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      Jimmy Kimmel is coming back. It’s proof that you still have power | Robert Reich

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      ABC says Jimmy Kimmel Live! will return to the airwaves next Tuesday – less than a week after Trump’s henchman Brendan Carr, chair of the Federal Communications Commission, said on a podcast that Kimmel’s remarks were part of a “concerted effort to lie to the American people”.Carr threatened that the FCC could “do this the easy way or the hard way” – suggesting that either ABC and its parent company, Walt Disney, must remove Kimmel or the regulator would have “additional work” to do.Why Walt Disney Company’s turnaround? As it limply explained: “Last Wednesday, we made the decision to suspend production on the show to avoid further inflaming a tense situation at an emotional moment for our country. It is a decision we made because we felt some of the comments were ill-timed and thus insensitive.”But now, apparently, all is well.“We have spent the last days having thoughtful conversations with Jimmy, and after those conversations, we reached the decision to return the show on Tuesday.”How lovely. How reasonable. How, well, kumbaya. All it took were some “thoughtful conversations with Jimmy” and everything returned to normal.Don’t believe it. In the days since ABC’s decision, the blowback against Disney has been hurricane level.At least five entertainment industry unions, with at least 400,000 workers, spoke out, with the screenwriters’ union charging Disney with “corporate cowardice”.Celebrities Tom Hanks and Meryl Streep called out “government threats to our freedom of speech”.Kimmel was supported by his late-night peers including Stephen Colbert, Jimmy Fallon, Seth Meyers, and John Oliver, all of whom blasted Disney and ABC with rapier-like humor.Jon Stewart devoted his show to a takedown of Disney’s cowardice.Disney talent was up in arms. Damon Lindelof, a creator of ABC’s Lost, threatened that if Kimmel’s show did not resume, he could not “in good conscience work for the company that imposed it”.Michael Eisner, a former Disney CEO, added a rare public rebuke.Even the rightwing Republican senator Ted Cruz expressed concern, suggested Carr was speaking like a mafioso and calling his threats to retaliate against media companies “dangerous as hell”.“We should not be in this business,” Cruz said. “We should denounce it.”By Monday, Carr himself was busy minimizing his role in the whole affair – denying he had threatened to revoke the licenses of ABC stations (it “did not happen in any way, shape or form”) – and putting the onus on Disney for having made a “business decision” in response to negative feedback from viewers.“Jimmy Kimmel is in the situation that he’s in because of his ratings, not because of anything that’s happened at the federal government level,” Carr claimed.But the most intense pressure came from us – from Disney viewers and customers – who immediately began to cancel subscriptions to Disney+ and Hulu and threaten a broader consumer boycott.Some stars, such as Tatiana Maslany, star of Marvel’s Disney+ series She-Hulk: Attorney at Law, and Rosie O’Donnell urged people to cancel their subscriptions.But the consumer boycott seems to have begun almost immediately.Shortly after Kimmel’s suspension was announced, Disney stock dipped about 3.5%. It continued to trade lower in subsequent days. The loss in market value has amounted to about $4bn.Investors got the message. Consumers were upset, which meant they’d buy fewer Disney products and services – which meant lower profits.There’s never one single reason for the ups and downs in the value of a particular firm’s shares of stock, but the timing here has been almost exact.Bottom line: We consumers have extraordinary power. We’re the vast majority. Like every other big corporation – especially one selling directly to consumers – Disney relies on us.Even if we can’t count on our elected politicians to protect our first amendment rights, we can rely on ourselves. When our outrage translates into withholding our consumer dollars, a big corporation like Disney is forced to listen – and respond.Next time you’re feeling powerless, remember this.

