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    Judge Orders U.S.A.I.D. and State Dept. to Pay Funds ‘Unlawfully’ Withheld

    A federal judge barred the Trump administration on Monday from “unlawfully impounding congressionally appropriated foreign aid funds” that the State Department and the U.S. Agency for International Development owed to grant recipients and contractors, requiring it to pay for work completed in the first several weeks of President Trump’s term.The ruling, handed down by Judge Amir H. Ali of the Federal District Court for the District of Columbia, was the latest step in a winding dispute over foreign aid payments since Mr. Trump has tried to vastly shrink the nation’s foreign assistance. While forcing the administration to pay for work completed before Feb. 13, Judge Ali said the limits of the case prevented him from ordering payments on future work or restoring canceled contracts.But he left no doubt that he believed that the administration had exceeded its authority in trying to block funding, a warning that could echo through a deluge of lawsuits over Mr. Trump’s efforts to unilaterally halt spending.“Here, the executive has unilaterally deemed that funds Congress appropriated for foreign aid will not be spent,” he wrote. “The executive not only claims his constitutional authority to determine how to spend appropriated funds, but usurps Congress’s exclusive authority to dictate whether the funds should be spent in the first place.”The order on Monday prohibited the State Department and U.S.A.I.D. from implementing much of a Jan. 24 memorandum outlining plans to reorient and shrink U.S. foreign aid. It further required them to pay out hundreds of millions of dollars still owed to a constellation of groups for work completed before Feb. 13, as Judge Ali had ordered last month.The order dealt with a broad freeze on foreign aid funding that Mr. Trump put into effect the day he took office. It stopped short of the much more significant step of invalidating the Trump administration’s decision to cancel thousands of contracts through what it described as an expedited line-by-line review, after the lawsuit was already underway. Judge Ali found that the court was restrained to addressing the specific harms laid out in the lawsuit, not “supervision of discrete or ongoing executive decisions.”We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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    13 People Injured as School Bus Overturns on Garden State Parkway

    The bus overturned near Montvale, N.J., officials said, closing all lanes in the area. It had been traveling from Lakewood, N.J., to Rockland County, N.Y.A school bus with at least 30 passengers on board overturned on the Garden State Parkway near Montvale, N.J., on Monday evening, injuring 13 people, the authorities said.According to the New Jersey Department of Transportation, the bus overturned on the northbound lanes of the Garden State Parkway north of Exit 171 at around 7:40 p.m. Monday, temporarily closing all lanes near the area.The bus was traveling from Lakewood, N.J., to Rockland County, N.Y., according to officials. The cause of the crash, the ages of the passengers, and what group the bus might have been associated with were not yet known.Mayor Mike Ghassali of Montvale said in a post on social media that 13 people had been injured and taken to to local hospitals. No fatalities were reported, he said.“I’ve been briefed on a crash on the Garden State Parkway earlier tonight near the James Gandolfini Service Area involving an overturned school bus from Lakewood,” Gov. Phil Murphy of New Jersey said in a post on social media.The New Jersey State Police and the New Jersey Department of Transportation were on the scene, he said, and an investigation into the incident was underway.The Montvale Police Department directed questions to the New Jersey State Police, who did not immediately respond to requests for comment.Mark Bonamo More

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    NYT Crossword Answers for March 11, 2025

    Jared Cappel sticks the landing in his New York Times Crossword debut.Jump to: Today’s Theme | Tricky CluesTUESDAY PUZZLE — Today’s crossword puzzle left me sore. As in it made me realize how sore my back was. After a week of desk work and slumped sitting, I was grateful for the reminder that I should really do something about the twinge in my shoulder. So I thank Jared Cappel, the constructor of today’s puzzle, for pointing me in the direction of some relief.This is Mr. Cappel’s first crossword for The New York Times, and it makes for a fabulous introduction to his sense of humor. I hope he, ahem, sticks around.Today’s ThemeWhether or not you’ve ever tried the [Traditional Chinese medicine component] at 27D, you can appreciate the ACUPUNCTURE-based wordplay in this puzzle. At 3-, 9- and 18-Down, italicized clues hint at expressions that double as things an acupuncturist may do during a session.To [Grasp a central idea] is to GET THE POINT (3D). To [Betray] is to STAB IN THE BACK (18D) (though if you’re feeling actual stabs in an acupuncture session, you might want to find a new practitioner). And if you [Make noticeable progress], then you MOVE THE NEEDLE (9D).I’ve tried acupuncture and enjoyed it, but it’s unsettling to think that, to the outside observer, I probably looked like a character from “Hellraiser” during my sessions.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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    Gabbard Begins Trip to Visit Japan, Thailand and India

