even those within the Maga-verse have been getting “buyers’ remorse”, with reports of unhappy Trump voters.Colbert said it was “kinda hard to feel a lot of sympathy” for them, though. “They ordered the turd soup then said: ‘Waiter, there’s turds in my soup’ and then they came back four years later and asked: ‘Do you still have that turd soup?’” he joked.While Trump had promised that prices would go down on day one, his supporters “still think things are too expensive”.The last few weeks have seen “Elon slice through the federal government like a drunk raccoon with a samurai sword”.Colbert moved on to the soaring price of eggs, which may still go up even further by 41%. “This year’s Easter egg hunt is going to be The Purge,” he said.Stores in New York have been selling loose eggs for those who can’t afford a full pack and customs agents have stopped at least 90 people from smuggling them into the country.Colbert said that the head of the smuggling operation is “Pablo Eggs-cobar”.Jimmy KimmelOn Jimmy Kimmel Live! the host also spoke about how bad things have quickly become under Trump, joking that he was “tired of all the winning”.He said that “no one seems to know what the hell is going on” with Elon’s ongoing “chainsaw massacre of the federal workforce”.He spoke about an email sent to federal workers asking them to share five things they accomplished last week or face job loss while also talking about Republican senators demanding a meeting with the White House chief of staff to complain about cuts.The Department of Veterans Affairs has seen 1,400 jobs cut, which is a “tricky situation for Trump” as “we know he doesn’t think much of veterans but he loves affairs”.He said that Elon had been “just about as efficient as a Cybertruck in 2in of snow”.This week has seen the far-right Republican Lauren Boebert tweet that she didn’t realise how much “distain” she had for many of these departments. “Maybe let’s not get rid of that Department of Education just yet,” Kimmel said.The Federal Aviation Administration also cancelled its major contract with Verizon to instead sign with Starlink, a company owned by Elon Musk. “Nothing shady about that at all,” he said.Giving Musk government contracts is “like putting Pac-Man in charge of fruits”.The Trump administration also claimed it would release the full list of Jeffrey Epstein’s clients and flight logs this week but instead just released “binders full of information everyone already had”, which led Kimmel to say: “Everything these people do is screwed up.”He remarked that the craziest thing is that Trump was “good friends” with Epstein, something his followers have chosen to ignore. More

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      Jimmy Kimmel on Trump: ‘Somehow, he’s managed to make everything disgusting’

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      Late-night hosts talk Donald Trump’s proposed “gold card” visas, Trump’s first cabinet meeting and confusion over who leads the so-called “department of government efficiency” (Doge).Jimmy KimmelTrump announced another disquieting idea on Wednesday – to allow foreigners to purchase new “gold card” visas for $5m apiece – and Jimmy Kimmel was not happy about it. “What a good idea – I’ve always said our immigration system should run more like the customer rewards program at a casino in Atlantic City,” he joked on Wednesday evening.“Somehow, he’s managed to make everything disgusting,” Kimmel continued. “This is basically what he does at Mar-a-Lago. He’s selling memberships to a country club, but this club is actually our country. The land of the free, and by free I mean $5m bucks.”Trump also said he would consider selling the visas to Russian oligarchs: “I know some Russian oligarchs who are very nice people, it’s possible.”“Let me tell you something: he may know oligarchs, but not as well as they know him,” Kimmel quipped.Kimmel also mocked Elon Musk, who tried to defend Doge’s slash-and-burn approach to civil servant layoffs as an organization that owned up to mistakes. During Trump’s first cabinet meeting, Musk conceded that Doge “accidentally” canceled USAid’s Ebola prevention program, but “restored it immediately”.“Oh, well, that’s fine then,” Kimmel joked. “He only canceled our Ebola prevention for a couple of days, calm down, everybody.“That’s not an excuse,” he added. “Just ask the doctor – ‘As soon as I realized I unplugged my mother’s life support to charge my iPhone, I immediately plugged it back in.’”Stephen ColbertOn Wednesday, Trump held his first full cabinet meeting of his second term, “and everybody was there”, said Stephen Colbert on The Late Show. “It was a who’s who of why them?”