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    Biden gives far fewer interviews than his predecessors – could his caution backfire?

    Biden gives far fewer interviews than his predecessors – could his caution backfire? With op-eds and speeches but no one-on-ones, observers say the president risks losing the public’s trust and reporters’ good will He delivered a primetime address to the nation. He wrote two columns in leading newspapers. And he took some off-the-cuff questions from reporters. But once again Joe Biden did not this week sit down for an interview with a broadcaster or newspaper. Nor did he hold a press conference.The US president, who promised to rebuild trust and transparency after Donald Trump’s adversarial tenure, is facing criticism as Sunday marks 116 days since his last press interview.“Biden’s refusal to address the American people about the many crises they are facing under his failed administration is inexcusable,” said Emma Vaughn, a spokesperson for the Republican National Committee.As he approaches 18 months in office, a president eager to get his message out has settled into certain rhythms and comfort zones while sidestepping, to the frustration of the White House press corps, some traditional forums.This week he wrote a column for the Wall Street Journal about his plan for fighting inflation and another for the New York Times about US strategy for supporting Ukraine in its fight against Russia.Biden delivered a speech about gun violence from the White House on Thursday evening in the hope of reaching a wide TV audience. He made further remarks from Rehoboth Beach, Delaware, on Friday about the latest jobs figures and fielded a few questions from journalists.Like Trump, Biden frequently pauses to talk to reporters who shout questions over Marine One’s whirring propellers as he comes and goes from the White House – but such exchanges lack the depth or opportunities for follow-ups afforded by substantial one-on-ones.Biden’s last such interview – and his only one so far in 2022 – was with Lester Holt of NBC News back on 10 February. To put that in context, his interview rate is trailing far behind his recent predecessors at the same stage of their presidency.From taking office on 20 January 2021 up to 29 April 2022, Biden gave 23 interviews. Between 20 January 2017 and 29 April 2018, by contrast, Trump gave 95 interviews, according to the White House Transition Project, a non-partisan group that chronicles presidential communications.Over their equivalent periods, Barack Obama gave 187 interviews, George W Bush gave 60, Bill Clinton gave 64, George HW Bush gave 70 and Ronald Reagan gave 78, the Project found. Biden has also held fewer solo press conferences than other recent presidents.Bill Whalen, a former media consultant for politicians including former California governor Arnold Schwarzenegger, said: “We’ve gone from a flood with Donald Trump, who could not go a day without talking to the press – which would create a different set of problems for the Trump White House – to now a drought where this president has, for the better part of four months, not sat down one-on-one with a reporter.”Biden has earned a reputation for gaffes during half a century as a senator, vice-president and president. He recently caught his own staff by surprise with a blunt commitment to defend Taiwan militarily and a candid admission that he was not aware of the severity of the baby formula shortage until April.Such incidents, observers say, help explain why White House officials want to keep Biden away from grillings by the nation’s toughest interviewers.Whalen, a research fellow at the Hoover Institution at Stanford University in Palo Alto, California, added: “The strategy is pretty obvious. The White House does not trust the president to go out unscripted and doesn’t want to leave the president to his own devices. They just don’t trust him to get out the story clean without a problem.”But the cautious approach could backfire on 79-year-old Biden, he warned. “It could potentially in the back of voters’ minds question his competency, his energy, his ability to handle the job. It raises questions as to why are you secluding the president, why are you hiding the president, why won’t you let him talk to reporters?