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      UK Laws Are Not ‘Fit for Social Media Age,’ Says Report Into Summer Riots

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      Outdated legislation prevented the police from rapidly correcting misinformation after a stabbing attack on a Taylor Swift-themed dance class last summer, lawmakers said.British laws restricting what the police can say about criminal cases are “not fit for the social media age,” a government committee said in a report released Monday in Britain that highlighted how unchecked misinformation stoked riots last summer.Violent disorder, fueled by the far right, affected several towns and cities for days after a teenager killed three girls on July 29 at a Taylor Swift-themed dance class in Southport, England. In the hours after the stabbings, false claims that the attacker was an undocumented Muslim immigrant spread rapidly online.In a report looking into the riots, a parliamentary committee said a lack of information from the authorities after the attack “created a vacuum where misinformation was able to grow.” The report blamed decades-old British laws, aimed at preventing jury bias, that stopped the police from correcting false claims.By the time the police announced the suspect was British-born, those false claims had reached millions.The Home Affairs Committee, which brings together lawmakers from across the political spectrum, published its report after questioning police chiefs, government officials and emergency workers over four months of hearings.Axel Rudakubana, who was sentenced to life in prison for the attack, was born and raised in Britain by a Christian family from Rwanda. A judge later found there was no evidence he was driven by a single political or religious ideology, but was obsessed with violence.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      NYT Crossword Answers for April 14, 2025

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      Ken Cohen and Stacy Cooper make their New York Times Crossword debuts.Jump to: Today’s Theme | Tricky CluesMONDAY PUZZLE — Having at last recovered from a mild mystery illness in an undisclosed location, I make my triumphant return to Wordplay. Fanfare! Trumpets! Applause, applause! That’s what I was imagining, anyway. In reality, my triumphant return consisted of scooting into my desk chair and opening my laptop.Far greater ADO (24A) is in order for today’s crossword, because it’s a rare treat to have a collaboration between two first-time constructors in the New York Times Crossword. Collaborations tend to feature one new constructor alongside a more experienced one, but Ken Cohen and Stacy Cooper have pulled it off. Applause, applause, indeed!Today’s ThemeSalute any of today’s themed entries with the [Slangy greeting] at 51-Across, and you’ll realize that WHAT’S CRACKING applies, wittily, to the starts of each one. At 20A, the [Rules on how to behave] would be a CODE OF CONDUCT, and one tends to “crack” a code. And at 25A, [Baba ghanouj, e.g.] is a kind of EGGPLANT DIP — an egg is what’s cracking here.The last one gave me a visceral wince: At 45A, a [Goofball] is a KNUCKLEHEAD, since knuckles can be cracked. But must they? Can’t those people pick up a noiseless tic instead, like hair twirling?Tricky Clues50A. When crossword clues hint at two things that can be described by the same adjective, there’s usually lateral thinking involved. In the case of [Like diamonds and calculus problems], both are HARD — but one in a physical sense, and the other in a conceptual one.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      Read the Report on President Trump’s Annual Physical Exam