“As commander in chief, Trump made it immediately clear who is in charge: Elon Musk,” Colbert continued. Musk, who attended the meeting, introduced himself as “humble tech support” because “that is almost a literal description of the work that the Doge team is doing”.“Well, of course. I mean, we’ve all had that call with tech support,” Colbert mocked. “Hello? Yes, you’re computer’s frozen? Have you tried turning it off and then firing 4,000 people with an email.”Trump rambled on in nonsense fashion about Doge, somehow landing on the topic of circumcision. “That long, rambling response actually reminds me of circumcision, because somebody really should have cut that dickhead off,” Colbert quipped.While Musk is supposedly head of Doge, the White House continues to insist that he’s not in court filings and through its press secretary. Finally, on Tuesday, for reasons that remain unclear, the White House stated the agency is led by the career civil servant Amy Gleason. “Why Gleason? We don’t know for sure!” said Colbert.At the time of the announcement, Gleason was on vacation in Mexico. When reached by reporters, she declined to comment. “I am not surprised,” said Colbert. “It’s really hard to speak clearly when you’re under a bus.”The Daily ShowAnd on The Daily Show, Desi Lydic mocked Trump’s proposed “gold card” visas, which he described as “green card privileges plus”.“Oh? Green card privileges plus? See, I was still getting America with ads,” Lydic joked. “Quick question: if I’m unhappy with America, can I cancel my subscription after seven days?”According to Trump, the gold card visas will be “a route to citizenship, and wealthy people will be coming into our country by buying this card. They’ll be wealthy, and they’ll be successful and they’ll be spending a lot of money.“Did this guy just put a cover charge on America?” Lydic wondered. “It’s $5m to get in, but he’ll waive it if you bring three hot girls with you.“I mean, I guess this beats the old way of becoming a citizen? Which was to marry Donald Trump,” she added.“Now you might be thinking, wait a second, if the US is just going to put citizenship up for sale, doesn’t that mean can any monster can buy one as long as they’re rich? Well, according to Trump, yes,” she continued, pointing to Trump’s comment that he knows Russian oligarchs who are “very good people”.“Seems like Trump watched Anora, and his takeaway from that movie was ‘we need to do more to help out that rich Russian teenager. He’s so good at sex!’” Lydic joked. More

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      Culture wars: Trump’s takeover of arts is straight from the dictator playbook

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      In 1937, leaders of Germany’s Third Reich hosted two simultaneous art exhibitions in Munich. One, titled the Great German Art Exhibition, featured art viewed by the regime as appropriate and aspirational for the ideal Aryan society – orderly and triumphant, with mostly blond people in heroic poses amid pastoral German landscapes. The other showcased what Adolf Hitler and his followers deemed “degenerate art” (“Entartete Kunst”). The works, chaotically displayed and saddled with commentary disparaging “the sick brains of those who wielded the brush or pencil”, were abstract, profane, modernist and produced by the proclaimed enemies of the Reich – Jewish people, communists or those suspected of being either.The Degenerate Art exhibition, which later toured the country, opened a day after Hitler declared “merciless war” on cultural disintegration. The label applied to virtually all German modernist art, as well as anything deemed “an insult to German feeling”. The term and the dueling art exhibitions were part and parcel of Hitler’s propaganda efforts to consolidate power and bolster the regime via cultural production. The Nazis used culture as a crucial lever of control, to demean scapegoated groups, glorify the party and “make the genius of the race visible to that race”, argued the French scholar Eric Michaud in The Cult of Art in Nazi Germany. Political control and suppression of dissent were one thing; art, said Hitler’s propaganda minister, Joseph Goebbels, was “no mere peacetime amusement, but a sharp spiritual weapon for war”.Earlier this month, Donald Trump took the unprecedented step of naming himself as chair of the John F Kennedy Center for the Performing Arts in Washington DC, one of the nation’s premier cultural centers, after purging the board of Biden appointees and installing a slate of