“Are you afraid he’s going to say something bad or is going to come across poorly? Secondly, slowly you build up resentment in the press corps so that with all this added pressure, by the time he finally sits down one-on-one, it might not be as friendly as they would like.”Biden’s media interviews so far have included the main TV networks, three CNN town halls, an appearance on MSNBC and three regional television interviews via Zoom, as well as conversations with the late-night host Jimmy Fallon and ESPN’S Sage Steele. He has given only three print interviews.Last month he hosted Thomas Friedman, a columnist at the New York Times, for a lunch of tuna salad sandwich with tomato, a bowl of mixed fruit and a chocolate milkshake. “But it was all off the record – so I can’t tell you anything he said,” Friedman wrote.Meanwhile media reports suggest that White House staff are divided over Biden’s communication strategy as his approval rating sinks, midterm elections loom and his set-piece speeches often fail to break through.CNN wrote this week: “Aides regularly talk about how little traction they’re getting from one-off Biden appearances or events and then – whether on inflation, the baby formula shortage or mass shootings or the other crises landing on Biden’s desk – he’s often left looking like he’s in a reactive crouch on the issues that matter most to voters rather than setting the agenda.”Biden has earned praise for restoring the daily White House briefing with the press secretary, Jen Psaki, and her successor, Karine Jean-Pierre. His chief of staff, Ron Klain, has emerged as an indefatigable champion of the administration on Twitter. And the president has maintained the tradition of holding joint press conferences with foreign leaders, most recently in Japan.Frank Luntz, a political consultant and pollster, said: “The average voter can’t tell whether Biden is doing a press conference or an interview or a speech. It all blurs together to them. But when the midterm election comes closer, that will be problematic. Biden is still a drag on the Democrats. The more that he shifts focus on to anything else, the better off Democrats will be.”The White House did not respond to a request for comment.TopicsJoe BidenNewspapers & magazinesUS politicsnewsReuse this content More

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    Chasing History review: Carl Bernstein’s pre-Watergate world

    Chasing History review: Carl Bernstein’s pre-Watergate worldBefore he helped bring down Richard Nixon, the reporter grew up in a school of hard knocks. His memoir is a treasure Few reporters are synonymous with their craft. Bob Woodward of the Washington Post is one, his former partner, Carl Bernstein, another. Together, they broke open the Watergate scandal, helped send a president’s minions to prison and made Richard Nixon the only man to resign the office. On the big screen, Robert Redford played Woodward. Bernstein got Dustin Hoffman.These days, Bernstein is a CNN analyst and a contributing editor at Vanity Fair. Chasing History, his sixth book, is a warm and inviting read.Now 77, he writes with the benefit of hindsight and the luxury of self-imposed deadlines. His prose is dry and reflective even as it draws in the reader. This is his look back and valedictory, with a fitting subtitle: “A Kid in the Newsroom.”He describes life before the Post, in pages marked with politics – and haberdashery.“I needed a suit.” So the book begins. Shortly thereafter: “My mother and father, in the early 1950s, had taken me with them to join the sit-ins at Woodward & Lothrop to desegregate its tea room.”“Woodies”, a department store, closed in 1995. In the 50s, rather than testify before the House Un-American Affairs Committee, Bernstein’s mother invoked her right against self-incrimination. His father suffered for past membership in the Communist party. The FBI of J Edgar Hoover was an unwelcome presence in the Bernsteins’ lives.Still in high school, Bernstein worked as a part-time copy boy for the Washington Star. “Now that I’d covered the inauguration of JFK, Mr Adelman’s chemistry class interested me even less,” he confesses.He barely scraped out of high school, flunked out of the University of Maryland and lost his deferment from the Vietnam draft. He found a spot in a national guard unit, removing the possibility of deployment and combat. Chasing History also includes a copy of Bernstein’s college transcript, which advertises a sea of Fs and the capitalized notation: “ACADEMICALLY DISMISSED 1-27-65.”On the other hand, before he was old enough to vote, Bernstein had covered or reported more than most journalists do in a lifetime. The 1960 presidential election, the Bay of Pigs invasion, the Kennedy assassination, desegregation and Martin Luther King’s March on Washington. All were part of his remit.The integration of DC’s barber shops, a race-fueled brawl at a high school football game, the death of a newspaper vendor. In a nation in upheaval, all captured Bernstein’s attention.He is one of the last of his breed, a national reporter without a degree. Chasing History reminds us that by the mid-1960s, newsrooms were no longer dominated by working-class inflections. Carbon paper, hot lead typesetting, ink-stained fingers and smocks would also give way, to computers and digitization.The Ivy League emerged as a training ground of choice. Television would outpace print. Rough edges would be smoothed and polished, a premium placed on facts. Hard-knocks, not so much.