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    FCC chair claims he never threatened TV networks over Jimmy Kimmel

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    Brendan Carr, the tough-talking, pro-Trump chair of the Federal Communications Commission (FCC), claimed on Tuesday that Democrats and the media had “misrepresented” critical comments he made about Jimmy Kimmel’s late-night talkshow.Television conglomerates including Nexstar and Sinclair opted to pull the show for “business” reasons, Carr argued, not because of anything he said.“There was no threat made or suggested that if Jimmy Kimmel didn’t get fired, that someone was going to lose their license,” Carr said during a press conference that followed the FCC’s monthly meeting.On 17 September, ABC announced it would “indefinitely” pre-empt Jimmy Kimmel Live!, hours after Carr had appeared on a conservative podcast and appeared to pressure network affiliates to stop airing the show over comments by Kimmel on the death of the far-right pundit Charlie Kirk.“We can do this the easy way or the hard way,” Carr had said, explaining that he wanted broadcasters to “take action” on Kimmel.Nexstar and Sinclair, two major carriers of ABC programming, quickly announced plans to pull Kimmel’s show, seemingly forcing ABC’s hand.Ultimately, ABC decided to bring Kimmel back the following week, and both Nexstar and Sinclair followed suit. The network’s decision reportedly followed a wave of cancellations of Disney’s streaming service Disney+.Carr’s comments drew criticism from across the aisle. Ted Cruz, the Republican Texas senator, said some of Carr’s remarks were “dangerous as hell”.Asked at a press conference on Tuesday whether he regrets the phrasing he used when talking about Kimmel, Carr claimed “the full words that I said, the full context of the interview”, were very clear.“For a lot of Democrats, this has really been about distortion and projection,” he added. He then accused Senate Democrats of hypocrisy, referring to calls in 2018 for the FCC to review Sinclair’s “fitness to retain its existing broadcast licenses” over a controversial “must-run” video that its stations were forced to broadcast.“The very same Democrats that are saying that I said something that I didn’t are the same ones that engaged in that exact same type of conduct that they claim I did,” he said.With Kimmel now back on air, Carr suggested the entire episode was actually a win for local broadcasters – and a necessary check on the control of New York- and Hollywood-based broadcasters.“What we saw over the last two weeks was, probably for the first time in maybe 20 or 30 years, local TV stations – the actual licensed entities that are tied to specific communities – pushing back and saying that they did not want to run particular national programs,” he said. “They felt like they could stand up for themselves. I think it’s a good thing. And I hope that we can see potentially more of that going ahead.”Asked by the Guardian whether he was disappointed that Nexstar and Sinclair chose to bring back Kimmel’s show, Carr said he did not expect the pre-emption to last “for any sort of real sustained period of time” due to the economic pressures the companies were facing. “These were decisions ultimately were for them to make,” he said.During the meeting, Anna M Gomez, the lone Democrat on the commission, called out Carr’s comments – as he sat a few feet away. “This FCC threatened to go after [ABC], seizing on a late night comedian’s comments as a pretext to punish speech it disliked,” she said. “That led to a new low of corporate capitulation that put the foundation of the first amendment in danger.”While Gomez has been very critical of Carr’s leadership, she has largely refrained from attacking him personally, and has said that she maintains a good working relationship with him.While the FCC meets monthly, Tuesday’s gathering took on added significance and excitement. Outside the FCC building, a mobile billboard truck – organized by the Committee to Protect Journalists and Reporters Without Borders – carried the message: “Government can’t control media content.”Inside, the meeting room was unusually packed. Several protesters, organized by the progressive political action organization Our Revolution, wore T-shirts that said: “Federal Censorship Commission”. A few stood up during the meeting and yelled: “Fire Carr, the censorship czar,” and were quickly removed. One sign played on Carr’s tough talk to television networks, telling the FCC commissioner: “Brendan, We Can Do This the Easy Way (You Quit) or the Hard Way (You’re Fired).”When told by the Guardian that the “lengthy” (in Carr’s words) agenda for the monthly FCC meeting included seven wonky action items, one protester expressed frustration that they hadn’t eaten breakfast before arriving early. The man left before the meeting concluded. More

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      Kimmel controversy highlights ‘wildly dangerous’ consolidation of TV broadcasting

