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      Will the January 6 report bring a second Christmas for US publishers?

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      Will the January 6 report bring a second Christmas for US publishers? Major imprints are racing to sell the committee’s work to the reading public, with help from reporters, panel members, David Remnick and even a former speechwriter to TrumpThe release of the final report of the House January 6 committee has sparked a deluge of publishing activity: seven editions of the 200,000 word document from six imprints, featuring contributions from the New Yorker editor, David Remnick, the House intelligence chair, Adam Schiff, plus six other journalists, another committee member, a former congresswoman and a former speechwriter to Donald Trump.January 6 report review: 845 pages, countless crimes, one simple truth – Trump did itRead moreThere are two reasons for this hyperactivity: the belief that the completion of the report is a significant historical event, and the conviction that here is a big chance to do well by doing good.The Mueller report sold 475,000 copies in various editions, according to NPD BookScan, so the book business is hoping it can do at least that well with the latest copy provided for free by the federal government.Harper Perennial says it is printing 250,000 copies of its version, which features a powerful introduction by Ari Melber, an MSNBC host, that reads like a smart prosecutor’s multi-part indictment. It helps that Melber’s marketing power is at least as great as his brain power. Pushing it on his nightly show, he has already gotten the book to the top of one Amazon bestseller list, long before it has reached any store.The lawyer turned TV personality does the best job of delineating the eight plots Trump and his allies pursued to try to overthrow the election, seven of which were clearly illegal or unconstitutional.“They attempted a coup,” Melber declares. “That is the most important fact about what happened.”Remnick and Jamie Raskin, like Schiff a committee member, teamed up to write an introduction and an afterword for the version being published by an imprint of Macmillan.Remnick gets straight to the heart of the matter: “Trump does little to conceal his most distinctive characteristics: his racism, misogyny, dishonesty, narcissism, incompetence, cruelty, instability, and corruption. And yet what has kept Trump afloat for so long, what has helped him evade ruin and prosecution, is perhaps his most salient quality: he is shameless.”Because so many of us have nearly lost our “ability to experience outrage”, Remnick concedes that “the prospect of engaging with this congressional inquiry … is sometimes a challenge to the spirit … And yet a citizenry that can no longer bring itself to pay attention to such an investigation or to absorb its astonishing findings risks moving even farther toward a disturbing ‘new normal’: a post-truth, post-democratic America.”Raskin sees the assault on the Capitol as the latest in a series of “systematic threats” to US democracy, including “massive voter suppression, gerrymandering of state and federal legislative districts, the use of the filibuster to block protection of voting rights, and right-wing judicial activism to undermine the Voting Rights Act”.His biggest goal is the elimination of electoral college, without any amendment to the constitution. That can be done through “the National Popular Vote Interstate Compact, an agreement among participating states that gives electoral votes to whichever presidential candidate wins the nationwide popular vote, and which has already been adopted by 15 states and the District of Columbia with 195 electoral votes, or 72% of the 270 votes needed” to put it into effect.Writing for Random House, Schiff excoriates Republicans for trying so hard to block certification of Biden’s victory even after the Capitol invasion – 147 Republicans including eight senators lodged objections early on the morning of January 7. But he is also careful to give credit to Republican witnesses who did so much to burnish the committee’s credibility.“These officials, Republicans all, not only held fast against enormous pressure from a president of their party but were willing to stand before the country and testify under oath,” Schiff writes.Schiff argues that the report is an undeniable brief for prosecution of Trump: “Bringing to justice a former president who, even now, advocates the suspension of our constitution is a perilous endeavor. Not doing so is far more dangerous.”For Skyhorse, the former congresswoman Elizabeth Holtzman, the only contributor old enough to have voted to impeach Richard Nixon, echoes Schiff on this point.