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      Veep cast reunites, with special guests, to raise money for Harris

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      As soon as Joe Biden dropped out of the presidential election and threw his support behind Kamala Harris, people immediately started comparing the shocking turn of events to something that would unfold on HBO’s critically acclaimed political satire Veep. At the time, the US vice-president was seen as a Selina Meyers-esque figure, what with her penchant for public awkwardness, clunky turns of phrase and the perception of her as a perpetual also-ran.Since then, things have changed quite a bit, with Harris rising to the occasion and running a highly effective and exciting campaign that has seen her ascend to frontrunner in the race (even if her advantage remains razor-thin).Still, as I wrote in my article from July, her campaign and the Democrats as a whole would be wise to lean into comparisons to Veep. Despite how venal and vain the characters on the show were, the workplace comedy (which wrapped up in 2019) remains as popular and relevant as ever.When you consider this alongside the fact that the majority of the cast, including and especially its star, Julia Louis-Dreyfus, are outspoken liberals, it made all the sense in the world for some Democratic group to try to work with them to raise funds and awareness during this final leg of the campaign.That group ended up being the Wisconsin Democrats. A swing state that is likely to have a big hand in deciding not only who the next president is, but also which party controls the Senate, WisDems put together a live Zoom table read of a classic episode of Veep, featuring the majority of the cast, plus some big-name guest stars, to be livestreamed to the donors, with the money raised going towards presidential, congressional and assembly campaigns across the state.Fellow liberal comic and Veep super-fan Stephen Colbert took on hosting duties. Special guest stars included the Wisconsin senator Tammy Baldwin in her acting debut (not counting her childhood performance in a school production of Finian’s Rainbow), actor and comedian Kumail Nanjiani as a Syrian refugee (“I’m Pakistani, but I can play cat-eating immigrants from all over the world”), Seinfeld co-star Jason Alexander as a pompous feature writer, film-maker Kevin Smith as a reporter, and Larry David – who, in the most fitting turn of events imaginable, spent the first several minutes of the live stream trying to figure out how to work his Zoom – as Selina’s chief hatchet man, Ben Cafferty.View image in fullscreenReprising their roles from the show were actors Diedrich Bader, Nancy Lenehan, Gary Cole, Sam Richardson, Sufe Bradshaw, Timothy Simons, Reid Scott, Matt Walsh, Anna Chlumsky, Tony Hale and, of course, Louis-Dreyfus, while series regulars Clea DuVall and Sarah Sutherland took on other roles, since their characters don’t appear in this ep. (Patton Oswalt, who was also on the show, made a surprise appearance during the post-read Q&A.)The episode chosen was Crate, from season 3, which finds Selina and her cronies campaigning in New Hampshire ahead of the upcoming primaries. Various mishaps involving a pricey photo-op prop, an incriminating cellphone recording and the suicidal first lady, ensue. This episode is regarded as one of the very best in the show’s history, mostly due to one scene: Selina, having just learned that Potus will be resigning from office, effective immediately, shares a joyous freakout alongside her body man/closest confidant, Gary. It’s a bravura performance from both Louis-Dreyfus and Hale, one that probably secured them each an Emmy the following year.(It’s also fitting that this episode should be chosen, given that this intimate scene is immediately followed by Selina betraying Gary, a dynamic that repeats itself in the most devastating moment of the series finale.)For the read-through, the cast slipped back into their roles with ease. Everyone was on point, but Louis-Dreyfus and Hale were extra-dialed in, especially during their big scene. You got goosebumps watching them recreate it 10 years later, over Zoom, while still bringing all of the emotion they did during the actual filming.The guest stars all acquit themselves well, but it should come as no surprise that it was David who got the biggest laughs. While it’s impossible for him not to play himself, his singular delivery proved a perfect fit with Veep’s uber-cynical, profanity-laden screwball dialog.After the reading, we alternated between cast members interviewing a handful of state legislature candidates (with the major focus of the night revolving around abortion rights) and them fielding questions from viewers. Show creator Armando Iannucci joined in for this portion of the event.We got treated to a