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      Michael Flynn, a Trump Ally, Sponsors Beethoven at the Kennedy Center

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      Following the president’s overhaul of the center, Mr. Flynn, the former national security adviser, has made a substantial gift to the National Symphony Orchestra.The list of donors to the National Symphony Orchestra, one of the Kennedy Center’s flagship ensembles, is usually filled with financiers, socialites, corporations and foundations.But the name of a sponsor of this week’s performances of Beethoven’s “Missa Solemnis” stood out. It was Michael T. Flynn, the general and former national security adviser during President Trump’s first term. He was listed, along with his nonprofit, America’s Future Inc., as “performance sponsors” for the National Symphony Orchestra’s concerts from May 15 to 17.Mr. Flynn said on social media that his nonprofit was “thrilled to sponsor a spectacular three-night performance at the John F. Kennedy Center for the Performing Arts!”“This performance is filled with a vibrant celebration of music, culture, and the unyielding spirit uniting all Americans,” he wrote in a post on X. “The Kennedy Center shines as a proud symbol of our nation’s legacy!”Mr. Flynn’s gift to the National Symphony Orchestra totaled $300,000, according to two people familiar with the donation who were granted anonymity because details of the gift were not publicized.Officials at the Kennedy Center said they did not have details of the gift.“We didn’t know how much but we welcome all sponsorships,” the center said in a statement.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      Thaddeus Mosley Shapes Universes in Wood

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      In a spectacular exhibition at Karma Gallery, the 98-year-old artist makes hardwood sculptures that burst with vitality and variation.The first sculpture in Thaddeus Mosley’s spectacular show “Proximity” is an assembly of four roughly wishbone-shaped pieces of carved walnut that stands 6 ½ feet tall. He calls it “Arboreal Choreography.” Seen from the gallery’s front door it does indeed bring to mind a well-dressed dancer in a self-conscious pose, thumbs in braces, one toe raised. From the end of a nearby bench, though, it becomes a complex jungle of shadows, creases, cracks and reinforcements, with brown and off-white tones so rich and various that you’d almost think he painted them on. As you pass alongside, it all becomes something else again.Mosley, who was born in 1926, has also worked in assemblage, sourcing miscellaneous objects from a Pittsburgh junkyard owned by Andy Warhol’s brother; one piece in the current show is mounted on a found lamp stand. In the past few years he’s also taken up casting, and a group of his recent bronzes will soon be installed in City Hall Park in Manhattan. But since he started making sculpture in Pittsburgh in the 1950s, the Pennsylvania native has chiefly worked with hardwood, enlisting every last bit of its natural aesthetic splendor, as Noguchi did for stone.Mosley’s “Flight Form,” 2023, in which a rounded, hollow mass of dark brown walnut sits horizontally atop a ballet-toe-shaped column. via the artist and KarmaMany of the pieces in “Proximity” express more singular thoughts than “Arboreal Choreography.” There are stools, wooden embraces, and several notched spirals that culminate in a majestic, nine-foot-tall column topped by a jaunty half pipe. Two sculptures made of locust wood are so shiny and yellow that they call to mind glazed French confections, at least for the moment. (Exposure to the air will eventually turn them brown.) It’s not that any of these things are simple — you could almost see “Curvilinear Reach” in a graduate-level math course — just that they’re easily taken in as wholes. Still, even in the most straightforward pieces, Mosley weaves together heady pairs of opposites: stillness and motion, curves and straight edges, intimacy and grandeur, conscious intention and organic growth.“Sonic X24” leans back like a debonair narwhal, and in “Crossroads,” a blade-shaped length of walnut notches a semicircular piece that evokes a slice of melon. In “Flight Form,” a rounded, hollow piece of dark brown walnut sits horizontally atop a ballet-toe-shaped column.Viewed from the middle of the room, it brings to mind a flayed beef carcass of the kind that Chaim Soutine liked to paint, a bulging, numinous stand-in for the universe itself. But Mosley ends his universe with 12 square projections, as if to impose some human order and decision onto the natural world. From the other side the same form reveals a crackling cavity full of esoteric mystery.Thaddeus Mosley: ProximityThrough May 23, Karma Gallery, 549 West 26th Street, Manhattan; (212) 717-1671, karmakarma.org. More

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      Investigators See No Criminality by E.P.A. Officials in Case on Biden-Era Grants