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      If the controversy behind Jimmy Kimmel’s show is a series of dominoes that fell one after the other, from the late-night host making his comments on Charlie Kirk’s killing to ABC halting production of his show, the first domino arguably fell this summer.Months before Kimmel was briefly pulled off the air, the Federal Communication Commission (FCC) quietly announced it was seeking to make a major change to broadcasting rules.The change would primarily affect three companies that own more local TV stations than any other company: Sinclair Broadcasting, Nexstar Media Group and Gray Television Inc. All three companies own the maximum number of local TV stations that is legally permitted for a single company to own.That national cap is set by FCC rules and says a single company can’t reach more than 39% of the total national television audience.In June, the FCC announced that it was seeking public comment to raise the cap, which would allow the companies to acquire more local TV stations. In a filing to the FCC, media watchdog Free Press said that changing the national cap would be “wildly dangerous”.“Handing even more media control to a handful of conglomerates and billionaires already so dominant in the space is a wildly dangerous idea, no matter who holds the presidency,” the group said.But by August, Nexstar announced its intention to acquire its broadcast rival Tegna for $6.2bn.“The initiatives being pursued by the Trump administration offer local broadcasters the opportunity to expand reach, level the playing field, and compete more effectively with the big tech and legacy big media companies that have unchecked reach and vast financial resources,” Nexstar’s chief executive officer, Perry Sook, said at the time.Nexstar – already the largest operator of local television stations – oversees more than 200 owned and partner stations in 116 markets across the US. Tegna owns 64 news stations across 51 markets. The deal would be illegal under current FCC rules, as it would put Nexstar over the national cap.Immediately after Kimmel was taken off the air, multiple reports have noted that Donald Trump’s appointed FCC chair, Brendan Carr, blatantly threatened the companies that air Kimmel’s show.“When you see stuff like this, I mean, look, we can do this the easy way or the hard way,” he said on a podcast. “These companies can find ways to change conduct and take action, frankly, on Kimmel, or there’s going to be additional work for the FCC ahead.”Media experts called the move unprecedented.“The FCC is explicitly threatening companies that, if they don’t change their content in some way, they would suffer regulatory consequences,” said Gregory J Martin, a political economy professor at the Stanford Graduate School of Business who has researched the effect that media conglomeration has had on local TV news. “That just didn’t really happen before.”Soon after, Nexstar announced it would preempt Kimmel’s show. As a local TV station conglomerate, Nexstar partners with the “big four” networks – ABC, CBS, Fox and NBC – to run their content on its stations. This is where the term “affiliate” comes from. If a station is, for example, an ABC affiliate, that means that the TV station owner has partnered with ABC to run shows like Kimmel’s.That’s why Nexstar’s announcement was such a big deal. When it comes to Kimmel being broadcast on TV, ABC relies on these local TV station owners to get him on the air.After Nexstar’s announcement, ABC announced that it was indefinitely halting the production of Kimmel’s show.The backlash that ensued led to ABC announcing it would continue producing Kimmel’s show. But Nexstar and its competitor, Sinclair Broadcasting, both said they will continue to preempt the show, meaning 25% of TV viewers won’t be getting Kimmel’s show on TV.“Nexstar is continuing to evaluate the status of Jimmy Kimmel Live! on our ABC-affiliated local television stations, and the show will be preempted while we do so,” Nexstar said in a statement. “We are engaged in productive discussion with executives at the Walt Disney Company, with a focus on ensuring the program reflects and respects the diverse interests of the communities we serve.”To media watchdogs, the conflict highlights the size of the media conglomerates such as Nexstar, which critics argue have become too large and too powerful.“This has been a problem at the FCC for quite some time. We’ve been concerned for decades about what happens when you allow media companies to become too consolidated and too influential,” said Timothy Karr, the senior director of strategy and communications at Free Press.skip past newsletter promotionafter newsletter promotion“They become beholden to political power because they have so many entanglements with government agencies regarding merger approvals [and] policy changes that they … soft-pedal their reporting when it comes to criticism of those in power,” he added.Historians often point to the Telecommunications Act of 1996, which dramatically relaxed regulations limiting the number of TV and radio stations a single company could own. The law set the stage for media companies such as Nexstar and Sinclair to exist and own a massive number of local TV stations.Over the past few years, political experts have expressed concern that this consolidation has been negatively affecting the quality of local television news. Though the number of local TV news viewers has been declining, millions of Americans still rely on their local TV news. And the funding for these local TV broadcasts comes from the station owners such as Sinclair and Nexstar.The Kimmel affair is not the first time that the station owners have shown their political colors. In 2018, during Trump’s first term, Sinclair directed its local news anchors to read identical scripts criticizing “fake” news stories and “the troubling trend of irresponsible, one-sided news stories plaguing our country”.Trump defended the decision: “So funny to watch Fake News Networks, among the most dishonest groups of people I have ever dealt with, criticize Sinclair Broadcasting for being biased. Sinclair is far superior to CNN and even more Fake NBC, which is a total joke,” he wrote on what was then Twitter.When criticizing Kimmel, Carr said that the FCC has to ensure that broadcasters who are using public airwaves are operating in the “public interest”. Martin said that, typically, the “public interest” requirement refers to producing local TV news shows.“That’s how they satisfy their public obligation, by providing informative news shows. It’s never been on the table that they could be interpreted to mean they have to not criticize the president,” he said. “That’s a big, important change in how the FCC operates.”Karr, of Free Press, said that the media watchdog has made it clear, in a filing to the FCC, that the regulator would need congressional approval to change the national reach cap.“We need to be watching the FCC very carefully over the next couple of weeks to see how far Carr will go in removing this huge hurdle to the merger,” he said.The New York Post reported this week that there is also growing criticism of the Nexstar/Tegna deal from conservatives concerned that the Kimmel suspension is “nothing more than a ruse to convince the White House its programming is watchful of leftwing bias” in order to convince the FCC to pass a deal that will hand the media group too much power.When he went back on air on Tuesday, Kimmel took a direct jab at Carr in his monologue, which has now received over 20m views on YouTube. Kimmel quoted the threats Carr made to broadcast networks over his show and said it is “a direct violation of the first amendment [and] not a particularly intelligent threat to make in public”.“You almost have to feel sorry for him,” Kimmel said. “He did his best to cancel me. Instead, he forced millions of people to watch the show.” More

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      Murdoch’s TikTok? Trump offers allies another lever of media control

