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      The Constitution of Knowledge review: defending truth from Trump

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      Jonathan Rauch is among America’s more thoughtful and rigorously honest public intellectuals. In his new book, he addresses the rise of disinformation and its pernicious effects on democratic culture.Through an analogy to the US constitution, he posits that the “values and rules and institutions” of “liberal science” effectively serve as “a governing structure, forcing social contestation onto peaceful and productive pathways. And so I call them, collectively, the Constitution of Knowledge.”What he calls the “reality based community [is] the social network which adheres to liberal science’s rules and norms … objectivity, factuality, rationality: they live not just within individuals’ minds and practices but on the network”. This community includes not only the hard sciences but also such fields as scholarship, journalism, government and law, in a “marketplace of persuasion” driven by pursuit of truth under clear standards of objectivity.Rauch puts the Trump era at the heart of the challenge, as Trump felt no “accountability to truth”, telling reporter Lesley Stahl that he did so to “demean you all, so when you write negative stories about me, no one will believe you”.To Rauch, “Trump and his media echo chambers [lied] because their goal was to denude the public’s capacity to make any distinctions.” Thus “every truth was met not just with denial but with inversion … to convey … that the leader was the supreme authority”.The result is a crisis of democracy. As Senator Ben Sasse warned, “A republic will not work if we don’t have shared facts.” What emerges, in Rauch’s term, as “epistemic tribalism” effectively denies “the concept of objective knowledge [which] is inherently social”.There is much here and the diagnosis is superb, with clear explanations of how and why disinformation spreads. Rauch finds glimmers of hope and positive change, as digital media act “more like publishers … crafting epistemic standards and norms”. Solutions, though, involve self-regulation rather than government action. Rauch cites Twitter’s Jack Dorsey in noting “that the battle against misinformation and abusive online behavior would be won more by product design than by policy design”.True, yet Rauch admits there are “no comprehensive solutions to the disinformation threat”, instead hoping for reactions that will promote “something like a stronger immune system … less vulnerable”.Rauch is a “radical incrementalist”. Hearty praise for John Stuart Mill makes clear that he seeks solutions principally from within classical liberalism, which the analogy to a social network reinforces: individuals working as a community, not a collective. Thus he shies from using government to enforce adherence to the Constitution of Knowledge.“Cause for alarm, yes,” Rauch writes. “Cause for fatalism – no.”Surely there is a third perspective. Referring to a director of the National Institutes of Health known for rigorous science and deep faith, Rauch states that “a person who applied the Constitution of Knowledge to every daily situation would be Sherlock Holmes or Mr Spock: an otherworldly fictional character. In fact, when I compare Francis Collins’s worldview with my own, I think mine is the more impoverished. He has access to two epistemic realms; I, only one.”It shows Rauch’s generosity of spirit and intellectual integrity that he recognizes the validity and worth of other epistemic realms. They may, in fact, be a clue to solving the broader problem.Does the constitutional order contain sufficient self-correcting mechanism? Rauch’s response, in a forceful and heartfelt final chapter, is to renew engagement in defence of truth. This is right so far as it goes. Waving the white flag, or silence (as Mill, not Burke noted) enables and ensures defeat in the face of attacks on the concept of truth. It’s good that “Wikipedia figured out how to bring the Constitution of Knowledge online”, but that only works with a presumed universal acceptance of truth, a challenge in an era where a 2018 MIT study found falsehoods were 70% more likely to be retweeted than truths.One may heartily agree with Solzhenitsyn (whom Rauch quotes) that “one word of truth outweighs the world” and yet note with horror (as Rauch does) that a few powerful algorithms can overwhelm it in the heat of a tech-amplified campaign.Does individual action mean fervent defence in response to every inaccurate social media post? How to judge? (The individual rational response is generally to ignore the false post, hence the collective action issue.) And would that defence guarantee success when disinformation has destroyed trust in institutions and in the concept of truth itself?Rauch’s optimism is infectious but it may fall short. The reality-based community seems no longer to have a hold on the common mind, weakening its power in the face of organized and mechanical opposition.Shorn of an appeal to what Lincoln termed the “mystic chords of memory” – itself not subject to empirical verification – how does the reality-based community avoid consignment to the margins? If a pandemic hasn’t convinced many people of the truth of science, what will?Calling for “more truth” may not be enough when people don’t want to know the truth or cannot tell what it is. If “Trump was waging warfare against the American body politic”, why should that body not respond collectively? Lincoln’s appeal – a strong use of political savvy and rhetoric to call his hearers to something beyond ourselves – can help.That is Rauch’s challenge – and ours. One may agree with him about the progress of science and support its extension to fields of social and political science. But the very urgency of the situation demands wise prediction on whether that will be sufficient. Rauch states his case as well as possible, but repairing the breaches in the body politic may require more than he is willing to endorse.Rauch begins with Socrates (“the sense of wonder is the mark of the philosopher”) and describes continued debate towards truth in Socrates’ words: “Let us meet here again.”Indeed, and with Rauch, we will. In the meanwhile, less Mill, more Lincoln. More