unqualified donors and loyalists. “NO MORE DRAG SHOWS, OR OTHER ANTI-AMERICAN PROPAGANDA”, the US president wrote on Truth Social. (The center hosted a nominal amount of acts with drag elements.) Days later, Trump was formally voted in by the board – “unanimously”, he noted on Truth Social in a Putin-esque flourish. “There’s no more woke in this country,” he told reporters.The move drew outcry from performers, artists and more, but still went through. The Kennedy Center’s trustees are presidential appointees, so technically it is vulnerable to such flexes of control, as are other federally supported institutions such as the National Gallery of Art, the Smithsonian Institution and DC’s consortium of national museums. Some of Trump’s cultural decrees trend ridiculous, such as an executive order calling for a “national garden of American heroes”, or the continued presence of Kid Rock. Others are more insidious – after long threatening to defund the National Endowment for the Arts during his first term, Trump has imposed restrictions on its terms, barring federal grants for projects concerning Maga’s favorite targets – diversity and “gender ideology”.View image in fullscreenWhile the takeover of the Kennedy Center may seem less dire and court less furor than, say, his dismantling of the civil service, Trump’s efforts to exert control over art typify the strategy of a dictator. Comparisons of the Trump presidency to Nazi Germany may be overdone and easily dismissed – even with Republican efforts to ban books in schools deemed “inappropriate”, among many other parallels, Maga and the Third Reich are not the same – but the new administration’s cultural decrees are very much a part of the authoritarian playbook to suppress dissent, scapegoat select groups and seize power.Pick your oppressive regime throughout time and you will find efforts to control the arts. Some of the most renowned artefacts from ancient Rome, from Virgil’s Aeneid to Trajan’s Column, were commissioned by emperors to vivify their divine right to power, celebrate military conquests and cement preferred narratives. The Stalinist regime in the 1930s Soviet Union abolished all independent artistic institutions, required cultural production to exist in absolute allegiance to the party, and systemically executed all of the country’s Ukrainian folk poets. Mao Zedong’s cultural revolution identified “old culture” as one of the four threats to be eradicated as part of his reshaping of Chinese society, which killed more than a million people. After Augusto Pinochet took over Chile in 1973, the regime arrested, tortured and exiled muralists. In her 2012 book Brazilian Art Under Dictatorship, the art historian Claudia Calirman recalls how the museum director Niomar Moniz Sodré Bittencourt hid artworks and advised artists on how to leave the country after officials from the country’s military regime entered her museum and demanded the removal of “dangerous” images – a claim not far removed from the Trump administration’s fearmongering around “gender ideology” and “threats” to children.These tactics continue in the present, carried out in some cases by Trump’s expressed allies. The same Brazilian dictatorship that overtook and blocked art exhibitions between 1968 and 1975 is today championed by the Trump ally Jair Bolsonaro, who worked during his time as president to rewrite the regime’s reputation. On his first day in office in 2019, Bolsonaro dissolved Brazil’s ministry of culture. He also halved funding for the Rouanet Law, a measure that publicly supports artists, and appointed rightwing cultural figures with little relevant experience to prominent cultural positions. In Poland, the rightwing Law and Justice party has tried to rewrite history at the second world war museum in Gdańsk and dismissed its director, Paweł Machcewicz; in recent years, Italy’s rightwing minister of culture, Alberto Bonisoli, threatened to not renew the contracts of non-Italian museum directors. Much ado was made in the western press when Cuba jailed the performance artist Danilo Maldonado for criticizing the Castro regime in 2017, or when China’s ruling party placed the renowned artist Ai Weiwei under house arrest.View image in fullscreenBut perhaps no one models what Trump aspires to be, and hopes to do, more than Hungary’s Viktor Orbán, who since his election in 2010 has rewritten the constitution, changed electoral law to favor his Fidesz party, positioned allies as heads of most media outlets and overhauled the justice system. And as part of his consolidation of power into full dictatorship, he has taken control