“A big generational change was occurring in the journalism trade,” Bernstein writes. “Editors wanted college graduates now. My view was that you might be better prepared by graduating from horticultural school than from Yale or Princeton.”The kicker: “At least that way you could write the gardening column.”Emphasis on the word “might”, though. Woodward went to Yale. To this day, they count each other as friends.Chasing History is more about gratitude than grievance. For 10 pages, Bernstein recalls the names of his “young friends”, their “remarkable paths”, his intersection with those who would emerge as “historical footnotes” and his “teachers and mentors”.Lance Morrow, formerly of Time and the Wall Street Journal, makes it on to the dedication page. They were housemates and worked at the Star. Later, their careers flourished. Morrow, according to Bernstein, “occupies a unique place in the journalism of our time” and has been an “incomparable joy” in the author’s life.Likewise, Ben Stein – and his appearance as an economics teacher in Ferris Bueller’s Day Off, in 1986 – earns more than a passing shoutout. The fact Stein and his father served in the Nixon administration did not dent Bernstein’s fondness. They grew up nextdoor to each other in the DC suburbs. In junior high, the boys founded a “lox-and-bagel/Sunday New York Times delivery service”. The two see each other yearly.Bernstein also pays his respects to David Broder, the late dean of the political press corps. On 23 November 1962, as a copy boy, Bernstein took dictation from Broder, who was in Dallas that fateful Friday afternoon. Years later, Broder provided a useful tip that helped shape the path and coverage of “Woodstein’s” Watergate reporting.One mentor of particular note was George Porter, a Star bureau chief to whom Bernstein refers respectfully as Mr Porter and who regularly gave Bernstein a ride to the office. During the Democratic primaries in 1964, Porter dispatched Bernstein to cover George Wallace, the segregationist Alabama governor. Wallace never had a chance but his candidacy was newsworthy. Think Donald Trump, prototype.Why the US media ignored Murdoch’s brazen bid to hijack the presidency | Carl BernsteinRead moreLyndon Johnson, a Democrat, was in the White House but Wallace got nearly 30% in Indiana. When Wallace turned to Maryland, Bernstein was there on the ground.It was the first time he’d “seen a demagogue inflame the emotions of American citizens who I’d thought were familiar to me”.Wallace lost but netted 40% and a majority of white votes. In defeat, he blamed Black voters, except he chose a word that began with “N”, and an “incompetent press”, for failing to recognize his appeal. The church, labor unions, Ted Kennedy and “every other Democratic senator from the north” were also subjects of Wallace’s scorn.Chasing History is part-autobiography, part-history lesson. Amid continued turbulence, Bernstein’s memoirs are more than mere reminiscence.
    Chasing History: A Kid in the Newsroom is published in the US by Henry Holt & Company
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    Profusely Illustrated review: Edward Sorel and all the golden ages of New York magazines

    Profusely Illustrated review: Edward Sorel and all the golden ages of New York magazines A memoir by a man who has drawn caricatures for the greatest editors is a treasure trove of the American mid-century modernAt 92, Edward Sorel is the grand old man of New York magazines. For 60 years, his blistering caricatures have lit up the pages of Harper’s, the Atlantic, Esquire, Time, Rolling Stone and the Nation. He is especially revered for his work in Clay Felker’s New York in the late 60s and for work in the New Yorker under Tina Brown and David Remnick.A life in cartoons: Edward SorelRead moreHe has also worked for slightly less august titles, like Penthouse, Screw and Ramparts.He is one of the foundational New Yorkers. Like Leonard Bernstein or E B White, Sorel absorbs the rhythms of the rambunctious city, using them to create an exaggerated, beguiling mirror of all he has experienced.A very abbreviated list of his memories includes the Great Depression, Hitler and Mussolini, the Red Scare, Joe McCarthy, Lee Harvey Oswald, both Bushes, Clinton, Obama and Trump.His memoir begins with a political frame. Like the unreconstructed lefty he is – he voted for Ralph