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    Democrats condemn CBS for axing Colbert show: ‘People deserve to know if this is politically motivated’

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    Democrats are condemning CBS for its recent decision to cancel The Late Show with Stephen Colbert, noting the news comes just a few days after its host criticized the network’s parent company, Paramount, for settling a $16m lawsuit with Donald Trump.Senator Adam Schiff, a California Democrat who appeared as a guest on Colbert’s show on Thursday night, later wrote on social media: “If Paramount and CBS ended the Late Show for political reasons, the public deserves to know. And deserves better.”In early July, Paramount settled a “frivolous” lawsuit with Trump over the president’s claim that CBS News deceptively edited an interview with then presidential candidate Kamala Harris. Paramount is also seeking approval from the US Federal Communications Commission for an $8.4bn merger with Skydance Media. On Monday, Colbert called the settlement “a big fat bribe”.Colbert’s firing would not be the first potentially spurred by a dispute with the president. In February, after MSNBC fired host Joy Reid, Trump celebrated her show’s cancellation. Reid, a Black woman, had been a vocal critic of Trump and spoke frankly about the Black Lives Matter movement and war in Gaza. And in December, ABC News agreed to settle a defamation lawsuit Trump filed against the network and anchor George Stephanopoulos with a $15m payment to a Trump foundation and museum, as well as paying $1m in the president’s legal fees.The Massachusetts senator Elizabeth Warren, who has called for an investigation into Paramount’s relationship with Trump over the Skydance merger, wrote: “CBS canceled Colbert’s show just THREE DAYS after Colbert called out CBS parent company Paramount.”Skydance is owned by David Ellison, the son of a close Trump ally, Larry Ellison.Representative Pramila Jayapal of Washington also posted on social media, writing: “People deserve to know if this is a politically motivated attack on free speech.”Bernie Sanders, the independent Vermont senator, echoed similar concerns. “CBS’s billionaire owners pay Trump $16 million to settle a bogus lawsuit while trying to sell the network to Skydance,” he wrote. “Stephen Colbert, an extraordinary talent and the most popular late night host, slams the deal. Days later, he’s fired. Do I think this is a coincidence? NO.”CBS announced it would retire the Late Show after Colbert’s contract ends in May, cutting short a 33-year run that began when David Letterman launched the show in 1993. The show received an Emmy nomination earlier in the week for talk series.A number of celebrities also voiced their frustration with the cancellation, including concerns that it may have been politically motivated. In a social media post the actor John Cusack wrote: “He’s not groveling enough to American fascism – Larry Ellison needs his tax cuts – doesn’t need comedians reminding people they are not cattle.”In a joint statement, Paramount and CBS executives wrote that the cancellation was “purely a financial decision against a challenging backdrop in late night”.They said they considered “Stephen Colbert irreplaceable” and that the show’s cancellation “is not related in any way to the show’s performance, content or other matters happening at Paramount”.Writing on his own social media platform, Trump celebrated the show’s cancellation: “I absolutely love that Colbert got fired. His talent was even less than his ratings. I hear Jimmy Kimmel is next. Has even less talent than Colbert! Greg Gutfeld is better than all of them combined, including the Moron on NBC who ruined the once great Tonight Show.”Trump has called for the network to fire Colbert since September 2024, when the host called the president “boring” during an interview with PBS NewsHour. More

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      in US Politics

      The end of Stephen Colbert’s Late Show is a concerning nail in the coffin for comedy | Jesse Hassenger