“Having had to vote to impeach a president when I was in Congress, I am certain that [the January 6 committee] did not make its criminal referrals to the justice department lightly. In the same vein, the DoJ should not treat it lightly – and I hope and believe the American people will not let that happen.”The Hachette book has the largest amount of additional material, including a first-person account of the Capitol attack by a New York Times reporter, Luke Broadwater. After making it to a secure area, Broadwater found he was “much more angry” than “afraid”. So were other more conservative reporters, disgusted by senators who encouraged the myth of election theft. Broadwater recalls “one shouting to a Republican as he passed by, ‘Are you proud of yourself, Senator?’”All of these books are serious efforts to put the committee’s exhaustive findings in a larger political and historical context, including the one published by Skyhorse with an introduction by Holtzman. But Skyhorse also maintains its maverick reputation as a publisher famous for picking up books others have spurned (Woody Allen’s memoir, for example) by publishing two versions of the new report, one with Holtzman’s foreword and another featuring Darren Beattie, a former speechwriter for Trump and Steven Miller.Tony Lyons, the US publisher who picks up books ‘cancelled’ by other pressesRead moreBeattie was fired by the Trump White House after it was reported that he attended a conference with Peter Brimelow, founder of the anti-immigrant website VDare, a “white nationalist” who “regularly publishes works by white supremacists, antisemites, and others on the radical right”, according to the Southern Poverty Law Center.Beattie is horrified that the January 6 committee describes the assault on the Capitol as an outgrowth of white supremacy.“Far from serving as an objective fact-finding body, the January 6 committee functioned as such an egregiously performative, partisan kangaroo display as to make propagandists in North Korea blush,” he writes – with characteristic understatement.Beattie provides more comic relief with his approach to the alleged election fraud which is one of the main subjects of the report.“It would take us too far afield to consider the election fraud allegations in detail on the merits,” Beattie writes.Then he gives a long explanation of why no one should think Trump really believed he lost the election, just because that’s what his attorney general and so many others told him.“For all of the committee’s fixation on the term ‘Big Lie’, the committee presents precious little if any evidence that Donald Trump didn’t genuinely believe that election fraud ultimately tipped the balance against him.“… The committee’s first televised hearing repeated ad nauseam a video clip of Trump’s former attorney general Bill Barr referring to Trump’s election fraud theories as ‘bullshit’.“Apart from Barr, the committee referenced numerous Trump associates who claim to have told the former president his election fraud theories were wrong. The simple fact that some of Trump’s senior staffers may have disagreed with Trump on the election issue is hardly proof that Trump was persuaded by them, and that therefore Trump’s efforts to ‘stop the steal’ amounted to a deliberate lie and malicious attempt to prevent the legitimate and peaceful transition of power.Republican senator called Giuliani ‘walking malpractice’, January 6 report saysRead more“Barr’s additional remark that Trump was ‘completely detached from reality’ when it came to the 2020 election unwittingly undermines the committee’s suggestion that Trump was lying about the matter.”Primetime hearings sometimes reached as many 18 million viewers, a number Remnick notes was “comparable to Sunday Night Football on NBC”. In the midterm elections, many exit polls found that the preservation of democracy was a key factor in the decision of many swing voters to vote against Republicans. It seems clear the investigation bolstered American democracy in more ways than one.While a hearty minority obviously remain as far down a rabbit hole as Trump’s former speechwriter, the results of the recent election bolster my conviction that sane Americans still constitute a small majority of American voters.So, like most of the contributors to these volumes, I think there is much to be grateful for in the work of the most successful congressional investigators since the Senate Watergate committee of 50 years ago. Or, as Remnick puts it, “If you are reaching for optimism – and despair is not an option – the existence and the depth of the committee’s project represents a kind of hope. It represents an insistence on truth and democratic principle.”TopicsBooksJanuary 6 hearingsUS Capitol attackUS politicsUS CongressHouse of RepresentativesPolitics booksfeaturesReuse this content More

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      Is Murdoch tiring of Trump? Mogul’s print titles dump the ex-president

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      Is Murdoch tiring of Trump? Mogul’s print titles dump the ex-president Tabloid with long relationship with former president blasts him over Capitol attack, saying he is unworthy to be elected againRupert Murdoch, hitherto one of Donald Trump’s most loyal media messengers, appears to have turned on the former president.‘US democracy will not survive for long’: how January 6 hearings plot a roadmap to autocracyRead moreUS media circles were rocked this weekend after the New York Post issued an excoriating editorial indictment of Trump’s failure to stop the attack on the US Capitol on 6 January 2021.The editorial, in a tabloid owned by Murdoch since 1976, began: “As his followers stormed the Capitol, calling for his vice-president to be hanged, President Donald Trump sat in his private dining room, watching TV, doing nothing. For three hours, seven minutes.”Trump’s only focus, the Post said, was to block the peaceful transfer of power.