      Robert Reich, a former US secretary of labor, is a professor of public policy emeritus at the University of California, Berkeley. He is a Guardian US columnist and his newsletter is at robertreich.substack.com. His new book, Coming Up Short: A Memoir of My America, is out now More

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      South Park has become the most important TV show of the Trump 2.0 era | Jesse Hassenger

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      I’ll admit it: I’m more of a Simpsons guy than a South Park guy. Nothing really against those South Park guys – I’ve caught plenty of episodes over its astonishing near-30-year run, and loved the 1999 big-screen movie. But while I haven’t always maintained clockwork viewership of The Simpsons, either, those characters have proved durable enough to revive my interest in episodes old and new. South Park has a thinner bench by comparison, and as the show itself astutely pointed out years ago, it’s difficult for a satirically minded animated sitcom to explore ground that The Simpsons hasn’t covered already. South Park’s political bent, too, has often seemed less varied than the warmer (but still sometimes cutting) social ribbing of Matt Groening’s signature show. It’s a fine line between omnidirectional satire and libertarian crankiness.And yet the 27th season of South Park has accomplished something vanishingly few of its peers, whether in animation or topical comedy, have been able to do: getting laughs taking shots at the second Trump administration. It’s not that the White House is beyond reproach. Quite the opposite problem, much-documented: the Donald Trump cabal is so outsized in its stupidity and cruelty that it’s hard to distend it into a “funny” caricature, even a bleak one. In Trump’s second term, it has only gotten bleaker; jokes that were worn out by the end of 2020 are getting retold with a nasty vengeance, and the bar for cathartic laughter has been raised considerably.For a comedy fan, this winds up translating to an aversion. The occasional shots taken by The Simpsons somehow don’t land as squarely as they did when aimed at presidents I liked much, much more. I watch Saturday Night Live every week, and mostly dread James Austin Johnson’s accurate but ultimately defanged impression. (Some weeks, Johnson himself seems bummed out to be doing it.) I respect the hell out of Stephen Colbert, but I have never sought out his Trump commentary; I don’t need any more clapter – the reaction encouraged by comedy that wants your approval more than your laughter – in my life. South Park creators Trey Parker and Matt Stone seemed to agree; Parker’s 2017 announcement that they’d grown bored of taking shots at Trump – then barely into his first presidential term – was one of the show’s many controversies over the years.So how is it that South Park’s revived anti-Trump blows this season have managed to land? A big part of it is precisely Stone and Parker’s allergy to clapter and the grandstanding that inspires it. They obviously resent anything they read as putting on airs and sometimes in the past, this came across as its own form of preachiness, with “everybody chill”-style speeches at an episode’s end that would secretly sound just as prescriptive as the self-righteousness they wanted to send up. With their most recent Trump parody, though, there isn’t much moralizing – just gratifyingly mean caricatures of deserving figures such as Trump, JD Vance and homeland security secretary Kristi Noem. Some (not all) of their past roastings have verged on point-and-laugh bullying; here are targets worthy of that derision.Some of this derision speaks through the language of South Park itself. Trump isn’t vocally or visually imitated; he’s depicted in a series of repurposed photos, with the same voice and animation technique that Parker and Stone used to bring Saddam Hussein to life in the South Park movie. He’s also given the same sexual partner: a muscled-up and put-upon version of Satan, who has found himself in another toxic relationship. Calling Trump a wannabe dictator doesn’t break new ground, but there’s something satisfying in Stone and Parker using their personal toolkit to draw a line between Trump and Hussein; if they thought it was a histrionic comparison, they’d be making fun of it instead of making it. Similarly, there’s real spite animating the depiction of Noem as a dog-murdering zealot whose glamorous face needs to be repeatedly lacquered and reaffixed to her head as she commands an army of Immigration and Customs Enforcement thugs.Not all of the season’s satire has involved making real-life figures regulars on the show. Because South Park’s ensemble has rarely felt as vast or believably developed as Springfield of The Simpsons (or even Arlen on King of the Hill), it’s also flexible enough to turn Randy, Stan’s desperately trend-following dad, into a ketamine-microdosing, tech-bro moron addicted to the soothing, empty reassurances of ChatGPT – the focus of the most recent episode, to the point where most of the core child cast doesn’t appear. Surprisingly, this season has deployed forever favorite Cartman more sparingly so far, again getting self-referential in the season’s second episode, where the id-driven and arguably evil little kid is incensed to find out that podcasters have stolen his “shtick” – his pervasive hatefulness, repackaged as a challenge to debate where the aggressor is always the self-appointed winner. Ascribing this “master debater” title to Cartman (alongside a fellow kid serving as an obvious Charlie Kirk/Ben Shapiro stand-in) somehow manages to make this ridiculous behavior funny in its petty smallness without glorifying it.A South Park diehard would probably describe this praise as a fair-weather fan only enjoying the show when it goes after the “right” targets. Maybe that’s true, but it’s also a lot easier to take some joy in savaging Vance as a meme-faced version of a Fantasy Island sidekick than, say, accusing George Lucas and Steven Spielberg of cultural rape. It’s probably wishful thinking to wonder if Parker and Stone might actually move the needle of the perception on tech bros, debate-me podcasters and Trump-world ghouls, especially among the dude demo. But it’s also just a blessed change of pace to see say-anything, first-amendment types finding a fresher target than the wokeness bogeyman. While countless standups continue to whine about being silenced, Parker and Stone seem highly aware of their rarified position (and, as Paramount contractors, also aware of what actual political-corporate interference looks like). In a world where Trump’s actual political opponents seem terrified to actually fight him, some well-deserved, point-and-laugh meanness has become a surprising novelty. More