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      Donald Trump revealed last week the US and China are close to inking a deal to let TikTok continue operating in the US. Details are not final, but should the agreement go through as has been reported, the owners of the US’s most powerful cable TV channels may soon also steer the nation’s most influential social network. The arrangement would gift Trump’s billionaire allies a degree of control over US media that would be vast and unprecedented.Here’s what we know. Under the known terms of the deal, which Trump declared has the tentative buy-in of Chinese president Xi Jinping, TikTok in the US would get a new group of US investors, led by the US software giant Oracle, which would license TikTok’s vaunted recommendation algorithm and take over its security.Among the other investors, Trump said in a Fox News interview on Sunday, are media mogul Rupert Murdoch and his son Lachlan, the CEO of Fox Corporation. Trump said Michael Dell, the CEO of the computer maker Dell, would also be involved.TikTok would get a new seven-member board of directors, six of them Americans. It is a distinct possibility that Rupert Murdoch, Lachlan Murdoch, Oracle’s Larry Ellison and David Ellison, CEO of Paramount Skydance and Larry’s son, will occupy some of those seats.The MurdochsLachlan Murdoch, the 54-year-old son of 94-year-old Rupert, is executive chair and chief executive officer of Fox Corporation, the parent company of Fox News. The Murdoch scion took control of the company following a September legal settlement with his siblings, one of whom, James, reportedly no longer wants anything to do with his father’s conservative empire. The deal for TikTok will likely involve Fox’s parent company investing, rather than Rupert or Lachlan individually, CNN reported.“I hate to tell you this – a man named Lachlan is involved. You know who Lachlan is? That’s a very unusual name, Lachlan Murdoch,” Trump said. “Rupert is probably gonna be in the group, I think they’re gonna be in the group, a couple of others. Really great people. Very prominent people. And they’re also American patriots, they love this country, so I think they’re gonna do a really good job.”Asserting supervision of TikTok would offer the elder Murdoch a mulligan for his abortive ambitions in tech. News Corp purchased Myspace in 2005 for a then-whopping $580m. Three years later, it peaked, becoming the most-visited site in the US. However, the insurgent social network Facebook soon dethroned it, and Mark Zuckerberg’s net worth today amounts to 10 times that of Rupert Murdoch’s, per Bloomberg’s billionaires index.The EllisonsTrump seems to have a fondness for father-son pairs. At the other end of TikTok’s American boardroom may sit Larry and David Ellison, 81 and 42, the founders of Oracle and Skydance Media, respectively.The elder Ellison is the co-founder and chief technology officer of Oracle, an enterprise software and cloud-computing company worth nearly $900bn. Ellison himself, who holds roughly 40% of Oracle’s shares, briefly dethroned Elon Musk as the richest person in the world after the company reported superlative earnings earlier this month. He’s a longtime Silicon Valley fixture and Trump donor who hosted a fundraiser for the president at his southern California estate in 2020. He’s known for a jet-setting lifestyle of multiple mega-yachts and the deed to almost all of the Hawaiian island of Lanai.The younger Ellison’s company has become an entertainment industry vacuum, sucking up Paramount – which operates CBS, BET, Nickelodeon, Paramount+ and the UK’s Channel 5 and which produces the Mission: Impossible franchise – in August. Hot off the heels of its corporate consummation, Paramount Skydance is now reportedly preparing a majority-cash offer to take over Warner Bros Discovery, owner of CNN, HBO, DC Comics, the Discovery Channel, HGTV and the Food Network, to name a few.In the months leading up to the merger, CBS News made a series of Trump-friendly moves like settling a lawsuit against 60 Minutes, appointing a Trump ally as an ombudsman and courting “anti-woke” former New York Times columnist Bari Weiss as a potential leader of a changed version of the channel. The moves may serve as a roadmap for how David Ellison would helm TikTok.How powerful would they become?The power centralized in the Murdoch and Ellison families would be enormous should the TikTok deal and David Ellison’s purchase of Warner Bros Discovery go through. They would command media outlets that reach both young and old audiences, with high degrees of authority and influence. The only age groups perhaps immune to their sway would be gen X, so suspicious of their parents’ viewing habits, and millennials, just too old for TikTok.skip past newsletter promotionafter newsletter promotionWould this type of consolidation be legal? The Federal Communications Commission’s website is blunt in its anti-monopoly rules when it comes to broadcast television: “FCC rules effectively prohibit a merger between any two of the big four broadcast television networks: ABC, CBS, Fox [Broadcasting Company], and NBC.” The regulation does not pertain to Fox News Channel or CNN, as they require paid subscriptions to view.Still, the rule is instructive. What if the owners of the US’s most powerful cable channels also steer the nation’s most important social network? Would that violate monopoly laws?The answer may lie in a rule change the commission made eight years ago when it eliminated a prohibition on owning both a broadcast station and a daily newspaper in the same region. The reason: “the growth in the number and variety of sources of entertainment, news and information in the modern media marketplace”.If a person can have a town’s TV station and its newspaper, why can’t a billionaire take control of a social network used by hundreds of millions and the president’s favorite channel?Parsing the letter of the FCC’s rules likely does not matter as much as the current currency of high-level US government decisions: Trump’s favor. The president’s takeover of the FCC has already been incredibly successful, establishing a fiat over deals that allows him to pressure networks not under his allies’ control. The supreme court ruled earlier this week that Trump’s firing of the lone Democrat on the commission could stand. Though he denies it, head commissioner Brendan Carr seemed to play a leading role in Disney’s brief suspension of Jimmy Kimmel from ABC’s airwaves with threats against the network.The landscape of American media is looking very red as Trump’s TikTok deal takes shape. The largest owner of local TV stations in the US, Nexstar, declared fealty to Trump with its decision to no longer air Kimmel’s show, as did local TV titan Sinclair. Now two of the nation’s marquee news networks, CBS and CNN, may follow Fox’s rightwing lead. Online, X has turned from a heterogenous feed into a conservative social network. TikTok may go the same way under its Maga-approved board.At the moment, the Murdochs and the Ellisons must be savoring Trump’s favor. More

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      Zohran Mamdani withdraws from ABC town hall in Kimmel protest

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      Zohran Mamdani, the New York Democratic mayoral candidate, has announced he is withdrawing from a televised town hall hosted by a local ABC station in protest of the network’s suspension of Jimmy Kimmel’s talkshow.ABC indefinitely pulled Kimmel’s late-night show off air on 17 September after the chair of the Federal Communications Commission (FCC) threatened to pull ABC affiliate broadcast licenses if the network did not act against Kimmel. Kimmel had criticized the Trump administration’s reaction to the killing of rightwing youth organizer Charlie Kirk.The suspension sparked backlash from politicians, media figures and free-speech organizations, and it has prompted boycotts and protests against both ABC and its parent company, Disney.Mamdani, who was set to participate in a town hall event with New York’s WABC on Thursday, said he would no longer take part.“I am withdrawing not as an indictment of the local affiliate or the hard-working journalists, but rather in response to the corporate leaders who have put their bottom line ahead of their responsibility in upholding the freedom of the press,” Mamdani said on Monday during a news conference.“We cannot understand this moment of authoritarianism as solely coming from the White House, when it is also characterized by the cowardice of those in response to it.”He also mentioned his opponents in the mayoral race, former New York governor Andrew Cuomo and incumbent Eric Adams. The Trump administration has reportedly explored offering Adams a position in exchange for the incumbent’s dropping out of the race, with polling suggesting the contest would tighten in favor of Cuomo, whom the president prefers to Mamdani.Mamdani said: “I am running to be the next mayor of the city to finally make clear what it looks like to stand up, not just for this city, but also for the constitution.“We have to understand who suffers in these moments. It’s not just a question of Jimmy Kimmel himself, it’s also a question of the engineers, the writers, the musicians who are feeling this attack on the very city they call home. The message that it sends to each and every American across this country is a message that [free speech] is no longer a right that can be counted on, but rather that it is the government which will determine what should and should not be discussed, what can and cannot be spoken.”Disney did not immediately respond to a request for comment from the Guardian.On Friday, Variety reported that Disney and Kimmel were working on a compromise that would bring his talkshow back on air.Meanwhile, a report from Front Office Sports explored some potential complications to such a compromise. The outlet reported that Disney could be facing a choice between putting Kimmel back on air and completing a multibillion-dollar deal with the National Football League to swap the NFL Network, RedZone brand, NFL Fantasy Football and other media assets for a 10% stake in Disney-owned sportscaster ESPN.Mamdani, a state assembly member from Queens, won the Democratic nomination in June, defeating Cuomo. With less than two months until the 4 November general election, Mamdani has continued to hold a commanding lead in the polls.A recent poll showed Mamdani with 43% support among registered New York City voters. Cuomo, who is now running as an independent, received 28% support in the poll.Republican nominee Curtis Sliwa polled at 10% support, and Adams, also running as an independent, polled at 8%. Nine percent of respondents said they were still undecided.Kathy Hochul, the Democratic New York governor, has endorsed Mamdani in his race to become the next mayor of one of the world’s most prominent cities. More

