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    Apprentice in Wonderland by Ramin Setoodeh review – how Donald Trump’s big break changed America

    Every time someone complains that our new prime minister is boring, I rue the day that politics became a performing art. The degradation began, as the entertainment journalist Ramin Setoodeh relates, when Donald Trump was catapulted into power by The Apprentice, a reality/talent/gameshow over which he presided on NBC from 2004 until 2017. Before this, Trump was best known as a loud-mouthed, laughable vulgarian, a fixture in tabloid gossip columns whose business career mostly consisted of bankruptcies. The British producer Mark Burnett endowed him with a new persona as a charismatic leader, a “godlike character” worshipped by teams of ruthless young entrepreneurs who fought for the chance to serve as apprentices in his property company. It was in this phoney guise that Trump won the election in 2016; installed in Washington, he nationalised the show’s cut-throat scenario by stoking social and ideological feuds, then sat back to enjoy the mayhem that ensued.Trump’s rabid animosity energised The Apprentice. The show’s ethos was supposedly aspirational, but success proved less telegenic than the gloating spectacle of failure: at the climax of every episode Trump eliminated losers by abusively booming: “You’re fired!” This catchphrase became a clarion call. “When I said it,” he boasts to Setoodeh, “the whole building shook. The place just reverberated. People were screaming, they went crazy.” Was their reaction ecstasy or hysterical alarm? Either way, they heard a megaphonic deity trumpeting doom.As president, Trump shrank from recreating that eschatological reign of terror. Afraid of real-life confrontations, he sacked chiefs of staff and cabinet members remotely, in small-voiced tweets, not thundering public denunciations. But in interviews with Setoodeh after he was voted out of office in 2020, this hunched, dejected “shadow of a famous man” physically bulks up again as he recalls a time when he was judge, jury and executioner. Play-acting authority on television was his forte; by contrast, running the country turned out to be both a chore and a bore.On The Apprentice, as in the White House, Trump disdained preparation and refused to read briefs, “purely focused on maximising his screen time”. The only protege to whom he paid attention was the back-stabbing diva Omarosa Manigault Newman, who saw herself as a female Trump. He subsequently eased her into a job at the White House, where what Setoodeh calls her “weaponised incompetence” soon caused her to be marched off the premises in disgrace. Although she then underwent a “total Trump detox”, he still speaks of Manigault Newman admiringly. He tells Setoodeh that in her first season on the show “she was evil”, which from him is high praise, then adds that the next year “she tried to be evil – and when you try it doesn’t work”. It’s a revealingly self-reflexive remark: is Trump himself authentically malign, or just pretending to be? He probably doesn’t know. As one would-be apprentice puts it, “Trump conducts himself like an actor playing Trump”; to further complicate matters, he plays the part badly.View image in fullscreenListening as he rants and rambles, Setoodeh likens him to “a novelty talking Trump doll, its battery on the fritz”. But that battery has recently been recharged: he now resembles a dummy perched on a ventriloquist’s knee, compliantly voicing the diatribes of the homegrown fascists who are his handlers. He has also revived the demeaningly competitive format of the show that launched him, and at a rally this July he claimed to be remaking The Apprentice by goading JD Vance, Marco Rubio and Tim Scott to outdo one another in sycophancy as they vied to become his vice-presidential running mate.The framing conceit of Setoodeh’s book comes from Alice in Wonderland. Trump, he argues, “took America through the looking glass” and warped government into nonsensical farce. Other literary antecedents cast darker shadows. Burnett “envisioned a Lord of the Flies society” and devised initiatic trials as exercises in psychological torture. Auditions even included invasive STD tests. One male competitor shudders as he describes “a funnel that they stuck in there”; scraping his urethra, it extracted a sample that somehow testified to his aptitude for a business career. The ritualised firings were brutal, “carried out like public floggings”.The show’s title had an equally sinister provenance. Burnett chose it as a homage to The Sorcerer’s Apprentice, Goethe’s ballad about a trainee magus who runs amok with his master’s spells. In the poem, acted out by Mickey Mouse in Walt Disney’s Fantasia, the absent sorcerer returns to chasten the apprentice and immobilise all those strutting broomsticks and sloshing pails of water. Trump’s mischief-making, however, has continued unchecked, and his current wheeze is to pretend that the burgeoning crowds at Kamala Harris’s rallies are conjured up by AI, like a digital version of Mickey Mouse’s phantasmagoric broomsticks.skip past newsletter promotionafter newsletter promotionSetoodeh – whose parents emigrated from Iran in the 1970s to live the American dream – seems so resigned to Trump’s victory in November that he raises a white flag in the book’s dedication. Choking on the fatal name in disgust or dismay, he offers it “To my dad, who is voting for him”. Sticking to pronouns, let’s hope that more Americans vote for her.