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      Stephen Colbert on JD Vance’s water level raising: ‘Insane spoiled baby emperor move’

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      Late-night hosts took aim at JD Vance over his unusual birthday demand and Donald Trump over his disastrous tariffs.Stephen ColbertOn The Late Show, Stephen Colbert called it “a significant day for our economy” with Trump’s controversial tariffs finally kicking in. He said it’s a day to “set your clocks back to more expensive” with import taxes now the highest they’ve been since the Great Depression.Colbert said it’s “never a great sign to be compared to the worst thing ever”.Tariffs on certain countries are lower if negotiations have been successful or “if the president’s mad at you they can be much higher”.This week saw Apple announce $100bn worth of additional investment in the US, but there is a smaller pool of American workers with the skills necessary to make an iPhone. “I believe America’s children can do anything!” Colbert joked.The company’s CEO, Tim Cook, was filmed this week in the Oval Office giving Trump a gift which was partly made of 24-carat gold. Colbert called it “lavish corporate bottom-smooching”.In the same press opportunity, Trump again slammed Colbert for having “no talent” but did concede that he has better ratings than Kimmel or Fallon, whom he said also had no talent. “We’re all equally untalented,” Colbert said, before adding: “Thank you for watching, sir.”Colbert said that while we are “plunging headfirst into techno-feudalism”, the Secret Service is busy raising the water level of an Ohio river for Vance’s family boat trip to celebrate his birthday. He called it an “insane spoiled baby emperor move”.Seth MeyersOn Late Night, Seth Meyers said that Trump “clearly has no interest in doing the job of president” and doesn’t “know or care what his own administration is doing on a daily basis”.He is too busy renovating the White House with plans revealed this week for a new $200m ballroom decked out in gold. Trump has said it’s important as there hasn’t been a president like him who has been good at ballrooms before.Meyers commented that it’s “never been a problem that our presidents weren’t good at ballrooms”.To show how little Trump knows about the day-to-day, he played a clip just after the US illegally bombed Iran in which he was told by a reporter that the intelligence community said it had no evidence that Iran was developing a nuclear weapon, which the president called false.This week when he was asked about Robert F Kennedy Jr’s decision to cancel $500m in contracts for vaccine development, he also appeared confused. “For a guy who watches cable news all day, you sure seem caught off-guard by the news,” Meyers said.There are also plans to put a nuclear reactor on the moon, a decision bragged about on Fox News with claims that “Trump doesn’t play by the rules”. Meyers admitted that this is true as at Nasa, rule No 1 is “don’t blow up the moon”.Ignoring the inflation that’s ballooning thanks in part to Trump’s tariffs, the administration is instead having to deal with the fallout of the Jeffrey Epstein files. Trump “flew into a rage again” after being asked about it this week.It’s still proving to be “explosive for Trump and his Maga base” and so this week a dinner was planned on Epstein strategy involving high-ranking loyalists. Nothing like a “secretive cabal” of powerful people to settle the conspiracy theorists, Meyers noted.It was reportedly planned by Vance, whom Trump threw under the bus when he was asked about it this week. “No matter how much you try to appease Trump or suck up to him, he’s eventually going to betray you,” he said. More

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      Seth Meyers on the Epstein conspiracy: ‘This is a crisis of Trump’s making’