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      Media giants accused of ‘cowering to threats’ as Trump tries to stamp out criticism

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      Over the past two decades Jimmy Kimmel has interviewed thousands of people – including his ultimate boss – on his late-night talkshow.“I’ve probably, with the possible exception of Roseanne, caused you more headaches than anyone in the last 15 years,” Kimmel grinned at his guest one night in late 2019. “Absolutely,” replied Disney CEO Bob Iger.When ABC, broadcaster of Jimmy Kimmel Live!, decided to suspend the program “indefinitely” this week, it dispatched an anonymous spokesperson to announce the news. Iger, veteran leader of Disney, ABC’s parent company, was nowhere to be seen – but was widely reported to have been intimately involved in the decision.Iger is one of a small handful of powerful executives pulling the strings behind the most prominent media organizations in the US. David Ellison, the new CEO of Paramount Skydance, and son of the billionaire tech mogul Larry Ellison, is in charge of CBS, and reportedly pursuing a deal to buy the owner of CNN. Brian Roberts, the Comcast chair, is the most senior executive overseeing NBC and its cable news network, MSNBC.View image in fullscreenIn recent months, major broadcasters have faced criticism for their responses to threats and pressure from the Trump administration. CBS paid a $16m defamation settlement to Donald Trump and scheduled the cancellation of the The Late Show With Stephen Colbert. ABC paid a $15m settlement to the US president and suspended Kimmel.And Trump is publicly pushing NBC to cancel its two late night stars, Jimmy Fallon and Seth Meyers, too.The owners of the largest US TV networks, and the ultimate employers of their stars, are even bigger companies who conduct business transactions that most viewers may not pay a lot of attention to – mergers, acquisitions, licensing deals – but are firmly in the sights of the White House.On Wednesday, FCC chair Brendan Carr – dubbed Trump’s “censor-in-chief” – dangled the power of the federal government over ABC, and Disney, saying that the regulator has “remedies we can look at” to address comments Kimmel made about conservatives in the aftermath of Charlie Kirk’s killing.“These companies can find ways to change conduct and take action, frankly, on Kimmel, or there’s going to be additional work for the FCC ahead,” Carr said of the affiliates that carry ABC across the US. “We can do this the easy way or the hard way.”Soon after, ABC announced it would indefinitely suspend Kimmel’s show. “Congratulations to ABC for finally having the courage to do what had to be done,” wrote Trump.But Carr is not done. “I don’t think this is the last shoe to drop,” he said of Kimmel’s suspension, in an interview on the conservative Fox News on Thursday.To Robert Thompson, a media scholar at Syracuse University who specializes in TV history, battles between government regulators and the companies that broadcast America’s favorite shows have long been a part of broadcast history. But the way TV networks are now part of far larger businesses, and complex webs of interest and influence, have changed the stakes of the fight.“Entertainment and news are controlled by these large companies that are very dependent on new acquisitions and mergers that require approval by federal government agencies,” Thompson said. “That’s why there’s a vulnerability for this kind of thing to happen.”The Telecommunications Act of 1996, signed under Bill Clinton, loosened restrictions on how many TV and radio stations a company could own nationally.Now, the dominant US TV networks – and their news and entertainment arms – are controlled by a small, but powerful, collection of entertainment giants. CBS is owned by Paramount Skydance, which includes Paramount Pictures, cable channels like MTV, Nickelodeon and Comedy Central, and other TV channels abroad, including Channel 5 in the UK. ABC is owned by Disney, which also owns Marvel Studios, Hulu and ESPN. NBC is owned by Comcast, which is also a cable TV company and an internet service producer, while also being the company behind the European broadcaster Sky and DreamWorks movies like Shrek.The timing of recent mergers have alarmed first amendment advocates, who are starting to see a pattern of companies bowing to the Trump administration in order to get approval for their deals.CBS owner Paramount was criticized for settling with Trump and cancelling Colbert’s show weeks before the FCC greenlit an $8bn merger with Skydance, a Hollywood studio.The merger installed David Ellison, founder of Skydance, at the top of Paramount Skydance, and CBS.CBS News has since appointed a Trump ally as its ombudsman and Bari Weiss, founder of the Free Press, an “anti-woke” startup, is said to be in line for a role shaping its coverage.View image in fullscreenMeanwhile, Nexstar Media, a major owner of local television stations, including over 30 ABC-affiliated stations, has been looking for FCC approval for a $6.2bn merger with Tegna, another broadcast media company. After Carr’s podcast interview, Nexstar announced it would preempt Kimmel’s show on their ABC-affiliated stations, meaning the show wouldn’t access millions of TV viewers in specific markets. (Nexstar executives “had no communication with the FCC or any government agency” before making the call, the firm has stressed.)Christopher Anders, a senior legislative counsel at the American Civil Liberties Union, a leading defender of rights and freedoms enshrined in the US constitution, said Carr was using “the regulatory power the government has over media companies” through his comments.“That is exactly what the first amendment is designed to stop: the government using its power to stifle speech,” Anders said. “And if there’s any speech that’s at the very heart of the first amendment, it would be the ability to criticize those in power, particularly the ability to criticize the president.”Media giants have been “cowering to threats”, he added, ignoring the responsibility they have of defending free speech.Iger, who previously considered running for president, has tried to steer clear of the culture wars that embroiled his predecessor, Bob Chapek. Now he faces intense scrutiny for overseeing a decision – suspending Kimmel – which critics say raises serious free speech concerns.Michael Eisner, Disney’s former CEO, and Iger’s former boss at the firm, wrote on X on Friday: “The ‘suspending indefinitely’ of Jimmy Kimmel immediately after the Chairman of the FCC’s aggressive yet hollow threatening of the Disney Company is yet another example of out-of-control intimidation. Maybe the Constitution should have said, ‘Congress shall make no law abridging the freedom of speech, or of the press, except in one’s political or financial self-interest.’”It is still unclear when – or if – Kimmel will come back on air. The companies in charge of US television, and the government agencies who regulate their dealings, loom large.“Anyone that has the privilege of owning one of the major media networks, or owning the affiliate stations that carry those networks, ought to also have recognized the responsibility to protect the right of free speech,” said Anders. “Not just give up that right because an administration official is at least implicitly threatening to block their ability to carry out business.” More