    Apprentice in Wonderland by Ramin Setooheh is published by HarperCollins (£22). To support the Guardian and Observer order your copy at guardianbookshop.com. Delivery charges may apply More

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    Ex-Apprentice producer claims Trump used racial slur for Black contestant

    Donald Trump used a racial epithet to reject the prospect of a Black winner on the debut season of The Apprentice, the Emmy-nominated series that transformed the former president into a reality TV star and fuelled his political career.Trump rejected the views of close aides that Kwame Jackson, a broker who worked for Goldman Sachs, had been the most impressive contestant, saying, “Would America buy a [N-word] winning?”, according to a producer who worked on the NBC show’s opening series in 2004, when it was called Meet the Billionaire.The anecdote is related by Bill Pruitt in a long essay in the online magazine Slate, titled The Donald Trump I Saw on The Apprentice.According to Pruitt, Jackson had emerged from a field of candidates to contest the final with a white competitor, Bill Rancic, after being assigned the task of overseeing a Jessica Simpson benefit concert at the Trump Taj Mahal Casino in Atlantic City.Jackson reportedly impressed two Trump advisers with his ability to overcome obstacles, including his handling of a difficult fellow contestant who had earlier been eliminated but whom he had hired to help stage the concert.Yet when one adviser, Carolyn Kepcher – who ran Trump’s hospitality units and one of his golf clubs – praised Jackson, saying he “would be a great addition to the organisation”, Trump demurred, winced – and then uttered the racial slur.“Kepcher’s pale skin goes bright red,” Pruitt writes. “I turn my gaze toward Trump. He continues to wince. He is serious, and he is adamant about not hiring Jackson.”He adds: “None of us thinks to walk out the door and never return. I still wish I had.”Trump’s racist remarks were subsequently unmentioned at the production meetings, and Rancic was duly announced as the winner.Their disclosure comes at a time when Trump – who has a history of racist rhetoric – is making efforts to woo Black voters, a bedrock of Joe Biden’s support, amid polling evidence that some are warming to him as he seeks a second presidency in November. Last week, Trump addressed a rally in New York’s Bronx borough, whose audience was about a quarter Black or Hispanic.His outreach to a voting bloc that backed the Democrats by more than nine to one in his 2020 election victory over Trump – but has shown apparent signs of apathy to Biden in polling – has alarmed the incumbent president and prompted him to launch his own charm offensive to retain its loyalty.Race is not the only sensitivity uncovered by Pruitt. He paints Trump as a confidence trickster incapable of delivering his lines to the camera or remembering contestants’ names – but who was falsely portrayed as competent, prescient and insightful by careful production treatment in the interests of making a successful series.“While filming, he struggled to convey even the most basic items,” Pruitt writes. “He could barely put a sentence together regarding how a task would work.”skip past newsletter promotionafter newsletter promotionThe presumptive Republican presidential nominee – who on Thursday awaited the verdict in a trial alleging that he arranged for hush money to be paid to an adult film actor, Stormy Daniels – is also depicted as sexist. At one point, he reportedly ordered a female camera operator out of an elevator where she was about to film him, calling her “too heavy”.Pruitt also describes being taken by Trump to one of his houses, which the then property tycoon suggests was a venue for his illicit sexual trysts, adding with a snicker: “Melania [then his fiancee, now his wife] doesn’t even know about this place.”He recalled meeting the architect of the clubhouse at the Trump National Golf Club, who told him that he was proud of the building but bitter that Trump did not pay him what he owed. “Trump pays half upfront,” he quotes the architect as saying. “But he’ll stiff you for the rest once the project is completed.”According to Pruitt, even the show’s trademark “you’re fired” line was not Trump’s work but was coined by producers after the star of the show had initially used a convoluted line to a losing contestant about taking an elevator down to the street that was deemed unfit to broadcast.None of this made it on to the final edit seen by the viewing public.“The truth is, almost nothing was how we made it seem,” Pruitt writes in mea culpa style. “So, we scammed. We swindled. Nobody heard the racist and misogynistic comments or saw the alleged cheating, the bluffing, or his hair taking off in the wind. Those tapes, I’ve come to believe, will never be found.”Contacted by Slate to comment on the allegations, Steven Cheung, a spokesperson for Trump’s 2024 presidential campaign, called it a “completely fabricated and bullshit story that was already peddled in 2016” and attributed its current publication to the Democrats, who he said were “desperate”. More