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Rosana Paulino, a Brazilian Artist Who Wields Poetry and Persistence

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Rosana Paulino, one of Brazil’s most influential artists, works from a narrow three-story house in Pirituba, a neighborhood of simple homes and shops that huddle along the hillside in the northwest outskirts of São Paulo. Her small balcony looks toward a pocket park, a railway line and a nature preserve on a ridge that belies the urban sprawl beyond.The daughter of a cleaner and a house painter, Paulino has pushed her way with stubborn insistence from modest origins in the Black working class into Brazil’s top institutions — at one time working clerical jobs for three years to pay for prep classes to get into the best universities. But she remains rooted in São Paulo’s north-side neighborhoods, where Black culture formed around the rail yards and the warehouses where laborers transferred coffee and other crops before shipping them abroad.“Espada de Iansã,” watercolor and graphite on paper, from the Senhora das Plantas series. Paulino’s female figures seem to merge with Brazilian plants that carry ecological or spiritual symbolism.Gabriela Portilho for The New York Times“It’s very important for me to stay here,” Paulino, 58, said, on a muggy afternoon in April, as a tropical rainstorm gathered. “It’s that old story — you start to have a name and money and so you move out of your community. No, no, no. That’s absolutely not for me.”She emerged as an artist when bourgeois tastes and Modernism dominated the museums and schools, making little space for the work and perspectives of artists from Brazil’s Black majority.Lately the climate has changed. A survey at the prestigious Pinacoteca de São Paulo museum in 2018 and participation in the 2023 São Paulo Biennial cemented Paulino’s hometown recognition; her inclusion in the 2022 Venice Biennale, with some two dozen large-scale drawings of part-human, part-plant female figures, brought visibility abroad.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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    Rosana Paulino, a Brazilian Artist Who Wields Poetry and Persistence

    Rosana Paulino, one of Brazil’s most influential artists, works from a narrow three-story house in Pirituba, a neighborhood of simple homes and shops that huddle along the hillside in the northwest outskirts of São Paulo. Her small balcony looks toward a pocket park, a railway line and a nature preserve on a ridge that belies the urban sprawl beyond.The daughter of a cleaner and a house painter, Paulino has pushed her way with stubborn insistence from modest origins in the Black working class into Brazil’s top institutions — at one time working clerical jobs for three years to pay for prep classes to get into the best universities. But she remains rooted in São Paulo’s north-side neighborhoods, where Black culture formed around the rail yards and the warehouses where laborers transferred coffee and other crops before shipping them abroad.“Espada de Iansã,” watercolor and graphite on paper, from the Senhora das Plantas series. Paulino’s female figures seem to merge with Brazilian plants that carry ecological or spiritual symbolism.Gabriela Portilho for The New York Times“It’s very important for me to stay here,” Paulino, 58, said, on a muggy afternoon in April, as a tropical rainstorm gathered. “It’s that old story — you start to have a name and money and so you move out of your community. No, no, no. That’s absolutely not for me.”She emerged as an artist when bourgeois tastes and Modernism dominated the museums and schools, making little space for the work and perspectives of artists from Brazil’s Black majority.Lately the climate has changed. A survey at the prestigious Pinacoteca de São Paulo museum in 2018 and participation in the 2023 São Paulo Biennial cemented Paulino’s hometown recognition; her inclusion in the 2022 Venice Biennale, with some two dozen large-scale drawings of part-human, part-plant female figures, brought visibility abroad.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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    5 Books on Navigating Family

