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      The protest song that’s taken America by storm hits too many false notes | Kenan Malik

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      There is mean things happening in this landOh the rich man boasts and bragsWhile the poor man goes in ragsThere is mean things happening in this landSo runs the opening verse of John Handcox’s classic 1930s song There is Mean Things Happening In This Land. Handcox was a tenant farmer and union organiser in Arkansas during the Great Depression. His family, like thousands of others, had been made destitute, crushed between the droughts that afflicted the dust bowl and the ruthlessness of east coast bankers and of the old plantation owners, the white oligarchy that had retained its power in the south after the civil war.I don’t know if Oliver Anthony knows of Handcox. A jobbing country singer from Virginia, Anthony’s video of his song Rich Men North of Richmond has gone viral over the past week, clocking up more than 20m views on YouTube, rising to the top of the streaming charts and becoming an anthem for conservatives from Marjorie Taylor Green, the reactionary Republican congresswoman from Georgia, to the rightwing political commentator Matt Walsh, all viewing Anthony as a righteous figure, whose “rawness” and “authenticity” speak to real Americans.In some ways, Rich Men North of Richmond echoes the themes of Handcox’s song, giving voice to a sense of a world divided into rich and poor, and of ordinary people as menaced by those in power. It also shows the degree to which the working-class tradition that Handcox helped forge has decayed, politically and culturally.Handcox was not simply a singer or songwriter. He was first and foremost a union activist, and it was out of his activism that his music flowed. He stood in a long line of working-class troubadours. From The Ballad of Joe Hill to This Land Is Your Land, much of what is now called the Great American Songbook emerged from grassroot struggles, songs created to organise, inspire and console. Some names in that tradition are well known – Paul Robeson or Woody Guthrie. Others, such as Ella May Wiggins, a millworker murdered by a militia during thenotorious Loray Mill strike in 1929, and Sarah Ogan Gunning, a nurse and midwife from the mining country in Kentucky, are largely lost to the collective memory.All helped create a movement in which music became a central strand in the struggle for justice and betterment. It was a tradition that, long before the civil rights movement, was committed to interracial solidarity. Not only were African Americans, such as Robeson and Handcox, an inextricable part of the working-class folk scene, but there was much cross-fertilisation across blues, gospel and folk.Handcox was an organiser for the Southern Tenant Farmers Union (STFU), helping stage a major strike of cotton pickers demanding better pay in 1935. The strike was met with ferocious violence from planters, militias and the Ku Klux Klan. The union was crushed, and Handcox, blacklisted and threatened by lynch mobs, was forced to flee, joining the thousands who had formed a great exodus out of the dust bowl, the raw horrors of which were captured in Dorothea Lange’s photographs and in John Steinbeck’s novel The Grapes of Wrath.Handcox would have understood Anthony’s lament in Rich Men North of Richmond about the precariousness of working-class life. But where he was committed to collective action and unionisation, Rich Men North of Richmond expresses individualised resentment. It is a resentment not towards bosses or the capitalist class, as in the old songs but, as has become fashionable today, towards a nebulous political elite, defined as much by its cultural alienness as by its economic power.A boss who is culturally familiar seems less threatening than a member of the cosmopolitan elite. Anthony even gives a nod towards conspiracy theories about paedophiles (“I wish politicians would look out for miners / And not just minors on an island somewhere”). It is a resentment, too, not just towards the elite but also the undeserving poor, towards benefit recipients and welfare scroungers: “Lord, we got folks in the street, ain’t got nothin’ to eat / And the obese milkin’ welfare”. For Anthony, “if you’re 5-foot-3 and you’re 300 pounds / Taxes ought not to pay for your bags of fudge rounds”. Only for some is the precariousness of life to be condemned.All this has turned the song into a conservative hymn, “the protest song of our generation”, as Walsh has described it. Most of those who laud Rich Men North of Richmond as being, in Greene’s words, “the anthem of the forgotten Americans”, have also long campaigned to deny those forgotten Americans their dues. They oppose unionisation and Medicare and abortion rights, view tax cuts for the rich as more important than support for the poor, and despise welfare payments as “money stolen”. A century ago, they would have condemned Handcox and Wiggins, Robeson and Guthrie, as treacherous “reds”, cheered on the strike-breaking militias, and probably joined them, too.It is a common theme on the right that when people take collective action to defend their interests, they are the wrong kind of workers. It is only when workers lament without resisting that their voice is deemed “authentic”. Yet, the decline of radical struggles, the neutering of labour movement organisations and the abandonment of working-class issues by many sections of the left has allowed the most grotesque of reactionaries to shamelessly pose as friends of the downtrodden.“I’ve been sellin’ my soul, workin’ all day / Overtime hours for bullshit pay.” Anthony’s plaint rings down the decades. But as long as disaffection is shaped by a politics that abases working-class hopes, and is directed as much against the undeserving poor or the culturally different as against employers and politicians who seek to crush unions and impose austerity, rich men, whether north and south of Richmond, will remain in power.“The way they’re treated is a sin, / So I’m gonna get organised”, Sarah Ogan Gunning sang in her 1937 recording I’m Goin’ to Organize, Baby Mine. It is an attitude, and a defiance, as necessary today as it was almost a century ago. More

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      Analyze This: Donald Trump’s Thoughts and Speech