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      The idea that the political career of Donald Trump would be a goldmine for comedy died a long time ago, with the coffin accepting stray nails for the past five years. The latest and possibly last such nail is the cancellation of The Late Show, the CBS late-night talkshow hosted by Stephen Colbert since the fall of 2015, and originated by David Letterman when the network poached him from NBC in 1993. At this point, Trump hasn’t just made topical late-night comedy look outdated, hackneyed and an insufficient response to his reign of terror; he’s also made a chunk of it flat-out go away.There will be time to eulogize Colbert’s particular talkshow style later; the Late Show isn’t leaving the air for another 10 months, when his contract is up. Surely that leaves plenty more time to savage the president – and Colbert has been in this slot since right around the time Trump became a real contender in the presidential race, so why has this only now come to a head? Seemingly because the axing of the Late Show franchise follows the $16m settlement of a frivolous Trump lawsuit against CBS and their newsmagazine show 60 Minutes over the show’s editing of a 2024 interview with presidential candidate Kamala Harris. Colbert made great fun of his bosses’ payout as a cowardly “bribe” designed to appease the Trump administration, who are in the position to approve or deny the sale of Paramount, the corporate owners of CBS, to the company Skydance. In other words, the pre-merger nixing a comedian who regularly goofs on Trump on network TV seems like a convenient bit of timing – maybe even an unspoken bonus to go along with those millions of dollars.The network, of course, has characterized the decision as “purely financial” amid a period when most traditional late-night shows have struggled. As excuses go, it’s not entirely unconvincing. After all, Colbert isn’t being replaced with another host; The Late Show is simply going the same route as its short-lived companion series After Midnight (and The Late Late Show before it). CBS is surrendering the late-night block entirely. This represents a major retreat after the Letterman deal made the network a genuine player for the first time in ages. Presumably it’s back to reruns and old movies going forward.In that sense, this decision does transcend politics. CBS has ripped off a bandage that the big three networks have been applying to similar wounds for years. Late-night programming simply doesn’t mean as much as it used to, with smaller network lead-ins from primetime lineups and more audience choices for comedy, talk, music or even the dopey celeb games that Jimmy Fallon throws together. Saturday Night Live has retained some cultural cachet, thanks to a combination of lower commitment (20 episodes a year, on a night where many people don’t have work the next day, versus eight times as many, all airing on weeknights), legacy branding (it’s still known as a star showcase and political comedy go-to, no matter how wan those cold-open sketches get), and sketch comedy that travels well online. These days, it’s routinely one of the highest-rated network shows of the week when it airs a new episode, offering an encouraging sign that old time-slot rules about viewership no longer apply. It’s also extremely expensive to produce and difficult to replicate, which nonetheless looks more viable than the tired talkshow format.View image in fullscreenBroadly, this could be a good thing for comic minds including Colbert or Conan O’Brien. Some comedians seem unable to resist the siren call of late-night talkshows, chasing the Tonight Show dream even when that actual job remained out of reach. O’Brien is a singularly brilliant comedy writer and performer; as great as his late-night shows could be, in retrospect should he have spent three decades primarily in that waning medium? Colbert, meanwhile, did his strongest political satire playing a parody of a conservative commentator on The Daily Show and its later spinoff The Colbert Report. His warmth and sometimes-sharp humor made him a good “real” talkshow host – and by most standards, a successful one. In recent matchups, his Late Show has been the most-watched such program across the major networks. That he can face cancellation anyway should (alongside O’Brien losing his Tonight Show gig years ago) signal to newcomers that the rarified air of the national late-night talkshow host is also getting pretty thin, maybe unbreathable.Yet Trump has sucked up some of that oxygen, too. Even with the “challenges” cited by CBS, it’s difficult to believe that vanquishing a longtime issuer of Trump mockery wasn’t at least considered a side benefit of canceling The Late Show. Even if the decision was, as claimed, a financial one, it accompanies another financial decision: that Paramount could afford to pay Trump $16m rather than proceed with litigation that many seemed to think they could win. That’s precisely the kind of expense that could diminish how, say, your late-night talkshow attracts more eyeballs than The Tonight Show.Beyond Trump personally smudging up the balance sheets, he’s helped to hasten the demise of late-night comedy simply by being himself, seeming to provide the perfect target: a venal, dimwitted perma-celebrity with an army of devoted sycophants. But after two non-consecutive administrations have flooded the zone with grotesqueries, performing a lightly zinging monologue or sketches as a warmup act for good-natured interviews seems unlikely to entice either those craving anti-Trump catharsis, or those desperate to believe in his strongman powers.That Colbert took a somewhat less cutesy approach than his competitor Fallon seemed to be all that was necessary to mark him as a troublemaker. The thing is, Trump might have ultimately consumed him either way. By providing a ready-made caricature of himself, intentionally or not, the president has beaten the system again. It may not be worth mourning the hacky, presidential-themed jokes we might miss in a future with fewer talkshows than ever. But it does feel like the enforcement of one of Trump’s more minor cruelties: the ability to see himself as the only real star in the world. More

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      US Senate passes aid and public broadcasting cuts in victory for Trump