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      Late-night hosts discussed the ongoing Jeffrey Epstein scandal and the “spite” behind Donald Trump’s impending tariffs.Seth MeyersOn Late Night, Seth Meyers spoke about the theories circulating over the death of Epstein, spurred on by the alleged missing minute from his jail cell video on the night of his death.He said that Trump is not in the right place to be handling it, as he’s “old” and “tired” and just came back from a golfing vacation in Scotland.While there, he opened a private new golf course, which was on the official White House live stream. “They’re not even pretending any more, there’s no separation,” Meyers said.Trump is “tired from all his golfing and self-enrichment” and was recently seen trying not to fall asleep during a press briefing with Mehmet Oz. “Imagine if Joe Biden did this,” he said.Meyers added that “he can’t hear or understand reporters’ questions any more” before playing footage of him getting confused over a recent question about Russia.Trump has been asked why he cut ties with Epstein and recently said he didn’t want to waste people’s time by going through the details. “Please, my man, waste our time!” Meyers said.He then “dug the hole even deeper” and “made it so much worse” by rambling on about Epstein stealing workers from his spa, which he said was one of the best spas in the world. “Stop talking about the spa – is it your safe word?” Meyers asked.But it’s “not just Trump who keeps digging a hole for himself”, there’s also Dan Bongino, an Epstein-obsessed podcaster who is now the deputy director of the FBI.Despite him claiming that the full, unedited tape would be released, experts have said that while it might be “unclear how much time is missing”, this isn’t the full tape after all.“This whole thing is a crisis of Trump’s making,” he said.Stephen ColbertOn The Late Show, Stephen Colbert reminded viewers that it was the last day of July, which means that the “basket of deplorable tariffs are gonna kick in” the day after.Trump had originally claimed he had made 200 deals ready for 1 August but “on the other hand, no he didn’t”, with just eight in place before the deadline.Colbert said that “his demands are insane” and many of the countries are included “just for spite”.This week also saw him revive the presidential fitness test for American schoolchildren so they could be “as fit as President Trump”. It had originally been retired in 2012 for a switch to a focus on individual health rather than athletic feats.Trump signed the executive order flanked by athletes, including former NFL star Lawrence Taylor, who is a registered sex offender. Colbert called it “a brilliant way to distance yourself from the whole Epstein scandal”.This week also saw lawyer Alan Dershowitz, known for clients such as OJ Simpson, Harvey Weinstein and Trump, make further complaints about how he is shunned while in Martha’s Vineyard.He had previously complained that his politics had made him a social pariah, but now he is suing a vendor who refused to serve him pierogi. He was later seen speaking to a police officer about the incident.“They have bigger crimes to investigate, like someone’s houseguest bringing a domestic chardonnay,” Colbert quipped. More

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      Losing Stephen Colbert and the Late Show is a crushing blow, whatever the reason | Adrian Horton

