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      Seth Meyers on JD Vance’s debate performance: ‘Brazen and shameless’

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      Late-night hosts talk JD Vance’s many lies during the vice-presidential debate and a new special counsel report detailing how Donald Trump tried to steal the 2020 election.Seth MeyersDonald Trump is “a bad liar”, said Seth Meyers on Wednesday’s Late Night, but he chose as his running mate “someone who is much more polished at it”. JD Vance, Ohio senator, is “brazen and shameless, but he’s admittedly very smooth. He’s like a slick used car dealer, and can be very convincing until you remember the car he’s trying to sell you is an AMC Gremlin with raccoons in the engine.”For instance, during the vice-presidential debate on Tuesday evening, Vance claimed that he was not in favor of a national abortion ban, but did support a “minimum national standard”.“That’s a ban,” Meyers corrected. “A ‘minimum national standard’ is just a bullshit way of describing a national abortion ban. It’s like when I go to the coffee shop on my block and they say they sell all-natural, gluten-free breakfast biscuits. That’s a cookie, dude. Except now you’ve guaranteed that my kids won’t stop asking me why they can’t have it.”Vance has said multiple times that he favors a national abortion ban. On a rightwing podcast in 2022, he said: “I certainly would like abortion to be illegal nationally.”“That’s what happens when you say yes to every rightwing podcast in the universe,” said Meyers. “JD Vance is on record contradicting every thing he says now. Politicians used to be worried about being caught on a hot mic. But now they go into every McMansion basement they can find like they’re on a hot mic scavenger hunt.”Vance also refused to say whether Trump lost the 2020 election. When asked point blank by his opponent, Minnesota’s governor, Tim Walz, Vance deflected with: “I’m focused on the future.”“If you ask someone a straightforward question and they say ‘I’m focused on the future’ that’s how you know they’re caught in a lie,” said Meyers. “Vance may have delivered a slick performance last night, but it was just that – a performance.”Stephen Colbert“We are all still struggling to digest last night’s vice-presidential debate – which is surprising, because usually I have no trouble eating two slices of white bread,” joked Stephen Colbert on Wednesday night.The Late Show host described the debate as a “frosty cup of ZzzQuil”, as the two politicians performed civility and appeared to frequently agree with each other.The Atlantic described the debate as “a vision of what American politics could be without the distorting gravitational field generated by Donald Trump”.“I would love that,” said Colbert, “but here’s the thing: Donald Trump hasn’t gone anywhere. He’s still the main character. This is like a scene from It without Pennywise on camera, and everyone is suddenly like, ‘Welp, guess there’s no more scary clowns in Derry. Ooh, free sewer balloon!’”Colbert took particular aim at Vance’s answer to a question on Obamacare, which Trump tried to destroy numerous times: “I think you could make a really good argument that [Trump] salvaged Obamacare, which was doing disastrously until Donald Trump came along.”“That kind of junior high debate team sophistry is exactly the worst kind of behavior that intelligent people use to justify evil,” added Colbert. “You know, when you think about it, it could be argued that Godzilla really spearheaded Tokyo’s urban renewal.”Colbert was also incensed at Vance’s characterization of January 6: “It’s really rich for Democratic leaders to say that Donald Trump is a unique threat to democracy when he peacefully gave over power on January the 20th.”“Yeah, 14 days after his plot to overthrow the election ended in a violent coup that failed,” said Colbert. “That’s like saying to your ex: ‘Barbara, I think it’s rich that you’re calling me psychotically obsessed with our relationship, when I left your and Brad’s wedding peacefully. You’re the one who won’t stop talking about me setting fire to the DJ.’”Jimmy KimmelAnd in Los Angeles, Jimmy Kimmel looked ahead to election day: “We are 34 days away from Trump saying the election was rigged, just as he did four years ago.” Trump’s efforts to overturn the election four years ago are detailed in a new report from special counsel Jack Smith.The judge overseeing the January 6 case in Washington unsealed a 165-page court filing containing a “mountain” of testimony and evidence against Trump. “All the stuff we know happened, we now have in writing,” said Kimmel.The filing lays out “the increasingly desperate ways Trump tried to steal the election”, Kimmel explained. “You know, sometimes I would wonder, does Trump really believe that this election was stolen from him? And the answer is no, he doesn’t. The plan all along was to declare himself the winner even he if wasn’t, which he did. And then when he realized he was going to lose, he made up these claims of fraud.“He called governors and election officials,” he continued. “He hammered Mike Pence. He deliberately spread lies, even though he privately admitted they were crazy lies. He was directly involved in the fake elector scheme. And he stole all the Oreos from the White House snack cabinet.”The report also detailed just how many times Trump pressured Mike Pence to try to decertify the election, though he had no authority to do so. “There were meetings, phone calls, text messages – Pence was basically Trump’s Baby Reindeer,” Kimmel joked. More

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      Veep cast reunites, with special guests, to raise money for Harris