    Researchers share the titles they recommend most often.When parents estranged from their children share what’s going on, many imagine other people thinking, “What’s wrong with you?” said Karl Pillemer, a professor of human development at Cornell University.Though estrangement — or family cutoff — can feel isolating, it’s actually fairly common. A 2022 YouGov poll of Americans found that 29 percent of subjects were estranged from a parent, grandparent, sibling or child.People experiencing estrangement often crave tools to deal with the loss and assurance that they aren’t alone — and a number of recent books may help make sense of what they’re going through.We asked nine experts who research the topic for recommendations. Because the field is still growing, many of them endorsed the same books. And several experts interviewed for this article appear on this list because their work was highly recommended by colleagues.The five titles below offer guidance on navigating family rifts, coping with pain and finding a path forward. But they won’t necessarily help mend broken ties.As Kathleen Smith, a therapist and faculty member at the Bowen Center for the Study of the Family in Washington, D.C., put it, “the goal is not to prevent estrangement or encourage it, but to help a person get their best thinking involved in the decision.”We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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    Republican Policy Bill Would Add $2.4 Trillion to Debt, Budget Office Says

    The estimate from the nonpartisan Congressional Budget Office is all but certain to inflame an already intense debate inside the G.O.P. about the fiscal consequences of their bill to enact President Trump’s agenda.The nonpartisan Congressional Budget Office said Wednesday that the broad Republican bill to cut taxes and slash some federal programs would add $2.4 trillion to the already soaring national debt over the next decade, in an analysis that was all but certain to inflame concerns that President Trump’s domestic agenda would lead to excessive government borrowing.The C.B.O. analysis focused on the version of the bill that passed the House late last month, but the cost estimate could change as Republicans in the Senate begin to put their imprint on the legislation. G.O.P. lawmakers there want to deepen some of the bill’s tax cuts, while others are pressing to pare back some its cuts to Medicaid, the government health care program for the poor, and clean-energy tax incentives.Conservatives and Wall Street investors had already expressed grave concerns that the measure would swell federal deficits, and some Senate Republicans have said they cannot back the legislation in its current form. That could derail the bill’s progress, given that the party can afford to lose no more than three votes in the Senate if all Democrats vote against it.The legislation had long been expected to add significantly to the debt, given the enormous cost of extending the tax cuts that Republicans first put into place in 2017, the central pillar of the bill. Hard-right lawmakers demanded that the party use their total control of Washington to also slash spending and contain the cost of the legislation, but the C.B.O.’s estimate was a reminder that the party fell well short of covering the roughly $3.8 trillion cost of extending the tax cut.In the House version of the bill, Republicans also turned to some well-worn gimmicks in a bid to lower the sticker price of the legislation. Several of the bill’s tax cut provisions, including Mr. Trump’s campaign pledges to not tax tips and overtime pay, would last for only a few years. Those cuts could become far more costly if they were continued.In recent weeks, some analysts on Wall Street have started to voice their worry about the consequences of the legislation, given the nation’s already-precarious fiscal situation. Moody’s downgraded the credit rating of the United States last month, the last of the major rating firms to cast some doubt on the country’s ability to pay its bills.To defend their legislation, some Republicans and White House aides have taken to attacking the C.B.O. as politically motivated and unreliable. But several nonpartisan independent groups that have analyzed the bill have also concluded that it would add significantly to the federal debt. More

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    Germans Are Buying More Electric Cars, but Not Teslas