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      PHYSICIAN TO THE PRESIDENT
      THE WHITE HOUSE
      MEMORANDUM
      TO: KAROLINE LEAVITT
      WHITE HOUSE PRESS SECRETARY
      FROM: CAPT SEAN P. BARBABELLA, D.O., MC, USN
      PHYSICIAN TO THE PRESIDENT
      DO
      April 13, 2025
      SUBJECT: PRESIDENT DONALD J. TRUMP’S ANNUAL PHYSICAL EXAMINATION
      RESULTS
      On April 11, 2025, President Donald J. Trump underwent his annual physical examination at
      Walter Reed National Military Medical Center. I performed and supervised the comprehensive
      exam, which included diagnostic and laboratory testing, as well as consultations with fourteen
      specialty consultants, all in accordance with U.S. Preventive Services Task Force (USPSTF)
      recommendations. The President has consented to release the physical exam findings to the
      public.
      VITAL STATISTICS:
      Age: 78 years, 10 months
      Height: 75 inches
      Weight: 224 pounds
      Resting Heart Rate: 62 beats per minute
      Blood Pressure: 128/74 mmHg
      Pulse Oximetry: 99% on room air
      • Temperature: 98.6 °F
      PHYSICAL EXAMINATION AND DIAGNOSTIC SUMMARY:
      Eyes: Normal visual acuity, visual fields, and eye pressure. Dilated eye exam was
      normal.
      Head/Ears/Nose/Throat: Examination of the head, ears, nose, and throat revealed no
      significant abnormalities with the exception of scaring on the right ear from a gunshot
      wound. Hearing was normal.
      Neck: The thyroid and lymph nodes were normal. A July 2024 ultrasound of the carotid
      arteries showed normal results, and a repeat study was not indicated.
      Pulmonary: Lungs were clear on examination and a computed tomography (CT) scan of
      his chest showed no abnormalities. More

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      ‘The Last of Us’ Review: On the Road Again

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      Season 2 of HBO’s zombie drama begins with Joel and Ellie safe and settled. One guess how long that lasts.HBO’s video-game-inspired, postapocalyptic hit “The Last of Us” likes to cover all its zombie bases. The first season emphasized urban hellscapes — lots of cowering and running in the ruins of Boston, Kansas City and Salt Lake City — while moving toward the open spaces of Wyoming. Season 2, premiering Sunday, goes the other direction, starting out as a grisly western — stockaded town, horse patrols, waves of attackers — but moving back to the city, this time an emptied-out Seattle.Wherever it goes, though, “The Last of Us” remains (as my colleague James Poniewozik pointed out in his Season 1 review) a zombie tale that polishes and elaborates on the conventions of the genre but does not transcend them. The course of its action and the dynamics of its relationships run in familiar grooves, lubricated by generous applications of blood and goo.Where the show has differed from the genre standard is in the dramatic weight and screen time it devotes to those relationships, or, seen another way, in its sentimentality. (I say potahto.)Other zombie shows flesh out love, friendship and loyalty just enough to provide a little extra frisson when a character becomes lunch. “The Last of Us,” which was created and is still overseen by Neil Druckmann and Craig Mazin, doesn’t reverse that equation — it still spends time, and a lot of HBO’s money, on elaborate scenes of mayhem, in close quarters or on broad canvases. But it really wants you to care. If the Hallmark Channel had a zombie drama, it might look like a PG version of “The Last of Us.”At the heart of the series, making the greatest demands on our emotions, is the Mutt and Jeff pairing of Joel (Pedro Pascal) — a hard case whose daughter was killed at the beginning of the show’s zombie-spawning fungal pandemic — and Ellie (Bella Ramsey), a teenager he met two decades later. Ellie, who would try the patience of adults far saintlier than Joel, happens to be immune to the fungus, and in Season 1 Joel reluctantly agreed to take her on a cross-country journey in pursuit of a cure. They emerged from the perilous, season-long road trip as each other’s surrogate family.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      ‘SNL’ Pokes Fun at Trump’s Tariffs and Economy Chaos in Easter Cold Open

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      Among the sources of all the fun is ‘The White POTUS,” a parody that casts members of the administration in their own twisted playground for the privileged.With Easter approaching, it seemed appropriate for “Saturday Night Live” to resurrect a favorite bit: a scene from the Bible that is interrupted by a comic monologue from James Austin Johnson playing President Trump.This weekend’s broadcast, hosted by Jon Hamm and featuring the musical guest Lizzo, began with what looked like a straightforward re-enactment of the Cleansing of the Temple, with the role of Jesus played by Mikey Day. “This will not stand,” Day said, overturning a money changer’s table. “I will rid this place of all its money.”The action paused so that Johnson could enter as Trump. “Remind you of anyone?” he asked. “Wow. I also got rid of money last week. But instead of one temple, I did whole country. Maybe even the globe. The money’s gone.”Johnson continued: “Hi, it’s me, your favorite president, Donald Jesus Trump, comparing myself to the son of God once again. You know, many people are even calling me the messiah, because of the mess-I-ah made out of the economy.”The financial turmoil, he said, was “all because of my beautiful tariffs — they’re so beautiful. They were working so well that I had to stop them.”We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      Caution and Courage on Campus Speech