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      A contentious investigation that questioned the legality of E.P.A. grants has found very little to suggest government employees violated the law.A politically fraught investigation opened by the Trump administration into a Biden-era Environmental Protection Agency grant program has so far failed to find meaningful evidence of criminality by government officials, according to people familiar with the matter.The criminal investigation, initiated by Ed Martin, then the interim U.S. attorney in Washington, was cheered by Republicans, who have made unsubstantiated claims that the multibillion-dollar program, intended to fund climate and clean energy initiatives, was a political slush fund. The program, part of the 2022 Inflation Reduction Act, was one of President Biden’s most significant actions on the environment.Internal disagreements over the merits of the investigation raised alarms among current and former Justice Department officials, who were concerned that the Trump administration was misusing the vast power of federal law enforcement to discredit people, policies and programs President Trump disliked, such as clean energy projects.While the investigation of some entities that received money through the program is continuing, agents and prosecutors see little evidence of any criminal conduct by E.P.A. officials who oversaw the funding. The vendor portion of the inquiry has yet to yield any strong evidence of criminal conduct, according to people with knowledge of the investigation who spoke on the condition of anonymity to discuss private conversations.Prosecutors and agents have shared their findings with senior political leaders at the Justice Department, according to people familiar with the matter.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      Retirees Are Filing for Social Security Earlier. Why?

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      An additional 276,000 people filed for Social Security benefits so far this fiscal year, up 13% from a year ago. Anxiety appears to be a driver.The morning after his 67th birthday, Marty McGowan filed for Social Security. That wasn’t his original plan. He had intended to wait until he was 70 to claim benefits, in exchange for a heftier payment that would have yielded an extra $800 a month.But like other retirees in recent months, he was watching the Trump administration’s shake-up at the Social Security Administration during a time when the broader economic outlook appeared increasingly uncertain. Concerns about the economy and access to benefits nudged him to file earlier than he had anticipated, even if it might cost him over the long run.He wasn’t the only one: An additional 276,000 retirees claimed benefits on their earnings record this fiscal year through April, according to the Urban Institute, a research group, a 13 percent jump from the same period a year ago. Officials inside the Social Security Administration called the rise “dramatic,” and though there were some other reasons for the surge, program experts say anxiety appeared to play a meaningful role.“It is worrisome because for most people, claiming early is not a good decision,” said Jack Smalligan, a senior policy fellow at the Urban Institute. “They’re nervous about the threats to the Social Security Administration and their benefits, while simultaneously looking at their 401(k), if they have one, and worrying about that.”The Trump administration’s crusade to diminish the federal bureaucracy did not spare Social Security, which rattled insiders at the agency and Americans close to or in retirement. Many of them feared that job cuts and other policy changes could threaten their access to benefits, causing them to jam phone lines and overwhelm offices. Elon Musk, the tech billionaire whose Department of Government Efficiency drove many of the changes, continued to spread false claims about widespread fraud at the agency, which only added to the confusion.That situation, coupled with wider economic uncertainty, seemed to influence some retirees’ real-world financial decision-making. Agency officials acknowledged this during their recent operational meetings, along with other strains on the system.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      Hadi Matar, Salman Rushdie’s Attacker, Sentenced to 25 Years

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      Hadi Matar, the defendant, said he believed the acclaimed author to be a hypocrite. Mr. Rushdie had been living under a religious edict calling for his death since 1989.The man convicted of trying to stab Salman Rushdie to death was sentenced Friday to 25 years in prison for the attack, which left Mr. Rushdie critically injured and blind in one eye.The man, Mr. Matar, spoke briefly during his sentencing in a courtroom in Chautauqua County, in Western New York, saying that he believed Mr. Rushdie to be a hypocrite and a bully.Judge David W. Foley delivered the sentence after an hourlong hearing. Mr. Matar had been found guilty in February of trying to kill Mr. Rushdie in the harrowing knife attack, which took place at a summer resort and cultural center in 2022.For decades before he was attacked, Mr. Rushdie had lived under threat. His 1988 novel, “The Satanic Verses,” included a fictionalized representation of the Prophet Muhammad that many Muslims deemed blasphemous. In 1989, Iran’s supreme leader issued a religious edict against Mr. Rushdie, calling for his death.The trial lasted less than two weeks and took place in Mayville, N.Y., a small town about an hour south of Buffalo on the banks of Chautauqua Lake. The prosecution called several witnesses; the defense called none. Mr. Matar, 27, declined to testify.Jurors deliberated for less than two hours before returning their verdict.This is a developing story and will be updated. More

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      Republican Tax Bill May Hurt the Lowest Earners and Help the Richest