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      A leaked S&M video won’t keep Zack Weiner out of politics – and nor should it | Arwa Mahdawi

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      You have to be something of a masochist to want to get into politics – and Zack Weiner is an unapologetic masochist. Last week, the 26-year-old, who is running for a place on the city council in New York, was something of a nonentity: he had zero name recognition and his campaign had raised just over $10,000 (£7,200), most of which he had donated himself.Perhaps the most notable thing about Weiner was the fact his dad is the co-creator of the kids’ TV show Dora the Explorer. But that changed when a video of a man engaged in consensual sadomasochism was posted on Twitter by an anonymous account that claimed the man was Weiner. On Saturday, the New York Post ran a story about the video, complete with salacious screengrab. Pretty soon it made international headlines.Why would anyone care about the sex life of an unknown twentysomething running for local office? Well, because a lot of people are pervs, for one thing. But the main reason the story has become so popular is because of how Weiner responded. Instead of going on the defensive, he owned it. His own campaign manager was the one who tipped off the New York Post about the video and Weiner told the paper that he is a “proud BDSMer”, who has nothing to be ashamed of.“Whoops. I didn’t want anyone to see that, but here we are,” Weiner later wrote on Twitter. “Like many young people, I have grown into a world where some of our most private moments have been documented online. While a few loud voices on Twitter might chastise me for the video, most people see the video for what it is: a distraction.”Weiner’s response to the video is almost identical to a plotline from the TV show BillionsThe frank and dignified way in which Weiner handled this episode has, quite rightly, earned him a lot of praise. It is, in many ways, a masterclass in how to respond to revenge porn.There was some speculation that the video was a publicity stunt. Releasing a sex tape of yourself in order to kickstart a political career might once have been unthinkable, but in today’s attention economy it is all too plausible. Donald Trump taught the world that any idiot can get into politics as long as you find a way to keep your name in the headlines.Then there’s the fact that Weiner’s response to the video is almost identical to a plotline from the TV show Billions. “I’m a masochist,” the character Chuck Rhoades announces in a press conference after a political rival threatens to leak pictures of him enjoying sadomasochistic sex in an attempt to derail his campaign for state attorney general for New York. Rhoades’s speech is a huge success: he goes on to win the election.So is it possible that Weiner’s campaign, inspired by Billions, might have leaked the video itself? Absolutely not, Joseph Gallagher, Weiner’s campaign manager, told me. He added, for good measure, that neither he nor Weiner, who is also an actor and screenwriter, had ever watched the TV show. The reason he flagged the video to the Post, he clarified, was in order to control the narrative and get ahead of the story. Which makes sense.Ultimately, what’s important is the fact that, as Weiner pointed out, a generation of young people who have documented every part of their lives are starting to enter politics. Revenge porn, which has already helped derail the political career of the former congresswoman Katie Hill, is going to become a common political weapon. And I suspect female politicians will have a far harder time surviving the weaponisation of their personal lives than men. More

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      Liberals want to blame rightwing 'misinformation' for our problems. Get real | Thomas Frank