    Tulsi Gabbard, the director of national intelligence, is heading to Asia on a trip that will include an appearance at a security conference in India next week.Ms. Gabbard announced in a social media post on Monday that she was traveling to Japan, Thailand and India and would visit France on the way back to the United States.It is Ms. Gabbard’s second international trip as a top Trump administration official. Immediately after she was confirmed a month ago, she traveled to Germany to attend the Munich Security Conference.On Wednesday, Ms. Gabbard arrived in Hawaii, which hosts a large National Security Agency office as well as the military’s Indo-Pacific Command headquarters, officials said. Ms. Gabbard, who represented the state for eight years in Congress, will meet with military and intelligence officers while in Hawaii, according to her social media post, in which she also said she would watch U.S. troops train.The Asia leg of Ms. Gabbard’s trip will culminate in an address on March 18 at the Rasina conference, a multinational gathering of security officials in New Delhi, to which she was invited by Prime Minister Narendra Modi. There, Ms. Gabbard will hold bilateral meetings with Indian officials and officials from other countries, a senior Trump administration official said.The Rasina conference is often attended by senior Russian security officials and experts. It is not clear, however, whether Ms. Gabbard will have bilateral meetings with Russian officials on the conference’s sidelines.The Trump administration is pushing for a cease-fire between Ukraine and Russia and has been pressuring the Kyiv government to make concessions to end the war.Trump administration officials’ comments at the Munich conference in February left many European diplomats reeling, particularly Vice President JD Vance’s rebuke of Europe for what he said was abridging conservatives’ free speech.But Ms. Gabbard’s remarks, which focused on counterterrorism cooperation between Europe and America, were well received by European diplomats eager for any sign that U.S. intelligence agencies intend to preserve their partnerships with longstanding allies.The senior administration official said Ms. Gabbard intended to strike similar themes in India and would address counterterrorism, cybersecurity, artificial intelligence and intelligence sharing. More

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    How Covid Changed the Lives of These 29 Americans

    Five years ago, Covid took hold and the world transformed almost overnight. As routines and rituals evaporated, often replaced by grief, fear and isolation, many of us wondered: When will things go back to normal? Could they ever? Today, for many, the coronavirus pandemic seems far away and foggy, while for others it’s as visceral […] More

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    ‘Ghosts’ Review: The Sins of the Father, Visited on Everyone