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      Last Thursday, when Stephen Colbert announced on air that CBS had decided to cancel The Late Show, its flagship late-night comedy program, after 33 years in May of next year, I was shocked.For the better part of six years, I have watched every late-night monologue as part of my job at the Guardian (hello, late-night roundup), and though I often grumble about it, The Late Show has become a staple of my media diet and my principle source of news; as a millennial, I haven’t known a television landscape without it. There are many bleaker, deadlier things happening daily in this country, and the field of late-night comedy has been dying slowly for years, but the cancellation of The Late Show, three days after Colbert called out its parent company for settling a lawsuit with Donald Trump, felt especially and pointedly depressing – more a sign of cultural powerlessness and corporate fecklessness in the face of a bully president than the inevitable result of long-shifting tastes.Reporting in the days since the announcement have lent some credence to CBS’s claim that this was “purely a financial decision”. Though The Late Show has led the field of late-night comedy in ratings for years, it only averages about 2.47 million viewers a night. Its ad revenue plummeted after the pandemic; Puck’s Matthew Belloni reported that the show loses $40m for CBS every year. Of the network late-night shows – NBC’s Late Night With Seth Meyers, The Tonight Show With Jimmy Fallon, and ABC’s Jimmy Kimmel Live! – Colbert’s Late Show has the smallest footprint on social media, where Fallon’s celebrity gags still reign supreme. The format of late-night television – a host delivering a topical monologue, house band, celebrity guest interviews – is a living relic of a different time, when a youth-skewing audience would reliably pop on linear television at 11.30pm. The field has been contracting for years, with programs hosted by Samantha Bee, James Corden and Taylor Tomlinson ending without replacement. Ad revenue for the genre as a whole is down 50% from just seven years ago, in the middle of Trump 1.0. It’s long been assumed that the hosts currently in these once-coveted chairs would be the last, their programs expiring when they decided to step down.What’s shocking is that Colbert, who was reportedly set to renegotiate his one-year contract at the end of this season, was not given that time, which just so happens to coincide with a critical window for the intended merger of CBS parent company Paramount with Skydance Media. Three days before the announcement, Colbert called Paramount’s settlement with Trump a “big fat bribe” to incentivize the administration’s approval of this $8bn deal managed by two billionaire families.Regardless of Colbert’s contract timing, it seems the cancellation of The Late Show is a financial decision, just not in the way CBS is framing it. It’s not about the $40m The Late Show is losing per year – a lot of money, to be sure, though a drop in the bucket for the major players here – but the $8bn on the line with this merger. There were presumably other options; Late Night With Seth Meyers dispensed of its house band and musical acts last year to save money. With new billionaire ownership, there could be some business maneuvering, should independent political comedy be a priority. Colbert’s Late Show, a leading critic of Donald Trump on network television, is clearly not; the show may have been a money loser, but in this context, it’s a convenient sacrifice.And though it’s easy to roll one’s eyes at late-night television – I often do – it’s an especially disappointing one, both in the culture at large and in the dwindling 11.35pm time slot. For years, I have argued that the late-night shows have long outstripped their original function as comedy programs. They are satirical, occasionally relevant, sometimes profane, but hardly ever funny, in the traditional sense of making you laugh. Often, they resort to so-called “clapter” – laughter as a polite applause, jokes for agreement rather than laughter – in a deadening anti-Trump feedback loop. With the exception of The Daily Show, a cable program founded for the purpose of political satire, the shows basically serve two functions in the internet era: 1 Generate viral celebrity content as they promote another project, and 2 Comment freely on the news, unbound from the strictures of decorum, tone and supposed “objectivity” that hamstrings so much journalism in the US.The latter was, I’d argue, the most important contribution of late-night television in the Trump era, when the president and his minions exceeded parody, and Colbert was the best at it. Nimble, erudite, self-deprecating but exceptionally well-read, Colbert transformed from extremely successful Fox News satirist to the reverend father of late-night TV: principled, authoritative but hardly ever self-righteous, deeply faithful to the American project, steadfastly believing in the decency of others. (Colbert is a practicing Catholic and die-hard Lord of the Rings fan, facts that sometimes snuck into his monologues.) At times, such old-school values felt insufficient for the moment; the format of late-night comedy as a whole has proven futile, even pathetic, in the face of Donald Trump’s brand of shamelessness, the Maga movement’s ability to turn everything into a joke. But these hosts, and the Daily Show-trained Colbert especially, did something that the rest of news media or the sprawling celebrity and comedian podcast network could not: call bullshit on the administration with the imprimatur of a major television network, and say exactly what they were feeling.That ability proved useful to me, as a viewer, at times when it seemed standard media was incapable of articulating what was happening. During the pandemic, or the Black Lives Matter protests of 2020, or on January 6, or when Trump was re-elected, or when Republicans mocked Californians during the devastating LA wildfires earlier this year, late-night television had the freedom to express outrage, and Colbert in particular to express moral injury. The jokes were almost never surprising; they weren’t really even jokes. But it still felt soothing to see someone say them, with corporate backing, at an institution that still carried enough name recognition to, well, merit a “late-night roundup”.Colbert, ultimately, will be fine. He is a skilled comedian whose talents weren’t always well-tapped by the strict format of late-night comedy. Perhaps he will join the legion of comedians with podcasts, speaking directly to fans; perhaps he will release a special. But his absence from late-night television spells doom for the rest of the format, and more importantly for freedom of speech on the big networks. Late-night comedy has been fighting a losing battle for a long time, and The Late Show was never going to out-influence the rising tide of rightwing media, the manosphere or any number of independent shows in a fracturing media landscape. But the fact that he could try, from one of the more famed perches in television, still meant something. More

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      The end of Stephen Colbert’s Late Show is a concerning nail in the coffin for comedy | Jesse Hassenger