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      One day in March 2015, I sat in a theater in New York City and took careful notes as a series of personages led by Hillary Clinton and Melinda Gates described the dazzling sunburst of liberation that was coming our way thanks to entrepreneurs, foundations and Silicon Valley. The presentation I remember most vividly was that of a famous TV actor who rhapsodized about the wonders of Twitter, Facebook and the rest: “No matter which platform you prefer,” she told us, “social media has given us all an extraordinary new world, where anyone, no matter their gender, can share their story across communities, continents and computer screens. A whole new world without ceilings.”Six years later and liberals can’t wait for that extraordinary new world to end. Today we know that social media is what gives you things like Donald Trump’s lying tweets, the QAnon conspiracy theory and the Capitol riot of 6 January. Social media, we now know, is a volcano of misinformation, a non-stop wallow in hatred and lies, generated for fun and profit, and these days liberal politicians are openly pleading with social media’s corporate masters to pleez clamp a ceiling on it, to stop people from sharing their false and dangerous stories.A “reality crisis” is the startling name a New York Times story recently applied to this dismal situation. An “information disorder” is the more medical-sounding label that other authorities choose to give it. Either way, the diagnosis goes, we Americans are drowning in the semiotic swirl. We have come loose from the shared material world, lost ourselves in an endless maze of foreign disinformation and rightwing conspiracy theory.In response, Joe Biden has called upon us as a nation to “defend the truth and defeat the lies”. A renowned CNN journalist advocates a “harm reduction model” to minimize “information pollution” and deliver the “rational views” that the public wants. A New York Times writer has suggested the president appoint a federal “reality czar” who would “help” the Silicon Valley platform monopolies mute the siren song of QAnon and thus usher us into a new age of sincerity.These days Democratic politicians lean on anyone with power over platforms to shut down the propaganda of the right. Former Democratic officials pen op-eds calling on us to get over free speech. Journalists fantasize about how easily and painlessly Silicon Valley might monitor and root out objectionable speech. In a recent HBO documentary on the subject, journalist after journalist can be seen rationalizing that, because social media platforms are private companies, the first amendment doesn’t apply to them … and, I suppose, neither should the American tradition of free-ranging, anything-goes political speech.In the absence of such censorship, we are told, the danger is stark. In a story about Steve Bannon’s ongoing Trumpist podcasts, for example, ProPublica informs us that “extremism experts say the rhetoric still feeds into an alternative reality that breeds anger and cynicism, which may ultimately lead to violence”.In liberal circles these days there is a palpable horror of the uncurated world, of thought spaces flourishing outside the consensus, of unauthorized voices blabbing freely in some arena where there is no moderator to whom someone might be turned in. The remedy for bad speech, we now believe, is not more speech, as per Justice Brandeis’s famous formula, but an “extremism expert” shushing the world.What an enormous task that shushing will be! American political culture is and always has been a matter of myth and idealism and selective memory. Selling, not studying, is our peculiar national talent. Hollywood, not historians, is who writes our sacred national epics. There were liars-for-hire in this country long before Roger Stone came along. Our politics has been a bath in bullshit since forever. People pitching the dumbest of ideas prosper fantastically in this country if their ideas happen to be what the ruling class would prefer to believe.“Debunking” was how the literary left used to respond to America’s Niagara of nonsense. Criticism, analysis, mockery and protest: these were our weapons. We were rational-minded skeptics, and we had a grand old time deflating creationists, faith healers, puffed-up militarists and corporate liars of every description.Censorship and blacklisting were, with important exceptions, the weapons of the puritanical right: those were their means of lashing out against rap music or suggestive plays or leftwingers who were gainfully employed.What explains the clampdown mania among liberals? The most obvious answer is because they need an excuse. Consider the history: the right has enjoyed tremendous success over the last few decades, and it is true that conservatives’ capacity for hallucinatory fake-populist appeals has helped them to succeed. But that success has also happened because the Democrats, determined to make themselves the party of the affluent and the highly educated, have allowed the right to get away with it.There have been countless times over the years where Democrats might have reappraised this dumb strategy and changed course. But again and again they chose not to, blaming their failure on everything but their glorious postindustrial vision. In 2016, for example, liberals chose to blame Russia for their loss rather than look in the mirror. On other occasions they assured one another that they had no problems with white blue-collar workers – until it became undeniable that they did, whereupon liberals chose to blame such people for rejecting them.To give up on free speech is to despair of reason itselfAnd now we cluck over a lamentable “information disorder”. The Republicans didn’t suffer the landslide defeat they deserved last November; the right is still as potent as ever; therefore Trumpist untruth is responsible for the malfunctioning public mind. Under no circumstances was it the result of the Democrats’ own lackluster performance, their refusal to reach out to the alienated millions with some kind of FDR-style vision of social solidarity.Or perhaps this new taste for censorship is an indication of Democratic healthiness. This is a party that has courted professional-managerial elites for decades, and now they have succeeded in winning them over, along with most of the wealthy areas where such people live. Liberals scold and supervise like an offended ruling class because to a certain extent that’s who they are. More and more, they represent the well-credentialed people who monitor us in the workplace, and more and more do they act like it.What all this censorship talk really is, though, is a declaration of defeat – defeat before the Biden administration has really begun. To give up on free speech is to despair of reason itself. (Misinformation, we read in the New York Times, is impervious to critical thinking.) The people simply cannot be persuaded; something more forceful is in order; they must be guided by we, the enlightened; and the first step in such a program is to shut off America’s many burbling fountains of bad takes.Let me confess: every time I read one of these stories calling on us to get over free speech or calling on Mark Zuckerberg to press that big red “mute” button on our political opponents, I feel a wave of incredulity sweep over me. Liberals believe in liberty, I tell myself. This can’t really be happening here in the USA.But, folks, it is happening. And the folly of it all is beyond belief. To say that this will give the right an issue to campaign on is almost too obvious. To point out that it will play straight into the right’s class-based grievance-fantasies requires only a little more sophistication. To say that it is a betrayal of everything we were taught liberalism stood for – a betrayal that we will spend years living down – may be too complex a thought for our punditburo to consider, but it is nevertheless true. More

