The Concert Cold War in a Quiet Enclave

When Frederick Law Olmsted Jr. designed Forest Hills Gardens, he was trying to bring the respite of an English village into the bustle of New York City.

A landscape architect and city planner like his father, one of Central Park’s designers, Mr. Olmsted laid out tree-lined alphabetical streets and open spaces in a pocket of Queens about nine miles east of Times Square. In 1909, these were not mere aesthetic choices: Forest Hills Gardens was an import of the English garden city, a turn-of-the-century movement in urban planning rooted in a utopian ethic.

Mr. Olmsted planned for the Tudor-style houses to thoughtfully integrate with their manicured landscapes, for winding pathways to promote leisurely strolls and for curved residential streets to discourage vehicles from passing through.

He did not plan, however, for the Australian rock band King Gizzard and the Lizard Wizard. Or for the sold-out shows by the Irish singer Hozier. Or really for anything about the concert venue that was once a storied tennis stadium and is now rattling both windows and nerves in the neighborhood.

“It does disrupt the calm,” Mitch Palminteri, a Forest Hills Gardens resident, said at a recent community board meeting. “I don’t want to close my window on a summer night.”

Others like what the concerts represent.

“Music is about community,” said Joseph Cooney, who lives in adjacent Forest Hills. “We have it in spades in this neighborhood. How can we ever let that go away?”