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      As soon as Joe Biden dropped out of the presidential election and threw his support behind Kamala Harris, people immediately started comparing the shocking turn of events to something that would unfold on HBO’s critically acclaimed political satire Veep. At the time, the US vice-president was seen as a Selina Meyers-esque figure, what with her penchant for public awkwardness, clunky turns of phrase and the perception of her as a perpetual also-ran.Since then, things have changed quite a bit, with Harris rising to the occasion and running a highly effective and exciting campaign that has seen her ascend to frontrunner in the race (even if her advantage remains razor-thin).Still, as I wrote in my article from July, her campaign and the Democrats as a whole would be wise to lean into comparisons to Veep. Despite how venal and vain the characters on the show were, the workplace comedy (which wrapped up in 2019) remains as popular and relevant as ever.When you consider this alongside the fact that the majority of the cast, including and especially its star, Julia Louis-Dreyfus, are outspoken liberals, it made all the sense in the world for some Democratic group to try to work with them to raise funds and awareness during this final leg of the campaign.That group ended up being the Wisconsin Democrats. A swing state that is likely to have a big hand in deciding not only who the next president is, but also which party controls the Senate, WisDems put together a live Zoom table read of a classic episode of Veep, featuring the majority of the cast, plus some big-name guest stars, to be livestreamed to the donors, with the money raised going towards presidential, congressional and assembly campaigns across the state.Fellow liberal comic and Veep super-fan Stephen Colbert took on hosting duties. Special guest stars included the Wisconsin senator Tammy Baldwin in her acting debut (not counting her childhood performance in a school production of Finian’s Rainbow), actor and comedian Kumail Nanjiani as a Syrian refugee (“I’m Pakistani, but I can play cat-eating immigrants from all over the world”), Seinfeld co-star Jason Alexander as a pompous feature writer, film-maker Kevin Smith as a reporter, and Larry David – who, in the most fitting turn of events imaginable, spent the first several minutes of the live stream trying to figure out how to work his Zoom – as Selina’s chief hatchet man, Ben Cafferty.View image in fullscreenReprising their roles from the show were actors Diedrich Bader, Nancy Lenehan, Gary Cole, Sam Richardson, Sufe Bradshaw, Timothy Simons, Reid Scott, Matt Walsh, Anna Chlumsky, Tony Hale and, of course, Louis-Dreyfus, while series regulars Clea DuVall and Sarah Sutherland took on other roles, since their characters don’t appear in this ep. (Patton Oswalt, who was also on the show, made a surprise appearance during the post-read Q&A.)The episode chosen was Crate, from season 3, which finds Selina and her cronies campaigning in New Hampshire ahead of the upcoming primaries. Various mishaps involving a pricey photo-op prop, an incriminating cellphone recording and the suicidal first lady, ensue. This episode is regarded as one of the very best in the show’s history, mostly due to one scene: Selina, having just learned that Potus will be resigning from office, effective immediately, shares a joyous freakout alongside her body man/closest confidant, Gary. It’s a bravura performance from both Louis-Dreyfus and Hale, one that probably secured them each an Emmy the following year.(It’s also fitting that this episode should be chosen, given that this intimate scene is immediately followed by Selina betraying Gary, a dynamic that repeats itself in the most devastating moment of the series finale.)For the read-through, the cast slipped back into their roles with ease. Everyone was on point, but Louis-Dreyfus and Hale were extra-dialed in, especially during their big scene. You got goosebumps watching them recreate it 10 years later, over Zoom, while still bringing all of the emotion they did during the actual filming.The guest stars all acquit themselves well, but it should come as no surprise that it was David who got the biggest laughs. While it’s impossible for him not to play himself, his singular delivery proved a perfect fit with Veep’s uber-cynical, profanity-laden screwball dialog.After the reading, we alternated between cast members interviewing a handful of state legislature candidates (with the major focus of the night revolving around abortion rights) and them fielding questions from viewers. Show creator Armando Iannucci joined in for this portion of the event.We got treated to a mini-Seinfeld reunion between Louis-Dreyfus, Alexander and David; Louis-Dreyfus sounded off on her hatred of AI; Smith talked about his favorite scene of the show (Selina accidentally getting high on St John’s wort, naturally); and David went off on a funny tangent about bald men looking better with beards (although he himself would never grow one because comedians can’t be stroking their beards).Someone asked the cast to give their favorite individual lines from the show. Louis-Dreyfus: “Jolly green jizz-face.” Simons: “[You’re] a meme, ma’am.” Walsh: “I’ve met [some] people … and a lot of them are fucking idiots.” Chlumsky: “[That’s] like [trying to use] a croissant [as] a [fucking] dildo. It doesn’t [do] the job and it [makes] a fucking mess!” Bradshaw: “[Get] the government out of my [fucking] snatch.” Colbert: “Danny Wah!”Iannucci seemed to confirm that Kent and Sue indeed hooked up at some point (“It probably involved algorithms”) and speculated on various characters’ outcomes (married politicos Amy and Bill are probably hosting a podcast with their dogs, while the “late” Andrew Meyer is living under a new identity on an island that he’s trying to buy with a view to it being recognized as its own country).When asked about the future of satire, Iannucci said it depended on who wins this election, as the entire premise of political comedy hinges on people holding politicians up to certain standards, standards Trump and his ilk have never shown the least bit of concern over.Colbert wrapped things up by having the cast read aloud their favorite insults of the show’s most despicable and hilarious character, noxious political aide and eventual veep, Jonah Ryan. These cruel gems include: “Childless cat-lady man”, “Disney plus extra chromosomes”, “Harry No-Styles”, “Rape-It Ralph”, “Moonsucker”, “Satellite licker”, “face-circumcised” and “stock photo for sperm-bank reject”.Right as Simons, the actor who played Ryan, broke the news that the fundraiser exceeded its stated goal of $600,000, Iannucci tossed out on final new Jonah barb that he’d come up with earlier in the day:“Jonah, even if you fell into the world’s most powerful castration machine, you’d still come out of it a dick.” More