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      More from our inbox:Illegal, Nah. Let’s Call It ‘Aspirational.’Biden’s RatingsDog Parks: Fun or Harmful?Together, With Music Chris W. KimTo the Editor:Re “Donald Trump’s Way of Speaking Defies All Logic,” by Michael Wolff (Opinion guest essay, Aug. 6):Mr. Wolff argues persuasively that much of what Donald Trump says can be chalked up to illogical and thus legally inconsequential blather and bluster. Except that is true only when one evaluates the former president’s pronouncements individually. Taken in their totality, they reveal themselves as the opposite of random scattershot.Virtually everything Mr. Trump has said in the aftermath of the 2020 presidential election pushes in the same direction: to try to reverse the election by every legal and — failing that — illegal means conceivable. Thus, the route to defeating Mr. Trump’s “my words are meaningless” defense is to assemble them into their coherent and sinisterly subversive whole meaning.Richard ScloveAmherst, Mass.To the Editor:Michael Wolff’s depiction of Donald Trump’s language and thinking as disordered rings true after years of hearing and reading the former president’s communications. However, Mr. Wolff’s argument that Mr. Trump’s actions regarding the 2020 election were likely unwitting and that this may mitigate his guilt in a trial brings to mind the old punchline, “I may be crazy but I’m not stupid.” That is, chaotic thinking does not preclude intention.Reports of the former president’s caution and calculation abound. He famously doesn’t use email, typically issued questionable orders to subordinates using oblique language, and tore up, even flushed, papers in a White House toilet. His speech on the Ellipse on Jan. 6 contains a number of examples of indirect language.Even if Mr. Trump’s actions in the Jan. 6 case were based on an irrational belief, is that a viable defense? If it were, it might apply to many convicted criminals who truly believed they could commit a crime and get away with it.Madeleine CrummerSanta Fe, N.M.To the Editor:Wait a minute now. Since when does a liar’s sincere belief in his own lies excuse him from committing a crime?There are legal and illegal ways to pursue a grievance. The question is not whether the accused sincerely believes he was wronged but whether he was able to distinguish right actions from wrong ones.Donald Trump chose legitimate challenges to the outcome of the 2020 election through ballot challenges and recounts. But at every turn, despite the expert opinion of many of his own advisers and loss after loss in the courts, Mr. Trump went further and pursued illegal means of reversing the vote.If after November 2020 he was not a reasonable person and unable to tell right from wrong, he should try his luck with an insanity defense.John Mark HansenChicagoThe writer is a political science professor at the University of Chicago.Illegal, Nah. Let’s Call It ‘Aspirational.’Jordan Gale for The New York TimesTo the Editor:Re “Trump Lawyer Describes the Effort to Overturn the 2020 Election as ‘Aspirational’” (news article, Aug. 7):Donald Trump’s attorney John F. Lauro has claimed that Mr. Trump’s requests to Vice President Mike Pence and Georgia’s secretary of state, Brad Raffensperger, were not illegal because they were “aspirational,” which is to say they spoke to a hope rather than a plan.In an interview on CNN he stated: “What President Trump didn’t do is direct Vice President Pence to do anything. He asked him in an aspirational way.”By the same token, I presume that if I asked someone to cooperate with me in robbing a bank, that too wouldn’t be part of a criminal conspiracy, because my request was merely “aspirational.”David P. BarashGoleta, Calif.Biden’s RatingsPresident Biden has sought to claim credit for improvements in the economy by branding the disparate elements of his agenda “Bidenomics” and by embarking on a barnstorming tour of the country.Doug Mills/The New York TimesTo the Editor:Re “Rising Tide Lifts All Boats, but So Far Not Biden’s” (news analysis, Aug. 5):President Biden’s weak approval ratings despite his administration’s accomplishments result from a combination of his age, his inability to forcefully tout his achievements, the generalized contempt for politicians of all stripes and the successful orchestrated campaign by his opponents to paint him as weak and ineffectual.Should Donald Trump win the White House next year, the country will have given credence to the adage that people get the governments they deserve. We will have brought upon ourselves whatever calamities a second Trump administration would deliver.Daniel R. MartinHartsdale, N.Y.Dog Parks: Fun or Harmful? Joohee YoonTo the Editor:Re “Dog Parks Are Great for People. Too Bad They’re Terrible for Dogs,” by Julie V. Iovine (Opinion guest essay, nytimes.com, Aug. 6):Ms. Iovine makes the unfortunate logical leap that because dog parks may be inappropriate environments for some dogs, all owners should “forgo the dog park.”For breeds like labradors (a breed that Ms. Iovine and I share affection for), dog parks can be the only place to safely or legally engage in instinctive pursuit and fetching behavior in an urban environment.We should no more prescribe an end to dog parks because some dogs do not enjoy them than we should eliminate the symphony because some people do not enjoy Mahler.Brian ErlyDenverTo the Editor:People should know about the risks related to dog parks and then decide accordingly if they feel comfortable about them. Just as with most things, from riding in airplanes to eating street food, some of us are more risk averse than others.Consider a few things: Do you have pet insurance? (Often, the other person cannot or will not pay for any vet bills if their dog injures yours.) Are your dogs more confident or nervous? Do you know the signs of anxiety and aggression in dogs? Are you willing to watch your dogs and stay with them to make sure they are safe? Is your dog a bully (a hard one to admit)?One of our dogs was attacked this year at a park, and the other dog’s guardian didn’t pay the vet bills for the stitches and follow-up visits. We still go back, but now with an air horn and an extra sense of vigilance.Katie ArthVentura, Calif.Together, With Music Illustration by The New York Times; Photographs by Jeff SevierTo the Editor:Re “This Is the Music America Needs,” by Farah Stockman (Opinion, Aug. 9):Ms. Stockman’s wonderful article reminded me of my childhood, when we came to these shores in 1938 as refugees from Nazi Germany. My father, a fine amateur violinist and an avid chamber music player, discovered a small publication that listed amateur musicians and their self-grades as to ability.This brought a diverse assortment of talented musicians, violin and cello cases in tow, to our apartment. They were young and elderly, newly arrived as well as true Yankees, Black and white, with diverse backgrounds and beliefs, all connected by the joy of making music together, playing Mozart and Haydn quartets.The after-music “Kaffee und Kuchen” (“coffee and cake”) provided by my mother encouraged conversation and discovery about each other’s lives, and a good deal of laughter and fellowship. Although small in number, these groups echoed the headline, “This (Too) Is the Music America Needs.”Rudi WolffNew York More

