Aurelia Butler

Mr. Coppola has spent $120 million on his new movie, “Megalopolis.” Most box office analysts predict that he’ll get far less in return.Lionsgate executives say they have done all they can. They’ve booked 1,700 theaters, deployed guerrilla marketers to college campuses and pushed to flip negative reviews to their advantage. They have tied the film’s themes to the presidential race in TV ads.And now it is up to moviegoers. Will people plunk down dollars and turn Francis Ford Coppola’s majestically bonkers “Megalopolis” into an against-all-odds success when it arrives on Friday?Or will the $120 million epic — in keeping with months of negative prerelease headlines — go down as a hall-of-fame flop?Most box office analysts are predicting disaster. “Megalopolis” could arrive to as little as $5 million in weekend ticket sales in North America, according to surveys that track audience interest. Ticket sales are split roughly 50-50 with theater owners.But there are glimmers of hope. The film received a 10-minute standing ovation when it premiered at the Cannes Film Festival in May. On Monday, Lionsgate, which is distributing and marketing “Megalopolis” for a fee, staged a preview at IMAX theaters across the country, selling out locations in New York, California, Massachusetts, Utah and Florida. The stunt was an effort to position what is essentially a big-budget art film as a broad-audience blockbuster.“We want everyone to come,” Mr. Coppola, 85, said during a Q. and A. that was part of the IMAX event, clasping his hands together in simulated prayer.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

Chris Sanders’s movie about a robotic assistant and the gosling she raises is defined by dazzling visuals and frank ideas about the circle of life.Have you ever thought about the many ways animals show emotion? Consider an inquisitive snout wriggling in the air, tails coiled protectively around cubs and ears perky or drooping depending on mood. For creatures who didn’t evolve to walk upright, wearing one’s heart on one’s sleeve is a considerably more anatomical business.Among the achievements of “The Wild Robot” is a painstaking regard for details like these. Written and directed by Chris Sanders (“How to Train Your Dragon”) and adapted from Peter Brown’s novel, the movie is a dazzling triumph of animation in which you feel the filmmakers’ attention on every frame. In a revivifying turn away from the gag-a-minute, computer-generated extravaganzas clogging up the animated zoological canon, this is a work that cares most about two things: big feelings and great beauty.That’s not to say that its machine is built entirely of new parts. In some ways, this kid-friendly affair about an interspecies found family even leans into its derivative elements. Roz, the bionic hero of “The Wild Robot,” seems designed to evoke the title character in “The Iron Giant,” sharing that monster’s studying eyes and lanky stature. But rather than outer space, she hails from today’s sinister science-fiction analog: the conglomerate Universal Dynamics, which specializes in robotic digital assistants. Think Alexa in hulking metal form.The movie begins as Roz (short for Rozzum Unit 7134) accidentally washes off a cargo ship and ashore a wildlife island, where she swiftly begins scouting for a task that satisfies her serve-at-all-costs programming. After wreaking havoc on some fauna, the robotic assistant (voiced by Lupita Nyong’o) stumbles upon a purpose: raising an orphaned, newborn gosling whose kin she accidentally squashed.Brightbill, as she names him, is on the runty side, and although Roz grows more sociable — at first, she can speak only in Robotese, which is so stilted it might as well be Middle English — her ward (voiced by Kit Connor, of the Netflix series “Heartstopper”) struggles to master the basics of his pond and sky habitats. Tagging along for the child-rearing is a rascally fox named Fink (Pedro Pascal), who alternates between parenting advice and snide remarks. The impending winter imposes a ticking clock on Brightbill’s training: Should he fail to become airborne before migration time, he will perish in the cold, assuming he’s not eaten first.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

Federal prosecutors in Manhattan on Thursday unveiled a five-count indictment against Mayor Eric L. Adams of New York, charging him with bribery conspiracy, fraud and soliciting illegal foreign campaign donations. Mr. Adams, who is up for re-election in 2025, insisted he was innocent and says he intends to fight the case, which is led by […] More