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      Jimmy Kimmel on Trump campaign hacks: ‘Shows that his password is McNuggets123’

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      Late-night hosts talk the Trump campaign’s multiple campaign hacks, Kamala Harris’s lead among young voters and a dubious new Trump merchandise product.Jimmy KimmelThe Trump campaign has now been hacked twice in the last two months, “which is what happens when you store secret documents next to the urinal at a golf course”, said Jimmy Kimmel on Wednesday evening.Intelligence officials suspect Iran is behind at least one attack, leading campaign spokesman Steven Cheung to claim that the attacks show how Iran is “terrified of the strength and resolve of Donald J Trump”.“And it also shows that his password is McNuggets123,” Kimmel joked.One of the journalists who received the leaked documents said the material may be “embarrassing or problematic” to members of the Trump campaign. “As if anyone who works for the Trump campaign is capable of embarrassment,” Kimmel noted.In other campaign news, Trump was in Georgia on Tuesday, “where they’re working very hard to fix the election for him”, and “once again, he had a lil McFit about whether or not Kamala Harris worked at McDonalds”. Trump repeatedly and falsely said Harris never worked for the fast-food chain, calling her past employment a “lie”.“He really should just be running for Mayor McCheese,” said Kimmel. “It’s so dumb, it’s so petty, but so is he.”Seth MeyersOn Late Night, Seth Meyers laughed at Trump’s campaign trail confession that his “personality defect” is wanting people to like him. “By his own confession, he likes people who like him, and that’s it,” said Meyers. “He doesn’t care about policy or character or integrity. He you like him, he likes you.”That’s why Trump endorsed Mark Robinson, the scandal-plagued Republican candidate for governor of North Carolina. In multiple appearances, Trump praised Robinson, who is Black, saying: “I’ve gotten to know him so well.” He also described Robinson as a “fine wine”, “Martin Luther King on steroids” and “Martin Luther King times two”.“He’s really truly amazing,” said Meyers of Trump. “Everyone agrees Martin Luther King is a great person, but only Trump would say ‘I know someone twice as good! Every night he has two dreams!’”Among Robinson’s numerous scandals is a CNN report of his past racist comments on a pornographic website called Nude Africa, including calling himself a “black Nazi”. In another comment, Robinson, using his full name in his username, said slavery was “not bad” and that he wished it would come back.“First of all, who uses their full name on a porn website?” Meyers wondered. “I don’t even use my full name when I make a dinner reservation – I use Jimmy Fallon, because I want a table.”Despite his past support of Robinson, the Trump campaign is now pretending they don’t know him, and have removed joint events from their calendar. “A healthy, functional political party would do some introspection about how and why they keep attracting deranged extremists and anti-social weirdos like these guys,” Meyers concluded. “But the GOP would rather lie and pretend they have never had anything to do with Robinson in the first place.”Stephen ColbertAnd on the Late Show, Stephen Colbert cited a new Harvard youth voting poll that found Harris leads young female voters 70% to 23%. “Young women are going to save us all. And young men are going to play Xbox and see how high they can jump off a big rock,” Colbert joked.In an effort to attract young voters, the Harris campaign has committed to visiting over 150 college campuses. “Ooh, 150, she’s trying to break Matt Gaetz’s record,” Colbert quipped. “I’m kidding, obviously he’d never date a college girl. Or, as he calls them, mature honeys.”According to a polling director at Harvard, the results show “a significant shift in the overall vibe”.“Yeah the vibes are immaculate,” Colbert said. “The analysis shows that Harris ate and left no crumbs. Her campaign had a bussin’ glow-up. In conclusion, the children have broken my brain. Boots king!”In other news, “Trump may be busy campaigning, but he’ll never lose sight of his first love: selling garbage,” said Colbert. On Tuesday, the former president announced that he’d be selling silver Trump coins with his face on them. The coins are selling for $100 apiece, though the silver they’re made of only costs $30.“What a deal!” Colbert deadpanned, before imagining one man’s justification for buying the coins: “Honey, I know I bought a Trump coin at a 210% loss, but you can use the Trump coin to buy Truth Social stock, and once that eventually bounces back we’ll invest the profit in an NFT trading card of his gold sneakers, which is pegged to the price of the little pieces of his suit we got from when he got arrested, then convert it to Trump crypto, which we’ll use to buy Melania’s book, which, get this, is worth one Trump silver coin.” More

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      Jon Stewart on Harris’s debate performance: ‘She crushed that’