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      in US Politics

      Rich Men North of Richmond punches down. No surprise the right wing loves it

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      In Rich Men North of Richmond, Oliver Anthony, a bushy-bearded former North Carolina factory worker, sings passionately about working hard for “bullshit pay”.Armed with just a guitar and his powerful voice, he identifies the source of the problem: “rich men north of Richmond” – federal politicians – who “want to have total control”. The song laments homelessness – “folks in the street ain’t got nothin’ to eat” – and a national suicide crisis: “Young men are putting themselves six feet in the ground / ’Cause all this damn country does is keep on kicking them down.”So far, so resonant: the song has collected more than 12m views on YouTube alone, and on Tuesday afternoon, it sat at No 3 on Spotify’s Top 50 – USA list.But things start to feel a little less empathetic when Anthony starts complaining about “the obese milking welfare”, reasoning that “if you’re 5-foot-3 and you’re 300 pounds / Taxes ought not to pay for your bags of fudge rounds”. We can all agree that politicians have caused many of America’s problems; it’s harder to argue that our country is being destroyed by short, overweight chocolate enthusiasts. He also rails against taxation, which he says means “your dollar ain’t shit”.The supposed welfare abuse sounds like a rightwing talking point, and Anthony doesn’t appear to have considered that the nefarious fudge rounds might be feeding the very people he mentioned with nothing to eat. But Anthony claims to “sit pretty dead center” when it comes to politics, according to a video filmed in his car the day before the video was released. “I remember as a kid the conservatives wanting war, and me not understanding that. And I remember a lot of the controversies when the left took office, and it seems like, you know, both sides serve the same master.”Still, a reference to politicians “looking out for minors on an island somewhere” – apparently a reference to Jeffrey Epstein’s ties to elite figures – has also prompted speculation that Anthony could be nodding to QAnon, the far-right conspiracy theory positing that Democrats and Hollywood stars are drinking the blood of children. In the car video, Anthony claims child trafficking has become “normalized”, though what he’s referring to isn’t clear.It’s no surprise, then, that the song has been an enormous hit among the loudest rightwingers: Kari Lake, former candidate for Arizona governor, calls it “the anthem of this moment in American history”. Representative Marjorie Taylor Greene calls it “the anthem of the forgotten Americans who truly support this nation and unfortunately the world”. The far-right activist Jack Posobiec can’t “even remember the last time a new song hit me like this”.The rightwing commentator Matt Walsh, meanwhile, claims the “song is raw and authentic … Everything around us is fake. A guy in the woods pouring his heart over his guitar is real.” Wait till Walsh hears about Bon Iver in 2007, or Ed Sheeran busking in a train station, or pretty much anyone at a New York open mic on a Wednesday night.Still, these politicians and provocateurs have helped Anthony rise from obscure singer-songwriter to darling of the right in record time – sparking questions over how authentically viral his rise has been.On Twitter, Jason Howerton, who advertises himself on LinkedIn as having “helped grow media companies and political influencers grow their social media footprint exponentially”, has been a major proponent of Anthony’s work, sharing the musician’s life story in a thread, offering to finance an album – which the rightwing country singer John Rich apparently agreed to produce – and announcing the musician had just joined Twitter. It does feel remarkable that Anthony decided to share his life story on YouTube a day before releasing a video that went viral.But Howerton denies any claims of astroturfing – in which powerful figures orchestrate supposed grassroots campaigns – and, as Chris Willman writes in Variety, there’s no clear evidence of it. And whether or not it was promoted by outside forces, the song has clearly struck a genuine chord with listeners. There are many unknown performers who can work wonders with just a guitar, and who are equally deserving of a platform, but there is no denying Anthony’s voice packs a punch.Compared with the likes of Donald Trump, Ron DeSantis and the rightwingers sharing his song, he also seems to have a modicum of empathy. Granted, the standards are incredibly low. But it’s difficult to imagine any of those figures offering listeners a sign-off like Anthony’s: “I hope wherever you are in the world listening to this, and whatever it is that you’re trying to do with your life, I hope that you succeed.”It would be nice if he’d apply that apparently heartfelt philosophy to his own lyrics. Winston Marshall, formerly of Mumford and Sons, compared Anthony to Bob Dylan and Woody Guthrie – but if either of them ever recorded a song mocking the poorest of the poor, it’s been lost to history. If Anthony wants to keep moving upward, he should aim his punches in the same direction. More

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      Jason Aldean’s Try That In a Small Town sums up the delusions of the right wing | Arwa Mahdawi