mini-Seinfeld reunion between Louis-Dreyfus, Alexander and David; Louis-Dreyfus sounded off on her hatred of AI; Smith talked about his favorite scene of the show (Selina accidentally getting high on St John’s wort, naturally); and David went off on a funny tangent about bald men looking better with beards (although he himself would never grow one because comedians can’t be stroking their beards).Someone asked the cast to give their favorite individual lines from the show. Louis-Dreyfus: “Jolly green jizz-face.” Simons: “[You’re] a meme, ma’am.” Walsh: “I’ve met [some] people … and a lot of them are fucking idiots.” Chlumsky: “[That’s] like [trying to use] a croissant [as] a [fucking] dildo. It doesn’t [do] the job and it [makes] a fucking mess!” Bradshaw: “[Get] the government out of my [fucking] snatch.” Colbert: “Danny Wah!”Iannucci seemed to confirm that Kent and Sue indeed hooked up at some point (“It probably involved algorithms”) and speculated on various characters’ outcomes (married politicos Amy and Bill are probably hosting a podcast with their dogs, while the “late” Andrew Meyer is living under a new identity on an island that he’s trying to buy with a view to it being recognized as its own country).When asked about the future of satire, Iannucci said it depended on who wins this election, as the entire premise of political comedy hinges on people holding politicians up to certain standards, standards Trump and his ilk have never shown the least bit of concern over.Colbert wrapped things up by having the cast read aloud their favorite insults of the show’s most despicable and hilarious character, noxious political aide and eventual veep, Jonah Ryan. These cruel gems include: “Childless cat-lady man”, “Disney plus extra chromosomes”, “Harry No-Styles”, “Rape-It Ralph”, “Moonsucker”, “Satellite licker”, “face-circumcised” and “stock photo for sperm-bank reject”.Right as Simons, the actor who played Ryan, broke the news that the fundraiser exceeded its stated goal of $600,000, Iannucci tossed out on final new Jonah barb that he’d come up with earlier in the day:“Jonah, even if you fell into the world’s most powerful castration machine, you’d still come out of it a dick.” More

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      Jimmy Kimmel on Trump campaign hacks: ‘Shows that his password is McNuggets123’

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      Late-night hosts talk the Trump campaign’s multiple campaign hacks, Kamala Harris’s lead among young voters and a dubious new Trump merchandise product.Jimmy KimmelThe Trump campaign has now been hacked twice in the last two months, “which is what happens when you store secret documents next to the urinal at a golf course”, said Jimmy Kimmel on Wednesday evening.Intelligence officials suspect Iran is behind at least one attack, leading campaign spokesman Steven Cheung to claim that the attacks show how Iran is “terrified of the strength and resolve of Donald J Trump”.“And it also shows that his password is McNuggets123,” Kimmel joked.One of the journalists who received the leaked documents said the material may be “embarrassing or problematic” to members of the Trump campaign. “As if anyone who works for the Trump campaign is capable of embarrassment,” Kimmel noted.In other campaign news, Trump was in Georgia on Tuesday, “where they’re working very hard to fix the election for him”, and “once again, he had a lil McFit about whether or not Kamala Harris worked at McDonalds”. Trump repeatedly and falsely said Harris never worked for the fast-food chain, calling her past employment a “lie”.“He really should just be running for Mayor McCheese,” said Kimmel. “It’s so dumb, it’s so petty, but so is he.”Seth MeyersOn Late Night, Seth Meyers laughed at Trump’s campaign trail confession that his “personality defect” is wanting people to like him. “By his own confession, he likes people who like him, and that’s it,” said Meyers. “He doesn’t care about policy or character or integrity. He you like him, he likes you.”That’s why Trump endorsed Mark Robinson, the scandal-plagued Republican candidate for governor of North Carolina. In multiple appearances, Trump praised Robinson, who is Black, saying: “I’ve gotten to know him so well.” He also described Robinson as a “fine wine”, “Martin Luther King on steroids” and “Martin Luther King times two”.“He’s really truly amazing,” said Meyers of Trump. “Everyone agrees Martin Luther King is a great person, but only Trump would say ‘I know someone twice as good! Every night he has two dreams!’”Among Robinson’s numerous scandals is a CNN report of his past racist comments on a pornographic website called Nude Africa, including calling himself a “black Nazi”. In another comment, Robinson, using his full name in his username, said slavery was “not bad” and that he wished it would come back.