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      'Talk to me': Molly Jong-Fast on podcasting in the new abnormal

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      Molly Jong-Fast has known great success as a writer but over the last year on The New Abnormal, her podcast on politics in the time of Covid, she has become both half of a crackling double act and an interviewer with a habit of making news.The double act formed with Rick Wilson, a former Republican strategist and the co-founder of the Lincoln Project who is now taking a spell off-air. The producer Jesse Cannon has stepped in but the interviews remain largely the realm of Jong-Fast.Years ago, Molly and her mother, the author Erica Jong, gave a joint interview of their own. Molly, the Guardian wrote, was “loud, arch and snappishly funny [with] the mien of a runaway train, words hurtling forth, helter-skelter.”It remains the case. Before the pandemic, she threw famous dinner parties which brought unlikely people together. Now a contributing editor for the Daily Beast, she throws politicians, scientists, policy wonks and comedians together on a podcast, a form of broadcasting well suited to pandemic life. Down the phone – or up it – from Wall Street to the Upper East Side, appropriately socially distanced, I appropriate one of her own ways to start any interview. A few introductory remarks, then …“Talk to me about that.”And she does.I had wanted to do a podcast. Everybody has a podcast. It’s a thing“As you know, as someone who lives in New York, our lockdown came fast, and it came very profoundly, and we were locked down. Actually, it was this time last year. I had just come back from [the Conservative Political Action Conference] in Washington DC. As I was coming home, I got an email that said, ‘If you were at CPAC, you may have been exposed to a super-spreader, and you need to quarantine.’ So I actually called the school nurses at all my kids’ schools and I said, ‘You guys, what I do?’“Since nobody really knew anything about the virus, they said, ‘Look, you can do whatever you want, but we would really appreciate if you would just keep your kids home for two weeks.’ I was like, ‘Absolutely. We don’t know anything.’ As someone who is not a doctor but who is completely obsessed with my own physical health in a totally deranged and neurotic way, I’m proud to say I’ve worried about every pandemic that comes. I was worried about H1N1 before.“And you could see this coming. I have friends in Milan … You saw these stories about Milan, and you knew we were a week behind or we were two weeks behind. I had a friend in London … her mother had a fancy private doctor and the fancy private doctor would send her these letters about who was going to get treatment in the hospital and who was going to be left at home to die.“So I had a sense that that stuff was coming, so I really made sure that everybody locked down way early in my house. Then I had nothing to do.“So I said, ‘Let’s start a podcast.’ I had sort of been the driver behind it because I had wanted to do a podcast. Everybody has a podcast. It’s a thing. But I’m always interested in what other people have to tell me. So … I get a lot from it.“Another thing about me is, besides being dyslexic and a horrible student, I have terrible, terrible ADHD, which has never been medicated. I don’t take medicine for it because I’m 23 years sober, so it just would be too complicated for me. And I’m a person who was, in my heyday, a terrible cocaine addict, so I would not trust myself for a minute with ADHD drugs.”I’m super ADHD, so I get very bored very easily. So we ge people and if they don’t say interesting stuff, I’m like, ‘Eh’Jong-Fast chronicled those wild years in two novels and a memoir about being the daughter of a writer who wrote a lot about sex. In the 1970s, her mum invented “the zipless fuck”. But I digress. As Jong-Fast likes to say to interviewees: “Continue.”“But I’m super ADHD, so I get very bored very easily. So we get these people, and if they don’t say interesting stuff, I’m like, ‘Eh.’ I’m like, ‘This is very boring.’ So I think that has made the pod good, because I do these interviews and I get very bored. Then I’m like, ‘Come on. Get going here, people.’”New Abnormal interviews are fascinating and often hilarious. That’s down to a mix of the ethics of podcasting, looser than for talk radio – as Cannon says, “FCC guidelines would never be able to handle what we do” – and the ethics of the Daily Beast, a New York tabloid in website form, pugilistic and intelligent, taking the fight to the man.Another Jong-Fast interview technique, very much in the vein of the podcast’s one beloved regular segment, Fuck That Guy, is to ask key questions in the bluntest way possible. Take two recent examples. To the White House Covid adviser Andy Slavitt: “Can you explain to me what’s happening with AstraZeneca, because that seems to me very much a clusterfuck.” To Ian Dunt of politics.co.uk, there to discuss Brexit: “What the fuck is wrong with your country?”What the fuck is that all about?“Well, as someone who was interviewed a lot when I was young and would sit through endless mother being interviewed, grandfather [the novelist Howard Fast, who wrote Spartacus] being interviewed, always watching, I always think that the worst questions are the questions where you tell the person what you want them to say.“Look, I get it. I write things all the time where I want people to say stuff, but you can’t really get them to say it anyway … Part of it is I always think you should make it so they’re comfortable enough to really tell you what’s going on and to let you in. Also, I think they know that I don’t have a malicious intent. I just want people to see who they are.”What they are, in many cases after a year of lockdown, is suffering.“I had Mary Trump on the pod again today,” Jong-Fast says, of the former president’s niece. “She’s a psychiatrist, so she and I always talk about mental health because I’m just a sober person, and when you’re sober you’re always in your head thinking about mental health. We were talking about how we really are in the middle of this terrible mental health crisis, and everyone is just in denial about it.”Donald Trump has left the White House. The Biden administration is flooding the zone with vaccines. But we are still in the new abnormal.“I’m always surprised no one sees that. So it’s like, ‘Well, I don’t understand why I have a terrible headache. It can’t be because hundreds of thousands of Americans have died.’ So it is weird.”‘I wish we could get more Republicans’The New Abnormal has featured Democrats – senators, representatives, candidates – and bureaucrats and technocrats too. But in both the very strange election year in which the pod was born and in the brave new world of Biden, few Republicans have followed.“I wish we could get more,” Jong-Fast says. “I think I got one Republican guy who was running for Congress, but it’s not so easy.”That was John Cowan, from Georgia, who ran against Marjorie Taylor Greene and her racially charged conspiracy theories – and lost.“Yes, and he’s going to run again. He’s a neurosurgeon. I was thrilled to get him. But they’re not so interested in coming on, even the sort of moderates.”She does the booking herself, so perhaps Congressman Adam Kinzinger or Senator Mitt Romney might one day pick up the phone to find Jong-Fast full blast.“‘You are a fucking genius. Why are you so brilliant?’ I’m very good at schnorring people into doing things for me. I’m very able to just endlessly schnorr people. I think that’s key to getting the guests.”I don’t know what schnorr means.“It means you sort of just put the arm on people to get them to come on the pod. The guests are the big thing because the people who want to come on are often not people you really want.”A lot of listeners want Wilson to return. Jong-Fast, formerly an unpaid adviser to the Lincoln Project, calls him “a very good friend” but is uncomfortable talking about his absence from the podcast – which was prompted by allegations of sexual harassment against another Lincoln Project co-founder and reporting on fundraising and internal politics.Cannon calls Wilson “one of the most politically astute people in America” and “a genius”. And he may well be back, one day, to reconstitute the double act, the Florida Republican and the Upper East Side liberal lobbing spiralling profanity at the extremity, inanity and insanity of Trumpism and life under Covid-19.But it’s not all about fighting back.“I wish there were a little bit more good-faith want for people to interact with the other side,” Jong-Fast says. “Look, there are people on the other side, like Marjorie Taylor Greene, who are not good-faith actors, and you can’t even try. But there are people like Mitt Romney who, while I don’t agree with him on a lot of things, he’s a very good-faith actor. So I think there’s a real chance.”If you’re reading, Mitt, if Molly calls … pick up the phone. More