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      Jason Aldean is a country music star and a big fan of law and order. He loves the law so much, in fact, that he’s willing to take it into his own hands.If you come to his (imaginary) small town and disrespect a cop or engage in any sort of protest, you will regret it.Such is the theme of Aldean’s new song, Try That in a Small Town, which is all about how the singer and his pals will aggressively deal with unseemly behaviour on their turf. A sample extract: “Cuss out a cop, spit in his face … Well, try that in a small town / See how far ya make it down the road. / Around here, we take care of our own …”A little later in the song Aldean elaborates further on what might happen if lines are crossed. “Got a gun that my grandad gave me / They say one day they’re gonna round up. / Well, that shit might fly in the city, good luck.” He is, it would appear, referencing a conspiracy theory that the government is going to confiscate Americans’ guns to impose martial law.Try That in a Small Town was released in May but when the music video came out last Friday it generated immediate controversy. The video leaves little doubt as to what Aldean is trying to communicate: it intersperses footage of him singing in front of Maury county courthouse in Tennessee – the site of the lynching of a Black man, Henry Choate, in 1927 – with footage from protests, looting and civil unrest. Small towns are wholesome, the message is. Full of “good ol’ boys” who were “raised up right”. Cities, meanwhile, are hotbeds of violence … and diversity.That last bit isn’t spelled out – it’s not like Aldean yells “I’m a massive racist!” in the middle of the track – but the dog whistles are difficult to ignore. The song has been called “a modern lynching song” by detractors and the video was pulled from Country Music Television (CMT) on Monday. (While CMT has confirmed the video was taken off rotation, it hasn’t put out a statement as to why.) Fellow country star Sheryl Crow has also voiced her disapproval. “There’s nothing small-town or American about promoting violence,” Crow tweeted on Tuesday. She further noted that Aldean should know better, “having survived a mass shooting”. Crow was referencing the shooting at Las Vegas’s Route 91 Harvest festival in 2017: the deadliest mass shooting by a lone shooter in modern US history. Aldean was performing and got out unscathed. He was lucky. Sixty people were killed and 867 injured. Those people weren’t killed and injured by a Black Lives Matter protester. They were killed by Stephen Paddock, an angry white man from Iowa.Try That in a Small Town has generated a lot of criticism, but it also has fervent supporters. Including, of course, GOP lawmakers. “I am shocked by what I’m seeing in this country with people attempting to cancel this song and cancel Jason and his beliefs,” the South Dakota Republican governor, Kristi Noem, posted in a video on Twitter on Wednesday. The Tennessee house GOP leader, William Lamberth, similarly tweeted: “Loved this song since it was released and will continue to fight every day to spread small town values … Give it a listen. The woke mob will hate you for liking this song.” Sarah Huckabee Sanders, the governor of Arkansas, also didn’t miss the chance to stoke a little culture war. “The Left is now more concerned about Jason Aldean’s song calling out looters and criminals than they are about stopping looters and criminals,” she tweeted.Aldean, for his part, is furious at insinuations there is anything racist in his song about shooting outsiders who come to his little country town.“In the past 24 hours I have been accused of releasing a pro-lynching song,” Aldean tweeted on Wednesday, “and was subject to the comparison that I (direct quote) was not too pleased with the nationwide BLM protests. These references are not only meritless, but dangerous. There is not a single lyric in the song that references race or points to it – and there isn’t a single video clip that isn’t real news footage.”If Aldean isn’t trying to make a point about the Black Lives Matter protests, what is Try That in a Small Town about then? Community, apparently. “When u grow up in a small town, it’s that unspoken rule of ‘we all have each other’s backs and we look out for each other,’” Aldean wrote on Instagram when he launched the video. “It feels like somewhere along the way, that sense of community and respect has gotten lost.”Perhaps you’re wondering which quaint small town Aldean grew up in. The answer is: he didn’t. Aldean is from Macon, Georgia – a city with a population of about 153,000 people. Now he lives in Nashville, a city with a population of approximately 700,000. The small town he’s singing about is a product of his imagination.But that’s conservatives for you. Last month Nikki Haley tweeted about how much better the US used to be back in the days before marginalized people had rights. “Do you remember when you were growing up, do you remember how simple life was, how easy it felt? It was about faith, family, and country,” she tweeted.Was the past really that easy for the former South Carolina governor? By her own admission things have got a hell of a lot better for people who, like her, aren’t 100% white. “Years ago I was disqualified from a pageant because they didn’t know whether to put me in the white category or the black,” she wrote on Facebook in 2012. “I was neither. Tonight I watched my daughter get first place in her school pageant. God has an amazing way of bringing things full circle.” God also has an amazing away of depriving people like Haley of self-awareness.Aldean’s song doesn’t just epitomize manufactured rightwing nostalgia, it also encapsulates rightwing paranoia. People on the right are obsessed with the idea that big cities are violent hotbeds of crime where you risk your life every time you nip out for a pint of milk. In reality, however, big cities tend to be safer than small towns. A 2013 study by the University of Pennsylvania, for example, found the risk of death from an injury was more than 20% higher in rural small towns than in larger cities. “Cars, guns and drugs are the unholy trinity causing the majority of injury deaths in the US” one of the researchers told NBC News at the time.The pandemic, to be fair, saw a rise in violent crimes in cities. But even still, you’ve got a better chance of living a long, healthy life in a city. A 2021 US Centers for Disease Control and Prevention report on mortality data from 1999 to 2019 found people living in rural areas die at higher rates than those living in urban areas. That’s because they have less access to healthcare and are more likely to live in poverty.So what’s next for Aldean? Well, I’ve got some good news for all the Republican lawmakers screeching about how unfair it is that Aldean has been cancelled by the woke mob: he’s going to be fine. Indeed, he’s going to be more than fine. Country music (and America) has a way of opening its arms to people accused of racism and making them feel right at home. Just look at Morgan Wallen, for example. In February 2021 TMZ published a video of the musician drunkenly yelling the N-word during a conversation with a friend. He was shunned from polite society for a few months but made a rapid comeback. He won album of the year at the Academy of Country Music Awards in 2022. His song Last Night is currently in its 14th week at number one on the Billboard Hot 100. If it sticks there a little longer he’ll beat the 19-week record currently held by Lil Nas X’s Old Town Road, featuring Billy Ray Cyrus.While people on the right may be railing about Aldean being “cancelled”, the sad truth is that this will probably help his career. He’ll go on Fox News and yell about wokeness. He’ll wallow in his imagined victimhood. His song will probably be played in rallies for the next Republican nominee for president. Aldean hasn’t been cancelled or silenced – his message has been amplified. More