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      Late-night hosts recapped the first presidential debate between Donald Trump and Kamala Harris on ABC News.Jon StewartJon Stewart took over his guest perch at the Daily Show on Tuesday for a live post-debate show, reeling from over 90 minutes of heated conversation between Donald Trump and Kamala Harris.“I just want to say that after surviving the PTSD of the last presidential debate, how unbelievably refreshing it is to go back to the same old nobody is going to answer any fucking questions! We’re back!” Stewart joked of the “cliches” and “baseless ad hominems” of American political theater.Early in the matchup, Trump claimed that “everybody” wanted Roe v Wade overturned and the legality of abortion left up to states, which Harris accurately disputed. “I have talked with women around our country,” she said. “You wanna talk about, this is what people wanted? Pregnant women who want to carry a pregnancy to term, suffering from a miscarriage, being denied care in an emergency room because the healthcare providers are afraid they might go to jail – and she’s bleeding out in a car in the parking lot? She didn’t want that.”“Holy shit! She crushed that,” said Stewart.Stewart ran through highlights of the debate, including when Harris got under Trump’s skin about the crowd sizes at his rallies, or when Trump tried to deny that he had any role in January 6. But ultimately, “I don’t know if this debate is going to change anything,” said Stewart. “People are often set in the manner that they view these proceedings. What I think is a home run answer for one candidate, someone else views as a dodge or a lie.“It doesn’t matter what they say any more, but one thing will always be true – and it is the quality of the former president I respect the least,” he continued. “Whenever he is cornered and forced to face even the smallest of consequences for his own mendacity and scheming, he reverts to the greatest refuge of scoundrels.”That would be the classic line of deflection – “it wasn’t me” – which Trump basically used for January 6.“This man, who constantly professes to be your champion, who says they’re going to have to go through him to get to you, will always, when the boat is going down, be the first into the lifeboats,” Stewart declared with palpable anger. “Because in that moment, he will always say the same thing: ‘I didn’t know anything about it, I was just told to show up for a cruise.’ Even though, everybody knows, he was the fucking captain of the ship.“In any other country, that lack of accountability would be disqualifying,” he concluded.Stephen Colbert“Unlike the first presidential debate back in June, this time the Democratic candidate was able to walk out to the stage without pausing for a nap,” said Stephen Colbert on the Late Show.The host was impressed with the vice-president’s performance. “Kamala Harris came in needing to rattle Trump’s cage,” he said. “And now that it’s over, they are still looking for pieces of his cage in low orbit.“Harris got under his skin like she was stuffing in butter and rosemary. It was beautiful,” he continued. “By the end of the debate, the meat was falling off the bone.”Trump was “so nonsensical” throughout the debate, that Harris “looked at him the way a parent looks at a kid giving a presentation on why they should be allowed to get a pet tiger”.When the moderators asked a basic question on Roe v Wade, Trump “lied so fragrantly” that the ABC News moderator Linsey Davis had to intervene with the fact-check “there is no state where it is legal to kill a baby after it is born”.“Follow up question: can a moderator win a debate?” Colbert quipped.Harris often returned to a theme of looking toward the future, to “turn the page” on the Trump years.“Actually, turning the page seems kind of mild,” said Colbert. “I would say we should burn the book, but that’s really more his thing.”Jimmy KimmelIn Los Angeles, Jimmy Kimmel also dug into “the debate of the decade”.“It was like watching the Lorax debate the Grinch tonight,” he said. “Usually when Trump gets a spanking like this from a woman it’s with a Forbes magazine. Kamala was pushing his buttons like a 12-year-old playing Fortnite.”Though Republicans urged Trump to stay focused on the issues, he did anything but. “Who are we kidding? This election isn’t about the issues,” said Kimmel. “Dick Cheney isn’t voting for Kamala Harris because he agrees with her on the issues. He’s voting for her because there’s a rhinoceros charging, and she has the tranquilizer gun.”Kimmel zeroed in on the moment when Trump repeated false stories about Haitian immigrants in Springfield, Ohio, eating cats and dogs, which has been repeatedly debunked. Nevertheless, Trump said: “They’re eating all the pets of the people that live there.”“I want you to imagine that we’ve never heard of Donald Trump before, and the first time you’ve ever seen him was during tonight’s debate,” said Kimmel. “What would your reaction be right now? You’d be in shock. The Republican party would have to close their headquarters and turn them into a Spirit Halloween store.“How is it possible that half of this country thinks that it’s a good idea to give the guy who tried to overthrow our government another chance to run our government?” he concluded. “Like if someone poisoned all the jalapeño poppers at TGI Fridays, you wouldn’t interview them to be the chef!” More

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      TV tonight: what President George W Bush really did on 9/11