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      The US Senate has approved Donald Trump’s plan for billions of dollars in cuts to funding for foreign aid and public broadcasting, handing the Republican president another victory as he exerts control over Congress with little opposition.The Senate voted 51 to 48 in favour of Trump’s request to cut $9bn in spending already approved by Congress.Most of the cuts are to programmes to assist foreign countries stricken by disease, war and natural disasters, but the plan also eliminates the $1.1bn the Corporation for Public Broadcasting was due to receive over the next two years.Trump and many of his fellow Republicans argue that spending on public broadcasting is an unnecessary expense and reject its news coverage as blighted by “anti-right bias”.Standalone rescissions packages have not passed in decades, with lawmakers reluctant to cede their constitutionally mandated control of spending. But the Republicans, who hold narrow majorities in the Senate and House, have shown little appetite for resisting Trump’s policies since he began his second term in January.The $9bn at stake is small in the context of the $6.8tn federal budget, and represents a tiny portion of all the funds approved by Congress that the Trump administration has held up while it has pursued sweeping cuts, many ordered by Elon Musk’s Department of Government Efficiency (Dog)e.By mid-June, Trump was blocking $425bn in funding that had been appropriated and approved by Congress, according to Democratic lawmakers tracking frozen funding.However, the president and his supporters have promised more of the “rescission” requests to eliminate previously approved spending in what they say is an effort to pare back the federal government.The House of Representatives passed the rescissions legislation, without altering Trump’s request, by 214-212 last month. Four Republicans joined 208 Democrats in voting no.But after a handful of Republican senators balked at the extent of the cuts to global health programmes, Russell Vought, the director of the Office of Management and Budget, said on Tuesday that Pepfar, a global programme to fight HIV/Aids launched in 2003 by President George W Bush, was being exempted.The change brought the size of the package of cuts to $9bn from $9.4bn, requiring another House vote before the measure could be sent to the White House for Trump to sign into law.The rescissions must pass by Friday. Otherwise, the request would expire and the White House required to adhere to spending plans passed by Congress.Two of the Senate’s 53 Republicans , Lisa Murkowski of Alaska and Susan Collins of Maine, joined Democrats in voting against the legislation. “You don’t need to gut the entire Corporation for Public Broadcasting,” Murkowski said told the Senateskip past newsletter promotionafter newsletter promotionShe said the Trump administration had not provided assurances that battles against diseases such as malaria and polio worldwide would be maintained. Murkowski called for Congress to assert its role in deciding how federal funds were spent.The Republican Senate majority leader, John Thune of South Dakota, called Trump’s request a “small, but important step toward fiscal sanity”.Democrats scoffed at that, noting that congressional Republicans had this month passed a massive package of tax and spending cuts that nonpartisan analysts estimated would add more than $3tn to the country’s $36.2tn debt.Democrats accused Republicans of giving up Congress’s constitutionally mandated control of federal spending.“Today, Senate Republicans turn this chamber into a subservient rubber stamp for the executive, at the behest of Donald Trump,” Chuck Schumer, the Senate Democratic leader, representing New York, said. “Republicans embrace the credo of cut, cut, cut now, and ask questions later.”The cuts would overturn bipartisan spending agreements most recently passed in a full-year stopgap funding bill in March. Democrats warn a partisan cut could make it more difficult to negotiate government funding bills that must pass with bipartisan agreement by 30 September to avoid a shutdown.Appropriations bills require 60 votes to move ahead in the Senate but the rescissions package needs just 51, meaning Republicans can pass it without Democratic support. More