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      The idea that the political career of Donald Trump would be a goldmine for comedy died a long time ago, with the coffin accepting stray nails for the past five years. The latest and possibly last such nail is the cancellation of The Late Show, the CBS late-night talkshow hosted by Stephen Colbert since the fall of 2015, and originated by David Letterman when the network poached him from NBC in 1993. At this point, Trump hasn’t just made topical late-night comedy look outdated, hackneyed and an insufficient response to his reign of terror; he’s also made a chunk of it flat-out go away.There will be time to eulogize Colbert’s particular talkshow style later; the Late Show isn’t leaving the air for another 10 months, when his contract is up. Surely that leaves plenty more time to savage the president – and Colbert has been in this slot since right around the time Trump became a real contender in the presidential race, so why has this only now come to a head? Seemingly because the axing of the Late Show franchise follows the $16m settlement of a frivolous Trump lawsuit against CBS and their newsmagazine show 60 Minutes over the show’s editing of a 2024 interview with presidential candidate Kamala Harris. Colbert made great fun of his bosses’ payout as a cowardly “bribe” designed to appease the Trump administration, who are in the position to approve or deny the sale of Paramount, the corporate owners of CBS, to the company Skydance. In other words, the pre-merger nixing a comedian who regularly goofs on Trump on network TV seems like a convenient bit of timing – maybe even an unspoken bonus to go along with those millions of dollars.The network, of course, has characterized the decision as “purely financial” amid a period when most traditional late-night shows have struggled. As excuses go, it’s not entirely unconvincing. After all, Colbert isn’t being replaced with another host; The Late Show is simply going the same route as its short-lived companion series After Midnight (and The Late Late Show before it). CBS is surrendering the late-night block entirely. This represents a major retreat after the Letterman deal made the network a genuine player for the first time in ages. Presumably it’s back to reruns and old movies going forward.In that sense, this decision does transcend politics. CBS has ripped off a bandage that the big three networks have been applying to similar wounds for years. Late-night programming simply doesn’t mean as much as it used to, with smaller network lead-ins from primetime lineups and more audience choices for comedy, talk, music or even the dopey celeb games that Jimmy Fallon throws together. Saturday Night Live has retained some cultural cachet, thanks to a combination of lower commitment (20 episodes a year, on a night where many people don’t have work the next day, versus eight times as many, all airing on weeknights), legacy branding (it’s still known as a star showcase and political comedy go-to, no matter how wan those cold-open sketches get), and sketch comedy that travels well online. These days, it’s routinely one of the highest-rated network shows of the week when it airs a new episode, offering an encouraging sign that old time-slot rules about viewership no longer apply. It’s also extremely expensive to produce and difficult to replicate, which nonetheless looks more viable than the tired talkshow format.View image in fullscreenBroadly, this could be a good thing for comic minds including Colbert or Conan O’Brien. Some comedians seem unable to resist the siren call of late-night talkshows, chasing the Tonight Show dream even when that actual job remained out of reach. O’Brien is a singularly brilliant comedy writer and performer; as great as his late-night shows could be, in retrospect should he have spent three decades primarily in that waning medium? Colbert, meanwhile, did his strongest political satire playing a parody of a conservative commentator on The Daily Show and its later spinoff The Colbert Report. His warmth and sometimes-sharp humor made him a good “real” talkshow host – and by most standards, a successful one. In recent matchups, his Late Show has been the most-watched such program across the major networks. That he can face cancellation anyway should (alongside O’Brien losing his Tonight Show gig years ago) signal to newcomers that the rarified air of the national late-night talkshow host is also getting pretty thin, maybe unbreathable.Yet Trump has sucked up some of that oxygen, too. Even with the “challenges” cited by CBS, it’s difficult to believe that vanquishing a longtime issuer of Trump mockery wasn’t at least considered a side benefit of canceling The Late Show. Even if the decision was, as claimed, a financial one, it accompanies another financial decision: that Paramount could afford to pay Trump $16m rather than proceed with litigation that many seemed to think they could win. That’s precisely the kind of expense that could diminish how, say, your late-night talkshow attracts more eyeballs than The Tonight Show.Beyond Trump personally smudging up the balance sheets, he’s helped to hasten the demise of late-night comedy simply by being himself, seeming to provide the perfect target: a venal, dimwitted perma-celebrity with an army of devoted sycophants. But after two non-consecutive administrations have flooded the zone with grotesqueries, performing a lightly zinging monologue or sketches as a warmup act for good-natured interviews seems unlikely to entice either those craving anti-Trump catharsis, or those desperate to believe in his strongman powers.That Colbert took a somewhat less cutesy approach than his competitor Fallon seemed to be all that was necessary to mark him as a troublemaker. The thing is, Trump might have ultimately consumed him either way. By providing a ready-made caricature of himself, intentionally or not, the president has beaten the system again. It may not be worth mourning the hacky, presidential-themed jokes we might miss in a future with fewer talkshows than ever. But it does feel like the enforcement of one of Trump’s more minor cruelties: the ability to see himself as the only real star in the world. More