Nader twice – he announces that he will show how the crimes of the previous 12 presidents made possible the catastrophe of Donald Trump.He gives the CIA and the military industrial complex all the shame they deserve for an unending parade of coups and wars – from Iran, Guatemala and Chile to Korea, Vietnam, Afghanistan and Iraq. But he promises “these exposés will be brief”, so “it will only hurt for a few minutes”. On that he keeps his word.What gives Profusely Illustrated its charm and its power – besides 177 spectacular illustrations – are Sorel’s tales of New York, beginning with a childhood spent in a fifth-floor walk-up in the Bronx with a father he despised and a mother he adored.Sorel spares no one, especially his “stupid, insensitive, grouchy, mean-spirited, fault-finding, racist” father, who he dreamed of pushing in front of a subway train when he was only eight or nine.“When I grew older, I realized how wrong that would have been,” Sorel writes.“The motorman would have seen me.”The first riddle that tortured him was why his amazing mother married his revolting father. She explained that a few months after her arrival in New York from Romania, at 16, she started work in a factory that made women’s hats. When one of the hat blockers noticed on her first day that she hadn’t left for lunch, he loaned her the nickel she needed. Later, the same blocker told her he would kill himself if she didn’t marry him. So that was that.During a prolonged childhood illness that confined him to his bed, Ed started making drawings on cardboard that came back with shirts from a Chinese laundry. When he went back to school, the drawings were admired by his teacher at PS90, who told his mother young Ed had talent. She enrolled him in a Saturday art class at the other end of the city, the Pratt Institute in Brooklyn and then another at the Little Red School House, at the bottom of Manhattan.At Little Red, thanks to the generosity of one Gertrude Vanderbilt Whitney, all the students were given a wooden box containing oil paints, brushes, turpentine and an enamel palette.It was Ed’s “to keep so I could paint at home” – and it changed his life.He gained admission to the highly competitive High School of Music and Art, and then to tuition-free art school at Cooper Union. But his teachers did nothing but delay his success: the fashion for abstraction was so intense, he wasn’t allowed to do the realistic work he loved.The Bronx boy who had been Eddie Schwartz was transformed after he discovered Julien Sorel, hero of Stendhal’s novel The Red and the Black. Julien was “a sensitive young peasant who hated his father, was appalled by the corruption of the clergy in 19th-century France, and was catnip to every woman he encountered”.Five years later, Eddie changed his name to Sorel.With Seymour Chast he founded Push Pin Studios, which after Milton Glaser joined, became the hottest design studio in New York. Sorel didn’t last long but when Glaser founded New York magazine with Felker a few years later, Sorel got the perfect outlet for his increasingly powerful caricatures.His book’s pleasures include interactions with all the most important magazine editors of the second half of the last century, including George Lois, art director of Esquire in its heyday under Harold Hayes.Gay Talese had written what would become a very famous profile, Frank Sinatra Has a Cold. The crooner had refused to pose for the cover, after Lois told him he wanted a close up with a cigarette in his mouth and a gaggle of sycophants eagerly trying to light it.Lois asked Sorel for an illustration. It was an assignment that would give him “more visibility than I had ever had before”. He panicked and his first effort was a failure. But with only one night left, his “adrenalin somehow made my hand turn out a terrific drawing of Frank Sinatra”. It launched Sorel’s career. The original now hangs in the National Portrait Gallery.Gay Talese: ‘Most journalists are voyeurs. Of course they are’Read moreThe Village Voice, New York’s original counterculture newspaper, gave him a weekly spot. Sorel inked a memorable portrait of the New York Times editor Abe Rosenthal as a tank shooting a too-liberal columnist, Sydney Schanberg, after Schanberg was fired for attacking the news department from the op-ed page.Tina Brown chose Sorel to do her first New Yorker cover. When Woody Allen and Mia Farrow split up, Sorel imagined a Woody & Mia Analysts Convention.If you’re looking for a bird’s eye view of the glory days of magazine journalism, illustrated with drawings guaranteed to make you nostalgic for great battles of years gone by, Profusely Illustrated is perfect. When you’re done, you’ll be ready to rewatch Mad Men all over again.
