Sacha Baron Cohen

Subterms

    Latest story

    125 Shares139 Views

    Borat targets Trump, Ye and antisemitism at Kennedy Center Honors

    by

    Borat targets Trump, Ye and antisemitism at Kennedy Center HonorsSacha Baron Cohen skit receives mixed response at ceremony for lifetime achievements in the arts The British actor Sacha Baron Cohen reprised his character Borat and stole the show at America’s prestigious Kennedy Center Honors on Sunday night, targeting the former president Donald Trump, the rapper Kanye West, now known as Ye, and antisemitism.President Joe Biden smiled broadly and his wife, Jill, was in fits of laughter as Cohen told risque jokes in the comical accent of Kazakh television journalist Borat Sagdiyev.“I know the president of US and A is here,” Borat said to an audience including politicians and celebrities during a segment celebrating the Irish rock group U2. “Where are you, Mr Trump?”As the audience howled, Borat went on: “You don’t look so good. Where has your glorious big belly gone? And your pretty orange skin has become pale.” He then asked if the Russian leader, Vladimir Putin, and the nerve agent novichok were responsible.Borat, the star of two hit satirical films, added: ‘But I see you have a new wife. Wawawoooah! She is very erotic. I must look away before I get a Bono.”The comedian, who is Jewish, then turned his attention to antisemitism in the wake of Trump having dined at his Mar-a-Lago home with the Holocaust denier Nick Fuentes and Ye, who subsequently praised Adolf Hitler and was banned from Twitter for posting an image of a swastika.Borat said: “Before I proceed, I will say I am very upset about the antisemitism in US and A. It not fair. Kazakhstan is No 1 Jew-crushing nation. Stop stealing our hobby. Stop the steal! Stop the steal!” Some guests burst into laughter while others sat in uncomfortable silence.He continued: “Your Kanye, he tried to move to Kazakhstan and even changed his name to Kazakhstanye West. But we said: no, he too antisemitic, even for us.”Borat proceeded to sing a short parody of U2’s song With or Without You with the lyrics changed to “With or without Jews”. He broke off and asked: “What’s the problem? They loved this at Mar-a-Lago. They chose Without Jews.”The Bidens appeared to enjoy Baron Cohen’s routine but it also came as a shock in typically staid and buttoned up Washington. Asked by the Guardian what she thought of it, Biden’s sister Valerie Biden Owens said diplomatically: “I think I like U2”, while Roy Blunt, a Republican senator for Missouri, said: “Not much”.Glenn Youngkin, the governor of Virginia, said: “I was surprised to see him,” and sped away without elaborating.Along with U2, the actor George Clooney, the singer-songwriter Amy Grant, the singer Gladys Knight and the composer Tania León were celebrated at the 45th Kennedy Center Honors, the most prestigious honours for lifetime achievements in the arts. There was also an appearance from Sesame Street’s Big Bird.One audience member from the political world also received a standing ovation. Paul Pelosi, the husband of the House of Representatives speaker, Nancy Pelosi, used the weekend’s honors-related events to make his first public appearance since being attacked in October in their San Francisco home.The Pelosis sat next to the vice-president, Kamala Harris, and her husband, Doug Emhoff, in a balcony. Paul Pelosi wore a black hat and a glove on his left hand.The show highlighted the five artists’ work, and represented a return to pre-coronavirus norms. There was no requirement for testing to attend and few guests wore masks. Anthony Fauci, the chief medical adviser to the president, was among the guests.Clooney, a double Oscar winner, was also praised for his engagement in political causes and spoke to reporters after attending a White House reception.Asked how he thought Biden’s presidency was going, Clooney replied: “Beautifully. I love him. He’s a kind man with great intentions and he has some incredible legislation which kind of gets overlooked and they’re not very good at bragging about right now. He’s done a really good job and I’m very proud to be a supporter.”A follow-up question about whether Clooney, 61, would consider a career in politics prompted his wife, the barrister Amal Clooney, to smile and shake her head. The actor said in agreement: “Listen, we have a really nice life.”In a celebration at the state department on Saturday, Clooney told guests: “I’ve been lucky enough to meet millions of people, every country, literally 125 countries, and they all, without exception, agree and they’ll come up to me and say specifically that, ‘You sucked as Batman’. It’s unified. We could solve world problems if we just all could agree on more than just that I suck as Batman.”At Sunday’s main event at the Kennedy Center, Julia Roberts, who has co-starred in several films with Clooney, wore a floor-length gown with framed images of him on it and called him a “Renaissance man”. The actors Don Cheadle, Matt Damon and Richard Kind also paid tribute, with Damon recalling how Clooney once stole the then-President Bill Clinton’s stationery and wrote notes to fellow actors on it.But the one who moved Clooney to tears was his 88-year-old father, Nick, a journalist and TV anchorman. He recalled that he was hosting a TV show in 1968 when Martin Luther King was assassinated in Memphis. His family came into the green room. “Seven-year-old George had a large paper bag in his hand. I asked him what in the world was in the bag.“Well, he went to the coffee table, he turned the bag upside down. Out poured all of his toy guns landing with a clack. He said: ‘Pop, I don’t want these any more. None of them. Never.’ Well, I tore up my speech. Nothing I would’ve written would have been nearly as eloquent as what George had just done and said.”Nick Clooney said he was often asked what he wanted people to know about his son. “Well, here it is: George’s best and most important work is still ahead of him.”Knight, who has won seven Grammy awards, is famous for hit songs including I Heard It Through the Grapevine and Midnight Train to Georgia as the lead singer of The Pips, which became Gladys Knight and The Pips in 1962. Singers including Garth Brooks and Patti LaBelle performed some of Knight’s songs.Grant rose to prominence as a contemporary Christian music singer who later crossed over to pop stardom, winning six Grammys. The singers Sheryl Crow, Brandi Carlile, CeCe Winans and BeBe Winans were among the artists who honored her.Cuban-born León is a conductor as well as a composer, whose orchestral piece Stride won the 2021 Pulitzer prize in Music. The jazz pianist Jason Moran, the singer Alicia Hall Moran and the cellist Sterling Elliott played one of her creations, Oh Yemanja.The final tribute of the evening was to U2, which, with members Bono, The Edge, Adam Clayton and Larry Mullen Jr, has won 22 Grammys. Eddie Vedder performed Elevation and One, while the Ukrainian singer Jamala joined Carlile and others to perform Walk On. The actor Sean Penn described U2 as “four scrappy Dublin punks” who were also “great musical poets of the ages”.Other guests at the event included the transportation secretary, Pete Buttigieg, the senators Amy Klobuchar, Patrick Leahy, Joe Manchin and Mitt Romney, and representatives James Clyburn and Steny Hoyer, the White House press secretary, Karine Jean-Pierre, and the British ambassador, Dame Karen Pierce.Deborah Rutter, the president of the Kennedy Center, said: “This is probably the largest number of the administration and of Congress that we’ve ever had so that feels really great. People are ready to be back together fully and they want to see a good show.”TopicsBoratSacha Baron CohenDonald TrumpKanye WestAntisemitismU2George ClooneynewsReuse this content More