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      in US Politics

      How the rightwing sports bro conquered America

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      View image in fullscreenThis February, Pat McAfee was broadcasting live on ESPN, the most watched sports network in the US, when he aired a salacious rumor about the sex life of a teenage college student. Once a workaday punter with the Indianapolis Colts, McAfee is now the most influential pundit in American sports with an eponymous ESPN show, who has more than 11m followers across YouTube, X, Instagram and TikTok.To howls of merriment from his panel, McAfee spelled out the rumor centered on a 19-year-old female student at Ole Miss, a public university in Mississippi, as it was “being reported by everybody on the internet”: that the student had sex with her boyfriend’s father. “Ole Miss dads are slinging meat right now!” roared “Boston” Connor Campbell, one of McAfee’s sidekicks.McAfee did not directly name Mary Kate Cornett, the college freshman at the center of the rumor, but she has since described how McAfee’s amplification of this “completely false” story encouraged others in the sports talk world to do likewise, resulting in her receiving a deluge of threats and harassment. Cornett has engaged lawyers to explore suing McAfee, ESPN and others involved in spreading the rumor for defamation. McAfee appeared moderately chastened by the episode: “I never, ever want to be a part of anything negative in anybody’s life, ever,” he said recently while addressing the outrage that his boosting of the rumor prompted. But he has not yet apologized, and in no way does his future as one of ESPN’s most bankable stars seem in jeopardy. Whatever blowback ensued has blown right on by.The whole episode served as a demonstration of power: the world of sports influencers such as McAfee, which is particularly influential among young men and can be understood as an extension of the Donald Trump-aligned “manosphere”, now stands as an important bastion of the culture of insensitivity and entitlement on which Trumpism thrives.View image in fullscreenA new generation of sports talk starsThe Pat McAfee Show, a two-to three-hour afternoon blast of high-volume sports chat, sweating and raw, uncomplicated American male heterosexuality, launched in 2019. It has quickly become a favored media stop for many of the top names in US sports and culture. Tom Cruise spent 30 minutes on the show recently (“I appreciate the shit outta you,” McAfee told Cruise); LeBron James stopped by for an hour.Throughout the show’s history, McAfee has courted controversy: he’s called WNBA star Caitlin Clark a “white bitch”, he’s made jokes about child abuse, he’s helped air rumors linking celebrities to Jeffrey Epstein. None of it seems to matter: McAfee, whose show moved to ESPN on a five-year, $85m deal in 2023, powers on unperturbed, growing in cultural might with each passing month.McAfee is now the avatar of a new generation of sports talk stars who have upended the rules about public speech, remade culture in their own brash image, and are completely bulletproof.View image in fullscreenAmong McAfee’s peers in this dripped-out new world of costless needling are Barstool Sports boss Dave Portnoy; former NFL players Will Compton and Taylor Lewan, who co-host the show Bussin’ With the Boys; and NFL receiver-turned-podcaster Antonio Brown. Sports are also a major, though not exclusive, topic of conversation for Joe Rogan, Theo Von and other leaders of the manosphere. The Wikipedia pages of many of these figures contain hefty “controversy” tabs. Portnoy has faced extensive and credible accusations of sexual misconduct; Brown refers to WNBA star Clark, an athlete on whom the anti-woke right seems psychotically fixated, as “Cousin Itt”, referencing the Addams Family’s hirsute, non-verbal relative, and is so crassly sexist online that even the famously feminist redoubt of Barstool Sports has described him as a “crackpot”.In an earlier era, reckless promotion of tasteless gossip about a teenager’s sex life might have been enough to sink a career like McAfee’s. Provocation, abrasiveness and a delight in offending have been essential to sports talk – on radio and cable TV – for decades. But in the years before social media, on-demand programming and betting turned sports into an all-hours, all-platforms juggernaut, there were still lines that sporting pundits could not cross: shock jock Don Imus, for instance, built his career on being outspoken but was fired by WFAN/MSNBC in 2007 after making racist and misogynist comments including describing the Rutgers women’s basketball team as “nappy-headed hos”.Today’s sports broadcast world runs according to a new set of rules, in which “respectable” TV and the demi-monde of sports podcasts, streaming, and shitposting increasingly intersect: all engagement is good engagement, and the best type of filter is no filter. Whatever faint norms of decorum constrained earlier generations of professional sports talkers have faded completely.There’s a reciprocal flow of testosterone and ideas between these shows, the world of sports, social media and real life. A handful of subjects and themes recur: veneration of the military, glorification of strength and traditional “male” values, celebration of gambling, the denigration of women and anything thought to represent “woke” culture. On any given day across the sporting bro-zone you might hear Bussin’ With the Boys and their guests rail against pronouns and cancel culture, the hosts of Barstool Sports’ Pardon My Take podcast argue Taylor Swift needs to “release a sex video” to make her presence at NFL games tolerable to the average male fan, or McAfee devote 30 minutes (as he did recently) to describing his day among “maybe the baddest motherfuckers on earth”: the drill instructors at the US Marine Corps training center on Parris Island in South Carolina. These interests and obsessions mirror the president’s cultural politics, turning the sports bros into critical emissaries for Trump’s peculiar brand of popularly elected vandalism.It’s worth questioning, of course, how influential these influencers really are. A recent poll from the Harvard Kennedy School’s Institute of Politics found that 35% of young men had an unfavorable view of Rogan, while a further 36% had never heard of him or did not know enough about him to have an opinion. The much-rehearsed idea that the minds of young male voters have been irretrievably colonized by the manosphere is surely overblown.But there seems little dispute that these influencers have been effective in platforming rightwing figures and ideas. The sports bros are an essential part of that legitimizing apparatus – all the more so because their endorsement of the right’s reflexes, priorities and modes of attack is couched in the ostensibly apolitical language of sports. The cultural supremacy of the sports bros is now so total that Barstool’s Dave Portnoy is now famous for his online pizza reviews that can make or break restaurants in America. When a casual day trader from Massachusetts who built his media empire on college gambling advice becomes the arbiter-in-chief of America’s favorite food, something fundamental has shifted in how we determine cultural authority.View image in fullscreenThe sports bro supremacyThe unsinkability of these sporting mouths, bobbing forever on the surface of our cultural consciousness, parallels the envenomation of online discourse and the transformation of Trump from presidential punchline into the most consequential political figure of the century. Trump, let’s not forget, first reached the White House after navigating a storm of outrage over the Access Hollywood tape, a victory that set a precedent for the practitioners of “locker room talk” who have found fame in his wake. With the tacit endorsement of the sports bros, on whose shows he became a regular guest during last year’s election, Trump not only seized the young male vote, he also engineered a complete reversal in his own reputation throughout the sporting world from his first to second terms.Interestingly, McAfee himself declined an invitation to have Trump on his show during last year’s election campaign, reasoning that he and his sidekicks are “not the ones” to be asking questions about politics – an uncharacteristic moment of modesty. But UFC-adjacent comedian