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    Vote Bartlet: The 10 best episodes of The West Wing

    If ever there was a good time to get into The West Wing, this is it. The election cycle has been so monstrous – and potentially ruinous – that it has left us all craving the stately certainty of an Aaron Sorkin screenplay, as the rapturous reception to the cast’s reunion demonstrated. And if that is the case, help is at hand. Today, The West Wing will appear as a box set on All 4 in the UK, allowing you to access the entire series. The imperial first few seasons. The wobbly middle. The unexpectedly rousing climax. All of it.But the US election is just a few days away, and there are 156 episodes. Watching the whole thing in time is an almost impossible task, which is why I have selected the 10 best episodes (in chronological order) for you to pick out and savour.In Excelsis Deo (season one, episode 10) More

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    The week in audio: The Fault Line: Bush, Blair and Iraq; The Heist – review

    The Fault Line: Bush, Blair and Iraq | PodcastThe Heist | The Center for Public Integrity A couple of enlightening shows this week about how American and British politics work. The first, The Fault Line: Bush, Blair and Iraq, concerns itself with the politics of the fairly recent past: the 18 months between 9/11 and the 2003 Iraq war. Or: how Tony Blair and George W Bush fell in love.Hosted by David Dimbleby, whose podcast on the rise of Rupert Murdoch, The Sun King, was such a success last year, The Fault Line, produced by Somethin’ Else, is a clear and classy listen. Informative, too: Dimbers, as ex-host of Question Time, has an enviable contact list, and we hear from many important behind-the-scenesters. In last week’s episode, the first, we met Bill Murray (not that one), a US spy who repeatedly informed the White House that his intelligence indicated that Saddam Hussein did not have any weapons of mass destruction. This week, we’ll hear from Christopher Meyer, the British ambassador who says he was told to “get up the arse of the White House and stay there”. Dimbleby gives us little portraits of each. Murray: “quite a conspicuous person … he sticks out in a crowd”; Meyer: “slightly maverick, freewheeling”. He has an exemplary presenting style: honest without being trashy, measured without being boring.I’m not sure what I expected from this podcast. I think I thought I knew the story, so worried that I might be bored. I was very wrong: the show reminds you of those months before the invasion, but also gives context, unpicks relationships, underpins everything with insider info.Plus, The Fault Line has something else on its mind. Dimbleby asserts that this particular time, this particular US-UK love affair, laid the foundations for the current breakdown of trust between the electorate and our politicians. The podcast has not quite got there yet (an interview with Blair is promised, as well as Alastair Campbell.Until then, enjoy such little gems as the time that Dimbleby interviewed the then US secretary of defence, Donald Rumsfeld, and Rumsfeld’s PR, after the interview, said, faintly: “Well, I think that’s lost me my job.” Or, in the second episode, when Lorna Fitzsimons, voted in as Rochdale’s MP in the 1997 election, recalls campaigning for New Labour: “It was wave after wave after wave of possibility and excitement. And people got involved: fourth-generation single parents, Asian women who had never been in politics before.”Enough of the good ol’ days: let’s tackle the now. The Heist, from the US’s Center for Public Integrity, has just released its third episode. It’s been getting a lot of attention in the US, not least because of Trump’s recent tax “revelations”. The Heist also talks Trump and taxes and – amazingly – makes this interesting.In the first episode, we learn about tax cutting. The Orange One was elected in 2016, partly because he promised to reform US taxes. When that didn’t happen, many Republican donors were upset. And in an unexpected move, one of these donors, Doug Deason from Dallas, decided to withdraw any financial help to Republican senators until the promised tax reform was passed. What’s more, he got in touch with a lot of other donors and urged them to stop coughing up too. He got them to turn off the money tap; the “Dallas piggy bank”, he calls it.A sensible straight-shooter, Deason’s job is to invest his family’s wealth, and he chooses to do this by investing in politicians. (There are different schemes to do this: the most disturbing is called dark money, as the show explains.) When Sarah Kleiner, from the Center for Public Integrity, asks him why, Deason is clear: he does it because he expects the politicians in whom he invests to do what he wants. “Obviously, you sort of buy access,” he says. “It’s no secret.”And the next episode, about Steven Mnuchin, Trump’s treasury secretary, is just as jaw-droppingly clear. A sometime banker and film producer, Mnuchin “is who he needs to be at any given moment”, says Sally Herships, The Heist’s host. Mnuchin’s most personally exciting Treasury moment appears to have been getting his signature printed on dollar bills.The Heist is a revelatory show, easy to understand and very listenable. So listen, understand, throw something in frustration, and then have a cup of tea to calm down.Three interesting shows about family (sort of)AppearancesThis is a fiction podcast that’s so close to the truth that I thought it was real for the whole of the first episode. Sharon Mashihi is Melanie Barzadeh, an Iranian-American on the verge of having a baby with her on-off older boyfriend. Melanie is in a mid-30s funk: messed up by her personal history and cultural expectations, as well as her own whither-my-life Brooklynite navel-gazing, she genuinely doesn’t know what to do in order to create the family life she craves. Produced by The Heart’s Kaitlin Prest, simultaneously irritating, moving, insightful and captivating, Appearances is unlike anything else out there.One of the Family With Nicky CampbellMention family and Nicky Campbell, and you’ll probably think of ITV’s Long Lost Family, which he’s co-hosted for years. But this show is about the brilliance of dogs. Campbell pulls in high profile guests – Ricky Gervais, Rebecca Front, Chris Packham – who relax, completely, when talking about their pets, revealing a softer side that we rarely witness. There is a little bit in the show about how best to look after dogs, but really this is just a chat between dog people about how great each other’s dogs are. Start with Gary Lineker and Nihal Arthanayake talking (separately) about the grief they felt when their dogs died.Newsbeat: Coronavirus and StudentsWhen you leave home to go to university, you begin to create your own, new family. So what happens when you have to lock down for 14 days? On Monday, Radio 1’s Newsbeat had the bright idea of asking student radio stations to report in. “We’ve been four days without food,” said one student at Manchester. A Nottingham student described his first experience of university as “a different version of socialising… fear and loneliness is accentuated in our year”. “Everyone feels isolated,” said a guy from Aberystwyth. “I’m quite homesick at the minute,” said a girl at Glasgow. Poor kids. More