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      Disgruntled NYT journalist to ‘anti-woke’ power grab: how far can Bari Weiss go?

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      Last month, federal regulators approved the long-anticipated merger of Skydance Media and Paramount Global, positioning David Ellison – the founder of Skydance and the son of megabillionaire Larry Ellison – as one of the most powerful figures in US media. Paramount Skydance Corporation, as it is now officially known, is one of a small handful of American media conglomerates, with Paramount Pictures, cable networks such as Comedy Central and MTV, and CBS all under its umbrella. CBS, in turn, runs one of the major US news operations, with nightly news viewership in the millions and 60 Minutes still being the most watched news program on network television.The implications of the merger are far-reaching and were already being felt ahead of its final approval. In July, Paramount agreed to pay Donald Trump $16m to settle a lawsuit over a 60 Minutes segment the president disapproved of, and a few weeks later, CBS controversially cancelled The Late Show With Stephen Colbert, which many observers speculated was at least partly about jettisoning an outspoken critic of Trump in anticipation of the deal.But one of the most buzzed-about aspects is Paramount’s possible acquisition of the Free Press, the digital media company founded by Bari Weiss as a Substack newsletter in 2021, and Weiss’s potential new role steering CBS’s editorial slant. In July, the Financial Times reported that Weiss was seeking at least $200m for her website – more than double its valuation a year earlier and more than the site’s admittedly impressive 155,000 paid subscribers (roughly a 10th of total subscribers) would seem to justify. That same week, the media newsletter Puck published an anonymously sourced report that Weiss would possibly be advising David Rhodes, a former CBS and Fox News executive and the current chair of Sky News, in the event that Rhodes resumes running CBS. And just last week, Puck reported that the deal was all but finalized, with the Free Press to be acquired for somewhere in the $100m to $200m range (less than Weiss sought but nothing to sneeze at) and with Weiss tasked with “guiding the editorial direction of the [CBS news] division”.If all this comes to pass, it will cement Weiss as a key figure in shaping the national news environment, just five years after her much publicized resignation from the New York Times over what she characterized as a censorious and hostile workplace. This came in the wake of the resignation of the editorial page editor, James Bennet, after a staff uproar over the publication of Senator Tom Cotton’s opinion piece calling for military intervention against Black Lives Matter protesters.Weiss, 41, is no stranger to publicity; since 2019, she has been the subject of mostly fawning profiles in Vanity Fair, Semafor, Los Angeles Magazine, the Times of London, the New Statesman, the Financial Times, and her former employers, the Wall Street Journal and the New York Times. The product of an idyllic and fiercely Zionist upbringing in Pittsburgh’s Jewish community, she first gained notice for her campaign against pro-Palestinian faculty during her undergrad years at Columbia University. A stint at the Bret Stephens-run neoconservative Wall Street Journal editorial page followed, before she and Stephens both departed for the New York Times, where her tenure as an opinion editor and writer was stormy well before her resignation. She and her wife, fellow voluntary Times exile Nellie Bowles, decamped to Los Angeles, where she wasted little time launching new projects: she co-founded the “heterodox” University of Austin and launched a Substack, originally dubbed Common Sense and then rebranded as the Free Press, which quickly acquired venture capital backers, a sizable subscriber base, and an editorial staff numbering in the dozens and including many media industry veterans. Her triumphant return to New York City last year marked her as a power broker in her own right. More than any other figure in her age cohort, Weiss wrote the playbook on canceling anti-Zionists and “woke” progressives, even as she decried “cancel culture” and claimed to champion free speech – and with the Free Press, she has developed a whole newsroom around that mission. The Guardian put detailed claims in this piece to Bari Weiss and the Free Press and did not receive an official response.View image in fullscreenWhen New York Magazine convened 57 of “the most powerful people in media” to discuss the industry’s future last year, Weiss was on the list. A month later, after Trump’s victory, the Free Press co-hosted an inauguration party with Elon Musk’s X and Uber, attended by the former British prime minister Liz Truss, Google co-founder Sergey Brin, and Dr Mehmet Oz. For each of her haters, and there are many, Weiss counts Jeff Bezos, Jerry Seinfeld (whose daughter is on staff at the Free Press), and Sheryl Sandberg among her fans, and Marc Andreessen, David Sacks, and Howard Schultz among her financial backers. “She doesn’t just speak to the 1%,” the conservative pollster Frank Luntz told the New York Times last year. “She speaks to the one-hundredth of 1%. And they’ll listen.”In just a few years, Weiss has gone from a punchline in media circles to one of the most influential names in the industry, one with a genuine popular following beyond insiders and donors. Her stunning comeback is a tribute to her hustle, her oft-acknowledged personal charisma, and above all her unapologetic support for Israel and attacks on progressive social justice dogmas, often disparaged as “wokeness” – both of which align her with some of the most powerful people alive even as they alienate her from many of her generational peers in journalism.But while Weiss is widely understood as a provocateur, what is less well understood is how she has used the Free Press to empower rightwing factions within established elite institutions, and how her efforts have been turbocharged by Trump’s return to the White House. If Weiss does join CBS, it will only formalize the role she has already carved out as the Trump administration’s de facto ally in its effort to silence progressive and pro-Palestinian voices. Weiss will be an ideological commissar situated within the highest levels of the media business, wielding her considerable platform to help the White House enforce compliance in spaces that fostered resistance during Trump’s first term: the media, academia and civil society.To get a sense of the kind of opportunities Weiss might have to influence decisions and coverage at CBS, it is worth flashing back a year to the fall of 2024. On 30 September, Ta-Nehisi Coates appeared on CBS’s morning news show, where he was interviewed by anchor Tony Dokoupil over Coates’s new book, The Message, which includes a scathing firsthand account of Israel’s occupation of the West Bank. Dokoupil questioned Coates aggressively (some would say condescendingly) over what he called a one-sided depiction of Israel, and the interview was litigated on social media for days, pitting supporters of Israel and Palestine against each other on predictable lines.A week later, the Free Press joined the fray with an exclusive from inside CBS News, where the Coates interview was at least as divisive as it was to the wider public. On the first anniversary of the 7 October Hamas attacks, someone high up at CBS leaked recordings of an editorial meeting to the Free Press, revealing that, as the site’s editors put it, “the network’s top brass all but apologized for the interview to staff, saying that it did not meet the company’s ‘editorial standards.’” Though the article acknowledged that CBS’s chief legal correspondent, Jan Crawford, defended Dokoupil’s tough questions, it portrayed the meeting overall as an example of the woke conformity endemic to institutions such as CBS.“The sad truth is that Coates is not speaking truth to power,” the Free Press editorialized, in a sweeping indictment both of CBS and of elite liberalism writ large. “He is echoing the new consensus of the powerful. One can find more sophisticated versions of The Message in the course catalogs of Ivy League universities, the editorial pages of leading newspapers, and in the reports of well-funded NGOs. It is journalists like Tony Dokoupil who are an endangered species in legacy news organizations, which are wilting to the pressures of this new elite consensus.”A month later, Trump won the presidential election. Since then, what the Free Press editors termed “this new elite consensus” has been under siege from the federal government, which has openly sought to purge anything it considers “wokeness” from universities, newspapers and NGOs, and in particular has sought to criminalize pro-Palestinian activism and criticism of Israel. Weiss, who has presented herself as a leading defender of free speech, has in effect leveraged her publication to help the government suppress it.The Free Press’s involvement in the administration’s war on Columbia University, Weiss’s alma mater (and, full disclosure, mine; I socialized with Weiss as an undergraduate, though we have not spoken in years) has been a case in point. Trump’s joint task force to combat antisemitism chose the Free Press to break the news on 7 March that the administration was withholding $400m in federal grants to Columbia