“As a matter of principle, as a matter of character, Trump has proven himself unworthy to be this country’s chief executive again.”The Wall Street Journal, another Murdoch paper, issued a similar critique in which it said evidence before the House January 6 committee was a reminder that “Trump betrayed his supporters”.Trump, the Journal said, took an oath to defend the constitution and had an obligation to protect the Capitol from the mob he told to march there, knowing it was armed.“He refused. He didn’t call the military to send help. He didn’t call [Mike] Pence to check on the safety of his loyal [vice-president]. Instead he fed the mob’s anger and let the riot play out.”Trump had “shown not an iota of regret”, the Journal said, adding: “Character is revealed in a crisis, and Mr Pence passed his January 6 trial. Mr Trump utterly failed his.”The editorials were only the latest salvos from the big guns of Murdochian conservatism.“The person who owns January 6 is Donald Trump,” the Journal said in June.“Look forward!” it urged readers. “The 2024 field is rich. You have Florida governor Ron DeSantis, former secretary of state Mike Pompeo, former UN ambassador Nikki Haley … the list goes on. All candidates who embrace conservative policies … Unsubscribe from Trump’s daily emails begging for money. Then pick your favorite from a new crop of conservatives. Look to 2022, and 2024, and a new era. Let’s make America sane again.”Columnists issued similar calls.“Let go of the anvil that, in the most buoyant waters imaginable, will sink you to the bottom of the sea,” Peggy Noonan wrote in the Journal.In the Post, Michael Goodwin said Trump’s “old feuds and grievances already sound stale and by 2024 they are not likely to inspire the hope and confidence America desperately needs”.Last year, Murdoch himself said conservatives must play an active role in political debate, “but that will not happen if President Trump stays focused on the past”.There are also signs that Murdoch’s most powerful media property, Fox News, is beginning to change its stance. On Friday, Fox News elected not to broadcast a Trump rally in Arizona during which a state endorsement met with boos. Instead, Fox News broadcast an interview with DeSantis.Observers believe Murdoch, 91, may be tiring of Trump’s lie that the 2020 election was stolen, which has both kept Trump in the spotlight and denied him the ceremonial status usually extended to ex-presidents.Murdoch outlets have faced legal repercussions for repeating Trump’s lie. A judge in Delaware recently said Fox Corp could be sued by Dominion Voting Systems for broadcasting conspiracy theories related to the 2020 election.Rupert Murdoch and his son Lachlan are named in the $1.6bn suit, for allegedly acting with “actual malice” in allowing Fox News to broadcast claims the election was rigged. The judge, Eric Davis, cited reports that the elder Murdoch privately said Trump lost the election.Fox News says it is “confident we will prevail as freedom of the press is foundational to our democracy and must be protected, in addition to the damages claims being outrageous, unsupported and not rooted in sound financial analysis, serving as nothing more than a flagrant attempt to deter our journalists from doing their jobs.”A friendship of convenienceThe relationship between Murdoch and Trump has long been regarded as one of convenience. Thirty years ago, Trump often used the New York Post in his divorce battle with Ivana Trump, his first wife who died this month. As described by the Trump ally Roger Stone, to the New York Times, Trump considered the Page Six column “very important to his rising stature in New York City and branding efforts”.But a year before Trump was elected, in 2015, the Times reported that Murdoch thought him a “phony”.After Trump mocked the senator and former Republican presidential nominee John McCain, Murdoch wrote on Twitter: “When is Donald Trump going to stop embarrassing his friends, let alone the whole country?”The Journal called Trump a “catastrophe” and declared: “Trump is toast.” But by the time Trump was elected in 2016, he and Murdoch had cemented a friendship of convenience.Trump’s attempted coup continues – even after January 6 hearings are over for now | Robert ReichRead moreMurdoch was able to bypass White House aides to reach the president. Trump reportedly called Murdoch for reassurance Fox News would not be affected by a deal to sell 21st Century Fox to Disney.Jared Kushner and Ivanka Trump holidayed on Murdoch’s 184ft yacht. Ivanka became a trustee for Murdoch and Wendi Deng’s twin daughters.The latest editorials may not change the views of Fox News primetime hosts. Sean Hannity, for one, has described the House January 6 hearings as an “obsessive partisan anti-Trump smear” and claimed they have not “establish[ed] a criminal case or reveal[ed] new damning evidence … as they have promised”.But the print titles seem to be moving on. Quoting “someone in the Murdoch orbit”, Vanity Fair said last month the media baron was “a pragmatic guy”.“He knows better than anybody how to read political tea leaves. It’s fairly self-evident that quite a few people in the firmament have begun to challenge the previously supported collective viewpoint about Trump. It’s understood now that the gloves are off. As [Trump] lashes out, it just makes it easier for people to hit back.”TopicsRupert MurdochDonald TrumpUS politicsRepublicansUS press and publishingWall Street JournalNew York PostfeaturesReuse this content More

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      Biden gives far fewer interviews than his predecessors – could his caution backfire?