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      I chaired the FCC. The 60 Minutes settlement shows Trump has weaponized the agency | Tom Wheeler

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      It is time to unfurl the “Mission Accomplished” banner at the Federal Communications Commission (FCC). Paramount Global, the parent of CBS Television, has agreed to pay $16m to settle a lawsuit brought by Donald Trump over the editing of a 60 Minutes interview with Kamala Harris. Presumably, the FCC can now cease its slow-walking of the Paramount-Skydance Media merger.Just two days after the president took office, the agency’s new chair, Brendan Carr, inserted the FCC into the issues in the Trump lawsuit that alleged “news distortion”. As the New York Post headlined: “Trump’s FCC pick Brendan Carr says ‘60 Minutes’ editing scandal could affect Paramount-Skydance merger review.”That lawsuit was filed in the final week of the 2024 presidential campaign under the Texas Deceptive Trade Practices Act, a statute historically used against false advertising. The case was filed in a single-judge federal district court that one legal publication characterized as “a favored jurisdiction for conservative legal causes and plaintiffs”. CBS characterized the case as “without merit”.The 60 Minutes broadcast aired in October; the day before, a different excerpt had appeared on Face the Nation. Soon after, the Center for American Rights – a group that describes itself as “a public interest law firm dedicated to protecting Americans’ most fundamental constitutional rights” – filed a complaint at the FCC alleging CBS had engaged in “significant and substantial news alteration”. The complaint was dismissed as seeking “to weaponize the licensing authority of the FCC in a way that is fundamentally at odds with the First Amendment”. Immediately upon becoming the FCC chair, Carr reversed that decision and ordered a formal proceeding on the matter (but let stand the dismissal of a complaint against a local Fox station over its 2020 election coverage).The election of Trump and the installation of a Trump-appointed FCC chair transformed the Paramount/CBS merger from a review of the public interest merits of the transfer of broadcast licenses into a broader question that included the 60 Minutes editing. Carr told an interviewer: “I’m pretty confident that the news distortion complaint over the 60 Minutes transcript is something that is likely to arise in the context of the FCC review of that transaction.”The formal paperwork for FCC approval of the license transfers was submitted 10 months ago, on 6 September 2024. Now that the lawsuit has been settled, it will be interesting to see how quickly the FCC acts.The CBS case is just one example of the tactical leverage the Trump FCC regularly exerts over those it regulates. Carr, who wrote the FCC chapter in the “Project 2025” Maga blueprint, has not been shy about using this authority to achieve such political goals.Even before formally assuming the FCC chair position, Carr began exercising chair-like authority to advance the Maga agenda. This began with a letter to the CEOs of Alphabet (Google and YouTube), Meta (Facebook and Instagram), Microsoft and Apple alleging: “you participated in a censorship cartel … [that is] an affront to Americans’ constitutional freedoms and must be completely dismantled.” Going beyond traditional FCC authority, he threatened: “As you know, Big Tech’s prized liability shield, Section 230, is codified in the Communications Act, which the FCC administers.” Carr suggested he might investigate whether those editorial decisions were made in good faith.Recently, Carr conditioned the approval of Verizon’s acquisition of Frontier Communications on Verizon agreeing to drop its corporate diversity, equity and inclusion (DEI) policies. Continuing his anti-diversity efforts, he launched an investigation into Comcast Corporation because it promotes DEI as “a core value of our business”.In his pre-FCC chair days, Carr championed press freedom. In a 2021 statement, he wrote: “A newsroom’s decision about what stories to cover and how to frame them should be beyond the reach of any government official.” Once he became Trump’s FCC chair, however, he not only picked up on the 60 Minutes matter, but also launched an investigation into the public broadcasters NPR and PBS “regarding the airing of … programming across your broadcast member stations”.The FCC’s regulatory authority directly covers about one-sixth of the American economy while also affecting the other five-sixths that rely on the nation’s communications networks. What was once an independent, policy-based agency has been transformed into a performance-based agency, using any leverage it can discover or invent to further the Trump Maga message.