“First of all, who uses their full name on a porn website?” Meyers wondered. “I don’t even use my full name when I make a dinner reservation – I use Jimmy Fallon, because I want a table.”Despite his past support of Robinson, the Trump campaign is now pretending they don’t know him, and have removed joint events from their calendar. “A healthy, functional political party would do some introspection about how and why they keep attracting deranged extremists and anti-social weirdos like these guys,” Meyers concluded. “But the GOP would rather lie and pretend they have never had anything to do with Robinson in the first place.”Stephen ColbertAnd on the Late Show, Stephen Colbert cited a new Harvard youth voting poll that found Harris leads young female voters 70% to 23%. “Young women are going to save us all. And young men are going to play Xbox and see how high they can jump off a big rock,” Colbert joked.In an effort to attract young voters, the Harris campaign has committed to visiting over 150 college campuses. “Ooh, 150, she’s trying to break Matt Gaetz’s record,” Colbert quipped. “I’m kidding, obviously he’d never date a college girl. Or, as he calls them, mature honeys.”According to a polling director at Harvard, the results show “a significant shift in the overall vibe”.“Yeah the vibes are immaculate,” Colbert said. “The analysis shows that Harris ate and left no crumbs. Her campaign had a bussin’ glow-up. In conclusion, the children have broken my brain. Boots king!”In other news, “Trump may be busy campaigning, but he’ll never lose sight of his first love: selling garbage,” said Colbert. On Tuesday, the former president announced that he’d be selling silver Trump coins with his face on them. The coins are selling for $100 apiece, though the silver they’re made of only costs $30.“What a deal!” Colbert deadpanned, before imagining one man’s justification for buying the coins: “Honey, I know I bought a Trump coin at a 210% loss, but you can use the Trump coin to buy Truth Social stock, and once that eventually bounces back we’ll invest the profit in an NFT trading card of his gold sneakers, which is pegged to the price of the little pieces of his suit we got from when he got arrested, then convert it to Trump crypto, which we’ll use to buy Melania’s book, which, get this, is worth one Trump silver coin.” More

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      Jon Stewart on Harris’s debate performance: ‘She crushed that’

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      Late-night hosts recapped the first presidential debate between Donald Trump and Kamala Harris on ABC News.Jon StewartJon Stewart took over his guest perch at the Daily Show on Tuesday for a live post-debate show, reeling from over 90 minutes of heated conversation between Donald Trump and Kamala Harris.“I just want to say that after surviving the PTSD of the last presidential debate, how unbelievably refreshing it is to go back to the same old nobody is going to answer any fucking questions! We’re back!” Stewart joked of the “cliches” and “baseless ad hominems” of American political theater.Early in the matchup, Trump claimed that “everybody” wanted Roe v Wade overturned and the legality of abortion left up to states, which Harris accurately disputed. “I have talked with women around our country,” she said. “You wanna talk about, this is what people wanted? Pregnant women who want to carry a pregnancy to term, suffering from a miscarriage, being denied care in an emergency room because the healthcare providers are afraid they might go to jail – and she’s bleeding out in a car in the parking lot? She didn’t want that.”“Holy shit! She crushed that,” said Stewart.Stewart ran through highlights of the debate, including when Harris got under Trump’s skin about the crowd sizes at his rallies, or when Trump tried to deny that he had any role in January 6. But ultimately, “I don’t know if this debate is going to change anything,” said Stewart. “People are often set in the manner that they view these proceedings. What I think is a home run answer for one candidate, someone else views as a dodge or a lie.“It doesn’t matter what they say any more, but one thing will always be true – and it is the quality of the former president I respect the least,” he continued. “Whenever he is cornered and forced to face even the smallest of consequences for his own mendacity and scheming, he reverts to the greatest refuge of scoundrels.”That would be the classic line of deflection – “it wasn’t me” – which Trump basically used for January 6.“This man, who constantly professes to be your champion, who says they’re going to have to go through him to get to you, will always, when the boat is going down, be the first into the lifeboats,” Stewart declared with palpable anger. “Because in that moment, he will always say the same thing: ‘I didn’t know anything about it, I was just told to show up for a cruise.’ Even though, everybody knows, he was the fucking captain of the ship.“In any other country, that lack of accountability would be disqualifying,” he concluded.Stephen Colbert“Unlike the first presidential debate back in June, this time the Democratic candidate was able to walk out to the stage without pausing for a nap,” said Stephen Colbert on the Late Show.The host was impressed with the vice-president’s performance. “Kamala Harris came in needing to rattle Trump’s cage,” he said. “And now that it’s over, they are still looking for pieces of his cage in low orbit.“Harris got under his skin like she was stuffing in butter and rosemary. It was beautiful,” he continued. “By the end of the debate, the meat was falling off the bone.”Trump was “so nonsensical” throughout the debate, that Harris “looked at him the way a parent looks at a kid giving a presentation on why they should be allowed to get a pet tiger”.When the moderators asked a basic question on Roe v Wade, Trump “lied so fragrantly” that the ABC News moderator Linsey Davis had to intervene with the fact-check “there is no state where it is legal to kill a baby after it is born”.“Follow up question: can a moderator win a debate?” Colbert quipped.Harris often returned to a theme of looking toward the future, to “turn the page” on the Trump years.“Actually, turning the page seems kind of mild,” said Colbert. “I would say we should burn the book, but that’s really more his thing.”Jimmy KimmelIn Los Angeles, Jimmy Kimmel also dug into “the debate of the decade”.“It was like watching the Lorax debate the Grinch tonight,” he said. “Usually when Trump gets a spanking like this from a woman it’s with a Forbes magazine. Kamala was pushing his buttons like a 12-year-old playing Fortnite.”Though Republicans urged Trump to stay focused on the issues, he did anything but. “Who are we kidding? This election isn’t about the issues,” said Kimmel. “Dick Cheney isn’t voting for Kamala Harris because he agrees with her on the issues. He’s voting for her because there’s a rhinoceros charging, and she has the tranquilizer gun.”Kimmel zeroed in on the moment when Trump repeated false stories about Haitian immigrants in Springfield, Ohio, eating cats and dogs, which has been repeatedly debunked. Nevertheless, Trump said: “They’re eating all the pets of the people that live there.”“I want you to imagine that we’ve never heard of Donald Trump before, and the first time you’ve ever seen him was during tonight’s debate,” said Kimmel. “What would your reaction be right now? You’d be in shock. The Republican party would have to close their headquarters and turn them into a Spirit Halloween store.“How is it possible that half of this country thinks that it’s a good idea to give the guy who tried to overthrow our government another chance to run our government?” he concluded. “Like if someone poisoned all the jalapeño poppers at TGI Fridays, you wouldn’t interview them to be the chef!” More

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      Saturday Night Live seeks fresh Biden as political comedy faces new era

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      The US presidential election may be over but another keenly watched contest is just beginning. Who should play Joe Biden on Saturday Night Live?Jim Carrey quit the role last Saturday after poor reviews. Alex Moffat, a regular cast member, stepped in for that night’s episode. But it still remains uncertain which actor will portray Biden on a show that helps define each American presidency in the popular imagination.It is just one example of the new challenges facing political satire as Donald Trump leaves the presidential stage. The 45th president offered endless material for late-night TV hosts, standup comedians and cartoonists. His Democratic successor appears to be a less obvious target.“There is about a two-minute hole in every late-night monologue beginning on January 20,” observed Bill Whalen, a former media consultant for the ex-California governor Arnold Schwarzenegger. “Two minutes every night reserved to Trump jokes and Trump bashing: that ends as soon as Biden takes office. So how do you fill the void?”Based in New York, SNL started on the NBC network in 1975 and has been more or less nailing presidents ever since. Chevy Chase played Gerald Ford as bumbling and accident-prone. Dana Carvey was so spot-on as George HW Bush that he earned an invitation to the White House.Will Ferrell captured George W Bush’s word-mangling incoherence. Jay Pharoah was praised for his Barack Obama impression but left the show prematurely. Whalen added: “Obama they had a hard time mocking because Obama was Mr Cool, and how do you make fun of Mr Cool? So I think comedy took a