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      Biden gives far fewer interviews than his predecessors – could his caution backfire? With op-eds and speeches but no one-on-ones, observers say the president risks losing the public’s trust and reporters’ good will He delivered a primetime address to the nation. He wrote two columns in leading newspapers. And he took some off-the-cuff questions from reporters. But once again Joe Biden did not this week sit down for an interview with a broadcaster or newspaper. Nor did he hold a press conference.The US president, who promised to rebuild trust and transparency after Donald Trump’s adversarial tenure, is facing criticism as Sunday marks 116 days since his last press interview.“Biden’s refusal to address the American people about the many crises they are facing under his failed administration is inexcusable,” said Emma Vaughn, a spokesperson for the Republican National Committee.As he approaches 18 months in office, a president eager to get his message out has settled into certain rhythms and comfort zones while sidestepping, to the frustration of the White House press corps, some traditional forums.This week he wrote a column for the Wall Street Journal about his plan for fighting inflation and another for the New York Times about US strategy for supporting Ukraine in its fight against Russia.Biden delivered a speech about gun violence from the White House on Thursday evening in the hope of reaching a wide TV audience. He made further remarks from Rehoboth Beach, Delaware, on Friday about the latest jobs figures and fielded a few questions from journalists.Like Trump, Biden frequently pauses to talk to reporters who shout questions over Marine One’s whirring propellers as he comes and goes from the White House – but such exchanges lack the depth or opportunities for follow-ups afforded by substantial one-on-ones.Biden’s last such interview – and his only one so far in 2022 – was with Lester Holt of NBC News back on 10 February. To put that in context, his interview rate is trailing far behind his recent predecessors at the same stage of their presidency.From taking office on 20 January 2021 up to 29 April 2022, Biden gave 23 interviews. Between 20 January 2017 and 29 April 2018, by contrast, Trump gave 95 interviews, according to the White House Transition Project, a non-partisan group that chronicles presidential communications.Over their equivalent periods, Barack Obama gave 187 interviews, George W Bush gave 60, Bill Clinton gave 64, George HW Bush gave 70 and Ronald Reagan gave 78, the Project found. Biden has also held fewer solo press conferences than other recent presidents.Bill Whalen, a former media consultant for politicians including former California governor Arnold Schwarzenegger, said: “We’ve gone from a flood with Donald Trump, who could not go a day without talking to the press – which would create a different set of problems for the Trump White House – to now a drought where this president has, for the better part of four months, not sat down one-on-one with a reporter.”Biden has earned a reputation for gaffes during half a century as a senator, vice-president and president. He recently caught his own staff by surprise with a blunt commitment to defend Taiwan militarily and a candid admission that he was not aware of the severity of the baby formula shortage until April.Such incidents, observers say, help explain why White House officials want to keep Biden away from grillings by the nation’s toughest interviewers.Whalen, a research fellow at the Hoover Institution at Stanford University in Palo Alto, California, added: “The strategy is pretty obvious. The White House does not trust the president to go out unscripted and doesn’t want to leave the president to his own devices. They just don’t trust him to get out the story clean without a problem.”But the cautious approach could backfire on 79-year-old Biden, he warned. “It could potentially in the back of voters’ minds question his competency, his energy, his ability to handle the job. It raises questions as to why are you secluding the president, why are you hiding the president, why won’t you let him talk to reporters?“Are you afraid he’s going to say something bad or is going to come across poorly? Secondly, slowly you build up resentment in the press corps so that with all this added pressure, by the time he finally sits down one-on-one, it might not be as friendly as they would like.”Biden’s media interviews so far have included the main TV networks, three CNN town halls, an appearance on MSNBC and three regional television interviews via Zoom, as well as conversations with the late-night host Jimmy Fallon and ESPN’S Sage Steele. He has given only three print interviews.Last month he hosted Thomas Friedman, a columnist at the New York Times, for a lunch of tuna salad sandwich with tomato, a bowl of mixed fruit and a chocolate milkshake. “But it was all off the record – so I can’t tell you anything he said,” Friedman wrote.Meanwhile media reports suggest that White House staff are divided over Biden’s communication strategy as his approval rating sinks, midterm elections loom and his set-piece speeches often fail to break through.CNN wrote