Several cruise lines operating out of Florida’s west coast and the Gulf of Mexico altered their itineraries on Wednesday to avoid Hurricane Helene’s path.Carnival Cruise Line canceled port stops at Cozumel, Mexico, for several ships. including Carnival Paradise, Valor, Breeze and Horizon. Two ships, Carnival Elation and Carnival Paradise, could not return to Jacksonville and Tampa after the ports were closed on Wednesday, but the cruise line said it tentatively expected ports to reopen on Friday, depending on its post-storm assessment.“The safety of our guests and crew remains our priority, and our ships are sailing a safe distance from the storm,” Carnival said in a statement on Wednesday.Royal Caribbean has also adjusted the itineraries of seven west Caribbean sailings, including Independence of the Seas, Grandeur of the Seas and Serenade of the Seas, which will be making port stops in Nassau, in the Bahamas, instead of Cozumel.Guests onboard MSC Cruise line’s Seashore were informed that they would not be able to return to Port Canaveral in Florida on Thursday because of high winds and would instead have a bonus day at sea. More

“The Secret Lives of Mormon Wives,” the new Hulu reality show, centers on a clique of influencers in Provo, Utah. In their community, they are steered at young ages into marriages and pregnancies. But on TikTok, they converge into a #MomTok squad, executing coordinated dances in crop tops amid beige McMansions as they rack up followers and brand deals. Now they’ve been upgraded to reality television stars, a cast of frenemies who act out mean-girl scenes and hunt for loopholes in the strict codes of their church.It’s significant that the show identifies these women first as wives, not as influencers. They are professional content creators and, in some cases, family breadwinners. It is their social media popularity that landed them the show, not their unexceptional husbands. Several cast members are actually divorced.The “Mormon Wives” join an extended wife universe — see also: Bravo’s chaotic “Real Housewives” and Instagram’s ethereal tradwives — where the term “wife” no longer strictly refers to a woman’s marital status. “Wife” is a brand. In “Mormon Wives,” it suggests a woman whose public identity is defined by her relationship to the home. A woman whose worth is still measured by her proximity to the patriarchy, even as she claims that her profitable TikTok presence challenges it.These wife-themed shows and tradwife social-media accounts might qualify as simple brain-bleaching distractions, were they not proliferating during this particular presidential election season. The Trump campaign and some of its allies have repeatedly suggested that a woman’s domestic contributions are her highest calling — so much so that they have cast motherhood as a prerequisite for her participation in work outside the home. If a woman hopes to claim a role in public life, she must play the wife and mother everywhere that she goes.In comments from three years ago that resurfaced recently, Trump’s running mate, JD Vance, complained of “childless cat ladies” in business and politics, and railed against the “leaders of the left,” like the American Federation of Teachers president Randi Weingarten, whom he called “people without kids trying to brainwash the minds of our children.” (Like Kamala Harris, Weingarten is a stepmother.) Last week, Gov. Sarah Huckabee Sanders of Arkansas appeared alongside Donald J. Trump and suggested that because Harris has not birthed children, she has acquired a character defect unbecoming of a leader: “My kids keep me humble,” Sanders said. “Unfortunately, Kamala Harris doesn’t have anything keeping her humble.”Meanwhile, since Elon Musk took over Twitter, rebranded it X and transformed it into what Charlie Warzel of The Atlantic has called “a right-wing echo chamber,” my feed has featured commentary about how infant formula is poison, day care causes mental illness and children ought to be home schooled or “unschooled” by devoted mothers. Instagram and TikTok supply montages of fantasy housewives: white women in pastoral settings, wearing aprons and kerchiefs, kissing their husbands, rubbing their baby bumps and proselytizing about the benefits of beef tallow.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

