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      Infinity culture war: what now for Trump's Hollywood supporters?

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      From actor Jon Voight to Kirstie Alley, Trump’s celebrity fans have declared war on the left – and there is little sign hostilities will end soonOn 11 November, Midnight Cowboy and Coming Home star Jon Voight posted a video on Twitter. “This is our greatest battle since the civil war,” he said, referring to the election results. “The battle of righteousness versus Satan, yes, Satan. Because these leftists are evil, corrupt and they want to tear down this nation.” Voight’s support of President Trump has been full-throated. His video messages promote conspiracy theories about the election and use violent language. Voight is typical of celebrity Maga: from Kirstie Alley to James Woods, Trump’s Hollywood supporters regularly echo the president’s own unvarnished rhetoric. But now Trump’s term is over, how long can this cultural Infinity War last?According to Dallas Sonnier, producer of such films as Dragged Across Concrete and the upcoming Run Hide Fight, “There are more pro-Trump celebrities in Hollywood than the dogmatic gatekeepers and thought police could ever possibly imagine.” In 2016, Kelsey Grammer, star of Frasier, told Desert Island Discs that being conservative in Hollywood felt like having a “target on your back”. Indeed, the same twitchiness had caused Forrest Gump actor Gary Sinise to form The Friends of Abe group in 2004 to provide conservatives with a “safe space” in Hollywood. Continue reading… More

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      Just the Job: Bill Murray biblical reading seeks to bridge US partisan divide

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      Against the backdrop of a pandemic and an acrimonious election, a group of acclaimed actors were on Sunday set to stage an online reading of an appropriate religious text: the Book of Job.Groundhog Day star Bill Murray was cast as Job, the righteous man tested by the loss of his health, home and children.Staged on Zoom, the reading was aimed at Knox county, a Republican-leaning area of Ohio, and designed to spark conversation across spiritual and political divides. The structure of a reading followed by dialogue is a fixture of Theater of War Productions, whose artistic director, Bryan Doerries, went to Kenyon College in Knox county.Theater of War held its first Job reading in Joplin, Missouri, a year after a tornado killed more than 160 there in 2011. The company has performed more than 1,700 readings worldwide, harnessing Greek drama and other resonant texts.By using Job’s story “as a vocabulary for a conversation, the hope is that we can actually engender connection, healing,” Doerries said. “People can hear each other’s truths even if they don’t agree with them.”The cast headlined by Murray featured other noted actors including Frankie Faison and David Strathairn. But Matthew Starr, mayor of the Knox county town of Mount Vernon, was cast as Job’s accuser. The Republican, a supporter of Donald Trump, said he hoped the event could lead to less shouting and more listening.“God does not say that bad things aren’t going to happen but he does tell us, when they do, we’re not alone,” Starr said. “That’s the hope for me, is that we get a chance to lean into our faith, we get a chance to lean into our neighbors, we get a chance to lean into each other, our family, a little bit more.”Knox county, a community of about 62,000, lies about an hour east of the Ohio state capital, Columbus. Most in the county work blue-collar manufacturing jobs. The county is 97% white and voted for Trump by nearly three to one. An exception is Kenyon College, a small liberal arts school outside Mount Vernon. Voters there and in the village of Gambier voted eight to one for Joe Biden.Marc Bragin, Jewish chaplain at Kenyon, said he hoped the reading would help people look beyond their differences. Pastor LJ Harry said he did not believe Knox county is as divided as other places in the US. The police chaplain and pastor at the Apostolic Church of Christ in Mount Vernon said most in the area were united in their support for Trump and for law enforcement.Harry said the biggest point of contention was over mask-wearing, with many resisting Republican governor Mike DeWine’s statewide mandate. He also likened Knox county’s need for healing to that of a patient who has left intensive care but remains in a step-down unit.Harry said the message he hoped people took from the Job reading was that “God has this in control, even though it feels like it’s out of control”.In the biblical tale, God uses Job’s losses to share broader truths about suffering. The story ends with the restoration of what was taken, and more.“Our hope is not that there’s going to be a group hug at the end of the thing,” Doerries said, “or that we’re going to resolve all our political differences, but that we can remind people of our basic humanity: what it requires to live up to basic values such as treating our neighbor as ourselves.” More

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      It was hard not to laugh at Rudy Giuliani's hair malfunction – but it's time to stop equating looks with character | Emma Beddington