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      TV tonightTelevision & radioTV tonight: what President George W Bush really did on 9/11 In a new documentary, the former US president and his team recall the 12 hours after the September 2001 terror attacks. Plus: Daisy Haggard returns in Back to Life. Here’s what to watch this eveningAmmar Kalia, Phil Harrison, Jack Seale, Ali Catterall and Paul HowlettTue 31 Aug 2021 01.20 EDT9/11: Inside the President’s War Room8.30pm, BBC OneWhere Monday night’s Surviving 9/11 told the story of some of the civilians who found themselves in the midst of the September 2001 terrorist attacks, this documentary analyses 12 hours in the US presidency as the news and its aftermath unfolded. Former president George W Bush recalls hearing of the attacks at a primary school, while members of his team revisit their unpreparedness for an attack like that, as the press records their reactions. Ammar KaliaSaving Lives at Sea8pm, BBC TwoMore heroics from the volunteers of the RNLI, the charity that became a political football earlier this summer for rescuing refugees in trouble at sea. Tonight, they plunge into a rip current to save a mother and son and help a man who has fallen off a cliff. Phil HarrisonThe Secret Life of the Zoo8pm, Channel 4This week at Chester Zoo, the keepers are trying to create a romantic atmosphere to encourage a pair of Kenyan antelopes to mate. Meanwhile, there’s potential danger in store as keepers try to get blood samples from the crocodiles, and George, a Malagasy giant rat, undergoes major surgery. AKLong Lost Family9pm, ITVIt’s never too late to reconnect with family. Tonight’s searcher is Roy, 86, who lost touch with his daughter nearly 60 years ago, when his ex-wife moved without warning. All this happened in New York, so his hopeful quest for a reunion is now a transatlantic task. Jack SealeBritannia 9pm,Sky AtlanticIt’s gone from bad to worse for Queen Antedia after being sold into slavery, as the brilliantly mad druids’n’drugs drama continues. Her new home is a hovel and her owners are the pits. But there is an escape route on the cards … Meanwhile, an unwitting Cait meets the man who blinded her father. Ali CatterallBack to Life10.35pm, BBC OneDaisy Haggard’s ingenious comedy-drama about ex-convict Miri Matteson’s return to her small-town home after an 18-year sentence begins its second season. We pick up six weeks on from Miri’s release as she tries to fend for herself, although she is still avoiding her mum and best friend Mandy. AKFilm choiceGran Torino (Clint Eastwood, 2008), 10pm, ITV4Recent widower and embittered Korean war vet Walt Kowalski only cares about his car, a pristine Gran Torino. He reserves his meanest snarls for the Hmong family next door, until violent local hoods cause him to befriend and defend them. It’s a wry, elegiac drama, with Eastwood magnificent as the old curmudgeon. Paul HowlettLive sportParalympics 2020 9am, Channel 4. Coverage of the swimming finals.Cricket: Saint Lucia Kings v Trinbago Knight Riders 2.40pm, BT Sport 1. T20 match from Warner Park Sporting Complex.Baseball: Tampa Bay Rays v Boston Red Sox 12midnight, BT Sport ESPN. American League match from Tropicana Field.TopicsTelevision & radioTV tonightDocumentaryFactual TVTelevisionUS politicsTV comedyDramaReuse this content More

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      Saturday Night Live: Regé-Jean Page hosts, cast use Cruz news for boos