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      in US Politics

      God Only Knows why: when a Reagan aide took aim at the Beach Boys

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      Forty years ago, Ronald Reagan’s interior secretary, James Watt, decided to take a stand for “wholesomeness”, against undesirable elements. The Beach Boys, he announced, would be banned from the 1983 Independence Day celebrations on the National Mall.Watt, who died in May at 85, was a lightning rod of a cabinet secretary who compared environmentalists to Nazis and divided fellow citizens into ‘‘liberals and Americans”. According to him, “hard rock” bands like the Beach Boys attracted the “wrong element” – drug-using, boozing youngsters.The decision was so out-of-step with American society – the Beach Boys were not the Dead Kennedys, after all – that he ran afoul of Beach Boys fans in the corridors of power, among them Reagan, his wife Nancy Reagan and the vice-president, George HW Bush.It would be hard to think of a more quintessential American pop band than the Beach Boys, whose hits include Good Vibrations, Surfin’ USA, Fun, Fun, Fun and Wouldn’t It Be Nice.“They are what America is,” Elton John has said. “A very wonderful place.”The backdrop to this contrived culture war episode was the appearance, over the previous three years, of the Beach Boys (1980 and 1981) and the Grass Roots (1982) in front of hundreds of thousands at July 4 celebrations in Washington DC.Watt was head of the interior department, with jurisdiction over the National Park Service, which organized such events. As a Pentecostal fundamentalist who didn’t smoke or drink, he announced that he was banning rock music from Independence Day festivities. Citing “repulsive” reports in the first two years of the Reagan administration of “high drug use, high alcoholism, broken bottles, some injured people, some fights”, Watt lined up instead “patriotic, family-based entertainment” from figures including Wayne Newton, a friend and supporter of Reagan.“We’re trying to have an impact for wholesomeness,” Watt said, adding: “July 4 will be a traditional ceremony for the family and for solid, clean American lives. We’re not going to encourage drug abuse and alcoholism as was done in the past years.“… The reason for the arrests and other trouble, we concluded, was that we had the rock bands attracting the wrong element, and you couldn’t bring your family, your children, down to the Mall for a Fourth of July picnic in the great traditional sense because you’d be mugged by … the wrong element, whatever is the nice way to say it.”But as the Washington Post reported, “a ban on apple pie couldn’t have brought a stronger reaction”.A Washington talk show host linked the controversy to a major issue of the day: “I haven’t seen the phones ring over here as steadily or heard more strong comments since the Iranian hostage takeover. Our audience regards the Beach Boys as much a part of Americana as Wayne Newton.”The New York Times also referred to Iran, likening Watt to the Ayatollah Khomenei, who among his “first acts on seizing power after the Iranian revolution … ban[ned] western music because it made listeners’ brains ‘inactive and frivolous’”.In their own statement, the band said it was “unbelievable that James Watt feels that the Beach Boys attract ‘the wrong element’ … over their 20-year career, the group has participated in many events geared specifically to the very families Watt claims they turn away”.Slightly bizarrely, they added: “The Soviet Union had enough confidence in the Beach Boys to invite them to perform in Leningrad [on] July 4 1978. Obviously the Soviet Union, a much more controlled society than our own, did not feel the group attracted the wrong element.”On Capitol Hill, scorn was bipartisan.“‘Help me, Ronald, don’t let him run wild,” said George Miller, a Democratic congressman from California, spoofing the Beach Boys song Help Me, Rhonda.“The Beach Boys are not hazardous to your health,” said Bob Dole, the Kansas Republican senator.Nor was Watt backed by his bosses.“They’re my friends and I like their music,” Bush, the vice-president, said of the Beach Boys, who played a concert for him during his 1980 presidential run.Michael Deaver, the White House deputy chief of staff, said:“I think for a lot of people the Beach Boys are an American institution. Anyone who thinks they are hard rock would think Mantovani plays jazz.”A White House spokesman told reporters the Beach Boys would “be welcome on the Mall”.Reagan had a little fun at Watt’s expense. Saying he had ordered his special ambassador to the Middle East “to settle the Jim Watt-Beach Boy controversy”, the president also presented Watt with a plaster foot with a bullet hole.Watt retreated. Standing on the White House lawn, holding his plaster foot, Watt said: “Obviously, I didn’t know anything to start with. The president is a friend of the Beach Boys. He likes them, and I’m sure when I get to meet them, I’ll like them.”Watt also said Nancy Reagan had told him “the Beach Boys are fans of hers, and her children have grown up with them and they’re fine, outstanding people and that there should be no intention to indicate that they cause problems, which I would agree with”.Watt said the Beach Boys would appear. But it was too late: they played Atlantic City instead.That fall, Watt resigned. The Beach Boys returned to the Mall the next July 4, attracting more than half-a-million, then played again in 1985. That year, the lead singer, Mike Love, defended Watt: “He said rock music attracts the wrong element, and that’s true. Rock groups do sing pornographic lyrics, satanic lyrics, but we’re certainly not one of those groups. We’re no more satanic than Pat Boone.”In his autobiography, Watt tried to shrug off the blame. The controversy was the work of the “liberal press”, he said.
      Frederic J Frommer is the author of several books, including You Gotta Have Heart: Washington Baseball from Walter Johnson to the 2019 World Series Champion Nationals More

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      in Elections

      The Life and Courage of Daniel Ellsberg, ‘a True American Hero’