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      Weren’t the pictures of Rudy Giuliani’s hair malfunction last week wonderful? I was transfixed by footage of him bug-eyed and ranting at a press conference, as dark rivulets of hair dye (or mascara, expert opinion was divided) ran down his sweaty cheeks. The incident spawned a delighted outpouring of comment and mocking tweets. He was a Scooby-Doo villain unmasked; a gargoyle, a comic-book grotesque, and it felt so apt. For critics, it was as if corruption, lies and moral turpitude were finally oozing out of him as a tarry discharge.It is the same satisfaction we feel as we dissect the brittle spun-sugar edifice of Trump’s hair, the harshly theatrical lines of his makeup (“una naranja espantosa”, a scary orange, as a White House housekeeper described it to the Washington Post) or his cack-handed panda-eye concealer habit. It is delicious when the facade cracks, especially in one so obsessed with surface. It feels like poetic justice when a man who built a gold tower, regularly comments on his daughter’s looks and mocked a disabled reporter is caught looking diminished and ridiculous.No amount of expensive vanity, it seems, can cover what is essentially rotten about these men: the ugliness keeps showing through. “If a person has ugly thoughts it begins to show on the face,” Roald Dahl wrote in The Twits. Except, of course, that is nonsense. I don’t believe for a moment that any of us actually thinks there is any correlation between looks and character. So why do we still allow and amplify this lazy trope?Years of cultural conditioning doesn’t help, I suppose. Hollywood has been conflating ugliness and moral failing since cinema began, and Shakespeare was doing it 500 years ago. The messaging is at its most intense in childhood: villains, from Disney to Harry Potter, are fat, disfigured or ugly. David Walliams has been called out for it; Dahl is infamous for it. Reading The Witches to my sons when they were small was an odd experience: they adored the story and Quentin Blake’s enchanting illustrations, but the diagram and explanation of an unmasked witch confused them – because it looked like me. I have alopecia and, like the witches, am bald beneath my wig. Was I planning to turn them into mice?Even in 2020, Anne Hathaway’s Grand High Witch in the new screen version is revealed, beneath her disguise, to be a bald monster with disfigured, claw-like hands. Weary disability campaigners were provoked into action once more on the film’s release, condemning yet another depiction of disability as evil. People with limb differences, from Paralympians to Bake Off’s Briony Williams tweeted pictures of themselves tagged #notawitch and Warner Bros was flustered into one of those weaselly not-quite apologies. The studio declared it was “deeply saddened … our depiction of the fictional characters in The Witches could upset people with disabilities”.Things are slowly changing: the British Film Institute has said it will not support films with facially scarred villains, and the campaigning group RespectAbility is dedicated to analysing shortcomings in Hollywood’s portrayal of disability and trying to shift its portrayals.From a fictional perspective, it is surely more interesting to subvert the “ugliness as evil” trope anyway. One of the best things about the Amazon’s ultra-gory, superheroes-gone-bad series The Boys is how absurdly good-looking the truly repellent baddies are, all chiselled cheekbones and dewy beauty.But this reframing needs to go further than fiction, and that is up to us. Corruption and amorality can also be high-definition glossy and ready for its closeup: think of Ivanka and Jared. The next generation of hard-right demagogues probably won’t look like Trump or Steve Bannon (another whose general aura of dissolution and decay it is terribly hard not to conflate with his repellent politics). Isn’t that actually far scarier?There are many reasons to loathe Trump and Giuliani, but a heavy hand with the retouching wand, a pale expanse of paunch spilling out of a golf shirt, or a turbo-charged bad hair day are not among them. They are rotten to the core; let’s resist the temptation to fixate on the surface. More

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      How will Joe Biden's presidency affect arts and culture in America?

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      Four years ago, as Donald Trump prepared to be sworn in as the 45th president of the United States, his incoming administration faced a serious hurdle: booking any big-name artist to perform at his inauguration. Several artists declined or pulled out of the event; whereas Barack Obama had Beyoncé, the Trump team eventually secured country artists Lee Greenwood and Toby Keith, whose rah-rah patriotism and jingoistic lyrics fit the bill for an agenda the New Yorker writer Andrea K Scott called “America First, Art Last”. The performances drew middling crowds (ones flatly denied by then White House press secretary Sean Spicer) dwarfed the following day by the Women’s March, which drew a bevy of A-list stars to protest the Maga president.The combative, mutually bitter relationship between Trump and most artists and creative organizations has only deepened since. Though the Trump administration – called a “worst-case scenario” for arts groups – has largely failed to dismantle the federal arts programs it promised to defund, the Trump White House has been largely hostile to the arts, from Hollywood stars to political comedy down to local arts programs in cities, towns and rural areas across the country. Support of the arts, broadly construed, has understandably not been at the forefront of a rancorous and bruising 2020 election, as the economic crisis and ongoing pandemic imperil everything. But with Joe Biden’s election win, however unacknowledged by the current president, it’s worth looking ahead: what would a Biden administration mean for the arts?First and foremost, handling the coronavirus pandemic which has grounded most live performances to a halt, shuttered Broadway and theaters across the country, and tipped millions into unemployment. The Covid recession is the most unequal in modern American history, ensnaring society’s most vulnerable – including all but the biggest name artists – in prolonged, stagnating financial hardship. Without coronavirus under control, most efforts to resuscitate art economies are for nil.Once in office, Biden will undoubtedly call a cease-fire on executive attempts to destroy the cornerstones of federal arts programs: the National Endowment for the Arts (NEA), long a target of the conservative culture wars since the late 1980s, and the National Endowment for the Humanities (NEH), which supply funds to programs and institutions ranging from the Met, to regional theaters, to art classes for rural preschools. More

