This week in Newly Reviewed, Yinka Elujoba covers Elmer Guevara’s subtle paintings, James Casebere’s reimagined architecture and John Ahearn and Rigoberto Torres’s busts of Bronx residents. Chinatown Through Aug. 3. Lyles & King, 19 Henry Street, Manhattan; 646-484-5478, lylesandking.com. A man in an umbrella hat reaches down to a boy by a basketball court. Both wear “Bryant” jerseys. The neighborhood seems peaceful on a sunny day but at their feet are names and a chalk outline of a human body. This scene, from Elmer Guevara’s “Hoova’ Park Stroll,” embodies the sentiments of “Recess,” his first solo exhibition in New York. In the 1980s, Guevara’s parents escaped to the United States from the brutal civil warin El Salvador. Full of visual cues from his early years in South Central Los Angeles, where he was born and still lives, the show is the artist’s reckoning with his childhood. In fact, the two figures in “Hoova’ Park Stroll” are his self-portraits at different ages. We are having trouble retrieving the article content. Please enable JavaScript in your browser settings. Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times. Thank you for your patience while we verify access. Already a subscriber? Log in. Want all of The Times? Subscribe.Elmer Guevara
Source: Elections - nytimes.com