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      Optimizing for outrage: ex-Obama digital chief urges curbs on big tech

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      [embedded content]
      A former digital strategist for Barack Obama has demanded an end to big tech’s profit-driven optimization of outrage and called for regulators to curb online disinformation and division.
      Michael Slaby – author of a new book, For All the People: Redeeming the Broken Promises of Modern Media and Reclaiming Our Civic Life – described tech giants Facebook and Google as “two gorillas” crushing the very creativity needed to combat conspiracy theories spread by former US president Donald Trump and others.
      “The systems are not broken,” Slaby, 43, told the Guardian by phone from his home in Rhinebeck, New York. “They are working exactly as they were designed for the benefit of their designers. They can be designed differently. We can express and encourage a different set of public values about the public goods that we need from our public sphere.”
      Facebook has almost 2.8 billion global monthly active users with a total of 3.3 billion using any of the company’s core products – Facebook, WhatsApp, Instagram and Messenger – on a monthly basis. Its revenue in the fourth quarter of last year was $28bn, up 33% from a year earlier, and profits climbed 53% to $11.2bn.
      But the social network founded by Mark Zuckerberg stands accused of poisoning the information well. Critics say it polarises users and allows hate speech and conspiracy theories to thrive, and that people who join extremist groups are often directed by the platform’s algorithm. The use of Facebook by Trump supporters involved in the 6 January insurrection at the US Capitol has drawn much scrutiny.
      Slaby believes Facebook and Twitter were too slow to remove Trump from their platforms. “This is where I think they hide behind arguments like the first amendment,” he said. “The first amendment is about government suppression of speech; it doesn’t have anything to do with your access to Facebook. More