    Ibsen’s scathing drama about medical and moral contagion gets a high-sheen Off Broadway staging starring a riveting Lily Rabe.As if under the weather, Jack O’Brien’s production of “Ghosts,” the 1881 Ibsen drama about medical and moral contagion, coughs three times to get started.First, as work lights illuminate a handsome study representing the home of Helena Alving, the cast arrives in rehearsal mode: Lily Rabe carrying a slouchy bucket bag and Billy Crudup a copy of The New York Times. Levon Hawke grabs a mint-green script from the library table as Hamish Linklater and Ella Beatty run the opening lines of the play — tonelessly, as if feeling all of its 144 years.Then comes a restart. Now the scene between Linklater (playing Engstrand, an alcoholic carpenter) and Beatty (playing Regina, Mrs. Alving’s maid) seems less perfunctory. They look at each other a little, instead of just their lines.Finally, as the work lights disappear into the flies, the scene is repeated and we are given the real, often remarkable, thing. The play’s opening argument — for Regina is not just Mrs. Alving’s maid but Engstrand’s estranged daughter — is now fully polished: lit, costumed and performed, in the Lincoln Center Theater manner, to a high upper-middlebrow sheen.I don’t know why O’Brien chose to place such a stock contemporary frame around the timelessly alarming 19th-century action. (The device returns briefly at the end of the show.) Perhaps he means his version of “Ghosts,” which opened Monday at the Mitzi E. Newhouse Theater in an adaptation by the Irish playwright Mark O’Rowe, to honor the process of repetition and refinement by which old ideas become new again as they are brought to life by succeeding generations.Certainly his casting suggests that. Rabe is the daughter of the playwright David Rabe, whose work has frequently been produced in this building. Linklater, her partner, is the son of the theatrical vocal coach Kristin Linklater. Hawke’s father, Ethan, played Macbeth and Hotspur here; his mother, Uma Thurman, played Mrs. Alving at Williamstown. Crudup has been a house star since “Arcadia” in 1995. And if Beatty’s connection to the company is less clear, well, she’s a daughter of Warren Beatty and Annette Bening. Enough said.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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    Inside the Former ‘Underworld’ Where Ai Weiwei Makes Art

    Ahead of his largest-ever exhibition in the U.S., the dissident artist reflects on collecting jade and living below ground.For part of the year, the artist and activist Ai Weiwei works in a cavernous 30,000-square-foot studio on the underground levels of a former 19th-century brewery in Berlin. Its triple-height vaulted cellars, which Ai, a self-taught architect, renovated himself after leaving his native China in 2015, are now pristine and well-lit, but when he first visited the long-abandoned subterranean space, it was “completely dark,” he says, “like an underworld.” In that way, it recalls the underground home where the artist lived for five years as a child, a place he calls “the black hole”: a bare shelter on the edge of the Gurbantünggüt Desert in the remote Xinjiang region, one of the sites where Ai’s father, the renowned poet Ai Qing, was exiled following China’s Anti-Rightist Campaign in the late 1950s. In that half-buried home, Ai first encountered the authoritarianism and censorship that he has now spent four decades resisting, ridiculing and at times enduring again, as a defender of human rights and self-proclaimed political “troublemaker.” Today, he travels frequently, stopping in Berlin; Cambridge, England, where his sixteen-year-old son, Lao, his only child, attends school; and Montemor-o-Novo, a town in the countryside of southern Portugal whose sunny climate reminds him of his childhood in the desert. That approximately 20-acre property hosts a few assistants, as well as many cats, dogs, birds and fish and a reconstruction of his wooden Shanghai studio that was demolished by local authorities in 2011. Ai is used to constant movement, and to the possibility of displacement. “The concept of a home has never been truly established for me,” he says.Ai was first drawn to this once-derelict space as a creative challenge. “I’m more interested in problem-solving than in getting a beautiful studio,” he says.Kathrin TschirnerA detail of a work for an upcoming public installation in New York.Kathrin TschirnerOn a recent visit to his Berlin studio, I followed Ai, 67, down a narrow staircase into an austere, windowless alcove. Its concrete floor was scattered with twisted steel rods from the installation work “Rebar,” which Ai made in China between 2008 and 2012, sourcing the metal from school buildings flattened by the devastating Sichuan earthquake. “Rebar” and similar works made in response to the earthquake critique the government’s corrupt construction regulations and lack of transparency in the tragedy’s aftermath. This is one of the projects that, in addition to his prolific online writings, helped turn Ai into one of the most famous dissident artists of the past few decades. The resulting surveillance and a government-ordered detention eventually drove him to leave Beijing for Berlin, a city he says appealed to him for its mix of “ruin” and “new life.” In Ai’s archival room, a large world map that helped him plan his documentary on refugees, “Human Flow” (2017), leaned against a wall beside an overgrown fiddle-leaf fig tree. On display elsewhere were dozens of antique Qing dynasty wooden chairs, from the participatory project “Fairytale” (2007), for which Ai conveyed 1,001 volunteers from China to the Documenta art exhibition in Kassel, Germany.Life jackets left behind by refugees who arrived by boat in Lesbos, Greece, in 2016. Nearly a decade ago, Ai affixed thousands of the jackets to the facade of Berlin’s Konzerthaus as a humanitarian call to action.Kathrin TschirnerDetail of an in-progress installation.Kathrin TschirnerAccumulation — the head-spinning accrual of hundreds, thousands or millions of identical objects — is fundamental to Ai’s interventions, which often comment on both collective action and consumer culture. Sometimes he finds items that speak directly to a predetermined theme or event, as with his headline-making installation of discarded refugee life jackets affixed to the facade of Berlin’s Konzerthaus in 2016. But if he finds the right object, he may conceive of a whole project around it. Ai began collecting flea-market antiquities in the mid-1990s, when he lived in China, and now acquaintances and strangers alike frequently tip him off about underappreciated goods that are available in astronomical quantities. One such message is how he came into possession of 30 tons of clothing buttons from a defunct British factory. (“‘No’ is not in my vocabulary,” he says.) After years spent classifying the buttons into 9,000 different categories, his team has begun sewing them into new, textile-based works. Some of these are currently on display at Lisson Gallery in London, which had canceled his 2023 show after the artist’s public comments about the Israel-Hamas war. In this exhibit, Ai continues his defense of free speech, with button-adorned block letters spelling out profanity-laden catchphrases across World War II military stretchers and tents. Alongside these works are re-creations of pieces from the Western art historical canon made out of Legos, a material that’s become his trademark in recent years.Skateboards, produced in collaboration with the Brussels-based art and social impact company The Skateroom, bearing images from Ai’s “Study of Perspective” series (1995-2017), affixed to an antique Chinese wooden chair from the artist’s conceptual work “Fairytale” (2007).Kathrin TschirnerWe are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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    3 People Killed in Medical Helicopter Crash in Mississippi