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      Even though most Americans may see lower taxes, Republicans’ spending cuts could outweigh those benefits and leave some worse off.As Representative Jason Smith commenced a marathon session this week to consider a sprawling and expensive Republican tax package, he took special care to emphasize his party’s commitment to “hard-working Americans.”“Pro-growth tax policy will shift our economy toward one that serves them, not the wealthy and well-connected,” Mr. Smith, the Missouri lawmaker who leads the House’s top tax panel, proclaimed.But the proposal he is trying to get to President Trump’s desk ultimately tells a more complicated story. The Republican tax plan may offer only modest gains to everyday workers, according to a wide range of tax experts, and some taxpayers may actually be left in worse financial shape if the bill becomes law.The latest assessment arrived Friday from the Penn Wharton Budget Model, a nonpartisan scorekeeper closely watched on Capitol Hill. Economists found that many Americans who make less than $51,000 a year would see their after-tax income fall as a result of the Republican proposal beginning in 2026.The Penn Wharton estimate sought to analyze the full scope of the Republican tax package, computing the effects of the tax cuts as well as the plan to pay for them by slashing federal spending on other programs, including Medicaid and food stamps. Combined, those policies could fall disproportionately on the poorest, including those near or below the poverty line, the economists found.People making between about $51,000 and $17,000 could lose about $700 on average in after-tax income beginning in 2026, according to the analysis, when factoring in both wages and federal aid. That reduction would worsen over the next eight years. People reporting less than $17,000 in income would see a reduction closer to $1,000, on average, also increasing over time, a shortfall that underscores their reliance on federal benefits.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      Data Centers’ Hunger for Energy Could Raise All Electric Bills

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      Individuals and small businesses may end up bearing some of the cost of grid upgrades needed for large electricity users, a new report found.Individuals and small business have been paying more for power in recent years, and their electricity rates may climb higher still.That’s because the cost of the power plants, transmission lines and other equipment that utilities need to serve data centers, factories and other large users of electricity is likely to be spread to everybody who uses electricity, according to a new report.The report by Wood MacKenzie, an energy research firm, examined 20 large power users. In almost all of those cases, the firm found, the money that large energy users paid to electric utilities would not be enough to cover the cost of the equipment needed to serve them. The rest of the costs would be borne by other utility customers or the utility itself.The utilities “either need to socialize the cost to other ratepayers or absorb that cost — essentially, their shareholders would take the hit,” said Ben Hertz-Shargel, who is the global head of grid edge research for Wood MacKenzie.This is not a theoretical dilemma for utilities and the state officials who oversee their operations and approve or reject their rates. Electricity demand is expected to grow substantially over the next several decades as technology companies build large data centers for their artificial intelligence businesses. Electricity demand in some parts of the United States is expected to increase as much as 15 percent over just the next four years after several decades of little or no growth.The rapid increase in data centers, which use electricity to power computer servers and keep them cool, has strained many utilities. Demand is also growing because of new factories and the greater use of electric cars and electric heating and cooling.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      Fenix, a Museum of Migration, Opens in Rotterdam

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      A new institution in the harbor of Rotterdam, the Netherlands, combines art and artifacts to underscore that migrant journeys are part of a universal human experience.More than a century ago, millions of people trying to escape poverty, persecution or war in Europe boarded ships in the harbor of Rotterdam, the Netherlands, for a trans-Atlantic journey to a new life.Today, people can enter a former warehouse there, climb a winding staircase and look out from a cantilevered viewing deck onto the spot where the ships carrying those people once set sail.This is Fenix, an art museum dedicated to the theme of migration that opens to the public on Friday. A once-derelict pier stockroom has been transformed into an expansive white-box art space and is crowned with a polished steel double-helix swirl that adds a distinctive architectural signature to Rotterdam’s skyline.“It’s all about movement,” said Wim Pijbes, the chairman of the foundation that runs the new museum. “It’s not genealogical, it’s not art historical, it’s not documentary. It’s a mix of objects: high art, low art, personal objects, video, film, photography, ceramics. It’s all there, like a symphony.”Unlike other migration museums in New York, London or Paris, which typically narrate specific histories of immigrants and refugees, Fenix takes a different, more wide-ranging, approach.Visitors first encounter two small exhibitions downstairs — one showcasing photojournalistic images and the other filled with thousands of battered suitcases — that underscore the idea that migration is an integral part of a universal human experience. The main exhibition, “All Directions,” installed in a 75,000-square-foot concrete and glass hall upstairs, displays fine art that either directly or obliquely makes reference to that experience.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More