    Drivers in the country, Europe’s largest car market, are avoiding vehicles from Tesla, which has seen a drop in sales in other countries as well.Tesla sales in Germany dropped in May for the fifth month in a row, as demand for the electric vehicle maker continued to slide across much of Europe, despite Elon Musk’s efforts to turn his focus away from his U.S. government activities and back to his companies.Registrations of new Tesla cars in Germany, Europe’s largest car market, dropped more than a third from the same month last year, data released by the country’s Federal Motor Transport Authority, K.B.A., showed on Wednesday.Tesla sales in other European countries have also remained depressed, falling more than 67 percent in France and 29 percent in Spain in May.Only Norway stood out as an exception, with Tesla selling 2,600 cars in May, more than triple the number sold a year earlier. Sales were led by deliveries of Tesla’s newly revamped version of its most popular vehicle, the Model Y.In neighboring Sweden, Volkswagen sold nearly twice as many of its latest electric model, the ID.7, as the new Model Y from Tesla, whose overall sales in the country dropped 53 percent.Mr. Musk has tried to downplay the extent of Tesla’s losses in Europe, telling Bloomberg News in an interview at the Qatar Economic Forum that although it was the region where the brand faces its greatest challenges, “the European car market is quite weak.”But data from European markets does not support that claim. In Germany, sales of battery-powered cars grew nearly 45 percent in May, compared with a year earlier. In Spain, overall sales of electric cars grew 72 percent, while Tesla sales slid 19 percent.In Germany, demand for BYD, Tesla’s main E.V. rival, rose ninefold, the strongest showing of an electric vehicle producer from China. The company, which overtook Tesla as the world’s top seller of electric cars this year, has been making inroads in Europe, despite facing tariffs of 17 percent imposed by the European Union in 2024.Although Mr. Musk has left his role at the White House, Tesla sales have been affected by his foray into politics. In April, the company reported that its vehicle sales fell 13 percent in the first quarter from a year earlier, as profit plunged to its lowest level in four years.The company has been hurt by protests against Mr. Musk’s support for President Trump and several far-right parties in France, Germany and Italy. More

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    I Think My Son Is Gay. Should I Talk to Him About Coming Out?

    I’d love to be able to have honest conversations about what he’s going through.I am the mother of two delightful teenage boys in the throes of navigating all the challenges that youth brings. Over the past few years, it has become evident to me that my younger son is most likely gay. I believe I am the only person in the family to have noticed his interest in rainbow flags or his outrage at injustices to the L.G.B.T.Q.+ community, among other, subtler, indications.I’ve always thought it quite unfair that only those who fall under the L.G.B.T.Q.+ umbrella have the onerous burden of “coming out.” Last summer my son weathered the heartbreak of a dear friend, likely a crush, moving away. For Valentine’s Day, a female classmate asked my son out, and he turned her down. His life is getting increasingly complicated. I don’t want to push him to come out before he’s ready, but I’d love to be able to have honest conversations about some of what he’s going through. My question is: Should I wait and let him come out when he’s ready, or is there a way I can save him the trouble? What is the most thoughtful way to approach this? — Name WithheldFrom the Ethicist:I get why you want to spare him the awkward dance of coming out, but for many young people, it’s a way to claim an identity on their terms. (For many parents, in turn, it involves pretending that the declaration comes as news.) Pressing fast-forward could leave him with the sense that he has lost a measure of agency — that a big moment has been pre-empted. It could also make him feel exposed or rushed. There are all sorts of ways that you can indicate your loving acceptance and reassure him that you’ll be a soft place to land. Indeed, I’m sure you’ve already done so. When he’s ready, you’ll be there — arms open, heart steady, no script needed.Readers RespondThe previous question was from a reader wondering whether to disclose the toxic products used on the shared lawn when selling a condo. The reader wrote: “I am hoping to sell my condo. I live in a homeowner’s association that still uses many toxic landscaping products. … Several residents have worked over the past two years, without success, to change the association’s landscaping practices. What is my obligation to disclose these harmful products to prospective buyers, especially those with young children and pets?”We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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    Ready for Their Reboot: How Galleries Plumb Art History’s Forgotten Talent