over the university’s alleged failure to combat antisemitism in the wake of the 7 October attacks – essentially the opening volley in Trump’s assault on elite higher education. Two weeks later, on 21 March, Columbia conceded to Trump’s blackmail, agreeing to place its Middle East studies department – which Weiss has been crusading against since she was an undergraduate two decades ago – under academic receivership. Just four days after that, the Free Press published a leaked transcript of a private Zoom call in which the university’s then president, Katrina Armstrong, told about 75 faculty members that she did not intend to comply with all of Trump’s demands, despite her public surrender. Three days later, Armstrong resigned – and according to the New York Times, a key reason why was that Trump’s antisemitism task force expressed concern over the transcript leaked to the Free Press.Weiss’s publication, in short, was the preferred vehicle for conveying information from Columbia insiders who wanted to purge all criticism of Israel from the university to Trump administration officials who were using unprecedented financial pressure to help them do exactly that. Just as with CBS a year ago, Weiss and the Free Press were there to help reactionaries at elite institutions advance their internal turf wars – and unlike a year ago, those reactionaries can now count on the full weight of Trump’s authoritarian administration to back them up.The same playbook can also be seen in the Free Press’s efforts to discredit National Public Radio, which from 1971 until this summer served as America’s major publicly supported broadcaster. Last April, the Free Press published an error-laden article by a disgruntled NPR business editor, Uri Berliner, who accused his employer of pervasive liberal bias and of betraying America’s trust. Berliner was predictably hired by the Free Press two months later, and within a year, he was being invited by House Republicans to testify against his former employer. In July of this year, Trump’s allies on Capitol Hill voted to defund NPR, and the Free Press published Berliner’s victory lap. The pattern is clear: if you work at a liberal institution and you want the Trump-controlled federal government to step in and discipline it, Bari Weiss is there to help.These are the real stakes of Weiss potentially joining CBS. If Paramount’s acquisition of the Free Press goes through, Weiss will probably be in a position to recruit a network of snitches and rightwing thought police, both from within existing CBS staff and from her own publication, ensconced throughout one of the four largest US media conglomerates. CBS staffers are reportedly “apoplectic” at the news of her impending role, with some raising concerns about a “hall monitor” approach to coverage and others threatening to resign – resignations Ellison and Weiss might welcome, as it would give them an opportunity to start fresh. Weiss could be responsible for shaping coverage and enforcing her own orthodoxy, especially with regard to Israel and its critics – an issue around which Weiss has consistently provided cover for Benjamin Netanyahu’s genocidal government. This would represent a shift for CBS; Paramount’s outgoing chair, Shari Redstone, is an avowed supporter of Israel who has reportedly been outraged by 60 Minutes’s coverage since the 7 October attacks, and has openly expressed hope that the Trump administration could force CBS to clamp down on “anti-Israel bias”, which Weiss is ideally suited to facilitate.View image in fullscreenLast month, the Free Press sparked widespread outrage by publishing an article by staffers Olivia Reingold and Tanya Lukyanova, who reported that the starving Palestinian children whose images appeared in multiple mainstream outlets were all suffering from pre-existing conditions such as cystic fibrosis or rickets – a clear attempt to bolster a narrative the publication has been pushing for months that widely reported famine conditions in Gaza are a hoax. Reingold and Lukyanova’s article drew condemnation from many quarters, including from the president of Refugees International, who pointed out that it is precisely children with such conditions who are most vulnerable in a famine. But the Free Press brushed off its critics and claimed credit for pushing CNN and the Washington Post to caveat their coverage in light of their reporting. “Journalistic outlets love to boast about ‘impact,’ and this story has had more than its share,” wrote the editors. As if to prove their point, Netanyahu himself posted a video of Reingold defending her work, with the caption: “Facts matter.” (The Guardian stands by the stories it published that included the image and says the photo did not act to deceive.)One of the critics the Free Press singled out was Ben Rhodes, a former top adviser to Barack Obama, who, the Free Press noted, was once nicknamed “Hamas”, an epithet used by his Obama administration colleague Rahm Emanuel (who sat for a friendly interview with Weiss in July) for his willingness to criticize Israel. In an appearance on Pod Save the World – which is part of Crooked Media, the independent progressive podcasting network run by former Obama staffers – Rhodes called Reingold and Lukyanova’s reporting “sociopathic” and “grotesque”. “There’s something wrong with you, deeply, deeply fucked up,” he added. These would be harsh words coming from anyone, but Ben Rhodes is the brother of David Rhodes, who has been floated as CBS’s next executive and who reportedly would be working closely with Weiss. In Ben Rhodes’s 2018 memoir, The World As It Is, he acknowledged political differences with his brother while also saying they have always been close. That he would speak publicly with such undisguised contempt about Weiss’s media company in that context suggests serious alarm at the possible direction of CBS News.Alarm is a justifiable reaction. Weiss has often been underestimated, but the success of the Free Press to date vindicates her seemingly limitless ambition. That is in spite of internal turmoil: in May, the media newsletter Breaker reported that the Free Press had seen a number of notable departures amid its rapid expansion and that staff had been skeptical of Weiss’s “chaotic” management style.But in the context of Trump’s federally funded culture war, it is unclear any of that will matter. In order to avoid the president’s disfavor and present themselves as worthy of access, legacy media companies are desperate to tap into the audience and the relationships that Weiss has so effectively courted.Although the Free Press did not respond on the record to the Guardian’s questions, a source within the Free Press defended the range of views the organization publishes and emphasized that it was not a partisan shop.When Trump first ran for office, Weiss positioned herself as a “Never Trumper”, following the lead of her mentor Stephens and other prominent neoconservatives, and in 2017 she described the first Trump administration as “shambolic”. But this February, as Trump kicked off his second term, Weiss told Fox News’s Howard Kurtz that her stance on Trump had softened. “I’m the first to admit that I was a sufferer of what conservatives at the time would have called TDS, Trump Derangement Syndrome,” Weiss said, claiming she cried at her desk the first time Trump won. Now, she explained, she had come to appreciate Trump for two main reasons: first, she saw the left’s “overzealous, out-of-touch, hysterical reaction to him” as “extraordinarily authoritarian and totalitarian in its impulses”, and second, she approved of some of his actual policies, noting particularly his Israel-aligned moves in the Middle East.The Free Press claims to be independent and non-partisan, and ahead of the 2024 election it canvassed its own staff and determined that it was equally divided between supporters of Trump, Kamala Harris and neither. But during Trump’s second term, the site has been noticeably sympathetic to the administration. As the UnPopulist has carefully documented, Weiss has made a choice in the Trump restoration era – rather than position the Free Press as a heterodox champion of “classical liberalism”, as it was initially presented during the Biden years, she has aligned herself with the White House’s priorities. The hiring of Batya Ungar-Sargon, a formerly left-leaning journalist turned fervent Maga pundit, this April was a clear signal of Weiss’s repositioning. This choice has alienated many of her former champions – for instance, Glenn Greenwald, who achieved a public rapprochement with Weiss in the early days of the Free Press (both Weiss and Greenwald have thrived and handsomely profited on Substack), has since excoriated her for consistently attacking the free speech rights of Israel critics. But it has also set her up well to ascend to even greater influence.Weiss is not afraid to burn bridges, scandalize critics or be branded a hypocrite in pursuit of power. In that sense, she has something in common with the president who has done so much to enable her rise. But Trump could never operate in the kinds of spaces where Weiss has been able to flourish. With her education, experience and extensively cultivated networks, she is uniquely well-suited to champion the prerogatives of those in academia, media, publishing and similar sectors who feel threatened by progressive social movements. Liberal institutions produced Bari Weiss, and now at least one could be hers to remake.