      Tom Wheeler was the chair of the Federal Communications Commission from 2013 to 2017 More

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      Seth Meyers on Trump’s falling approval rating: ‘Worth remembering that people don’t like this’

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      Late-night hosts spoke about how Donald Trump’s presidency is proving unpopular with Americans, looking at the cruelty of his deportation strategy and the response to protests in Los Angeles.Seth MeyersOn Late Night, Seth Meyers spoke about Trump’s approval rating going down this past week and in particular he looked at how people are against his extreme immigration strategy.“People don’t even approve of Trump on immigration and that’s what people wanted him for,” he said.Meyers called his tactics “needlessly cruel” before speaking about his appearance at the Kennedy Center this week where he went to see a performance of Les Misérables.Trump was booed by many and Meyers said it was “like Darth Vader getting booed on the Death Star”.He said it was “worth remembering that people don’t like this stuff” and that while Trump might have promised to crack down on criminality, instead he has been “letting Stephen Miller run rampant” targeting everyday workers.Meyers called it a “wildly unpopular crackdown on innocent people living their lives” and Trump now trying to control the narrative showed how he is “terrified” of losing more support.Stephen ColbertOn the Late Show, Stephen Colbert said that there was a possibility that thunderstorms might force Trump to cancel the military parade planned for the weekend.“You made God mad and now he’s shooting lightning at your birthday tanks,” Colbert joked.He added: “If he gets too wet, it all slides off and someone has to carry his face and his hair around in a bucket.”It’s proving to be an unpopular plan already with six in 10 Americans calling it a bad use of government money. “He’s already throwing a big military parade out in Los Angeles,” Colbert added.This weekend will also see planned pushback across the US dubbed the “No Kings” protests. Trump was asked if he saw himself as a king this week and he claimed that was not how he saw himself. “Why dost thou sons look so inbred?” Colbert quipped.He also spoke about Trump’s unpopular visit to the theatre and joked about his dumb responses to questions on the red carpet. “His brain is wet bread,” he said before joking that Trump probably believes Les Misérables is about a character called “Lester Misérables”.Trump has raged against drag performances at the Kennedy Center so some decked-out drag queens walked in to watch the show near Trump. “That is amazing except for anyone sitting behind them,” he said.Colbert also looked at the coverage of the Los Angeles protests, ridiculing a CNN segment that commented on the smell of weed during a peaceful demonstration. “They better call a Swat team and a taco truck,” he said.This week also saw the Trump administration target the use of any “improper ideology” at the National zoo. “All monkeys doing it in front of our preschoolers must be married,” Colbert said.Jimmy KimmelOn Jimmy Kimmel Live! the host joked about surviving the “post-apocalyptic hellscape” that is Los Angeles.He also brought up the “Maga-friendly” Kennedy Center and how Trump going to see Les Misérables was “like Kanye going to see Fiddler on the Roof”.He added: “Usually when Trump watches a staged rebellion, it’s Fox News’s coverage of the riots here in LA.”Kimmel joked that Trump was “putting out fires with his brain” given how calm things have really been in the city, and compared it with the January 6 riot where Trump and his followers called those involved “concerned citizens on a sightseeing tour”.He spoke about the the planned protests this weekend, saying: “I really hope that doesn’t put a damper on Trump’s big birthday parade.”This week also saw Trump admit in an interview to once playing the flute when he was younger. “I feel like I’d have the same reaction to a gorilla using a curling iron,” Kimmel said.In other news, Rand Paul’s refusal to support Trump’s bill that would increase the national debt also saw him disinvited from this year’s White House picnic, but after he told reporters, Trump claimed this wasn’t the case. “Trump thought RuPaul was trying to get in,” he joked. More