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      We open on a Las Vegas talk show, Oops, You Did it Again. Hosted by Britney Spears (Chloe Fineman), who we all know from her “upbeat Instagram videos and the word ‘conservatorship’”, the show is a forum for public apologies.After a much-deserved potshot at Justin Timberlake, Spears welcomes her first guest: Ted Cruz (Aidy Bryant). Sporting cornrows and drinking a piña colada, the Texas senator, who this week got caught vacationing in Cancún amid his state’s energy crisis – and who blamed the whole thing on his young daughters – admits “I’m in a little bit of hot water, which is something I’m told people in Texas don’t have.”Next, Spears welcomes New York governor Andrew Cuomo (Pete Davidson), begrudgingly apologizing for “the nursing home stuff”. It pains him to eat crow, and he reaches breaking point after learning that “bird bitch” Mayor Bill DeBlasio thinks he should be investigated. Still, at least Cuomo’s not as pathetic as Cruz, whose sympathy he harshly rebuffs: “Do not. Associate yourself. With Me. I am a man. You are a clown. If you mess with me, I will send you to a clown hospital. And when you die, I will not count your body.”Last up is Mandalorian actor Gina Carano (Cecily Strong), let go from the Disney show for, among other things, comparing criticism of conservatives to Nazi persecution. She huffs and puffs about cancel culture and asks why Disney has the right to take the moral high ground: “Have you heard Brer Rabbit’s accent on the Splash Mountain ride?” This is a fair point, but having it come from Carano feels way off. Regardless, even she wants nothing to do with Cruz, telling him, “Do not. Associate yourself. With me.”The show gets points for going with an original setup for the cold open, as well as its mercilessness towards Cruz. That said, the cast constantly breaking hampers things. Nothing is that funny.Our host is Bridgerton actor Regé-Jean Page. After a quick Ray Jay Johnson reference that I assume went over his fans’ heads, he fends off the female cast. They’re all obsessed with the sexual dynamo he plays on the hit Netflix costume drama, although Aidy Bryant assures him, “We definitely have other sketch ideas where you aren’t just being an extremely hot sex man.” SNL has shown a tendency to over-rely on hosts’ hotness – see the recent Jason Momoa and Jennifer Lopez episodes, both dire.On Actor’s Spotlight, two black British actors – Kingsley Ben-Adir (Page) and Daniel Kaluuya (Chris Redd) – join Ice Cube (Kenan Thompson) to discuss their new movies. Cube tries to get in on the critical love by pretending he’s British too, claiming, “Me name’s not Ice Cube in Britain, it’s Coldy Squares.” No one buys it until Hugh Grant (Alex Moffat) shows up and recognizes him from the old neighborhood.After a short rap from Ego Nwodim, Davidson and musical guest Bad Bunny about going crazy during quarantine, a barroom game of pool is interrupted when a player puts on Olivia Rodrigo’s Driver’s License. The dudes all make fun of the song, but eventually reveal they’re huge fans. In-depth discussions of the convoluted backstory and reminiscences of their own heartbreak lead to the male cast joining for “the bridge of our lives”.Next, Page interviews for a job at an ad company that works on spec, creating slogans for brands that didn’t ask. Disastrous examples include “Charmin – Use after you poop!”, “Legos – Bet you can’t eat just one and!” and “Netflix – We have porn now!”. Funny as the ads are, and good as the interaction between Page and Beck Bennett’s aloof boss is, the funniest bit is a recurring gag in which Bowen Yang’s harried assistant hands the two strange notes which read “We’re losing millions”, “They have your daughter”, “Your mom is topless in the lobby” and, simply, “Hi”. A bit overstuffed, this zany pre-filmed segment is still one of the best of the season.Bad Bunny takes the stage alongside Rosalía for a steamy duet on La Noche de Anoche. On Weekend Update, Colin Jost kicks things off by hammering Cruz, noting “if you hate Ted Cruz, this is a pretty fun week … and if you like Ted Cruz, well, you’re probably Ted Cruz.” Michael Che notes that the winter storm brought “the most snow seen in Texas since Michael Irvine’s Super Bowl party”.Jost welcomes “relationship expert” Davidson to discuss the “first and hopefully last” Valentine’s Day of the pandemic. Davidson recounts spending the holiday watching the Britney Spears doc with his mom, which convinced him to finally move out and get his own place.“My mom is a lot like this show,” he explains. “No matter what I do, I’m never asked to leave.”After taking a few more digs at Cruz and Cuomo (as well as making a joke about Israel only vaccinating its Jewish populace that’s sure to generate backlash), Che welcomes Jessie Rauch (Heidi Gardner), a community activist who wants to discuss food insecurity. She doesn’t get the chance, as Che can’t get over the fact she’s dressed like Freddy Krueger. I’m not sure what the point or punchline of this was, but Gardner’s silly charm keeps it from totally tanking.A History Channel show looks at sea shanties. A whaling crew sings one, quickly revealing no one knows what they’re doing and they’re all doomed: “Yoho, we’ll never go home/ We’re stuck out here and we’re all alone!” The funniest bit is a brief aside wherein the crew describe to a new sailor their various “sea wives” – a whale’s blowhole, a blanket stuffed into a barrel, two jellyfish tied together, and their hands.A get together between new neighboring families, one white, the other black, sees them engage in a grace-off, trying to one-up each other through gospel. You keep waiting for things to take a dark or awkward turn but everything stays surprisingly sweet. Kudos to Bennett, who shows off some seriously impressive dancing.On the set of Bridgerton, Page and a costar are set to film a sex scene but the intimacy coordinator is out sick. Her replacements are two dirtbags (Davidson and Mikey Day) who have no idea what they’re doing or even what the show is about – they seem to think it involves incest. The set up promises something edgy or risqué, but unfortunately it just meanders.Bad Bunny returns and performs Te Deseo Lo Mejor. Wrestling fans will get a kick out of him proudly sporting the WWE 24/7 Championship belt, which he recently won. I imagine non-wrestling fans will just be confused.The last sketch of the night is a music video set in a grocery store, in which a dopey trio of ironic white rappers keeps getting interrupted and shamed for not wearing masks. It ends with them tasered and tackled by the manager.There was a noticeable patchwork quality to most of the sketches tonight, but that wasn’t always a bad thing. In fact, it led to a lot of unexpectedly funny moments. It also made excellent use of Page’s musical abilities and Bad Bunny’s decent comic chops, the end result a lively, enjoyable episode. More

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      John Oliver on Trump's refusal to concede: 'Absolutely unforgivable'

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      John Oliver tore into Donald Trump’s “pathetic, dangerous” refusal to acknowledge Joe Biden’s victory on Last Week Tonight, after two weeks of the president’s attempts to delegitimize the results of the election with baseless claims of voter fraud, backed by most congressional Republicans. The Senate majority leader, Mitch McConnell, for example, said Trump is “100% within his rights” to challenge the election result, and chastised Democrats on the Senate floor for “any lectures about how the president should immediately, cheerfully accept preliminary election results from the same characters who just spent four years refusing to accept the validity of the last election”.
      “First, no one expected Trump to immediately, cheerfully accept the results,” Oliver countered. “He’s incapable of cheerfully accepting anything apart from blowjobs, Nazi endorsements and the opportunity to scream inside a stranger’s truck,” to harken back to a photo-op from two years or what feels like two decades ago.