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      'Like a bad joke': Al Jazeera staff bemused at rightwing US venture

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      Al Jazeera’s surprise decision to launch a digital platform for conservatives in the US has left many within the Qatar-based news organisation dumbfounded and confused, staff have told the Guardian.The network has announced the launch of Rightly, a platform that will host programmes and produce online content aimed at “audiences currently underrepresented in today’s media environment”, in this case right-of-centre Americans.It will be overseen by Scott Norvell, part of the founding team of Fox News, who said in a press release that Rightly aimed to show the wide spectrum of the American right.“American conservatism has never been monolithic,” Norvell said. “With Rightly, we are hoping to create a platform that amplifies the voices of an array of personalities that more accurately reflects the racial, cultural and generational diversity of centre-right politics in America than existing outlets.“We aim to bring new Americans, young Americans and Americans of colour together and present conservative ideas that transcend the barriers which identity politics aim to put between us,” he said.The platform’s first show, “an opinion-led interview programme”, will launch on Thursday.The announcement of the new franchise appears to fit awkwardly with a Qatar government-funded organisation that has fashioned itself as a leading international outlet of the global south and an alternative to the western media perspective on regions such as Asia, the Middle East and Africa.“So far the co-workers I’ve talked to are just dumbfounded,” said an Al Jazeera employee who asked not to be named. “They didn’t know it was coming and are confused why they would do this.”An Al Jazeera journalist based outside Qatar said the decision was a shock to staff. “It’s pretty weird,” they said. “I can’t see how it works for them.” Some Al Jazeera staff were calling the new platform Wrongly, they added.A staff member said they learned about the venture from Guardian coverage on Tuesday. “I was convinced there was some new satirical section of the Guardian I didn’t know about,” they said. “It seems like a bad joke or bad dream we’re all waiting to wake up from. Everyone is totally bemused.”Another said it was “worrying” that the network was moving from producing news – albeit from a clear perspective – to trying to promote a political agenda, citing a remark from Stephen Kent, the host of the upcoming interview programme, that he was aiming to “rebuild the right meme by meme”.“Maybe it was said in jest,” the Doha-based staff member said. “I’m going to reserve judgment until I see the show.”Al Jazeera’s Arabic network was controversial in the US in the years after the 11 September 2001 attacks on New York for regularly airing propaganda videos from al-Qaida leaders including Osama bin Laden. It launched a left-leaning American news channel in the US in 2013, but pulled funding three years later.It has remained a significant presence online with its AJ+ video network and its international channel, Al Jazeera English, remaining popular in the US.Al Jazeera English staff were among those on social media expressing bewilderment and concern over the move.Shutting down Al Jazeera was a key demand of the Gulf Arab states who launched a blockade against Qatar in 2017. Donald Trump, the US president at the time, endorsed the siege, which was finally dropped through negotiations that were clinched on 5 January this year, after it became clear Trump would not serve a second term.Tarek Cherkaoui, the author of a book about international and Arab media outlets, said the launch of the new platform may be “pure realpolitik” on the part of decision-makers in Doha after three difficult years, in which they realised they had failed to build links with the American right.“Decision-makers in Doha knew they had missed something, the coming of Donald Trump to the helm of the White House, but also the fact that [his adviser and media mogul, Steve] Bannon was one of the most prominent people shaping Trump’s worldview, and they had omitted to build bridges to any of these people,” said Cherkaoui, who is the manager of the TRT World Research Centre, part of a Turkish state-funded media outlet.There was logic in reaching out to the centre-right, he added. “They’ve found that they cannot go into the Trump heartland because it’s too hard to play there … They found that this centre-right is very unappreciated and has problems with their narrative and are finding it hard to push against the hardcore Trumpists.” More

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      'Lynching was treated as a celebratory event': Adrian Younge on the history of US racism