bit of a time out during the Obama years and came roaring back with Trump.”Alec Baldwin’s devastating rendition of Trump as an ignorant idiot, complete with pursed lips and blond wig, frequently went viral and earned the president’s wrath. Melissa McCarthy’s fast and furious take on his first press secretary, Sean Spicer, also struck comedy gold.On one level it is entertainment, but SNL’s cultural significance should not be underestimated, argues Michael Cornfield, a political scientist at George Washington University in Washington. “The central angle of approach to a president’s character is through the Saturday Night Live caricature,” he said.SNL has already found its Kamala Harris in Maya Rudolph, but Biden is proving a tougher nut to crack. He has been played by cast members and guest stars including Jason Sudeikis, Woody Harrelson and John Mulaney. Carrey signed on for this year’s election campaign but his manic performances arguably missed the mark.“Jim Carrey was doing Jim Carrey,” Cornfield observed. “He didn’t communicate Biden.”So Moffat, who has previously played Trump’s son Eric, took over as Biden for an opening sketch in which the vice-president, Mike Pence (Beck Bennett), received a Covid-19 vaccine. But Moffat is only 38, less than half Biden’s age, leaving next year’s all-important casting an open question, along with broader questions of where to find humour in the coming presidency.Cornfield commented: “To me, the comedy of the administration shapes up as one of these workplace sitcoms where the central character, Biden, has to be carrying on gamely while everything around him is going nuts.“Biden’s personality is tough because you don’t want to make fun of his stuttering. You don’t want to make fun of his tragedies. What you want to make fun of is he’s going to pretend that everything is right: ‘Oh sure, I’ll negotiate with the Republicans. No problem. Oh sure, I’ll make the federal government work. No problem.’ That’s his pretence and that’s up for lampooning because it won’t.“Now having said that, I don’t think it will be what we’ve lived through the last four years. We don’t need [Armando] Iannucci-level viciousness because I don’t think that’s called for. But there is a need to make fun of the president. That’s very American.”Cornfield has a suggestion for the role: Ted Danson, who turns 73 next week and appeared with Harrelson in the long-running sitcom Cheers. “He’s got that big smile and that cocky how-you-doin’ demeanor and he knows how to react to people who are just not doing the job or are completely nuts. There’s great comedy to be had when somebody is trying to pretend that everything is is going smoothly when it’s not.”Even so, just as cable news is reportedly bracing for a loss of viewers after the “Trump bump”, political satirists could be forgiven for thinking that a golden age is coming to an end.Trump’s crass remarks, badly spelled tweets and bizarre behaviour – from gazing up at a solar eclipse to slow-walking down a ramp – have been the gift that keeps on giving. It is safe to assume that Biden will not suggest bleach as a coronavirus cure.The Late Show with Stephen Colbert, The Daily Show with Trevor Noah and Last Week Tonight with John Oliver are among the TV programmes that have thrived on dark humour in the Trump years, making sense of the chaos for viewers, channeling their anger and fear and conveying a pointed message.Colbert now draws far more viewers than his late-night rivals Jimmy Fallon and Jimmy Kimmel, neither of whom targeted Trump so directly. He also had a hand in Our Cartoon President, a barbed animated series about Trump and his entourage.Stephen Farnsworth, co-author of Late Night with Trump: Political Humor and the American Presidency, said in an email: “From President Trump’s angry, blustery falsehoods to his clown car entourage, Saturday Night Live and late night comedy have never had it so good. When America has an over-the-top president, one who needs to be in the public eye 24/7, the jokes practically write themselves.“That ends in January. When compared to the current president, Joe Biden is a far less compelling character for humor and doesn’t display the same neediness for public attention. What’s more, Trump’s exaggerated physical mannerisms and speech patterns, captured so effectively by Alec Baldwin, made him easier to imitate than many political figures.”Farnsworth, political science professor at the University of Mary Washington in Fredericksburg, Virginia, added: “Biden is much more measured in what he says and does than is Trump, and that’s not good for comedy. Biden used to be known for a malapropism or two, but his 2020 campaign was a highly controlled exercise, particularly compared to Biden’s time as vice-president or as a senator.”Trump’s departure, however, is also coming as a relief to comedy