    Profusely Illustrated is published in the US by Knopf
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    ‘Crooked bastards’: Trump attacks US media in foul-mouthed speech

    Trump attacks media and Mark Milley in foul-mouthed Mar-a-Lago speech Insults to press and chairman of joint chiefs of staff recall barbs while Trump was in power In remarks to diners at his Mar-a-Lago resort in Florida on Saturday night, Donald Trump called the American media “crooked bastards” and Gen Mark Milley, the chairman of the joint chiefs of staff, a “fucking idiot”.Trump double negative: Twitter sees proof positive of no electoral fraudRead moreThe meandering, foul-mouthed speech to Turning Point USA, a group for young conservatives, was streamed by Jack Posobiec, a rightwing blogger and provocateur.The insult to the press recalled barbs while Trump was in power, including calling reporters and editors “fake news” and the “enemy of the people”, attacks many in the media regarded as dangerous, inviting political violence.“The country is at a very important, dangerous place,” Trump said, amid familiar lies about his defeat in the 2020 election, which he says was the result of electoral fraud.“We have no press. The press is so corrupt. We don’t have a press. If there is a good story about us, a good story about any of the people that are Republicans, conservatives, they make it a bad story. And if it’s a bad story they make it the worst story in history. It is the most dishonest group of people.”Trump claimed to have transformed Americans’ views of the press, saying “when I first announced I was running in 2015 they had a 94%-95% approval rating. And right now they have a lower approval rating than Congress.“I consider that to be a great honor because they are a bunch of very dishonest, crooked bastards.”The remark met with laughter.As with most of Trump’s claims, his claim about media approval ratings could be debated.In 2015, the year Trump ran for the White House, Gallup said 40% of Americans “had ‘a great deal’ or ‘a fair amount’ of trust and confidence in the mass media to report the news fully, accurately and fairly”.In 2019, midway through Trump’s presidency, Suzanne Nossel, chief executive of PEN America, told the Guardian his attacks on the press were “insidious” and “aimed to intimidate … a kind of dragging-through-the-mud effort, a character assassination … and it’s alarming”.In 2021, the year Trump left office, Gallup said 21% of Americans had “a great deal” or “quite a lot” of confidence in newspapers. For TV news, the figure was 16%. For Congress, it was 12%.Trump insulted Milley as part of a long complaint about Joe Biden’s handling of the US withdrawal from Afghanistan. Impersonating the general’s gravelly voice, Trump said: “I’ll never forget Milley saying to me, ‘Sir, sir. It’s cheaper to leave the equipment than to bring it.’Mark Milley, US general who stood up to Trump, founders over Kabul strikeRead moreTrump said he asked: “You think it’s cheaper to leave it there so they can have it than it is to fill it up with a half tank of gas and fly it into Pakistan or fly it back to our country?“‘Yes, sir, we think it’s cheaper, sir.’“That’s when I realized he was a fucking idiot.”Trump regularly complains about Milley, particularly over his portrayal in bestselling books as a key figure in efforts to contain Trump at the end of his time in power.Trump’s penchant for swearing is well-known, to the extent that his four-year presidency prompted soul-searching among some US media outlets about which words could properly be printed.The Guardian has long had few such scruples.TopicsDonald TrumpNewspapersUS politicsRepublicansNewspapers & magazinesnewsReuse this content More

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    Wall Street Journal criticized for Trump letter pushing election lie

    Wall Street JournalWall Street Journal criticized for Trump letter pushing election lieFormer president’s letter, written in response to an editorial on Pennsylvania voting laws, contains a list of disproved claims Adam Gabbatt@adamgabbattThu 28 Oct 2021 11.35 EDTLast modified on Thu 28 Oct 2021 11.37 EDTThe Wall Street Journal has been criticized after it published a letter by Donald Trump in which the former president continued to push his false claim that the 2020 presidential election was “rigged”.The former president’s letter, written in response to a WSJ editorial about voting law in Pennsylvania, claims, wrongly, that “the election was rigged, which you, unfortunately, still haven’t figured out”.How a secretive conservative group influenced ‘populist’ Trump’s tax cutsRead moreThe 600-word letter contains a bullet-point list of disproved claims – many of which have been debunked by WSJ reporters – which