      David Klion is a columnist for the Nation, a contributing editor at Jewish Currents, and currently working on a book about the legacy of neoconservatism More

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      Democrats condemn CBS for axing Colbert show: ‘People deserve to know if this is politically motivated’

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      Democrats are condemning CBS for its recent decision to cancel The Late Show with Stephen Colbert, noting the news comes just a few days after its host criticized the network’s parent company, Paramount, for settling a $16m lawsuit with Donald Trump.Senator Adam Schiff, a California Democrat who appeared as a guest on Colbert’s show on Thursday night, later wrote on social media: “If Paramount and CBS ended the Late Show for political reasons, the public deserves to know. And deserves better.”In early July, Paramount settled a “frivolous” lawsuit with Trump over the president’s claim that CBS News deceptively edited an interview with then presidential candidate Kamala Harris. Paramount is also seeking approval from the US Federal Communications Commission for an $8.4bn merger with Skydance Media. On Monday, Colbert called the settlement “a big fat bribe”.Colbert’s firing would not be the first potentially spurred by a dispute with the president. In February, after MSNBC fired host Joy Reid, Trump celebrated her show’s cancellation. Reid, a Black woman, had been a vocal critic of Trump and spoke frankly about the Black Lives Matter movement and war in Gaza. And in December, ABC News agreed to settle a defamation lawsuit Trump filed against the network and anchor George Stephanopoulos with a $15m payment to a Trump foundation and museum, as well as paying $1m in the president’s legal fees.The Massachusetts senator Elizabeth Warren, who has called for an investigation into Paramount’s relationship with Trump over the Skydance merger, wrote: “CBS canceled Colbert’s show just THREE DAYS after Colbert called out CBS parent company Paramount.”Skydance is owned by David Ellison, the son of a close Trump ally, Larry Ellison.Representative Pramila Jayapal of Washington also posted on social media, writing: “People deserve to know if this is a politically motivated attack on free speech.”Bernie Sanders, the independent Vermont senator, echoed similar concerns. “CBS’s billionaire owners pay Trump $16 million to settle a bogus lawsuit while trying to sell the network to Skydance,” he wrote. “Stephen Colbert, an extraordinary talent and the most popular late night host, slams the deal. Days later, he’s fired. Do I think this is a coincidence? NO.”CBS announced it would retire the Late Show after Colbert’s contract ends in May, cutting short a 33-year run that began when David Letterman launched the show in 1993. The show received an Emmy nomination earlier in the week for talk series.A number of celebrities also voiced their frustration with the cancellation, including concerns that it may have been politically motivated. In a social media post the actor John Cusack wrote: “He’s not groveling enough to American fascism – Larry Ellison needs his tax cuts – doesn’t need comedians reminding people they are not cattle.”In a joint statement, Paramount and CBS executives wrote that the cancellation was “purely a financial decision against a challenging backdrop in late night”.They said they considered “Stephen Colbert irreplaceable” and that the show’s cancellation “is not related in any way to the show’s performance, content or other matters happening at Paramount”.Writing on his own social media platform, Trump celebrated the show’s cancellation: “I absolutely love that Colbert got fired. His talent was even less than his ratings. I hear Jimmy Kimmel is next. Has even less talent than Colbert! Greg Gutfeld is better than all of them combined, including the Moron on NBC who ruined the once great Tonight Show.”Trump has called for the network to fire Colbert since September 2024, when the host called the president “boring” during an interview with PBS NewsHour. More