performers and writing. There are have been moments when he can seem beyond satire and when it is easier to cry than laugh. A novelist might find him frustratingly two-dimensional.Steve Bodow, a former head writer and executive producer of The Daily Show, told the Washington Post last month: “I feel confident saying most writers of late night will not only be politically and patriotically happier, but they’ll be comedically happier. The thing about Trump is there’s nothing new there; there’s just not that much to chew off the bone. It can be utterly exhausting.”Trump was a Falstaffian figure but the consequences of his actions, especially during the deadly coronavirus pandemic, were anything but funny. Biden’s own life has been scarred by personal loss and he inherits a country facing multiple crises – and where Trump is likely to remain a political player.Sidney Blumenthal, a former assistant and senior adviser to President Bill Clinton, said: “The larger-than-life element about Biden is tragedy. Making fun of his speech is making fun of someone who through immense willpower overcame the disability of stuttering.”He added: “The one person who gets Biden best is Stephen Colbert, who, like Biden, is a deeply rooted liberal Catholic.“The fundamental problem is that we have yet to reckon with the immensity of the mourning and grief of what will likely be a half-million dead, which should have been largely preventable by the clownish sadist who provided so much fun before he ushered in a reign of death.” More

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      Dr Jill Biden says op-ed attack a surprise – but won't let president-elect fight back

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      Dr Jill Biden has said her doctorate, the subject of a controversial opinion column in the Wall Street Journal, is one the achievements of which she is most proud. “That was such a surprise,” she told CBS Late Show host Stephen Colbert on Thursday, seated next to her husband, Joe Biden. “It was really the tone of it … He called me ‘kiddo’. One of the things that I’m most proud of is my doctorate. I mean, I worked so hard for it.”Writing for the Journal, Joseph Epstein, a former adjunct professor at Northwestern University, suggested her doctorate in education from the University of Delaware did not entitle her to use the honorific “Dr”, as she was not medically qualified. Her use of “Dr” therefore “feels fraudulent, not to say a touch comic”, he wrote.The column met with widespread outrage and accusations of sexism, as well as delight in the apparent hypocrisy of many attendant rightwing attacks. The Journal’s editorial page editor defended the column, calling its critics “overwrought”.Dr Biden’s thesis was on maximising student retention in community colleges. She also has two Masters degrees. She has said she will continue to work in education while she is first lady.“I taught all eight years while I was second lady, right,” she told Colbert, referring to the eight years in which her husband was vice-president to Barack Obama.“I’m really looking forward to being first lady and doing the things that I did as second lady. Carrying on with military families and education and free community college, cancer [research] that, you know, Joe and I have both worked on. And then I’m going to teach as well.”She also said her husband had attended when she defended her doctoral thesis – “I got to hand her her doctorate on the stage, University of Delaware,” he said – and expressed thanks to those who defended her against Epstein’s attack.“Look at all the people who came out in support of me,” she said. “I mean, I am so grateful and I was, you know, I was just overwhelmed by how gracious people were.”Colbert asked the president-elect if the column had made him want to stand up for his wife, “to like get out the pool chain and go full Corn Pop on these people”.That was a reference to remarks for which he was criticised in the Democratic primary, when he reminisced about facing down a bully at a pool in the Delaware of his youth.The president-elect seemed tempted, but Dr Biden said: “The answer is no.”He said: “I’ve been suppressing my Irishness for a long time.”He was also asked if he will be willing to work with Republicans who have attacked him and particularly his son, Hunter Biden.“If it benefits the country, yes, I really mean it,” he said. “It doesn’t mean I wasn’t angry. This doesn’t mean if I were back in the days in high school, I wouldn’t say, ‘Come here, you know, and go a round.”Perhaps sensing a relapse – Biden began his presidential run saying he wanted to fight Donald Trump – Dr Biden interjected again.“But you have to take the high road,” she said. More

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      Can late-night comedy recover from the Trump presidency?