    More stories

    • 113 Shares99 Views

      in US Politics

      Borat v Trump: can entertainment really affect an election?

      by

      Even with the United States on red alert for pandemic containment, a pernicious phrase has been creeping into the public lexicon at an unprecedented rate of spread. We’ve been beset by a plague known as “the film we need right now”, a noxious concept used to justify and amplify the profiles of nearly a dozen releases over the past year.The run-up to the presidential election has brought about an explosion of topical projects announcing themselves as a noble bulwark against the encroaching threat of another Trump term. And with them, the age-old debate over what any of this actually accomplishes has been reignited. Every time a film introduces itself as the one we need right now, it must first answer the question of whether a film is what we really need. As of late, the arguments have not been especially compelling.A variety of approaches to critique and cinematic styles have been bound together by their shared objective of pushback against the currents of Trumpism, most prominent among them the new documentary Totally Under Control. Alex Gibney’s documentary about the current administration’s grossly incompetent coronavirus response touts itself as filmed in secret, rushed to press in time for election day with the urgency of a breaking news story. Alexandra Pelosi (yes, they’re related) and Showtime have also positioned her new documentary American Selfie: One Nation Shoots Itself in close proximity to the first Tuesday in November, its broad portraiture of a nation in crisis speaking directly to its moment. This week, Brittany Huckabee (no, they’re not related) brings a more granular analysis to the electoral process in her non-fiction film How to Fix a Primary. In each case, time appears to be of the essence.While perhaps less rigorous in terms of reportage, the Borat sequel Subsequent Moviefilm has arrived with a similar sense of gravity, with less than two weeks on the clock before the vote. And though the small-screen series The Comey Rule gave itself a bit more lead time, the Trump critiques nonetheless gesture to the coming reckoning that may or may not result in four more years of his White House. Baldest in its intentions would be the recent reunion of executive-branch drama The West Wing, the promo copy explicitly using the phrase “a call to action” to describe the program’s star-spangled defense of the democratic process. Yet there’s an air of futility to this campaign behind the campaign.On matters like this, I often refer back to the troubling anecdote in which Donald Trump watches the 1988 Jean-Claude Van Damme vehicle Bloodsport on a plane, fast-forwarding through all dialogue so he can get to the violence and destruction. Suffice it to say that many subscribers to the Trumpist worldview are not the most receptive to the swaying powers of art. And that’s when they engage with it in the first place, the vast majority being unlikely to give the time of day to an entertainment so openly trumpeting its liberal bona fides. Those films that make an active effort to reach across the aisle and appeal to a theoretical rightwing viewership often undermine the point they’re making. The Comey Rule often strains to paint Republican higher-ups as helpless objectors against Trump’s bulldozing influence, where complicity didn’t have to be dragged out of anyone. For this seeming reluctance to alienate the unconverted, it’s a weaker work. More