Theo Von and Barstool Sports’ Bussin’ With the Boys both featured extended conversations with Trump during the campaign.These appearances showed Trump to be extremely well-versed in sports, which is perhaps no surprise when you consider the amount of time he spends tweeting about them, watching them and playing them – not to mention his own tangled history with the business side of sports (Trump owned a New Jersey-based team in the short-lived United States Football League during the 1980s). These podcasts also helped humanize Trump, presenting him as a relatable guy who works long hours and is sympathetic enough to engage a jumpy figure like Von in a conversation about drug addiction. The warm audience Trump received helped normalize his politics and support.Today the sporting world, with a few notable exceptions, genuflects before Trump in a way that seemed unthinkable during his first term. Beyond the unquivering Trumpian stronghold of Dana White’s UFC, the big professional leagues such as the NFL and NBA either kept their distance from the 45th president or were at outright war with him; now No 47 is the guest of honor at the Super Bowl and every second athlete is doing the Trump dance, the double fist pump and minor hip swivel that the president has turned into his signature choreographic move on the campaign stage.The president’s political endurance has perhaps, in turn, acted as a kind of bro bat signal, helping to validate the obnoxiousness and resistance to introspection on which the sports bros thrive: if he doesn’t have to censor himself, apologize or pay lip service to feelings, why should they?View image in fullscreenThe personality of American culture has long been split between purity and profanity. The death of consequences for figures like McAfee suggests the balance of power has definitively swung in favor of the trolls and tough guys, and now none of puritanical old America’s sanctities will hold them back. It says everything about the sports bros’ invincibility that among the top names floated by progressives to counter the blitzkrieg of Trump’s second term and lead them to 2028 is Stephen A Smith, the sports pundit who turned relentlessness into a career and is something of a spiritual godfather to the McAfees and Portnoys of the world. The only person who can defeat a sports bro is another sports bro.Might there be another strategy for the left to combat this tide flooding the sporting-cultural zone? Recent reports suggest Democrats are slinging money to all corners of the country in a desperate attempt to find the progressive answer to Rogan: the chatter is all about “speaking with American men” and investing to generate a “return on culture”, and Democrats such as Hakeem Jeffries and Josh Shapiro have in recent months zombied from sports podcast to sports podcast in a doomed and focus group-refined attempt to revive a cadaverous Democratic party with the tonic of their everyman cool.These appearances might be wooden and inauthentic, but it does suggest a key role for sports in the left’s attempt to pull itself off the canvas following the catastrophe of last November. Sports are hardly the exclusive preserve of the right. The Golden State Warriors’ four-time championship winning head coach, Steve Kerr, is probably the most vocal critic of Trumpism at work in American sports today, and Democrats have long associated themselves with sports: Barack Obama, of course, is an accomplished hooper, while Zohran Mamdani, the socialist candidate for New York City mayor who loves Arsenal and cricket and has spun his appearances at Knicks games during the recent NBA playoffs into campaign trail gold, is living proof that it’s possible to be passionate and knowledgeable about sports while eschewing the ugliness of bro culture.But left-leaning sports pundits? That’s a tougher ask. The pallor of recent attempts to seed a more robust progressive presence online highlights how severely Democrats have been left behind in the new world of sports talk. Broadcasts such as the Pat McAfee Show are powerful engines of political orientation not because they address politics directly – they almost never do – but because their politics emerge in the interstices of everything said on screen.There aren’t many popular voices in sports punditry that do for the left what McAfee and his cohort do, casually yet masterfully, for the right: embody an ethos, solidify an idiom and transmit a set of values that find a natural downstream outlet in electoral politics. Influential Twitch lefty Hasan Piker occasionally discusses sports but they are not his main focus; pundits such as Pablo Torre and Bomani Jones lean liberal but they do not have the same reach that the McAfees of the world do, and they don’t express their politics with anything like the same splash. Over the past decade sports broadcasters who discussed politics from a leftist perspective, such as former ESPN host Jemele Hill, were gradually forced out of the mainstream. NFL star Travis Kelce, who hosts a popular podcast with his older brother Jason, seems vaguely progressive in orientation but he also said playing in front of Trump at this year’s Super Bowl was “a great honor”, a tellingly wimpy political intervention. Like LeBron before him, he’s too big to get too real, too good to get dirty; the Kelce-James brand of progressivism is very much by the book, a progressivism of the civics class. Where the right is loud, the sporting left speaks with a militant squeak.View image in fullscreenA lack of voices on the leftOn-field athletic competition is about domination, strength, winners and losers, yes, but it’s also about finesse, beauty, cunning and wit; it’s a place where conservative fantasies of order and the cerebrations of the progressives can both find a home.But if any side should be controlling the field of sports talk, it is the left, since so many of the inequalities that plague society at large now infect sports as well, which are increasingly run on extractive lines for the benefit of predatory rentiers, autocrat-backed sovereign wealth funds and private-equity ghouls. Meanwhile the leveling mechanisms that still keep the American professional leagues interesting and unpredictable – collective wage bargaining, drafts, salary caps and luxury taxes – have their roots in this country’s unlikely tradition of sporting socialism. Far from being a natural stage for the tiresome politics of cultural revenge in which the right traffics, sports (as a thing to shoot the shit about) offer a rich canvas for the exploration of many issues about which the left cares deeply: race, gender, class, social mobility and the corrupting influence of money.The left should not be afraid of learning from the lords of the sporting bro-zone even as it spurns their machismo and lack of tact. A culture used to crew necks can’t go back to buttoned collars.For example, as part of his deal with ESPN, McAfee is allowed to swear live on TV: “The following progrum is a collection of stooges talking about happenings in the sports world,” announces a disclaimer that airs before each show, read aloud in a geriatric voice reminiscent of Grampa Simpson. “There may be some ‘cuss’ words because that’s how humans in the real world talk.” This is one area where the bros and the left should make common cause: swearing is good. Viewers love McAfee not despite the fact he’s loose, unpolished and has a dirty mouth; they love him because of these things. This is a man, let’s not forget, who first came to prominence at age 23, while playing for the Colts, after being arrested in downtown Indianapolis for taking a pre-dawn swim in a canal. Asked to explain why he was soaking wet, McAfee replied: “I am drunk.” The charge was dismissed but the hearts of a city were won, and a media career was born.Why can the left not take the best of McAfee and his ilk while jettisoning the worst? Surely it’s possible to talk sports in a way that’s biting, real, unfiltered, funny and even mean – to “connect with men where they are”, as we are repeatedly told the left must – without descending into toxicity, cruelty, belligerence and hate. If progressives want to reclaim the White House, they could do worse than to start rambling for hours on end about games and players that have nothing to do with politics at all. Sports-loving leftists of America, unite: you have nothing to lose but your parlays. More