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      More from our inbox:Setbacks in the Fight Against Maternal MortalityA Trump Victory in 2024 Would Be ‘a Dark Day for Us All’‘A Small Slice of Hope’Diversity in OrchestrasDaniel Ellsberg and his wife, Patricia. His disclosure in 1971 of the Pentagon Papers and its fallout left a stamp on history that defined the bulk of his life.Donal F. Holway/The New York TimesTo the Editor:Re “Daniel Ellsberg, 1931-2023: Whistleblower Who Unveiled U.S. Deceit in Pentagon Papers” (obituary, front page, June 17):Thank you for the excellent obituary recounting the life, career and legacy of Daniel Ellsberg.I had the pleasure and honor of meeting Mr. Ellsberg in 2010 during one of the Portland, Ore., screenings of the documentary film about him, “The Most Dangerous Man in America.”After the Q. and A., I approached him and began to thank him, but even as I was about to tell him that I was born in Saigon during the Tet offensive of 1968, I began to lose my composure and eventually broke down in front of the entire crowd.Through my tears, gasps for air and apologies, I tried to convey my gratitude for a life that might have been drastically altered if it were not for his acts of courage, which I believe helped bring about the end of U.S. involvement in Vietnam. With a patient smile, one palm gently placed on my shoulder, and the other still engaged in our handshake, he whispered his response, “Thank you.”It’s impossible to know where I would have ended up as the half-American child of a U.S. soldier if the U.S. had not gotten out of Vietnam a couple of years after the Pentagon Papers were released.Where would my mother and I have found ourselves, as well as those thousands of U.S. service personnel and millions of refugees and noncombatants whose destinies were tethered to the clandestine decisions of bureaucrats, politicians and war planners?It’s really hard to calculate, but fortunately in part because of Mr. Ellsberg, I’ll never have to do the math.Mien YockmannVancouver, Wash.To the Editor:The obituary of Daniel Ellsberg is a heroic story of courage, character and determination, when those virtues are sorely missing on the current American political scene. His efforts leaked the story of government deception and led to a Supreme Court decision in favor of a free, uncensored press, and to the Watergate crimes and the fall of President Richard Nixon.What a difference between Mr. Ellsberg’s unauthorized possession of classified documents and that of our ex-president, who did not risk his freedom for the American people, but for his vulgar self-interest.Robert S. AprilNew YorkTo the Editor:Thanks for your excellent obituary of Daniel Ellsberg. His speaking truth to power has been a powerful gift to humanity!I was a good friend of Dan’s and had the privilege of being arrested and going to jail with him for protesting nuclear weapons and the wars in Central America, Iraq and Afghanistan. He devoted his life to speaking out and acting to prevent and stop wars and the suicidal nuclear arms race.Preparing for and threatening nuclear war is unconscionable. Inspired by Dan’s life, we need to step up to the plate and work to stop this crime against humanity before it is too late. Hopefully others will be inspired by Dan’s courage to become whistleblowers and speak truth in the face of the lies and half-truths by politicians and the mass media.Thanks, Dan, for inspiring us to continue the good work you had been doing.David HartsoughSan FranciscoThe writer is a co-founder of World Beyond War and Nonviolent Peaceforce.To the Editor:As I read about Daniel Ellsberg, my first reaction was gratitude. A man willing to speak truth to power, whatever cost he might personally pay. A true American hero. One can only wish there were more like him today.Lisa DickiesonWashingtonSetbacks in the Fight Against Maternal MortalityYeabu Kargbo, 19, rests post-delivery at a rural health center in northern Sierra Leone.Photographs by Malin Fezehai for The New York TimesTo the Editor:Re “Sierra Leone Is Giving Me Hope,” by Nicholas Kristof (column, June 4):Mr. Kristof is right to highlight the achievements in improving maternal and child health and reducing extreme poverty. Too much “doom and gloom” can mask all the good we have achieved and can drive donor fatigue and complacency.Yet even as we celebrate those achievements, the combination of Covid-19, humanitarian crises, climate change and the rising cost of living have been rolling back progress. The decline in maternal deaths by an average of 2.7 percent per year between 2000 and 2015 has paused: Maternal mortality did not decline globally between 2016 and 2020.Donor aid for reproductive, maternal, newborn and child health, which shot up by 10 percent from 2016 to 2017, has been on a downward trend, with a 2.3 percent decline between 2019 and 2021.And still today, seven of every 10 maternal deaths are in Africa, and Black women in America are almost three times more likely to die in childbirth than non-Hispanic white women.We can be proud of progress earlier this century, but a series of crises has shown us how fragile that was. We need new commitments, action and strong advocacy to reverse the recent negative trends.Helen ClarkAuckland, New ZealandThe writer is a former prime minister of New Zealand and the chair of the Partnership for Maternal, Newborn and Child Health.A Trump Victory in 2024 Would Be ‘a Dark Day for Us All’ Doug Mills/The New York TimesTo the Editor:Re “Trump Allies Plan to Stifle Justice Dept.” (front page, June 16):For me, the scariest thing about the former president’s candidacy is not Donald Trump himself — there have always been demagogues in American politics. Nor is it the craven politicians who enable his anti-American views for their own gain, or even the tens of millions of Americans who fervently support these views. The scariest thing is the quiet preparation in the Republican Party to take actions based on these views if Mr. Trump becomes president again.Last time, Mr. Trump chose underlings like Jeff Sessions and William Barr — well-known figures who possessed at least a shred of honor, and who refused his most extreme demands. He won’t make that mistake if elected a second time.Mr. Trump has always brought out the worst in people, and he has bent and twisted the Republican Party into something unrecognizable. A Trump victory in 2024 would allow him similarly to twist all of America into something nightmarish. It would be a dark day for us all.Tim ShawCambridge, Mass.‘A Small Slice of Hope’A photograph taken with a prism lens of a television image of Donald Trump after his federal court arraignment. Damon Winter/The New York TimesTo the Editor:Re “I Won’t Let Trump Invade My Brain,” by David Brooks (column, June 16):It is difficult to retain a sense of optimism about the future these days when surrounded by the narcissism of our politicians, the angry voices of our fellow citizens and our decaying planet.Mr. Brooks’s column brought me some comfort and a small slice of hope that maybe there are still enough of us who believe in ethical behavior and a real commitment to the common good that there is some hope for our planet and our collective future.Chris HarringtonPortland, Ore.Diversity in OrchestrasSaul Martinez for The New York TimesTo the Editor:Re “Diversity Improves, but Not for All” (Arts, June 17):So orchestras are now eager to find more Black players? For generations, while these orchestras were using cronyistic and outright discriminatory hiring practices, Black musicians found greater meaning and commercial success in their own traditions, from the blues and jazz to soul and hip-hop.If orchestras are now truly intent on supporting Black Americans, rather than simply making their own enterprises appear more visibly inclusive, perhaps they could consider programming more Black music.Ben GivanSaratoga Springs, N.Y.The writer is an associate professor of music at Skidmore College. More

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      Harry Belafonte, singer, actor and tireless activist, dies aged 96