this week: “Aides regularly talk about how little traction they’re getting from one-off Biden appearances or events and then – whether on inflation, the baby formula shortage or mass shootings or the other crises landing on Biden’s desk – he’s often left looking like he’s in a reactive crouch on the issues that matter most to voters rather than setting the agenda.”Biden has earned praise for restoring the daily White House briefing with the press secretary, Jen Psaki, and her successor, Karine Jean-Pierre. His chief of staff, Ron Klain, has emerged as an indefatigable champion of the administration on Twitter. And the president has maintained the tradition of holding joint press conferences with foreign leaders, most recently in Japan.Frank Luntz, a political consultant and pollster, said: “The average voter can’t tell whether Biden is doing a press conference or an interview or a speech. It all blurs together to them. But when the midterm election comes closer, that will be problematic. Biden is still a drag on the Democrats. The more that he shifts focus on to anything else, the better off Democrats will be.”The White House did not respond to a request for comment.TopicsJoe BidenNewspapers & magazinesUS politicsnewsReuse this content More

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      Chasing History review: Carl Bernstein’s pre-Watergate world

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      Chasing History review: Carl Bernstein’s pre-Watergate worldBefore he helped bring down Richard Nixon, the reporter grew up in a school of hard knocks. His memoir is a treasure Few reporters are synonymous with their craft. Bob Woodward of the Washington Post is one, his former partner, Carl Bernstein, another. Together, they broke open the Watergate scandal, helped send a president’s minions to prison and made Richard Nixon the only man to resign the office. On the big screen, Robert Redford played Woodward. Bernstein got Dustin Hoffman.These days, Bernstein is a CNN analyst and a contributing editor at Vanity Fair. Chasing History, his sixth book, is a warm and inviting read.Now 77, he writes with the benefit of hindsight and the luxury of self-imposed deadlines. His prose is dry and reflective even as it draws in the reader. This is his look back and valedictory, with a fitting subtitle: “A Kid in the Newsroom.”He describes life before the Post, in pages marked with politics – and haberdashery.“I needed a suit.” So the book begins. Shortly thereafter: “My mother and father, in the early 1950s, had taken me with them to join the sit-ins at Woodward & Lothrop to desegregate its tea room.”“Woodies”, a department store, closed in 1995. In the 50s, rather than testify before the House Un-American Affairs Committee, Bernstein’s mother invoked her right against self-incrimination. His father suffered for past membership in the Communist party. The FBI of J Edgar Hoover was an unwelcome presence in the Bernsteins’ lives.Still in high school, Bernstein worked as a part-time copy boy for the Washington Star. “Now that I’d covered the inauguration of JFK, Mr Adelman’s chemistry class interested me even less,” he confesses.He barely scraped out of high school, flunked out of the University of Maryland and lost his deferment from the Vietnam draft. He found a spot in a national guard unit, removing the possibility of deployment and combat. Chasing History also includes a copy of Bernstein’s college transcript, which advertises a sea of Fs and the capitalized notation: “ACADEMICALLY DISMISSED 1-27-65.”On the other hand, before he was old enough to vote, Bernstein had covered or reported more than most journalists do in a lifetime. The 1960 presidential election, the Bay of Pigs invasion, the Kennedy assassination, desegregation and Martin Luther King’s March on Washington. All were part of his remit.The integration of DC’s barber shops, a race-fueled brawl at a high school football game, the death of a newspaper vendor. In a nation in upheaval, all captured Bernstein’s attention.He is one of the last of his breed, a national reporter without a degree. Chasing History reminds us that by the mid-1960s, newsrooms were no longer dominated by working-class inflections. Carbon paper, hot lead typesetting, ink-stained fingers and smocks would also give way, to computers and digitization.The Ivy League emerged as a training ground of choice. Television would outpace print. Rough edges would be smoothed and polished, a premium placed on facts. Hard-knocks, not so much.