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      Why is the media paying millions to Trump? – podcast

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      Archive: CBS News, PBS, NBC News, WHAS11, CNN, Fox 5 New York
      Read Edward Helmore’s piece on Trump’s war on the media
      Listen to Science Weekly’s episode on the Texas floods
      Listen to Season 10 of Comfort Eating with Grace Dent
      Send your questions and feedback to politicsweeklyamerica@theguardian.com
      Help support the Guardian. Go to theguardian.com/politicspodus More

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      Bill Moyers, Lyndon Johnson press chief and celebrated broadcaster, dies at 91

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      Bill Moyers, the former White House press secretary who became one of television’s most honored journalists, masterfully using a visual medium to illuminate a world of ideas, died on Thursday at age 91.Moyers died in a New York City hospital, according to longtime friend Tom Johnson, the former chief executive of CNN and an assistant to Moyers during Lyndon B Johnson’s administration.Moyers’ son William said his father died at Memorial Sloan Kettering in New York after a “long illness”.Moyers’ career ranged from youthful Baptist minister to deputy director of the Peace Corps, from Johnson’s press secretary to newspaper publisher, senior news analyst for CBS Evening News and chief correspondent for CBS Reports.But it was for public television that Moyers produced some of TV’s most cerebral and provocative series. In hundreds of hours of PBS programs, he proved at home with subjects ranging from government corruption to modern dance, from drug addiction to media consolidation, from religion to environmental abuse.In 1988, Moyers produced The Secret Government about the Iran-Contra scandal during the Reagan administration, and simultaneously published a book under the same name. Around that time, he galvanized viewers with Joseph Campbell and the Power of Myth, a series of six one-hour interviews with the prominent religious scholar. The accompanying book became a bestseller.His televised chats with poet Robert Bly almost single-handedly launched the 1990s Men’s Movement, and his 1993 series Healing and the Mind had a profound impact on the medical community and on medical education.In a medium that supposedly abhors “talking heads” – shots of subject and interviewer talking – Moyers came to specialize in just that. He once explained why: “The question is, are the talking heads thinking minds and thinking people? Are they interesting to watch? I think the most fascinating production value is the human face.”Demonstrating what someone called “a soft, probing style” in the native Texas accent he never lost, Moyers was a humanist who investigated the world with a calm, reasoned perspective, whatever the subject.From some quarters, he was blasted as a liberal thanks to his links with Johnson and public television, as well as his no-holds-barred approach to investigative journalism. It was a label he didn’t necessarily deny.“I’m an old-fashion liberal when it comes to being open and being interested in other people’s ideas,” he said during a 2004 radio interview. But Moyers preferred to term himself a “citizen journalist” operating independently, outside the establishment.Public television (and his self-financed production company) gave him free rein to throw “the conversation of democracy open to all comers”, he said in a 2007 interview with the Associated Press.“I think my peers in commercial television are talented and devoted journalists,” he said another time, “but they’ve chosen to work in a corporate mainstream that trims their talent to fit the corporate nature of American life. And you do not get rewarded for telling the hard truths about America in a profit-seeking environment.”Over the years, Moyers was showered with honors, including more than 30 Emmys, 11 George Foster Peabody awards, three George Polks and, twice, the Alfred I duPont-Columbia University Gold Baton award for career excellence in broadcast journalism. In 1995, he was inducted into the Television Hall of Fame.Born in Hugo, Oklahoma, on 5 June 1934, Billy Don Moyers was the son of a dirt farmer-truck driver who soon moved his family to Marshall, Texas. High school led him into journalism.“I wanted to play football, but I was too small. But I found that by writing sports in the school newspaper, the players were always waiting around at the newsstand to see what I wrote,” he recalled.He worked for the Marshall News Messenger at age 16. Deciding that Bill Moyers was a more appropriate byline for a sportswriter, he dropped the Y from his name.He graduated from the University of Texas and earned a master’s in divinity from Southwestern Baptist Theological Seminary. He was ordained and preached part time at two churches but later decided his call to the ministry “was a wrong number”.His relationship with Johnson began when he was in college; he wrote to the then senator offering to work in his 1954 re-election campaign. Johnson was impressed and hired him for a summer job. He was back in Johnson’s employ as a personal assistant in the early 1960s and for two years, he worked at the Peace Corps, eventually becoming deputy director.On the day John F Kennedy was assassinated in Dallas, Moyers was in Austin helping with the presidential trip. He flew back to Washington on Air Force One with newly sworn-in President Johnson, for whom he held various jobs over the ensuing years, including press secretary.Moyers’ stint as presidential press secretary was marked by efforts to mend the deteriorating relationship between Johnson and the media. But the Vietnam war took its toll and Moyers resigned in December 1966.Of his departure from the White House, he wrote later: “We had become a war government, not a reform government, and there was no creative role left for me under those circumstances.” More

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      ‘Fight back’: journalist taking Trump administration to court calls for media to resist attacks