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      Harry Belafonte, the singer, actor and civil rights activist who broke down racial barriers, has died aged 96.As well as performing global hits such as Day-O (The Banana Boat Song), winning a Tony award for acting and appearing in numerous feature films, Belafonte spent his life fighting for a variety of causes. He bankrolled numerous 1960s initiatives to bring civil rights to Black Americans; campaigned against poverty, apartheid and Aids in Africa; and supported leftwing political figures such as Cuba’s Fidel Castro and Venezuela’s Hugo Chavez.The cause of death was congestive heart failure, his spokesman told the New York Times. Figures including the rapper Ice Cube and Mia Farrow paid tribute to Belafonte. The US news anchor Christiane Amanpour tweeted that he “inspired generations around the whole world in the struggle for non-violent resistance justice and change. We need his example now more than ever.”Bernice King, daughter of Dr Martin Luther King, shared a picture of Belafonte at her father’s funeral and said that he “showed up for my family in very compassionate ways. In fact, he paid for the babysitter for me and my siblings.” The Beninese-French musician Angélique Kidjo called Belafonte “the brightest star in every sense of that word. Your passion, love, knowledge and respect for Africa was unlimited.”Belafonte was born in 1927 in working-class Harlem, New York, and spent eight years of his childhood in his impoverished parents’ native Jamaica. He returned to New York for high school but struggled with dyslexia and dropped out in his early teens. He took odd jobs working in markets and the city’s garment district, and then signed up to the US navy aged 17 in March 1944, working as a munitions loader at a base in New Jersey.After the war ended, he worked as a janitor’s assistant, but aspired to become an actor after watching plays at New York’s American Negro Theatre (along with fellow aspiring actor Sidney Poitier). He took acting classes – where his classmates included Marlon Brando and Walter Matthau – paid for by singing folk, pop and jazz numbers at New York club gigs, where he was backed by groups whose members included Miles Davis and Charlie Parker.He released his debut album in 1954, a collection of traditional folk songs. His second album, Belafonte, was the first No 1 in the new US Billboard album chart in March 1956, but its success was outdone by his third album the following year, Calypso, featuring songs from his Jamaican heritage. It brought the feelgood calypso style to many Americans for the first time, and became the first album to sell more than a million copies in the US.The lead track was Day-O (The Banana Boat Song), a signature song for Belafonte – it spent 18 weeks in the UK singles chart, including three weeks at No 2. His version of Mary’s Boy Child was a UK chart-topper later that year, while Island in the Sun reached No 3. He released 30 studio albums, plus collaborative albums with Nana Mouskouri, Lena Horne and Miriam Makeba. The latter release won him one of his two Grammy awards; he was later awarded a lifetime achievement Grammy and the Academy’s president’s merit award.Bob Dylan’s first recording – playing harmonica – was on Belafonte’s 1962 album, Midnight Special. The previous year, Belafonte had been hired by Frank Sinatra to perform at John F Kennedy’s presidential inauguration.Belafonte maintained an acting career alongside music, winning a Tony award in 1954 for his appearance in the musical revue show, John Murray Anderson’s Almanac, and appearing in several films, most notably as one of the leads in Island in the Sun, along with James Mason, Joan Fontaine and Joan Collins, with whom he had an affair. He was twice paired with Dorothy Dandridge, in Carmen Jones and Bright Road, but he turned down a third film, an adaptation of Porgy and Bess, which he found “racially demeaning”.He later said the decision “helped fuel the rebel spirit” that was brewing in him, a spirit he parlayed into a lifetime of activism, using his newfound wealth to fund various initiatives. He was mentored by Martin Luther King Jr and Paul Robeson, and bailed King out of a Birmingham, Alabama, jail in 1963 as well as co-organising the march on Washington that culminated in King’s “I have a dream” speech. He also funded the Freedom Riders and SNCC, activists fighting unlawful segregation in the American south, and worked on voter registration drives.He later focused on a series of African initiatives. He organised the all-star charity record We Are the World, raising more than $63m for famine relief, and his 1988 album, Paradise in Gazankulu, protested against apartheid in South Africa. He was appointed a Unicef goodwill ambassador in 1987, and later campaigned to eradicate Aids from Africa.After recovering from prostate cancer in 1996, he advocated for awareness of the disease. He was a fierce proponent of leftwing politics, criticising hawkish US foreign policy, campaigning against nuclear armament, and meeting with both Castro and Chavez. At the meeting with Chavez, in 2006, he described US president George W Bush as “the greatest terrorist in the world”. He also characterised Bush’s Black secretaries of state Colin Powell and Condoleezza Rice as being like slaves who worked in their master’s house rather than in the fields, criticisms that Powell and Rice rejected.He was a frequent critic of Democrats, particularly Barack Obama, over issues including Guantanamo Bay detentions and the fight against rightwing extremism. He criticised Jay-Z and Beyoncé in 2012 for having “turned their back on social responsibility … Give me Bruce Springsteen, and now you’re talking. I really think he is Black.” Jay-Z responded: “You’re this civil rights activist and you just bigged up the white guy against me in the white media … that was just the wrong way to go about it.”He continued to take occasional acting roles. In 2018, he appeared in the Spike Lee movie BlacKkKlansman. In 2014, 12 Years a Slave director Steve McQueen announced he was working with Belafonte on a film about Paul Robeson, though it wasn’t developed.Belafonte was married three times, first to Marguerite Byrd, from 1948 to 1957, with whom he had two daughters, activist Adrienne and actor Shari. He had two further children with his second wife, Julie Robinson: actor Gina and music producer David. He and Robinson divorced after 47 years, and in 2008 he married Pamela Frank, who survives him. More

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      ‘I’m a little hard to pin down’: country star Brad Paisley becomes unlikely Ukraine advocate

