All the Reviews of Sally Rooney’s New Novel, “Intermezzo”

Seven years into her writing career, a new book by Sally Rooney is all but guaranteed to be an event.

Rooney, an Irish novelist, has been hailed as a voice of the millennial generation, a writer who can marshal the economic uncertainty and emotional precarity that haunt young adults into moving, thorny romances that question intimacy and the value of art. Her 2017 debut, “Conversations With Friends,” was followed by “Normal People” in 2019 and “Beautiful World, Where Are You” in 2021.

She has met both critical and commercial success. And with her increased profile came increased scrutiny: those who say her novels are smut thinly disguised by intellectual, refined prose. Or that, despite being written by a self-proclaimed Marxist, the sexual politics of her books can seem awfully retrograde.

Regardless, critics are largely positive on her latest novel, “Intermezzo,” about a pair of Irish brothers mourning the recent death of their father, and the women they both become entangled with. (Note: Several of the articles below are behind subscription paywalls.)

What did we say?

“Clearly this book is going to divide people,” writes our own Dwight Garner, who is very decidedly not divided in his enthusiasm for Rooney’s latest.

Rooney’s writing about love hits as hard as it does because she is especially adept at evoking loneliness, for which love is a salve. There is so much restraint and melancholy profundity in her prose that when she allows the flood gates to open, the parched reader is willing to be swept out to sea.

What did she say to us?

While many reviewers have been sure to point out how “Intermezzo” is told primarily from the perspective of two men, as opposed to Rooney’s previous books, she told The Times’s David Marchese that it wasn’t an overly intentional choice.

Interestingly, the first voice that came to the page for me in this project was Margaret’s — the character who becomes entangled in Ivan’s life in the course of the book. It certainly wasn’t that I sat down thinking, I have to write a book where the male voice is central. I just felt my way through the story that seemed to emerge when I encountered these characters, which is what I always try to do.

She’s trying something new.

Laura Miller at Slate writes that this is “deeper territory for Rooney.”

While sadder and less of a page-turner than her three previous novels, “Intermezzo” is in many ways a more truthful book. As delicious as Rooney’s earlier love stories have been, they tend to conclude with a tidiness that defies reality. It’s very rarely the case that two people finally becoming a couple will solve most of their problems, and loss inevitably waits around each of life’s corners. “Intermezzo” is the work of an artist who is continually trying out new techniques and continually growing, but in a direction that might inspire fewer bucket hats, tote bags and Netflix adaptations. Perhaps not all of her current fans will follow her there, but the ones who do won’t regret it.