The British authorities are investigating after commuters at 19 train stations saw an Islamophobic message when they tried to log on to a public Wi-Fi system.The British authorities are investigating a cyberattack on Wednesday that they said displayed an anti-Muslim message on a public Wi-Fi system serving more than a dozen train stations around the country.Commuters who connected to a Wi-Fi service at stations for Network Rail, Britain’s national rail operator, were met with “Islamophobic messaging,” according to the British Transport Police, who oversee law enforcement on British rail networks. The police said they had received reports of the cyberattack just after 5 p.m. local time, and that they were leading an investigation into the incident. The service was quickly taken down, Network Rail said, and would remain down until security checks were completed.The issue emerged at 19 stations across Britain, including major transportation hubs in London, Edinburgh, Glasgow, Bristol and other cities, a spokesman for Network Rail said in a statement.Commuters attempting to log onto Wi-Fi at the stations were met with a webpage that said “We love you, Europe,” along with information related to terror attacks in Europe, The Manchester Evening News reported.The Wi-Fi was a “click-and-connect” service that did not collect any personal data and was operated by a third-party company, Telent, Network Rail’s statement said.Telent, a technology and communications company, on Thursday pointed to Global Reach, a provider that ran the Wi-Fi service’s landing page. Telent said in a statement that it had found that an “unauthorized change was made to the Network Rail landing page from a legitimate Global Reach administrator account.”British Transport Police were investigating the matter as a criminal case, Telent said, and no personal data was affected by the incident. But, as a precaution, it said, it had temporarily suspended all use of Global Reach services to confirm that none of its other customers had been impacted.Global Reach did not immediately respond to requests for comment on Thursday.Britain’s crime and cybersecurity agencies were also helping with the investigation, the Transport Police said on Thursday.The disruption follows another “cybersecurity incident” on Sept. 1 that targeted Transport for London, the agency that runs the city’s public transit network, in which hackers accessed the contact details of the agency’s customers, and potentially could view bank account details for some commuters. The cyberattack also affected the broadcasting of live train schedules online and payment systems.A 17-year-old was arrested in Walsall, a town in the West Midlands county of England, as part of the investigation into that attack, cybercrime authorities said this month. More

A new report calls for public education and closing of legal loopholes to keep the public safe.The NewsAs more states have legalized the sale of cannabis, a fractured and inconsistent legal framework has emerged across the country that has prioritized sales income and tax revenue over public health, a new report finds.The report, issued Thursday by the National Academies of Sciences, Engineering and Medicine, describes an “urgent need for a coordinated public health response.” The academies, a nonprofit advisory group of the nation’s leading scientists, said that such a response should include a federally led campaign to educate parents, children and others about the risks of a drug that is increasingly potent.Among the other suggestions, the report also calls for a lifting of research restrictions on cannabis. In recent years, many claims have been made about the medicinal and other health effects of the drug but often without substantiation from science.Even as a patchwork of laws and regulations have emerged, the potency of cannabis products has surged.Cindy Schultz for The New York TimesPotencyCurrently 24 states, the District of Columbia and two U.S. territories have legalized the sale of cannabis for recreational use, according to the National Conference on State Legislatures. In 13 other states, cannabis is legal for medicinal use.Even as a patchwork of laws and regulations have emerged, the potency of cannabis products has surged, as measured by the growing concentration of THC, the main psychoactive compound in cannabis. The rapid increases have left the public unaware of the health risks, particularly to young people, pregnant women and seniors, according to Yasmin Hurd, director of the Addiction Institute at the Icahn School of Medicine and the vice chair of the committee that issued the latest report.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

Joseph Gordon-Levitt plays a detective running from his past in a murder mystery that is mostly a stiff slog to get through.When it comes to the modern murder mysteries that truly love the genre — the ones that don’t so much subvert but wholeheartedly lean into the familiar tropes of your favorite cheap detective novel — there’s a fine line separating the good and the not-so-good. Not only a properly calibrated twist, but a sense of wit and a legible directorial imagination is what distinguishes, say, your “Knives Out” and “A Haunting in Venice” from a film like “Killer Heat.”The latter, directed by Philippe Lacôte, has the starter elements that might equate to a romp of a detective movie: a hard-drinking private investigator character running from his past, a screenplay based on a short story by the celebrated crime novelist Jo Nesbo. But this film has none of the charm, tension or cinematic energy to elevate those ingredients into a greater sum.It mostly wants to rely instead on brooding, overwrought narration from Nick Bali (Joseph Gordon-Levitt), an American expat detective who has landed on Crete to investigate the death of Leo Vardakis (Richard Madden), a member of a wealthy family that controls the island. Penelope (Shailene Woodley), the wife of Leo’s twin brother, Elias, has secretly hired Nick, suspicious of the actual circumstances that led to Leo’s death from a mysterious rock climbing accident. Soon, relationship secrets, along with Nick’s own personal past of betrayal, come to light.The twists and pedestrian dramatics are a stiff slog to get to, and Gordon-Levitt’s once innate charisma has vanished altogether here; his cheap P.I. outfit itself seems to be wearing him more than the other way around. Perhaps that’s the point “Killer Heat” wants to make about a cynical detective who’s just going through the motions. Yet, inadvertently, that ethos has swallowed the film itself.Killer HeatRated R for language, some sexual content, nudity and violence. Running time: 1 hour 35 minutes. Watch on Amazon Prime Video. More