“A big generational change was occurring in the journalism trade,” Bernstein writes. “Editors wanted college graduates now. My view was that you might be better prepared by graduating from horticultural school than from Yale or Princeton.”The kicker: “At least that way you could write the gardening column.”Emphasis on the word “might”, though. Woodward went to Yale. To this day, they count each other as friends.Chasing History is more about gratitude than grievance. For 10 pages, Bernstein recalls the names of his “young friends”, their “remarkable paths”, his intersection with those who would emerge as “historical footnotes” and his “teachers and mentors”.Lance Morrow, formerly of Time and the Wall Street Journal, makes it on to the dedication page. They were housemates and worked at the Star. Later, their careers flourished. Morrow, according to Bernstein, “occupies a unique place in the journalism of our time” and has been an “incomparable joy” in the author’s life.Likewise, Ben Stein – and his appearance as an economics teacher in Ferris Bueller’s Day Off, in 1986 – earns more than a passing shoutout. The fact Stein and his father served in the Nixon administration did not dent Bernstein’s fondness. They grew up nextdoor to each other in the DC suburbs. In junior high, the boys founded a “lox-and-bagel/Sunday New York Times delivery service”. The two see each other yearly.Bernstein also pays his respects to David Broder, the late dean of the political press corps. On 23 November 1962, as a copy boy, Bernstein took dictation from Broder, who was in Dallas that fateful Friday afternoon. Years later, Broder provided a useful tip that helped shape the path and coverage of “Woodstein’s” Watergate reporting.One mentor of particular note was George Porter, a Star bureau chief to whom Bernstein refers respectfully as Mr Porter and who regularly gave Bernstein a ride to the office. During the Democratic primaries in 1964, Porter dispatched Bernstein to cover George Wallace, the segregationist Alabama governor. Wallace never had a chance but his candidacy was newsworthy. Think Donald Trump, prototype.Why the US media ignored Murdoch’s brazen bid to hijack the presidency | Carl BernsteinRead moreLyndon Johnson, a Democrat, was in the White House but Wallace got nearly 30% in Indiana. When Wallace turned to Maryland, Bernstein was there on the ground.It was the first time he’d “seen a demagogue inflame the emotions of American citizens who I’d thought were familiar to me”.Wallace lost but netted 40% and a majority of white votes. In defeat, he blamed Black voters, except he chose a word that began with “N”, and an “incompetent press”, for failing to recognize his appeal. The church, labor unions, Ted Kennedy and “every other Democratic senator from the north” were also subjects of Wallace’s scorn.Chasing History is part-autobiography, part-history lesson. Amid continued turbulence, Bernstein’s memoirs are more than mere reminiscence.
      Chasing History: A Kid in the Newsroom is published in the US by Henry Holt & Company
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      Profusely Illustrated review: Edward Sorel and all the golden ages of New York magazines

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      Profusely Illustrated review: Edward Sorel and all the golden ages of New York magazines A memoir by a man who has drawn caricatures for the greatest editors is a treasure trove of the American mid-century modernAt 92, Edward Sorel is the grand old man of New York magazines. For 60 years, his blistering caricatures have lit up the pages of Harper’s, the Atlantic, Esquire, Time, Rolling Stone and the Nation. He is especially revered for his work in Clay Felker’s New York in the late 60s and for work in the New Yorker under Tina Brown and David Remnick.A life in cartoons: Edward SorelRead moreHe has also worked for slightly less august titles, like Penthouse, Screw and Ramparts.He is one of the foundational New Yorkers. Like Leonard Bernstein or E B White, Sorel absorbs the rhythms of the rambunctious city, using them to create an exaggerated, beguiling mirror of all he has experienced.A very abbreviated list of his memories includes the Great Depression, Hitler and Mussolini, the Red Scare, Joe McCarthy, Lee Harvey Oswald, both Bushes, Clinton, Obama and Trump.His memoir begins with a political frame. Like the unreconstructed lefty he is – he voted for Ralph Nader twice – he announces that he will show how the crimes of the previous 12 presidents made possible the catastrophe of Donald Trump.He gives the CIA and the military industrial complex all the shame they deserve for an unending parade of coups and wars – from Iran, Guatemala and Chile to Korea, Vietnam, Afghanistan and Iraq. But he promises “these exposés will be brief”, so “it will only hurt for a few minutes”. On that he keeps his word.What gives Profusely Illustrated its charm and its power – besides 177 spectacular illustrations – are Sorel’s tales of New York, beginning with a childhood spent in a fifth-floor walk-up in the Bronx with a father he despised and a mother he adored.Sorel spares no one, especially his “stupid, insensitive, grouchy, mean-spirited, fault-finding, racist” father, who he dreamed of pushing in front of a subway train when he was only eight or nine.“When I grew older, I realized how wrong that would have been,” Sorel writes.