Trump claims show there was voter fraud. There was no widespread voter fraud in the 2020 presidential election, as several independent and partisan reviews have confirmed.Several WSJ reporters were unhappy with the publication of the letter, CNN reported, which comes after what had been a successful few weeks for the WSJ, which is owned by Rupert Murdoch’s News Corp. The newspaper’s Facebook Files investigation revealed, through internal documents, how high-profile users were not subject to the same standards as regular users, and that Facebook was aware that Instagram, which it owns, is toxic for teenage girls.The decision to publish Trump’s spurious letter threatens to undermine that journalism, despite a newspaper’s editorial board typically being separate from the newsroom.Trump remains banned from Twitter and Facebook, and has been reduced to sending daily emails to supporters to make his voice heard. The WSJ’s publication of the letter was swiftly criticized in the media world.“I think it’s very disappointing that our opinion section continues to publish misinformation that our news side works so hard to debunk,” an unnamed WSJ reporter told CNN. “They should hold themselves to the same standards we do!”Bill Grueskin, a Columbia University School of Journalism professor who served as deputy managing editor of the Journal, told the Washington Post that letters to the editor are often used as a place for readers to express dissatisfaction with a newspaper’s coverage.“That’s generally fine, but if someone is going to spout a bunch of falsehoods, the editor usually feels an obligation to trim those out, or to publish a contemporaneous response. The Wall Street Journal editorial page chose not to do that in this case,” Grueskin said.Other journalists weighed in on Twitter.“Most newspapers don’t allow op-ed writers to just make up nonsense lies. Apparently the Wall Street Journal is not among them,” SV Dáte, a HuffPost White House correspondent, wrote.Matt Fuller, who covers politics for the Daily Beast, posted: “Newspapers don’t exist so that powerful people can publish whatever lies they want. In fact, that may be one of the very opposite reasons newspapers exist.”The WSJ did not immediately respond to a request for comment.TopicsWall Street JournalDonald TrumpUS elections 2020US press and publishingNewspapers & magazinesNewspapersnewsReuse this content More

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    Jonathan Mirsky obituary

    The ObserverChinaJonathan Mirsky obituaryJournalist and historian of China who went from admiring the regime to being one of its sternest critics Jonathan SteeleThu 9 Sep 2021 12.15 EDTLast modified on Thu 9 Sep 2021 12.17 EDTJonathan Mirsky, who has died aged 88, was a prominent American historian of China who switched to journalism and won the international reporter of the year title in the 1989 British Press Awards for his coverage in the Observer of the Tiananmen uprising.Getting the story had been a bloody experience. Armed Chinese police gave him a severe beating when they discovered he was a journalist. He was lucky to be rescued by a colleague from the Financial Times who led him away, his left arm fractured and three teeth knocked out.Mirsky’s career encapsulated the shifts in the way the western left viewed China, from the first decades of communist rule to Beijing’s move to capitalism while still under single-party control.He began as an early and prominent academic critic of the US’s role in the Vietnam war, starring in numerous protest marches and campus teach-ins. Opposing the US strategy of isolating China in the years before Nixon and Kissinger’s 1972 visit to Mao Zedong in Beijing, Mirsky supported the Committee of Concerned Asian Scholars, a group of radical US academics who criticised the senior faculty elite of US Asian studies for their silence on the immorality of the war.He had his first direct encounter with Maoism on an extraordinary boat trip led by Earle Reynolds, a Quaker peace activist. In 1969 Reynolds took Mirsky and four other Americans on his ketch, Phoenix, heading for Shanghai. It was meant as a goodwill gesture in the hope of starting a dialogue between Americans and Chinese officials. When they were stopped by a Chinese naval vessel 20 miles from the coast and ordered to leave, Mirsky – according to his account to friends – thought: “OK. In that case I’ll swim to China.” He jumped into the sea. The Chinese vessel hurriedly pulled away, and the Phoenix sailed back to Japan.Mirsky was never a “110 percenter” like some western admirers of Maoism but he was prepared to be impressed on his first foray to China in April 1972. With a dozen other young China scholars he spent six weeks travelling around the country with official