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      Furthermore, Democrats in Washington never refused to accept the election results in 2016: Hillary Clinton formally conceded the morning after election day, and Obama hosted Trump in the White House the day after that. “And yet Republicans are trying to defend their support for Trump’s indefensible behavior,” Oliver continued. One senior White House official asked the Washington Post: “What is the downside for humoring him for this little bit of time?” which Oliver called “a question that never ends well, whether the ones asking it are overworked parents who need a break or the Weimar Republic”.
      The Trump campaign and its television surrogates on Fox News have lobbed numerous unsubstantiated claims of voter fraud before, during and after the election, and “if you’re a casual viewer of rightwing media, you might think, ‘Well, there must be something here, they wouldn’t be going to all this trouble over nothing’”, Oliver said. “But the thing is, they are. This really is nothing.”
      Oliver summarily disproved Trump voter fraud claims from Pennsylvania to Georgia to Michigan – “I could spend the rest of this show debunking stories,” he said. “The problem is, it’s endless” and often nonsensical. “And who knows why Republicans are entertaining this – maybe it’s the fact that Georgia has two Senate runoffs coming up and they want to keep Trump happy so he’ll help rally voters for him there,” Oliver added. “Maybe they’re currying favor with him because they’re worried he’ll be a power broker going forward, I don’t know. What I do know is that the answer to the question ‘what is the downside of humoring him?’ is a lot.”
      The Trump administration’s refusal to acknowledge the election’s outcome prevents Biden from receiving high-level intelligence reports or accessing funds for his transition team. More pressingly, it blocks Trump officials from sharing critical details of a distribution plan for a Covid vaccine with Biden’s team. As cases surge to new records across the country heading into the holiday season, “you really want the new team handling the pandemic to be able to talk to the old team,” said Oliver, “even if, as I suspect, the old team’s plan was just a single white board in Jared’s office with nothing on it other than ‘discover cure?’ circled five times and then a drawing of Donald Trump saying: ‘Good job, new son.’”
      Many of Trump’s election fraud claims are laughable or ridiculous, Oliver continued, but “the fact is, a lot of people believe stuff like that. And when you continually insist that the election was stolen in big cities and suggest that remedying this calls for the ‘biggest fight since the civil war’,” to quote a video retweeted by Trump of the actor Jon Voight comparing contesting Biden to battling Satan, “things start to get deadly serious.” Earlier this month, two armed men were arrested outside the Philadelphia convention center, where city officials were counting ballots. One of the city’s commissioners, a Republican, told CBS news that the vote-counting center had received threatening phone calls “reminding us that ‘this is what the second amendment is for’”.
      It’s clear, Oliver said in response to the situation in Philadelphia, that “Trump is playing a dangerous game here, because there’s a huge difference between ‘not my president’ and ‘not the president’. And to be clear, people who are that angry are not riling themselves up in a vacuum. They’ve been fed a steady diet of misinformation, bullshit fraud claims, and a victim narrative from outlets like Fox News, Newsmax, OANN and, most importantly, Trump himself.”
      Trump’s continued propagation of election conspiracy theories via Twitter since the election are an “appropriate coda to a presidency that has destroyed so many lives”, said Oliver. “So many of us have lost loved ones, either because you can no longer square your love for them with their love for him, or because they fell down a mind-melting rabbit hole of conspiracy theories that he happily perpetuated, or because he let a deadly virus run wild, and it fucking killed them.
      “And now, as a parting gift to the country,” he concluded, “Trump is somehow managing to divide us even further while also hobbling his successor at the worst possible time, which is absolutely unforgivable.” More

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      in US Politics

      Can late-night comedy recover from the Trump presidency?

      by

      As the results trickled in on election night 2016, Stephen Colbert, host of The Late Show on CBS, processed Donald Trump’s victory live, before a shocked audience. He lamented America’s partisan divide (“how did our politics get so poisonous?”), professed belief in the utility of comedy (“in the face of something that might strike you as horrible, I think laughter is the best medicine. You cannot laugh and be afraid at the same time”) and offhandedly prefigured the identity crisis to come for late-night television: “I’m not sure it’s a comedy show any more.”
      Colbert performed the role of late-night host nimbly, even if the genre of an election night comedy hour was poorly suited for the victory of a candidacy that had been viewed by many as a joke. Trump, as the TV critic Emily Nussbaum argued in January 2017, had long performed, and audience-tested in rallies, the role of a boozy, heckling, aggrieved standup comic, one who shrugged off countless taboos as “sarcastic” jokes, one with an endless appetite for attention.
      Nussbaum’s essay, published in the first week of Trump’s presidency, evinced the trap facing liberal political comedians: “How do you fight an enemy who’s just kidding?” How do you skewer a performer who never made any attempt at sincerity? How could network and cable comedy, overwhelmingly delivered by straight white men, effectively lampoon a self-evidently ridiculous social media troll whose only currency was attention? Trump may have seemed at the outset like a boon to jokesters, but his presidency – the flat denials, the destabilizing cascade of crises and a fractured, contemptuous media landscape – has killed political comedy.
      Where does late-night go from here? Regardless of whether or not Trump is re-elected, his presidency has altered the genre in form and function. For four years, political comedy, and in particular late-night television, has lurched through a cyclical Trump attention loop: hosts mock the president, Trump continues with the next galling lie or lashes out on Twitter (or both), hosts mock Trump again, attention paid and courted and repaid. In the 2010s, as the lines in American cultural commentary blurred – political propaganda, social life and memes blended in a gorging timeline of content – Trump jokes became the default late-night currency. Even Jimmy Fallon, the affable Saturday Night Live (SNL) alum who infamously tousled Trump’s hair in 2015, was forced by a ratings war into more political monologues.
      In the Trump era, the genre has morphed to shoulder two burdens: to metabolize liberal outrage through short-circuited Trump jabs (Seth Meyers’ Closer Look segments, SNL’s too-numerous cold opens, whose main insight seems to be the sight of various celebrities game for impersonation); and to process the torrent of headlines in our confounding, infuriating, oversaturated reality.