“The motorman would have seen me.”The first riddle that tortured him was why his amazing mother married his revolting father. She explained that a few months after her arrival in New York from Romania, at 16, she started work in a factory that made women’s hats. When one of the hat blockers noticed on her first day that she hadn’t left for lunch, he loaned her the nickel she needed. Later, the same blocker told her he would kill himself if she didn’t marry him. So that was that.During a prolonged childhood illness that confined him to his bed, Ed started making drawings on cardboard that came back with shirts from a Chinese laundry. When he went back to school, the drawings were admired by his teacher at PS90, who told his mother young Ed had talent. She enrolled him in a Saturday art class at the other end of the city, the Pratt Institute in Brooklyn and then another at the Little Red School House, at the bottom of Manhattan.At Little Red, thanks to the generosity of one Gertrude Vanderbilt Whitney, all the students were given a wooden box containing oil paints, brushes, turpentine and an enamel palette.It was Ed’s “to keep so I could paint at home” – and it changed his life.He gained admission to the highly competitive High School of Music and Art, and then to tuition-free art school at Cooper Union. But his teachers did nothing but delay his success: the fashion for abstraction was so intense, he wasn’t allowed to do the realistic work he loved.The Bronx boy who had been Eddie Schwartz was transformed after he discovered Julien Sorel, hero of Stendhal’s novel The Red and the Black. Julien was “a sensitive young peasant who hated his father, was appalled by the corruption of the clergy in 19th-century France, and was catnip to every woman he encountered”.Five years later, Eddie changed his name to Sorel.With Seymour Chast he founded Push Pin Studios, which after Milton Glaser joined, became the hottest design studio in New York. Sorel didn’t last long but when Glaser founded New York magazine with Felker a few years later, Sorel got the perfect outlet for his increasingly powerful caricatures.His book’s pleasures include interactions with all the most important magazine editors of the second half of the last century, including George Lois, art director of Esquire in its heyday under Harold Hayes.Gay Talese had written what would become a very famous profile, Frank Sinatra Has a Cold. The crooner had refused to pose for the cover, after Lois told him he wanted a close up with a cigarette in his mouth and a gaggle of sycophants eagerly trying to light it.Lois asked Sorel for an illustration. It was an assignment that would give him “more visibility than I had ever had before”. He panicked and his first effort was a failure. But with only one night left, his “adrenalin somehow made my hand turn out a terrific drawing of Frank Sinatra”. It launched Sorel’s career. The original now hangs in the National Portrait Gallery.Gay Talese: ‘Most journalists are voyeurs. Of course they are’Read moreThe Village Voice, New York’s original counterculture newspaper, gave him a weekly spot. Sorel inked a memorable portrait of the New York Times editor Abe Rosenthal as a tank shooting a too-liberal columnist, Sydney Schanberg, after Schanberg was fired for attacking the news department from the op-ed page.Tina Brown chose Sorel to do her first New Yorker cover. When Woody Allen and Mia Farrow split up, Sorel imagined a Woody & Mia Analysts Convention.If you’re looking for a bird’s eye view of the glory days of magazine journalism, illustrated with drawings guaranteed to make you nostalgic for great battles of years gone by, Profusely Illustrated is perfect. When you’re done, you’ll be ready to rewatch Mad Men all over again.
      Profusely Illustrated is published in the US by Knopf
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      ‘Crooked bastards’: Trump attacks US media in foul-mouthed speech

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      Trump attacks media and Mark Milley in foul-mouthed Mar-a-Lago speech Insults to press and chairman of joint chiefs of staff recall barbs while Trump was in power In remarks to diners at his Mar-a-Lago resort in Florida on Saturday night, Donald Trump called the American media “crooked bastards” and Gen Mark Milley, the chairman of the joint chiefs of staff, a “fucking idiot”.Trump double negative: Twitter sees proof positive of no electoral fraudRead moreThe meandering, foul-mouthed speech to Turning Point USA, a group for young conservatives, was streamed by Jack Posobiec, a rightwing blogger and provocateur.The insult to the press recalled barbs while Trump was in power, including calling reporters and editors “fake news” and the “enemy of the people”, attacks many in the media regarded as dangerous, inviting political violence.“The country is at a very important, dangerous place,” Trump said, amid familiar lies about his defeat in the 2020 election, which he says was the result of electoral fraud.“We have no press. The press is so corrupt. We don’t have a press. If there is a good story about us, a good story about any of the people that are Republicans, conservatives, they make it a bad story. And if it’s a bad story they make it the worst story in history. It is the most dishonest group of people.”Trump claimed to have transformed Americans’ views of the press, saying “when I first announced I was running in 2015 they had a 94%-95% approval rating. And right now they have a lower approval rating than Congress.