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      As the results trickled in on election night 2016, Stephen Colbert, host of The Late Show on CBS, processed Donald Trump’s victory live, before a shocked audience. He lamented America’s partisan divide (“how did our politics get so poisonous?”), professed belief in the utility of comedy (“in the face of something that might strike you as horrible, I think laughter is the best medicine. You cannot laugh and be afraid at the same time”) and offhandedly prefigured the identity crisis to come for late-night television: “I’m not sure it’s a comedy show any more.”
      Colbert performed the role of late-night host nimbly, even if the genre of an election night comedy hour was poorly suited for the victory of a candidacy that had been viewed by many as a joke. Trump, as the TV critic Emily Nussbaum argued in January 2017, had long performed, and audience-tested in rallies, the role of a boozy, heckling, aggrieved standup comic, one who shrugged off countless taboos as “sarcastic” jokes, one with an endless appetite for attention.
      Nussbaum’s essay, published in the first week of Trump’s presidency, evinced the trap facing liberal political comedians: “How do you fight an enemy who’s just kidding?” How do you skewer a performer who never made any attempt at sincerity? How could network and cable comedy, overwhelmingly delivered by straight white men, effectively lampoon a self-evidently ridiculous social media troll whose only currency was attention? Trump may have seemed at the outset like a boon to jokesters, but his presidency – the flat denials, the destabilizing cascade of crises and a fractured, contemptuous media landscape – has killed political comedy.
      Where does late-night go from here? Regardless of whether or not Trump is re-elected, his presidency has altered the genre in form and function. For four years, political comedy, and in particular late-night television, has lurched through a cyclical Trump attention loop: hosts mock the president, Trump continues with the next galling lie or lashes out on Twitter (or both), hosts mock Trump again, attention paid and courted and repaid. In the 2010s, as the lines in American cultural commentary blurred – political propaganda, social life and memes blended in a gorging timeline of content – Trump jokes became the default late-night currency. Even Jimmy Fallon, the affable Saturday Night Live (SNL) alum who infamously tousled Trump’s hair in 2015, was forced by a ratings war into more political monologues.
      In the Trump era, the genre has morphed to shoulder two burdens: to metabolize liberal outrage through short-circuited Trump jabs (Seth Meyers’ Closer Look segments, SNL’s too-numerous cold opens, whose main insight seems to be the sight of various celebrities game for impersonation); and to process the torrent of headlines in our confounding, infuriating, oversaturated reality.

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      The latter is not an insignificant function, given the time and sanity-erasing blankness of constant disruption and, say, a global pandemic. During the nationwide protests against anti-black police brutality this summer, late-night shows helped keep people tethered to, rather than escape from, the feverish timeline of deeply unfunny police crackdowns and ongoing pandemic surges. Many people got the gist of impeachment, the Mueller report, the Russia investigation, Trump corruption and justice department manipulations through late-night comedy shows. (The leading program, Colbert’s Late Show, averaged 3.45m viewers in 2019-2020; Saturday Night Live drew 8.24m viewers for its 46th season premiere last month, its highest audience since 2016.)
      There’s certainly a democratic function to that processing; when everything is politicized and the news landscape is calcified either in bad faith propaganda (Fox News) or norms of impartial politeness (the Sunday talkshows), late-night “comedy” – a pastiche of recaps, clips and jokes delivered by a host allowed to call bullshit – becomes a manageable way to keep up with things. But that doesn’t mean it was necessarily funny or sustainable or, to quote Colbert on election night, really a comedy show any more. Kimmel and Fallon seem to view jokes as a formality before the more entertaining work of interviewing celebrities; Late Night’s Seth Meyers has almost dispensed with jokes entirely in his outrage-laden, indignant Closer Look warnings on America’s descent into authoritarianism.