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      “I’m sacrificing myself to deliver a message,” says the composer, multi-instrumentalist and now podcast-maker Adrian Younge. “We aren’t aware enough of black history, nor of the integral role black people have played in building America. There is an educational sterilisation going on and it’s my duty to make people understand that history of racism – something America has pioneered.”With more than 400 years to cover since US slavery began, Younge’s project to educate the public is a vast and complex one. Yet, speaking on a video call surrounded by analogue recording equipment in his LA studio, it is a story Younge believes he has spent his life and career building up to. “This is my What’s Going On project, my record talking about why we are in the place that we are in,” he says. “It’s as if James Baldwin hooked up with Marvin Gaye to make a record produced by David Axelrod. It’s psychedelic soul but it is very professorial at the same time. There’s so many layers to it.”Indeed, there are. The resulting project comprises a 26-track album, written, played and recorded entirely by Younge, entitled The American Negro, a four-part podcast – Invisible Blackness – hosted by Younge – and a short film, again written and directed by Younge himself.Racism is a learned behaviour, one America developed through building its nation on the backs of slave labourSuch auteurship could seem somewhat egotistical but Younge – a 42-year-old musician who has made his name in collaboration with the likes of Ali Shaheed Muhammad and Kendrick Lamar – sees it as necessary. “Pre-Covid, I was travelling the world performing and I was shocked at how little people understood about racism and its history,” he says. “Racism is a learned behaviour and one America developed through building its nation on the backs of slave labour and those economic gains. America is a slavocracy: it is a nation founded on bigotry, and those principles continue today. People might think racism no longer exists because there is no longer a slave system, but they don’t realise the laws that enabled the slave system still put us in a position where we have to jump over insurmountable handicaps to just become equal.”It is an incendiary argument and one that has found an increasing foothold in historical scholarship. The writer Edward E Baptist recently argued that the expansion of slavery during the first decades of American independence was foundational in enabling the country’s modernisation, while film-makers such as Ava DuVernay have convincingly plotted the continual subjugation of African Americans through the legal and penal system.While Younge’s album puts luscious orchestral arrangements and spoken-word interludes to use in creatively unfurling the development of structural racism in the US, it is through the podcast Invisible Blackness that he most comprehensively lays out his thesis. With guests including Public Enemy’s Chuck D, the trumpeter Keyon Harrold – whose son was recently in the headlines after being falsely accused of stealing an iPhone – and Digable Planets rapper Ladybug Mecca, Younge explores how his guests’ creation of socially conscious hip-hop influenced his own understanding of inequality. He also uses his previous career as a professor of law to authoritatively detail the origins of this American “slavocracy”.“I use the phrase of the show’s title to illustrate that we all have invisible blackness, this sense of ‘otherness’ inside us, because we are all descended from the first human being in Africa,” Younge says. “It all means that we are radically equal. And I have black radicals on the podcast, like Chuck D, to find out what he had to go through to educate others about this. We’re all looking at the past to understand what’s happening now, to inform people so they can ultimately make their own opinions with all the knowledge at their disposal.”Lynching was a form of bigotry porn: it is the galvanising of a group by emotion, rather than thoughtIt is a measured approach, yet not one without moments of visceral, emotional charge. Most strikingly, the cover art for The American Negro album is a black-and-white image of Younge being lynched, in the fashion of a “lynching postcard”. “Lynching was a form of bigotry porn: it is the galvanising of a group by emotion, rather than thought, as it’s easier to act without thinking,” he says. “Lynching was a celebratory event, one where people would pay to take ‘souvenirs’ like a thumb or an eyeball and they would then send each other postcards to say: ‘I was here’. So when you look at the album cover, which represents one of these postcards, I want to highlight how we were seen as the symbols of evil in America. And viewing the image now, we symbolise the American problem of racism. I want people to have a personal experience when they see it; I want them to see me as any other person of colour that can be killed with no judicial reprisal. I want people to see that I am real and I want them to see themselves in me.”It is a powerful image, one that calls up the horrors of history while referencing its grim modern iteration: filmed police brutality against people of colour. In fact, the May 2020 police killing of Minnesotan George Floyd occurred while Younge was at the beginning of recording his album. “George Floyd’s death didn’t affect the progression of the record at all and that’s what’s sad, right?” Younge says. “It’s the same thing; before that you had Eric Garner and before that, you had so many black people dying without judicial reprisal. That is what makes the world complacent towards the treatment of black people, because it’s so commonplace.”However, the global Black Lives Matter protests sparked by Floyd’s death did augur something different. “Part of me is happy that Trump was president because, while he has inspired more bigots, his lack of reaction to these police killings and white supremacy has also launched the greatest global protest that we’ve seen regarding race. He’s removed complacency,” says Younge. “I have two daughters and I see how young people are so much more woke than they were before now. There’s 12-year-olds on TikTok explaining racism because of him.”Despite the centuries of ingrained inequality laid out in Younge’s project, is it still possible to hope for a future change? “We’re in a better place now than we have been for decades,” he says. “America has been forced to acknowledge there is a problem but there is a deferred commitment to solving it. Our governments have the power to make those changes and so they need to make it happen – and soon.”Until then, Younge is keeping occupied. “Right now, I am the busiest I’ve ever been in my life,” he says, “but I’m doing something good and so it feels good. I’m giving so much of myself because this is an ongoing fight. This project is something that people could look back on 50 years from now and still have more to say.”The podcast Invisible Blackness is available now on Amazon Music. The American Negro by Adrian Younge is out on 26 February. More