“I consider that to be a great honor because they are a bunch of very dishonest, crooked bastards.”The remark met with laughter.As with most of Trump’s claims, his claim about media approval ratings could be debated.In 2015, the year Trump ran for the White House, Gallup said 40% of Americans “had ‘a great deal’ or ‘a fair amount’ of trust and confidence in the mass media to report the news fully, accurately and fairly”.In 2019, midway through Trump’s presidency, Suzanne Nossel, chief executive of PEN America, told the Guardian his attacks on the press were “insidious” and “aimed to intimidate … a kind of dragging-through-the-mud effort, a character assassination … and it’s alarming”.In 2021, the year Trump left office, Gallup said 21% of Americans had “a great deal” or “quite a lot” of confidence in newspapers. For TV news, the figure was 16%. For Congress, it was 12%.Trump insulted Milley as part of a long complaint about Joe Biden’s handling of the US withdrawal from Afghanistan. Impersonating the general’s gravelly voice, Trump said: “I’ll never forget Milley saying to me, ‘Sir, sir. It’s cheaper to leave the equipment than to bring it.’Mark Milley, US general who stood up to Trump, founders over Kabul strikeRead moreTrump said he asked: “You think it’s cheaper to leave it there so they can have it than it is to fill it up with a half tank of gas and fly it into Pakistan or fly it back to our country?“‘Yes, sir, we think it’s cheaper, sir.’“That’s when I realized he was a fucking idiot.”Trump regularly complains about Milley, particularly over his portrayal in bestselling books as a key figure in efforts to contain Trump at the end of his time in power.Trump’s penchant for swearing is well-known, to the extent that his four-year presidency prompted soul-searching among some US media outlets about which words could properly be printed.The Guardian has long had few such scruples.TopicsDonald TrumpNewspapersUS politicsRepublicansNewspapers & magazinesnewsReuse this content More

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      Wall Street Journal criticized for Trump letter pushing election lie

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      Wall Street JournalWall Street Journal criticized for Trump letter pushing election lieFormer president’s letter, written in response to an editorial on Pennsylvania voting laws, contains a list of disproved claims Adam Gabbatt@adamgabbattThu 28 Oct 2021 11.35 EDTLast modified on Thu 28 Oct 2021 11.37 EDTThe Wall Street Journal has been criticized after it published a letter by Donald Trump in which the former president continued to push his false claim that the 2020 presidential election was “rigged”.The former president’s letter, written in response to a WSJ editorial about voting law in Pennsylvania, claims, wrongly, that “the election was rigged, which you, unfortunately, still haven’t figured out”.How a secretive conservative group influenced ‘populist’ Trump’s tax cutsRead moreThe 600-word letter contains a bullet-point list of disproved claims – many of which have been debunked by WSJ reporters – which Trump claims show there was voter fraud. There was no widespread voter fraud in the 2020 presidential election, as several independent and partisan reviews have confirmed.Several WSJ reporters were unhappy with the publication of the letter, CNN reported, which comes after what had been a successful few weeks for the WSJ, which is owned by Rupert Murdoch’s News Corp. The newspaper’s Facebook Files investigation revealed, through internal documents, how high-profile users were not subject to the same standards as regular users, and that Facebook was aware that Instagram, which it owns, is toxic for teenage girls.The decision to publish Trump’s spurious letter threatens to undermine that journalism, despite a newspaper’s editorial board typically being separate from the newsroom.Trump remains banned from Twitter and Facebook, and has been reduced to sending daily emails to supporters to make his voice heard. The WSJ’s publication of the letter was swiftly criticized in the media world.“I think it’s very disappointing that our opinion section continues to publish misinformation that our news side works so hard to debunk,” an unnamed WSJ reporter told CNN. “They should hold themselves to the same standards we do!”Bill Grueskin, a Columbia University School of Journalism professor who served as deputy managing editor of the Journal, told the Washington Post that letters to the editor are often used as a place for readers to express dissatisfaction with a newspaper’s coverage.“That’s generally fine, but if someone is going to spout a bunch of falsehoods, the editor usually feels an obligation to trim those out, or to publish a contemporaneous response. The Wall Street Journal editorial page chose not to do that in this case,” Grueskin said.Other journalists weighed in on Twitter.“Most newspapers don’t allow op-ed writers to just make up nonsense lies. Apparently the Wall Street Journal is not among them,” SV Dáte, a HuffPost White House correspondent, wrote.Matt Fuller, who covers politics for the Daily Beast, posted: “Newspapers don’t exist so that powerful people can publish whatever lies they want. In fact, that may be one of the very opposite reasons newspapers exist.”The WSJ did not immediately respond to a request for comment.TopicsWall Street JournalDonald TrumpUS elections 2020US press and publishingNewspapers & magazinesNewspapersnewsReuse this content More