    A pilot and two crew members were aboard the helicopter, which was not carrying any patients when it plunged into the woods outside Jackson.All three people working aboard a medical helicopter were killed when it crashed into a densely wooded area outside Jackson, Miss., on Monday while returning from transporting a patient, hospital officials said.Two of the people were crew members who worked for the University of Mississippi Medical Center and the other was a pilot, Dr. LouAnn Woodward, the medical center’s top administrator, said during a news conference. The helicopter was not carrying any patients at the time of the accident, she added.It was not clear what caused the aircraft, which the Federal Aviation Administration identified as a Eurocopter EC-135, to lose control. The F.A.A. said that it and the National Transportation Safety Board would investigate the crash, which occurred around 1:15 p.m.Officials did not release the names of the three people who died. They were based out of Columbus, Miss., and were part of AirCare 3, one of four medical helicopter units operated by the medical center.“The entire medical center family is heartbroken over this,” Dr. Woodward said. “This is the crew that responds to emergencies all across the state, and to see them today to respond to one of their own was just something that you can’t put into words.”Dr. Woodward said that the AirCare helicopters and their crews played an integral role in providing critical care services across Mississippi, and that they had a spotless safety record until the crash on Monday.The crews frequently include nurses and paramedics, according to an information page on the medical center’s website. They are equipped with oxygen, ventilators and other critical care equipment.Dr. Woodward said that the pilot who died worked for Med-Trans, the company that leases the AirCare helicopters to the medical center.The company did not immediately respond to a request for comment on Monday.The crash happened a little more than five weeks after a medical jet crashed in Philadelphia, killing six people aboard the plane and one person on the ground. And it added to a spate of recent aviation accidents. On Jan. 29, an American Airlines regional jet and an Army helicopter collided over the Potomac River in Washington, D.C., leaving no survivors. On Feb. 17, a Delta Air Lines flight trying to land at Toronto Pearson International Airport amid strong winds and drifting snow crashed and flipped over on the tarmac; all 80 people who were aboard that plane survived. More