guides. As he recalled in a book of essays by alumni of King’s College, Cambridge, he had gone “convinced that the Maoist revolution and even the Cultural, which was still going on, were good for China”. After only a few days he became convinced something bad was happening that their hosts were covering up. Many colleagues on the trip resented his growing scepticism. Some years later Mirsky met one of the guides again and complained about his deception. The guide replied: “We wanted to put rings in your noses and you helped us put them there.”Over the next four and a half decades Mirsky was to develop into one of China’s sternest and most knowledgable critics, a trajectory that he described as “From a Mao fan to a counter-revolutionary” in his contribution to the book My First Trip to China: Scholars, Diplomats, and Journalists Reflect on Their First Encounters with China (2012). He regularly lambasted western leaders for downplaying human rights violations for the sake of trade.In typically colourful language in a 2014 article for the New York Review of Books, he deplored the lack of political and social progress. “I may have been inadvertently right in May 1989 [just after Tiananmen] when I said China would ‘never be the same again’. It is sleeker, richer, internationally more reckless, more corrupt – and its leaders are ever more terrified … I am reminded of the old street sweeper in 1990 at a corner in Beijing. She was shovelling donkey dung into a pail. I asked her if she thought things had changed for the better. She replied, ‘This city is like donkey dung. Clean and smooth on the outside, but inside it’s still shit.’”Mirsky was born in New York to Reba Paeff, a children’s author and harpsichord player, and Alfred Mirsky, a pioneer in molecular biology. Educated first at Ethical Culture Fieldston school in the city, he went on to obtain a BA in history at Columbia University. He spent a year at King’s, Cambridge, in 1954, during which he met an American woman who had been a missionary in China and who urged him to study Mandarin. Three years of language study in the US followed before Mirsky, with his first wife, Betsy, also a Mandarin student, went to Taiwan to run a language school for four years.Back in the US he was awarded a PhD in Chinese history at the University of Pennsylvania in 1966. He and Betsy divorced in 1963 and he married Rhona Pearson, a British neurobiologist, with whom he moved to Dartmouth College, in New Hampshire, in 1966. There he became co-director of the East Asia Language and Area Studies Center. However, he was refused tenure, in part because of his anti-Vietnam protest activity, and in 1975 he and Rhona moved to London.Mirsky was attracted to journalism and became the Observer’s China correspondent, based in London but frequently travelling to the country. His critical views of communist rule were strengthened when he made the first of six visits to Tibet for the paper. He decided the fault was not just communism but racist imperialism by Han Chinese towards ethnic minorities. Later he visited the exiled Dalai Lama in north India, who became a close friend. They shared the same sense of humour, and Mirsky was delighted to receive a long message from the Dalai Lama a few weeks before he died.During a trip to China in 1991 Mirsky was asked by the foreign ministry to leave the country and told he would never again receive a visa. In 1993 he moved to Hong Kong to become East Asia correspondent of the (London) Times until he resigned in 1998 in protest at its owner, Rupert Murdoch’s, accommodating line on China. Back in London, Mirsky wrote dozens of book reviews, mainly for the New York Review of Books. They were always erudite and colourful, and are admired today by scholars of China for their astute observation.For at least a quarter of a century Mirsky loved to hold court with friends over lunch at the same table at Fortnum and Mason’s in Piccadilly, usually enhanced by at least one Jewish and one off-colour joke. In the words of a close friend, Michael Yahuda, a former professor at the London School of Economics, “Jonathan was a master of anecdotes and he was never shy of embellishing them in favour of a good story. Above all, he enjoyed friendships and a good meal. Life with him was never dull.”He and Rhona divorced in 1986. While in Hong Kong, a decade later Mirsky married Deborah Glass, an Australian specialist in financial regulation who became deputy chair of the Independent Police Complaints Commission when they moved to London. In 2014 they separated and Deborah returned to Australia.He is survived by his sister Reba. TopicsChinaHistory booksNewspapers & magazinesUS politicsThe ObserverobituariesReuse this content More