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    Succession creator Jesse Armstrong criticises Trump and Johnson at Emmys

    The Succession creator, Jesse Armstrong, used his Emmy acceptance speech to attack Boris Johnson and Donald Trump for their “crummy” response to coronavirus, and also the media moguls who do so much to keep them in power.Armstrong’s HBO show, telling the story of a billionaire media tycoon and his dysfunctional, warring family, was one of the big winners at the ceremony on Sunday. It won seven awards, including outstanding drama, which Armstrong accepted from a hotel room in London.He said it was sad not to be able to share the success with colleagues in the US. “Being robbed of the opportunity to spend time with our peers, maybe I’d like to do a couple of un-thankyous,” he said.“Un-thankyou to the virus, for keeping us all apart this year. Un-thankyou to President Trump for his crummy and uncoordinated response. Un-thankyou to Boris Johnson and his government for doing the same in my country.“Un-thankyou to all the nationalist and quasi-nationalist governments in the world who are exactly the opposite of what we need right now. And un-thankyou to the media moguls who do so much to keep them in power. So un-thankyou!”Armstrong is one of Britain’s most celebrated comedy writers, having co-created Peep Show and Fresh Meat in the UK as well as having been on the writing team for The Thick of It.Succession’s seven wins came from 18 nominations and included the best actor award for Jeremy Strong, who plays the eldest son, Kendall Roy. His success meant that Brian Cox, who plays the patriarch and was nominated in the same category, missed out on a prize that bookmakers had made him odds-on to win.Cox was one of many British and Irish actors to miss out. Olivia Colman (The Crown) and Jodie Comer (Killing Eve) were thwarted in their category when Zendaya made history by becoming the youngest person to win in the best actress drama lead category for Euphoria.Also missing out were Helena Bonham Carter (The Crown), Fiona Shaw (Killing Eve), Matthew Macfadyen (Succession), Harriet Walter (Succession), Jeremy Irons (Watchmen), Paul Mescal (Normal People), Andrew Scott (Black Mirror), Dev Patel (Modern Love) and Phoebe Waller-Bridge for her guest appearance on Saturday Night Live.Aside from Succession the big winners were HBO’s Watchmen, shown in the UK on Sky Atlantic, and the Canadian sitcom Schitt’s Creek, which, since it went on Netflix, has steadily and quietly become a huge feelgood hit. The sixth and final season of the show swept the board in the comedy categories, a feat not even achieved by shows such as Frasier and Modern Family.It won seven Emmys with acting wins for the show’s stars Eugene Levy, Dan Levy, Catherine O’Hara and Annie Murphy. Appearing in the ceremony’s virtual backstage area Dan Levy, its co-creator and showrunner, discussed the possibility of Schitt’s Creek returning as a movie.“Here’s the thing – some people have been asking that,” he said. “If there is an idea that pops into my head and worthy of these wonderful people, it has to be really freaking good at this point.”Other winners included Last Week Tonight with John Oliver, the Birmingham-born writer and comedian who started out on the UK standup circuit before achieving success in the US.RuPaul’s Drag Race, which has spawned a Bafta-nominated British version on the BBC, won the reality competition award.The virtual awards ceremony, hosted by Jimmy Kimmel – “welcome to the Pandemmys” – will go down as one of the oddest in the Emmys’ 72-year history with prizes delivered to winners, often in their homes, by people in hazmat tuxedos.The dress code was “come as you are”, with the suggested option of designer pyjamas. Hardly any of the stars went down that route, although Jane Lynch, in a very smart top, revealed she was also wearing sweatpants.A number of actors used the event to express support for the Black Lives Matter movement, including Regina King, who won the limited series lead actress award for Watchmen. She wore a T-shirt that honoured the police shooting victim Breonna Taylor and used her speech to remind people of the importance of voting.Later she explained why wearing the T-shirt was important. “The cops still haven’t been held accountable,” she said.“She represents just decades, hundreds of years of violence against Black bodies. Wearing Breonna’s likeness and representing her and her family and the stories that we were exploring, presenting and holding a mirror up to on Watchmen, it felt appropriate to represent with Breonna Taylor.” More