    Saara Pritchard, an art adviser, was visiting a friend in Miami when a painting in the bedroom caught her eye. Bordered in silver leaf, it was a close-cropped, black-and-white image of John F. Kennedy, eyes skyward and mouth slightly agape. The haunting image resembled a death mask — as if made by the love child of Andy Warhol and the Surrealist Giorgio de Chirico. Who, Pritchard wondered, had painted it?The answer was Marcia Marcus, a popular artist in the downtown New York scene in the 1960s and ’70s who had since faded from view. Pritchard, 40, set out to learn everything she could about Marcus. Within a year she was standing in the home of one of the artist’s daughters, Jane Barrell Yadav, in Yonkers, N.Y., who had more than 200 of her mother’s canvases. The paintings were packed tightly in closets and makeshift storage racks in the living room.Marcia Marcus from “The Human Situation.” Left, “Tyna, Alvin, Baby,” 1970-71; right, “Family II,” 1970. The two girls are modeled on her daughters Kate, left, and Jane, with their father. via Lévy Gorvy Dayan, New York; Photo by Elisabeth BernsteinThrough June 21, many of those artworks are on view at Lévy Gorvy Dayan, a stately Upper East Side gallery, as part of “The Human Situation,” an exhibition conceived by Pritchard that put Marcus’s work in dialogue with two better-known female painters from the era, Alice Neel and Sylvia Sleigh. Over the past two and a half years, Pritchard has worked alongside Barrell Yadav and her sister Kate Prendergast to piece together Marcus’s story in the hope of turning her from an art-historical footnote into a blue-chip star.Marcus is among a growing group of artists who have benefited from what could be called “the rediscovery industrial complex”: a cottage industry within the art market that looks to the past to find figures — often women and artists of color — neglected by the establishment. By repackaging them for a contemporary audience, savvy dealers hope to enrich the art-historical canon even as they make a healthy profit.The upside can be considerable. Consider the case of the painter Lynne Drexler, who lived on a remote island in Maine. Before she died in 1999, she sold her work to tourists for as little as $50. In recent years, her lyrical landscapes have sold for more than $1 million at auction.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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    Ancient Trees, Dwindling in the Wild, Thrive on Sacred Ground

    The Putuo hornbeam, a hardy tree that thrives in the damp air by the East China Sea, could be easily overlooked by visitors to the Huiji Temple on an island in the Zhejiang Province.The tree has an unremarkable appearance: spotty bark, small stature and serrated leaves with veins as neatly spaced as notebook lines. But its status is singular. As far as conservationists can tell, no other mature specimen of its species is alive in the wild.The holdout on the island, Mount Putuo, has been there for about two centuries. And according to a study published Wednesday in the journal Current Biology, its setting may have been its salvation.The study found that religious sites in eastern China have become refuges for old, ancient and endangered trees. Since the early years of the Common Era, Buddhist and Taoist temples have sheltered plants that otherwise struggled to find a foothold, including at least eight species that now exist nowhere else on earth.“This form of biodiversity conservation, rooted in cultural and traditional practices, has proven to be remarkably resilient, persisting even in the face of modern civilization and rapid economic development,” said Zhiyao Tang, a professor of ecology at Peking University and one of the study’s authors.The trees survived at religious sites in part because they were planted and cultivated there. The report noted that Buddhism and Taoism emphasize spiritual association with plants and the temples tended to be left undisturbed, shielding the areas from deforestation.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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    Jacob Long’s Big Bet on American Woolen, a Connecticut Textile Mill

    On a recent afternoon, Jacob Long gave a tour of the Connecticut wool mill that has become his biggest investment, his life’s mission and an unrelenting source of worry.A factory building murkily lit even in daylight, the vast space contains 40 high-speed looms, as well as decommissioned spinning equipment that was thrown in when he bought the mill 11 years ago even though he had no experience in textile manufacturing.Mr. Long, 54, talks quickly and bounds rather than walks. More than one colleague described him as the Energizer Bunny. He wears slim-fitting dress shirts, slim-cut trousers and chunky, stylish eyeglasses. Having worked as a banker in Europe for 25 years, he now comes off as a stranger in his own country: He speaks fluent Italian and sometimes struggles to come up with the American word or phrase to describe something.He led the way past the old, idle equipment to a prized new machine, a German-made sample warper that cost $300,000. It was an essential part of his grand plan to revive America’s craft textile heritage — and finally make a profit.“I convinced my wife to sell her last apartment in Italy to buy this machine,” Mr. Long said, adding with a nervous laugh: “Please don’t talk to my wife.”For a decade, Mr. Long has been delivering a well-worn — and largely ignored — sales pitch for his improbable venture, comparing it to the craft breweries that uplifted local economies with an emphasis on quality over quantity.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More