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      Positively shocking: Trump's boasts of help from Sean Connery fall apart

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      President claimed Bond actor helped him get planning permission for Scottish resortSean Connery, James Bond actor, dies aged 90 It was less licence to kill and more dramatic licence. Donald Trump’s claim that the late Sean Connery assisted him in getting planning applications passed in Scotland fell apart quickly on Sunday when the chair of the planning committee said the James Bond star was not involved.In a series of tweets, two days prior to the US election, Trump paid tribute to Connery, saying he was “highly regarded and respected in Scotland and beyond”. It was announced on Saturday the James Bond actor had died aged 90. Continue reading… More

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      Vote your cast: who is the greatest fictional US president?

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      Remember that lurch in your stomach when you realised that Donald Trump had been elected as US president? Not to bum anyone out, but there’s a chance that it might happen again in a few days. Elections are fun and exciting, but also have the potential to end democracy as we know it. That’s why we’ve put together the next best thing: a US election comprised solely of fictional presidents from film and TV. These figures are bold, pure and tough as nails. Most importantly, they don’t exist, so they won’t plunge the world into a nightmare of war and corruption if they get elected.Listed below are the names of a bunch of fictional presidents. Eight are Democrats, eight are Republican and three are unaffiliated. We will hold primaries for each category before handing the decisions over to our voters, Hari Kondabolu and Billy Ray. Kondabolu was responsible for the 2017 doc The Problem With Apu, and co-hosts the unmissable Politically Re-Active podcast. Ray wrote and directed brilliant miniseries The Comey Rule, which dramatised FBI director James Comey’s tortuous dealings with Donald Trump. They know their stuff. They want to speak for the people. In the event of a stalemate – to mimic the electoral college system – we will step in and decide with a coin toss. Ah, democracy in action …Republican primary More

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      John Kerry: 'People want a future. The orange menace is not providing that'

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      In 2004, the Democrats’ presidential candidate, John Kerry, was on the receiving end of one of the most egregious smear campaigns in modern history. At the height of the Iraq war, the Republicans came up with a strategy to combat the glaring military mismatch between Kerry, a decorated Vietnam vet, and the incumbent George W Bush, whose record consisted of a spell in the Texas Air National Guard. They concocted the Swift Boat Veterans for Truth, a group of Vietnam vets who claimed that Kerry had lied about and exaggerated his record. The claims were later discredited, but the lies travelled around the world, and the damage was done.“It was really the first of the fake news elections,” says Kerry, speaking via Zoom from his home in Massachusetts. “Where you can take a legitimate military record, which the US navy had certified, and you can lie about it. And that’s where we are today: massive lies. We’ve had tens of thousands of lies told by the president of the United States. We’re just completely divorced from the reality of what is happening to people’s lives.”Does it still make him angry? “Yeah,” he says, “which is why I try not to think about it too much. I made the decision very shortly after that I did not want to get lost in anger.” Having seen what Al Gore went through in the 2000 election, which saw similarly questionable tactics, Kerry decided against a long court process, but now, with the 2020 election days away, he is reconsidering.“The recent machinations about voter-suppression and interference in the election have prompted me to question not litigating. Because we’re seeing it still challenging our democracy in ways that are unacceptable. I wonder if that would have changed if we’d done it.”Since he left office as President Barack Obama’s Secretary of State in January 2017, closing a five-decade political career, Kerry has kept a relatively low profile, but he has been transitioning from hard power towards soft. This is becoming a well-trodden route, with Gore making An Inconvenient Truth, and the Obamas signing a deal with Netflix in 2018. “After a long career in politics, if you’re doing it right, it’s about storytelling. It’s about having an impact on culture, and understanding what the culture is,” he says. More

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      Film-maker Alexandra Pelosi: ‘I think phones are more dangerous than guns’

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      The documentarian and daughter of the House speaker discusses her new film that looks at an angry and divided AmericaAmerica is, as the refrain goes, divided. This has been demonstrated empirically, with evidence on America’s increasing political polarization, and anecdotally, if you’ve lived in America for the past decade, and especially the last four years. Easily legible examples of a country fraying at the seams abound; American Selfie: One Nation Shoots Itself, a new documentary from Showtime, serializes some of the most prominent ones of the last year, with a retrospective of such indelible yet quickly faded images as crematory trucks in the height of pandemic New York, the Trump motorcycle rally in pandemic summer South Dakota, and a fraught border checkpoint in El Paso, Texas. Related: ‘There’s a whole war going on’: the film tracing a decade of cyber-attacks Continue reading… More