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      Wearing white cowboy hat, black suit and black tie, country singer and guitar virtuoso Brad Paisley strode on stage in the East Room of the White House before a bipartisan audience.It was a Saturday night and, fittingly, he began the 40-minute set playing his hit song American Saturday Night – but with an amended lyric. “I had to change the second line because it mentioned Russia, and I don’t do that any more,” he explained.When Paisley delivered its substitute – “There’s a Ukrainian flag hanging up behind the bar” – no one applauded louder than Joe Biden in the front row.It was a moment that illustrated Paisley’s engagement with Ukraine’s fight for survival and, before a gathering of governors from blue and red states, his efforts to bridge political divides. The 50-year-old from West Virginia, a three-time Grammy winner, describes himself as hard to categorise but optimistic that America can move beyond what has been called a cold civil war.That night last month at the White House, Paisley compelled Spencer Cox, the Republican governor of Utah and an amateur musician, to join him in a duet. He also performed a new song, Same Here, marking the first anniversary of the Russian invasion of Ukraine.Speaking by phone Nashville, Tennessee, Paisley recalls: “You had most of the states represented and you had all sides. I could see it in the room: let’s not lose what this is saying because it works. Face to face, left to right, it works. That’s the thing about something like this: when you put it out there, it’s going to be uncomfortable, but that’s OK. Art can be uncomfortable. I welcome the discussion.”The commercial release of Same Here features a voiceover from the Ukrainian president, Volodymyr Zelenskiy, speaking proudly about his country and people. Paisley’s royalties for the track will be donated to the United24 crowdfunding effort to help build housing for thousands of displaced Ukrainians whose homes were destroyed in the war.He describes the song – the first from his new album, Son of the Mountains – as an expression of empathy. “It’s about anybody who longs for freedom. Around this time last year, when I was seeing all this begin to happen, I was moved by the images of people fleeing – mothers, daughters, grandmothers crossing the border, all huddled in the backseat of a car, fleeing for their lives as the husband stayed behind to fight.“It’s unlike anything I’ve seen in my lifetime. It’s unlike anything any of us have seen in our lifetimes. It just felt so helpless to watch this and be a witness to this with nothing we could do. Maybe the most exciting thing for me in having this out is the idea that this is going to help rebuild homes for people, and it’s also raising some awareness.”Zelenskiy has worked tirelessly to promote his cause and build support around the world. The former actor, comedian and screenwriter delivered a rousing speech to the US Congress in Washington and has given video addresses at the Golden Globe and Grammy awards.Paisley reflects: “It’s an amazing thing. Who would have thought? You almost can’t write the script – they did, actually, that was his TV show – but he seems to be the right man at the right time in a way that just seems divine. It’s unbelievable.”The Ukrainian president was happy to collaborate with Paisley and even had some songwriting suggestions. “When he heard it, I got word that there were a few lines that he wondered about and so we worked on those and made sure that it came off the way it did.“It’s funny how much better it is now than when we began in the sense that it’s truly remarkable to hear this voice in the middle of this conflict with a melody. He had great suggestions. I don’t know if he’s got aspirations to write songs or not.”Paisley’s public shows of support for Ukraine has drawn attacks from bots – fake, automated accounts that became notorious after Russia employed them in an effort to meddle in the 2016 presidential election.It would be no surprise to find Paisley caught in political crossfire. The perils facing country music artists who venture into the political arena were spelled out when the Dixie Chicks faced fierce blowback for their condemnation of President George W Bush’s invasion of Iraq.During the 2016 election, a survey by the trade publication Country Aircheck found that 46% of industry professionals favored Republican Donald Trump while 41% preferred Democrat Hillary Clinton. Many stars prefer to remain apolitical, which may be pragmatic considering the risk of alienating half their audience.Nashville, the home of country music, has a Democratic mayor, but is surrounded by Republican red in Tennessee. Paisley does not declare himself to be either Democrat or Republican. “The bottom line is I defy category. I definitely am one of the more confusing people that way. The minute you affiliate, ‘Here’s what I am,’ are you all those things? I’m certainly not all of those things on either side.”“I’m a little hard to pin down. There will be songs when this album comes out where a lot of liberals will go, ‘Wait a minute, you can’t say that!’ I have written an album that does not pull punches. If I believe in something or if I want to tell a story, it’s on here on this album. I have literally bled for it – I’ve cut my hand a couple of times playing the guitar. I’ve written it to the degree that I’ve really tried to scope every word all the way from the very first line to the last line of this album.“The far left may say, ‘What are you doing?’ Harlan Howard, one of our great songwriters in country music, they used to give him flak. So many of the songs were cheating songs, drinking songs. They’re like, ‘Why do you write about that so much?’ He said, ‘When people stop, so will I!” He laughs. “That’s the thing people do. If people don’t do that any more then we’ll have to write country songs about all the other things. But there are songs in here about things people do.”It would not be the first time that Paisley has faced criticism from the left. Next month marks the 10th anniversary of Accidental Racist, Paisley’s ill-fated collaboration with rapper LL Cool J.Paisley began the song with an anecdote about a Black man taking offence at his Confederate flag T-shirt, explaining: “The only thing I meant to say is I’m a Skynyrd fan” – a reference to the southern rock band that often used the flag. He went on to sing about white people are “caught between southern pride and southern blame” a century and a half after the civil war.Paisley insisted that he was trying to foster an open discussion of race relations, but critics said it was tone deaf. An analysis by Ta-Nehisi Coates in the Atlantic was headlined: “Why ‘Accidental Racist’ Is Actually Just Racist.” Demetria Irwin of the Black culture website the Grio called it “the worst song in the history of music”. Actor and comedian Patton Oswalt tweeted: “I can’t wait for Brad Paisley & LL Cool J’s next single: “Whoopsy Daisy, Holocaust, My Bad.”Did he learn lessons from the experience?“You can’t think of everything, and at some point the art you make should exist as the way you want it to exist, but if it can be better, and somebody has an opinion, you should listen to them. If it’s a valid opinion, if it’s not a bot, if it’s not some sort of strange agenda. In that sense, it’s all been a part of my journey for sure, learning from these things.”The entire nation has been on a vertiginous learning curve in the 10 years since Accidental Racist, witnessing a racial reckoning that has a reframing of American history via the 1619 Project and the removal of many Confederate statues across the south.Paisley comments: “I drove by these statues my whole life since I was 20 here in Tennessee and never really thought about them at all. Obviously I’m the wrong one to ask on whether they come down. It’s not important what I think. To me it’s about the people that feel something so deeply and feel so much hurt. Let’s talk about that.”The musician has long used his platform to advocate for causes, opening a free grocery store in Nashville with his wife, Kimberly Williams-Paisley, and donating 1m meals during the coronavirus pandemic. He visited US troops in Afghanistan and has talked with Zelenskiy about performing in Ukraine. But he rejects that idea that Same Here is a case of mixing music with politics.“To me in no way, shape or form is it a political statement. I guess I have a world leader on and it’s interesting to say something is avoiding politics when you do that. But truthfully, for me, when you boil it down, here’s what we care about: crying at weddings, having a beer together in a remote place, families and soldiers and flags and freedom and all these things.“To me, if you want to call it political, call it whatever you want to call it. But let’s talk about this. These are key things in life that make us human.” More