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    The media is lambasting Biden over Afghanistan. But he should stand firm | Bhaskar Sunkara

    OpinionUS newsThe media is lambasting Biden over Afghanistan. He should stand firmBhaskar SunkaraThe president was right to withdraw the US from Afghanistan – and he’s being skewered for it

    I served with Nato in Afghanistan – it was a bloated mess
    Sun 29 Aug 2021 08.11 EDTLast modified on Sun 29 Aug 2021 08.12 EDTWhen Joe Biden, a conventional politician if there ever was one, said he was concluding the withdrawal of US troops from Afghanistan this month, in line with plans set in motion by the Trump administration, the response from the mainstream press was hostile. Following the Taliban takeover of the country, the tenor has only grown more hyperbolic.Joe Biden says new Kabul terror attack highly likely in next 24 to 36 hoursRead moreDuring the Trump years, publications like the New York Times and Washington Post presented themselves as the last defenses of freedom against creeping authoritarianism. The latter adopted a new slogan, “Democracy dies in darkness”, and spent millions on a Super Bowl ad featuring Tom Hanks extolling the importance of journalism as a profession.But for all this talk of “defending freedom”, the mainstream media has a history of reflexively defending militarism, foreign interventions and occupations. Biden – who dared fulfil a campaign promise and end America’s longest war – is learning this the hard way.As Eric Levitz recounts in New York Magazine, the media has created a public backlash against Biden, with outlets like the Times calling the withdrawal a humiliating fiasco. For the New York Times Editorial Board, the two-decade occupation of Afghanistan is described as a “nation-building project” that reflected “the enduring American faith in the values of freedom and democracy”.Key to the media narrative is the echoing of “experts” on Afghanistan like former ambassador Ryan C Crocker, who wishes in another Times op-ed that instead of bolting after a couple of decades, US troops might have remained in Afghanistan for more than a half-century, as we’ve done on the Korean peninsula. Crocker regrets that “Mr Biden’s decision to withdraw all US forces destroyed an affordable status quo that could have lasted indefinitely at a minimum cost in blood and treasure”.But as the writer Jeet Heer points out, the status quo was far from “affordable” for ordinary Afghans. The tragic figure of more than 2,000 dead US troops pales in comparison to the more than 200,000 Afghans killed since 2001. Indeed, prolonged civil war has put this year on pace to be the bloodiest for civilians as a failed US client state has overseen plummeting social indicators, widespread corruption and a total breakdown in public safety.The media had ignored the mounting chaos for years, only to laser-focus on it as a means to criticize Biden. They’ve ignored their own role in cheerleading a misguided “War on Terror” and pinned the blame for two decades of imperial hubris on the president who finally made good on promises to leave the country against the wishes of even some in his own party.What’s underlying much of the approach is a mainstream media fidelity to “expert” consensus. Many who presented themselves as fierce truth-tellers in the face of Trump hold the opinions of former intelligence and military officials in higher regard than that of a president democratically elected by 81.3 million people and pursuing a policy supported by 70% of Americans.Not only are corporate media pundits and talking heads wrong to advocate staying in Afghanistan, they’ve been wrong about generations of conflicts that ordinary people have opposed. Contrary to the popular imagination, opposition to wars from Vietnam to Iraq were spearheaded by workers, not the rich and the professional classes that serve them. It’s this general aversion to costly overseas conflict that the president should confidently embrace.Biden has never been a very good populist. For all his “Amtrak Joe” pretenses, he’s a creature of the Beltway, the ultimate establishment politician. It’s no surprise that his administration appears paralyzed in the face of criticism from its erstwhile elite allies. But unless he manages to push back against the narratives mounting against his administration, he’ll risk undermining his popular domestic agenda as well.Joe Biden did something good – and the media want to kill him for it. He should embrace their scorn and defend his actions to the American people.
    Bhaskar Sunkara is the founding editor of Jacobin magazine and a Guardian US columnist. He is the author of The Socialist Manifesto: The Case for Radical Politics in an Era of Extreme Inequality
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