of the country’s cultural institutions, managing their output and enshrining censorship. Starting when Fidesz first gained municipal power in 2006, the party has purged the boards of local theaters and installed Fidesz loyalists. In 2010, Orbán took over public institutions via appointment of governing bodies that could grant or withhold funds according to the organization’s willingness to heed demands. In 2013, he dismissed the artistic director of the National Theatre in Budapest, Róbert Alföldi, on account of his resistance to political interference and his sexuality, viewed as offensive by the homophobic regime.By 2019, Orbán could feasibly declare an era “of spiritual order, a kind of prevailing mood, perhaps even taste … determined by cultural trends, collective beliefs and social customs. This is the task we are now faced with: we must embed the political system in a cultural era.” His government subsequently banned funding for gender studies at universities and passed a “culture law” tying funding of theaters to their ability to “actively protect the interests of the nation’s survival, wellbeing and growth”, a censorship measure that significantly chilled the country’s art scene.Such a measure is not dissimilar, in intent and execution, from Trump’s takeover of the Kennedy Center, nor his new mandates on the National Endowment for the Arts, which has already been subject to decades’ worth of US culture wars. Those wars are heating up – if history and very recent precedent are anything to go by, then Trump and his party’s efforts to chip away at US cultural autonomy, at individual and institutional creative expression, will be one of his most corrosive and anti-democratic legacies. More

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      Stephen Colbert on Trump: ‘With this guy, every troll is a trial balloon’

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      The Late Show host delves into New York City’s congestion pricing and Bigfoot maybe becoming California’s official state cryptid.Stephen ColbertOn Thursday evening, Stephen Colbert took on a topic close to his professional home at New York’s Ed Sullivan theater: congestion pricing, a toll on most vehicles entering Manhattan’s central business district between 5am and 9pm to cut traffic and emissions.The new tax was introduced at the beginning of this year, “and it’s working”, Colbert explained, as January saw a 7.9% reduction in traffic, and the governor’s office noted that foot traffic to local businesses spiked. “Or, as the New York Times put it, ‘Ay! People are walking here!’” Colbert joked.“This seems like a good thing,” he continued, “so Donald Trump ruined it.” On Wednesday, Trump posted on Truth Social: “CONGESTION PRICING IS DEAD. Manhattan, and all of New York, is SAVED. LONG LIVE THE KING!”“Yes, the classic domain of an all-powerful king, what all kings do: regulate local toll roads,” Colbert laughed. “So the president of these United States has called himself a king. Which is the thing presidents are not supposed to do.” And then the White House social media posted an image of Trump wearing a crown.“You know he’s trolling us and we shouldn’t take the bait, but with this guy, every troll is a trial balloon. So here we go: Mr Trump, America will never bow before any king … not named Burger,” Colbert joked before donning a crown from the fast food chain.Meanwhile, New York’s governor, Kathy Hochul, did not back down on congestion pricing, tweeting simply: “The cameras will stay on.”The new model seems likely to survive the president’s attack – the federal government already approved it last year, and it cannot unilaterally terminate a program once it’s begun. “To put that in layman’s terms: we are already said yes to the dress!” Colbert explained. “Kleinfeld doesn’t get to have it back. We’re wearing it to the wedding, dancing all night in it and then saving it for our daughter, who will hate it.”In other news, “we live in truly paradigm-shattering times,” said Colbert. “Which is why I was not surprised to be shocked by how startled I was” when this week, California introduced a bill to recognize Bigfoot as the state’s official cryptid, a creature that people believe exists without proof that it does.“Well, that’s strange and unnecessary,” said Colbert. “California already has a mystical furry creature: Randy Quaid.”If the bill passes, it will open the door for other states to officially celebrate their own cryptids, such as New Mexico’s Jackalope, the New Jersey Devil, “and of course the most hideous beast of all: the New York Giuliani”, Colbert joked. More