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      in US Politics

      Sounds about right: why podcasting works for Pence, Bannon and Giuliani

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      What do Steve Bannon, Rudy Giuliani, Michael Cohen, Mike Pence and Anthony Scaramucci all have in common?
      They worked for Donald Trump, obviously, and several have been implicated in alleged crimes connected to the former president, but as of this month, each of these one-time high-profile Trump acolytes also has his own podcast.
      Pence became the most recent to announce his own show this week, with the announcement that the oft-derided former vice-president will launch a podcast to “continue to attract new hearts and minds to the conservative cause”.
      Like his one-time associates, Pence will enjoy the benefits of a regulation-free platform to share his thoughts on any topic of his choosing, and similarly to Bannon et al, Pence will also be able to keep himself in the public sphere – although the dry, mild-mannered Pence is likely to differ in tone from the Bannons and Giulianis of the podcast world.
      On his War Room podcast, Bannon has called for the beheading of Anthony Fauci – something Pence is unlikely to do – while Giuliani’s Common Sense podcast has been used to further often unhinged claims of political fraud, which Pence might leave alone.
      Cohen and Scaramucci’s podcasts, which are critical of Trump, may not fit in with the Trump worshippers’ efforts, but the fact that five of Trump’s most prominent acolytes chose this format for propagating their views – over television, radio or the written word – is pretty remarkable.
      So, why podcasts? One major factor is one of the oldest in politics: money.
      “I think in part it’s because it’s an easier medium to get into than something like radio or television. The overhead costs are much much lower. If you have an avid base, and the Trump base tends to be an avid base, you can make a ton of money doing this,” Nicole Hemmer, author of Messengers of the Right: Conservative Media and the Transformation of American Politics, said.
      “So there’s a real revenue opportunity for them.”
      Bannon et al will get paid through advertising, the amount varying depending on how many downloads they get.
      “If you have audience of just 35,000 people, you can make a profitable podcast,” Hemmer said. “If you have an audience of 100,000 people, now you’re starting to talk real money, and if you’re getting millions of downloads, you can build kind of an empire.”
      Everyone likes money, but Bannon, Giuliani and Pence will also be pushing their version of conservative politics.
      Meanwhile, the very title of Cohen’s podcast, Mea Culpa, sets out his own, different goal – specifically, an earnest attempt to re-enter polite society. The aims of the notoriously self-promoting Scaramucci – his podcast is co-hosted with his wife and is called Scaramucci and the Mrs – probably include keeping himself famous.
      Podcasts give their hosts the freedom to push all those agendas to a potentially huge audience.
      Bannon, who was pardoned by Donald Trump on the former president’s last day in office, recently claimed that his podcast, Bannon’s War Room, had been streamed 29m times. Bannon is known to lie, but the architect of Trump’s “America first” policies has undoubtedly found an audience, including among those who ransacked the US Capitol on 6 January.
      “It’s all converging, and now we’re on the point of attack tomorrow. It’s going to kick off, it’s going to be very dramatic,” Bannon told his listeners on 5 January. “It’s going to be quite extraordinarily different. And all I can say is strap in. You have made this happen and tomorrow it’s game day.”
      Bannon’s podcast was banned from YouTube after the insurrection, while Giuliani has also had episodes removed, but the power of podcasting is that there is always somewhere for the series to run – both shows are still available on Apple Podcasts, on Bannon’s and Giuliani’s websites, and elsewhere.
      “You have an independence and a freedom if you have a podcast – you’re not going to get de-platformed by social media, you’re not going to get kicked off of Fox News, you’re not going to get kicked off of radio stations,” Hemmer said.
      “You have control and independence, which is a big selling point right now on the right.” More