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      The lead plaintiff in a lawsuit fighting Donald Trump’s order to dismantle Voice of America has said the media has to resist as the administration becomes increasingly aggressive against the press.“I never in a million years thought I would have to fight for freedom of the press in the United States of America. And yet here we are,” says Patsy Widakuswara, the White House bureau chief for the broadcasting network. “As journalism is under attack, it feels empowering to fight back. We need more people to resist and fight back.”Kicked out of press conferences on multiple continents for asking pointed questions, Widakuswara is not the type to balk at challenging powerful leaders. In her three decades as a journalist those instincts have served her well, and perhaps at no better time than now.The White House reporter is now leading the charge to save VOA, which the US president has described as “anti-Trump” and “radical”. In March, Trump signed an executive order that effectively cut off its funding via its parent company, the US Agency for Global Media (USAGM).Launched in 1942, initially to counter Nazi propaganda, VOA is a federally funded international broadcasting network, produced in dozens of languages that reach about 350 million people around the globe.View image in fullscreenFor decades it has been seen as a form of soft power, encapsulating the values of liberal America. But after Trump’s order its operations have been suspended, with virtually all of VOA’s staff of 1,300 placed on immediate administrative leave and about 600 contractors terminated.The lawsuit filed by Widakuswara and several of her colleagues follows lawsuits the Trump administration has taken out against ABC News and CBS’s 60 Minutes in the US, and attempts to expel some press from the White House. Those backing the case argue that VOA has for decades provided an important source of objective information, especially in illiberal environments.“These are not just women in Afghanistan or farmers in Africa,” said Widakuswara of VOA’s audience. “They’re also activists in Russia and decision makers all around the world who are also facing the onslaught of disinformation and propaganda from Russia, Iran, China, and extremist organisations like [Islamic State] and al-Qaida.”At home having a quiet Saturday when she received the email about VOA’s demise, Widakuswara says to do nothing was inconceivable. In a matter of days she had rallied a team to fight against it, and by Friday morning had filed a lawsuit.“It’s just the way I’m wired,” she says over the phone from Washington. “Congress gave us a mandate to tell America’s story to the world through factual, balanced and comprehensive reporting. If they want to change the size, structure or function of VOA, they can’t just shut us down. They must go through Congress. That’s the law.”View image in fullscreen‘Holding autocratic governments to account’Starting her career in Jakarta in the late 90s, just as Indonesia’s decades-long dictator Suharto was being toppled, the Indonesian-born journalist has seen first-hand the impacts of authoritarian regimes.Widakuswara worked at a campus radio station, and later as a fixer for foreign journalists when they flooded in to cover the event, as mass student protests inundated the parliament building and forced Suharto to step down.skip past newsletter promotionafter newsletter promotion“That was my first taste in media,” she says. “Holding autocratic governments to account.”The experience led to a career in television, and a British Foreign and Commonwealth Office scholarship to obtain her master’s in journalism at Goldsmiths, University of London. After stints at the BBC and Channel 4, she was named VOA’s White House bureau chief in 2021.Now, she finds herself pushing against fascistic tendencies in her adopted home. “I grew up in 80s Indonesia where there was no press freedom and newspapers had to be careful what they printed to avoid government closure,” she says. “Could the US backslide that far? Not if enough people resist, and that’s why I’m fighting back.”Her lawsuit, backed by Reporters Without Borders and four unions, argues the Trump administration, through the actions of the defendants, USAGM, and the government’s special adviser Kari Lake, are attempting to unlawfully dismantle VOA’s operations because they deem it contrary to the government’s agenda.Widakuswara argues that Trump’s executive order is a violation of press freedom, the first amendment, and laws to prevent executive overreach, with VOA funding approved by Congress, not the president.Another motivating factor is to support her 47 colleagues at VOA on J-1 or journalist visas in the US, who could be sent back to countries such as Russia, Belarus, Vietnam and Myanmar which have previously jailed journalists.Widakuswara’s efforts to save VOA appeared to score an early win, with a judge in April ordering the Trump administration to restore funding to VOA and other US-funded media. But the preliminary injunction was only a temporary measure.On Saturday, just as VOA staff were preparing for a “phased return” to work, a court of appeals issued a stay on that ruling, saying the court did not have the authority to block Trump’s executive order regarding employment matters.Keenly aware of the unfavourable political climate she is up against, Widakuswara says it is hard to know if their case will ultimately prevail, but the only choice is to try. “Even if it’s just like a 5% chance or even a 1% chance, that’s better than a 0% chance, which is what happens if we do nothing.” More

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      Trump signs executive order to cut funding for public broadcasters