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      The latter is not an insignificant function, given the time and sanity-erasing blankness of constant disruption and, say, a global pandemic. During the nationwide protests against anti-black police brutality this summer, late-night shows helped keep people tethered to, rather than escape from, the feverish timeline of deeply unfunny police crackdowns and ongoing pandemic surges. Many people got the gist of impeachment, the Mueller report, the Russia investigation, Trump corruption and justice department manipulations through late-night comedy shows. (The leading program, Colbert’s Late Show, averaged 3.45m viewers in 2019-2020; Saturday Night Live drew 8.24m viewers for its 46th season premiere last month, its highest audience since 2016.)
      There’s certainly a democratic function to that processing; when everything is politicized and the news landscape is calcified either in bad faith propaganda (Fox News) or norms of impartial politeness (the Sunday talkshows), late-night “comedy” – a pastiche of recaps, clips and jokes delivered by a host allowed to call bullshit – becomes a manageable way to keep up with things. But that doesn’t mean it was necessarily funny or sustainable or, to quote Colbert on election night, really a comedy show any more. Kimmel and Fallon seem to view jokes as a formality before the more entertaining work of interviewing celebrities; Late Night’s Seth Meyers has almost dispensed with jokes entirely in his outrage-laden, indignant Closer Look warnings on America’s descent into authoritarianism.

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      Late-night political comedy, following the model of The Daily Show, built a common language through the George W Bush and Barack Obama years: point out bad faith and dishonesty through videos stitched with hard news reports, then voice collective outrage at the con. But the past four years have undermined the belief that comedy could serve as an effective weapon against an administration whose reality show is outdone by its horrifying, very real “accomplishments”. The late-night shows once seemed to get under Trump’s skin, but to what effect? He might call the hosts “very weak and untalented” on Twitter, or continue his longstanding feud with SNL (and especially his impersonator, Alec Baldwin, although his attention for late-night shows appears to have waned this year). But in a polarized, post-hypocrisy world, jokes don’t so much thwart the hypocrite as draw viewers back into the reactive loop.
      The host perhaps most successful at navigating the Trump years, and the most critically acclaimed, is John Oliver, whose unsparing, morally clear, melodically ranting explainers on HBO’s Last Week Tonight focus on the rot around or tangential to Trump, rather than the man himself. Full Frontal’s Samantha Bee similarly works in allusive jokes around issues-driven monologues, as one of the few female hosts and a rare success in the 2010s boom and bust of liberal news comedy shows which evince the struggle to break fresh ground in the Trump era. The Nightly Show With Larry Wilmore, Patriot Act With Hasan Minhaj, The Opposition With Jordan Klepper, Wyatt Cenac’s Problem Areas, The Jim Jefferies Show and The Break With Michelle Wolf all premiered after January 2015, and have all since been cancelled.
      Sharp-toothed political comedy, meanwhile, has shifted to the masses on social media, and in particular TikTok. Political accounts run by Zoomers, which overlay pop music on bespoke factchecking, dances, healthcare advocacy and nihilistic memes, have become “cable news for young people”. Sarah Cooper’s lip-syncing Trump impressions blew up on TikTok and Twitter, leading to a guest-host gig on Jimmy Kimmel Live!. But her Netflix comedy special, Everything’s Fine, slams into the wall of Trump-centric satire and exemplifies the dilemma of traditional comedic forms; absent the fundamental insight of her impressions – that nothing satirizes Trump more than his own words – comedy rooted in the destabilizing chaos of the current moment sprouts starchy, disposable bits, jokes that strain when they should zing.
      What, then, can late-night comedy do? The shows do, after all, retain huge audiences, with institutional legitimacy and social media platforms that reach millions. Their guest slots can and have elevated diverse and “radical” perspectives, such as prison abolition advocates and Black Lives Matter activists. In 2020, late-night TV has gained the most cultural cachet when it embraces not redundant Trump jokes but the flexibility of the format – performing the duties television journalists refuse to do, for example, such as Colbert’s grilling the motives of the former Trump adviser John Bolton.

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      Ironically, it’s perhaps most relevant when it’s serious, self-aware, stripped down. In June, Trevor Noah released a quarantine-filmed video in reaction to the killing of George Floyd by Minneapolis police, in which he spoke plainly to white audiences as a person of color, a child of apartheid South Africa who understood state violence. “That unease that you felt watching that Target being looted, try to imagine how it must feel for black Americans when they watch themselves being looted every single day,” he said. “Because that’s fundamentally what’s happening in America: police in America are looting black bodies.”
      Noah’s video was shared widely on social media and cited by activist Kimberly Jones in Minneapolis, whose words were then incorporated in an episode of Last Week Tonight. More recently, Colbert has straight-up implored people to vote out the president; “We have two weeks to decide what kind of country this is gonna be,” he said last week, in reaction to news that the administration still had not reunited 545 children, separated from their families at the border, with their parents.
      There’s no laughter in such statements, no finding humor as an antidote. Earnestness – anathema to internet humor – is an awkward spot for late-night comedy to find itself in. But it’s cutting through bullshit, the leg work of sorting context and promoting inquiry, where late-night comedy can still find wiggle room, fresh territory with or without Trump. It’s not so much telling jokes as telling it straight – humor as a prerequisite but not the punch. More