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      Late-night political comedy, following the model of The Daily Show, built a common language through the George W Bush and Barack Obama years: point out bad faith and dishonesty through videos stitched with hard news reports, then voice collective outrage at the con. But the past four years have undermined the belief that comedy could serve as an effective weapon against an administration whose reality show is outdone by its horrifying, very real “accomplishments”. The late-night shows once seemed to get under Trump’s skin, but to what effect? He might call the hosts “very weak and untalented” on Twitter, or continue his longstanding feud with SNL (and especially his impersonator, Alec Baldwin, although his attention for late-night shows appears to have waned this year). But in a polarized, post-hypocrisy world, jokes don’t so much thwart the hypocrite as draw viewers back into the reactive loop.
      The host perhaps most successful at navigating the Trump years, and the most critically acclaimed, is John Oliver, whose unsparing, morally clear, melodically ranting explainers on HBO’s Last Week Tonight focus on the rot around or tangential to Trump, rather than the man himself. Full Frontal’s Samantha Bee similarly works in allusive jokes around issues-driven monologues, as one of the few female hosts and a rare success in the 2010s boom and bust of liberal news comedy shows which evince the struggle to break fresh ground in the Trump era. The Nightly Show With Larry Wilmore, Patriot Act With Hasan Minhaj, The Opposition With Jordan Klepper, Wyatt Cenac’s Problem Areas, The Jim Jefferies Show and The Break With Michelle Wolf all premiered after January 2015, and have all since been cancelled.
      Sharp-toothed political comedy, meanwhile, has shifted to the masses on social media, and in particular TikTok. Political accounts run by Zoomers, which overlay pop music on bespoke factchecking, dances, healthcare advocacy and nihilistic memes, have become “cable news for young people”. Sarah Cooper’s lip-syncing Trump impressions blew up on TikTok and Twitter, leading to a guest-host gig on Jimmy Kimmel Live!. But her Netflix comedy special, Everything’s Fine, slams into the wall of Trump-centric satire and exemplifies the dilemma of traditional comedic forms; absent the fundamental insight of her impressions – that nothing satirizes Trump more than his own words – comedy rooted in the destabilizing chaos of the current moment sprouts starchy, disposable bits, jokes that strain when they should zing.
      What, then, can late-night comedy do? The shows do, after all, retain huge audiences, with institutional legitimacy and social media platforms that reach millions. Their guest slots can and have elevated diverse and “radical” perspectives, such as prison abolition advocates and Black Lives Matter activists. In 2020, late-night TV has gained the most cultural cachet when it embraces not redundant Trump jokes but the flexibility of the format – performing the duties television journalists refuse to do, for example, such as Colbert’s grilling the motives of the former Trump adviser John Bolton.

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      Ironically, it’s perhaps most relevant when it’s serious, self-aware, stripped down. In June, Trevor Noah released a quarantine-filmed video in reaction to the killing of George Floyd by Minneapolis police, in which he spoke plainly to white audiences as a person of color, a child of apartheid South Africa who understood state violence. “That unease that you felt watching that Target being looted, try to imagine how it must feel for black Americans when they watch themselves being looted every single day,” he said. “Because that’s fundamentally what’s happening in America: police in America are looting black bodies.”
      Noah’s video was shared widely on social media and cited by activist Kimberly Jones in Minneapolis, whose words were then incorporated in an episode of Last Week Tonight. More recently, Colbert has straight-up implored people to vote out the president; “We have two weeks to decide what kind of country this is gonna be,” he said last week, in reaction to news that the administration still had not reunited 545 children, separated from their families at the border, with their parents.
      There’s no laughter in such statements, no finding humor as an antidote. Earnestness – anathema to internet humor – is an awkward spot for late-night comedy to find itself in. But it’s cutting through bullshit, the leg work of sorting context and promoting inquiry, where late-night comedy can still find wiggle room, fresh territory with or without Trump. It’s not so much telling jokes as telling it straight – humor as a prerequisite but not the punch. More