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      Donald Trump has signed an executive order seeking to cut public funding for the news outlets NPR and PBS, accusing them of being biased.NPR and PBS are only partly funded by the US taxpayer and rely heavily on private donations.The US president has long had an antagonistic relationship with most mainstream news media, previously describing them as the “enemy of the people”.A notable exception is the powerful conservative broadcaster Fox News, some of whose hosts have taken on leading roles in his administration.“National Public Radio (NPR) and the Public Broadcasting Service (PBS) receive taxpayer funds through the Corporation for Public Broadcasting (CPB),” Trump said in his executive order. “I therefore instruct the CPB board of directors and all executive departments and agencies to cease Federal funding for NPR and PBS.”He added that “neither entity presents a fair, accurate or unbiased portrayal of current events to taxpaying citizens”.The CPB budget has already been approved by Congress through 2027, which raises questions about the scope of Trump’s order.skip past newsletter promotionafter newsletter promotionMore than 40 million Americans listen to NPR public radio each week, and 36 million watch a local television station from the PBS network each month, according to their estimates.The NPR director, Katherine Maher, estimated in March that the radio station would receive about $120m (£102m) from the CPB in 2025, “less than 5% of its budget”.The media rights group RSF warned on Friday about “an alarming deterioration in press freedom” in the US under Trump and “unprecedented” difficulties for independent journalists around the world. More

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      Lester Holt to exit NBC Nightly News as MSNBC cuts Ayman Mohyeldin’s show

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      NBC’s Lester Holt is stepping down as anchor of its Nightly News show, and MSNBC’s Ayman Mohyeldin is stepping down from a similar role at his namesake weekend evening show as the liberal networks’ owners continue a major programming shake-up on Monday.Others at MSNBC affected by changes revealed on Monday include Katie Phang and Jonathan Capehart, the New York Post reported.Holt, who has served as the anchor and managing editor of NBC Nightly News for a decade, is leaving the broadcast early this summer, the network reported.A successor for Holt on the program is yet to be named. He will reportedly continue to work with NBC, which shares an owner with MSNBC, as the principal anchor at Dateline, a role he has held for nearly 15 years.At the same time, staff of Mohyeldin’s show, named Ayman, learned on Monday that the last episode of Ayman is likely to air on 20 April. Another source at the network said Mohyeldin would anchor a new program yet to be announced.The New York Post reported learning that Phang and Capehart’s shows were also being canceled but would remain at the network. The plan is for Capehart, like Mohyeldin, to host a new show, and Phang would continue as a legal correspondent.In a recording of a meeting about the cancellation of Mohyeldin’s show, an MSNBC official said the network was “making several changes to our programming lineup”.The official subsequently said that the network had “hit success” with ensemble shows and was looking to invest in shows with the ensemble format in order to meet “audience needs”.Those remarks came a day after news broke that MSNBC had canceled the longstanding anchor Joy Reid’s show, The ReidOut. The network plans to replace Reid’s show with a new one led by three co-anchors: Symone Sanders-Townsend, Alicia Menendez and Michael Steele, who have been co-hosting MSNBC’s The Weekend Show.Mohyeldin has hosted several shows at MSNBC, including Morning Joe First Look, an early morning pre-show for one of the network’s flagship shows. In 2021, his namesake show was given a prime-time weekend evening slot.The anchor also served as a correspondent for NBC in Gaza during a monthlong conflict in 2014, receiving praise from media critics for reporting that departed from “the standard pro-Israel coverage that dominates establishment American press coverage”.The changes affecting Reid and Mohyeldin result from a reshuffling by the network’s new president, Rebecca Kutler, who took over the role in February.Kutler, who was previously MSNBC’s senior vice-president for content strategy, succeeds the former MSNBC president Rashida Jones.According to a statement given to the Guardian by MSNBC, the network will also introduce a new trio of co-hosts to anchor a morning and evening edition of The Weekend on Saturdays and Sundays at 7am and 6pm ET.Jonathan Capehart, an MSNBC host and Washington Post associate editor, will serve as one co-anchor of the morning edition.Mohyeldin will serve as anchor of a different group on the evening addition. Ali Velshi will also expand his namesake program, Velshi, to three hours on the weekends.MSNBC confirmed that Joy Reid will be leaving the network. Rotating anchors will host the hour in the coming weeks.The network also confirms that it will sunset its broadcasting operation in Miami. This affects the Miami-based shows José Díaz-Balart Reports and The Katie Phang Show.According to a source, the entire staff of The ReidOut, José Díaz-Balart Reports and The Katie Phang Show are being let go. Staff will be given the option to reapply for a job on one of the shows or take severance and quit. They have six weeks to decide which option to take, the source said.That source added that the changes are due in part to MSNBC no longer wanting to use Telemundo, the Spanish-language network that is headquartered in Miami.In November last year, the Morning Joe hosts Joe Scarborough and Mika Brzezinski faced backlash after meeting with Trump to discuss “a new approach” after his election in November to a second presidency.Also in November, Comcast announced plans to spin off several cable networks, including MSNBC, as the TV networks faced declining ratings, which only further declined following election fatigue.Chuck Todd, a prominent anchor and former host of Meet The Press, announced in January that he was leaving NBC, another Comcast company, after 18 years. The announcement followed Todd’s pushback against NBC’s decision to hire Ronna McDaniel, the former Republican National Committee chairperson during Donald Trump’s first presidency, in March 2024. McDaniel was eventually removed from her position.Trump, who has previously described news media as “the enemy of the people”. celebrated the cancelation of Reid’s show on his platform Truth Social, saying she should have been “canned long ago”. More