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      The end of Stephen Colbert’s Late Show is a concerning nail in the coffin for comedy | Jesse Hassenger

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      The idea that the political career of Donald Trump would be a goldmine for comedy died a long time ago, with the coffin accepting stray nails for the past five years. The latest and possibly last such nail is the cancellation of The Late Show, the CBS late-night talkshow hosted by Stephen Colbert since the fall of 2015, and originated by David Letterman when the network poached him from NBC in 1993. At this point, Trump hasn’t just made topical late-night comedy look outdated, hackneyed and an insufficient response to his reign of terror; he’s also made a chunk of it flat-out go away.There will be time to eulogize Colbert’s particular talkshow style later; the Late Show isn’t leaving the air for another 10 months, when his contract is up. Surely that leaves plenty more time to savage the president – and Colbert has been in this slot since right around the time Trump became a real contender in the presidential race, so why has this only now come to a head? Seemingly because the axing of the Late Show franchise follows the $16m settlement of a frivolous Trump lawsuit against CBS and their newsmagazine show 60 Minutes over the show’s editing of a 2024 interview with presidential candidate Kamala Harris. Colbert made great fun of his bosses’ payout as a cowardly “bribe” designed to appease the Trump administration, who are in the position to approve or deny the sale of Paramount, the corporate owners of CBS, to the company Skydance. In other words, the pre-merger nixing a comedian who regularly goofs on Trump on network TV seems like a convenient bit of timing – maybe even an unspoken bonus to go along with those millions of dollars.The network, of course, has characterized the decision as “purely financial” amid a period when most traditional late-night shows have struggled. As excuses go, it’s not entirely unconvincing. After all, Colbert isn’t being replaced with another host; The Late Show is simply going the same route as its short-lived companion series After Midnight (and The Late Late Show before it). CBS is surrendering the late-night block entirely. This represents a major retreat after the Letterman deal made the network a genuine player for the first time in ages. Presumably it’s back to reruns and old movies going forward.In that sense, this decision does transcend politics. CBS has ripped off a bandage that the big three networks have been applying to similar wounds for years. Late-night programming simply doesn’t mean as much as it used to, with smaller network lead-ins from primetime lineups and more audience choices for comedy, talk, music or even the dopey celeb games that Jimmy Fallon throws together. Saturday Night Live has retained some cultural cachet, thanks to a combination of lower commitment (20 episodes a year, on a night where many people don’t have work the next day, versus eight times as many, all airing on weeknights), legacy branding (it’s still known as a star showcase and political comedy go-to, no matter how wan those cold-open sketches get), and sketch comedy that travels well online. These days, it’s routinely one of the highest-rated network shows of the week when it airs a new episode, offering an encouraging sign that old time-slot rules about viewership no longer apply. It’s also extremely expensive to produce and difficult to replicate, which nonetheless looks more viable than the tired talkshow format.View image in fullscreenBroadly, this could be a good thing for comic minds including Colbert or Conan O’Brien. Some comedians seem unable to resist the siren call of late-night talkshows, chasing the Tonight Show dream even when that actual job remained out of reach. O’Brien is a singularly brilliant comedy writer and performer; as great as his late-night shows could be, in retrospect should he have spent three decades primarily in that waning medium? Colbert, meanwhile, did his strongest political satire playing a parody of a conservative commentator on The Daily Show and its later spinoff The Colbert Report. His warmth and sometimes-sharp humor made him a good “real” talkshow host – and by most standards, a successful one. In recent matchups, his Late Show has been the most-watched such program across the major networks. That he can face cancellation anyway should (alongside O’Brien losing his Tonight Show gig years ago) signal to newcomers that the rarified air of the national late-night talkshow host is also getting pretty thin, maybe unbreathable.Yet Trump has sucked up some of that oxygen, too. Even with the “challenges” cited by CBS, it’s difficult to believe that vanquishing a longtime issuer of Trump mockery wasn’t at least considered a side benefit of canceling The Late Show. Even if the decision was, as claimed, a financial one, it accompanies another financial decision: that Paramount could afford to pay Trump $16m rather than proceed with litigation that many seemed to think they could win. That’s precisely the kind of expense that could diminish how, say, your late-night talkshow attracts more eyeballs than The Tonight Show.Beyond Trump personally smudging up the balance sheets, he’s helped to hasten the demise of late-night comedy simply by being himself, seeming to provide the perfect target: a venal, dimwitted perma-celebrity with an army of devoted sycophants. But after two non-consecutive administrations have flooded the zone with grotesqueries, performing a lightly zinging monologue or sketches as a warmup act for good-natured interviews seems unlikely to entice either those craving anti-Trump catharsis, or those desperate to believe in his strongman powers.That Colbert took a somewhat less cutesy approach than his competitor Fallon seemed to be all that was necessary to mark him as a troublemaker. The thing is, Trump might have ultimately consumed him either way. By providing a ready-made caricature of himself, intentionally or not, the president has beaten the system again. It may not be worth mourning the hacky, presidential-themed jokes we might miss in a future with fewer talkshows than ever. But it does feel like the enforcement of one of Trump’s more minor cruelties: the ability to see himself as the only real star in the world. More