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      More from our inbox:Fired in a Quake Zone Rachel Stern for The New York TimesTo the Editor:Re “Universities Like the One I Run Aren’t Afraid to Let People Argue,” by Michael I. Kotlikoff, the president of Cornell (Opinion guest essay, nytimes.com, March 31):As the father of a high school senior currently deciding where to attend college, I agreed with much of what Dr. Kotlikoff had to say. But I was troubled by what he didn’t say. Right now, the greatest threat to academic freedom is the Trump administration.Foreign students are being detained and threatened with deportation for constitutionally protected speech. The independence of academic departments is being threatened by the White House. Universities are scrubbing their official documents of words the administration deems unacceptable. Defending free speech on campus while not calling this out by name can have only one explanation: fear.I sympathize. Putting your institution in this administration’s cross hairs risks devastating punishment. But when those who ought to be the greatest defenders of intellectual freedom stay silent or address such threats obliquely, we should all be scared.When I was a college student, I got to live out the idyllic fantasy that elite schools have marketed for generations: stimulating classes, extracurriculars and lazy afternoons in the quad. My daughter might have a very different experience. Her school might face devastating budget cuts for daring to defy the president. She’ll likely see research disrupted, graduate students’ and professors’ lives upended. She might witness international students being apprehended by masked law enforcement officers for speaking freely.I’m sorry she won’t get my carefree experience. But I hope the leadership of her school shows her something far more valuable: courage.Michael HandelmanBrooklynTo the Editor:Michael I. Kotlikoff’s essay rang true to me — not as theory, but as lived experience. I was a Cornell undergraduate when Donald Trump was first elected in 2016. I sat in a class where a professor asked if any students were Republican. Nobody raised a hand.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      Gaza Medic Missing Since Israeli Attack Is in Israeli Custody, Palestinian Group Says

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      Asaad al-Nasasra has not been heard from since the March 23 ambush by Israeli forces, which left 15 aid workers dead and drew international condemnation.A Gaza paramedic for the Palestine Red Crescent Society who has been missing since Israeli forces ambushed a group of ambulances and other aid vehicles in late March is in Israeli custody, the Red Crescent and the International Committee of the Red Cross said on Sunday.Israeli forces killed 15 other rescue and aid workers in the same attack, buried their bodies in a mass grave and crushed their ambulances, their fire truck and a United Nations vehicle — actions that have drawn international condemnation and scrutiny.Witnesses have said that Asaad al-Nasasra, 47, the paramedic who disappeared after the March 23 attack, survived but was detained and taken away by Israeli soldiers. But there had been no official word of his whereabouts until Sunday, when the Red Crescent said the I.C.R.C. had notified it that he was being held by Israel.The Red Cross said in a statement that it had received information that Mr. al-Nasasra was being held “in an Israeli place of detention.”Asked for comment, the Israeli military replied with a statement that it had released last week saying that it was still investigating the attack. It has said it will not comment further until the investigation is complete.The Israeli military has offered changing explanations for why its troops fired on the emergency vehicles, first saying that they had been “advancing suspiciously” without their lights on until a video of the attack contradicted that account. It initially said nine of those killed had been operatives from Hamas or Palestinian Islamic Jihad, another militant group, before saying, without providing evidence, that six operatives were killed in the attack.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      Brad Holland, Subversive Artist Who Reinvented American Illustration, Dies at 81

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      Brad Holland, an idiosyncratic artist who upended American illustration in the 1970s with his startling imagery for Playboy magazine and The New York Times’s opinion page, spawning a generation of imitators, died on March 27 in Manhattan. He was 81.His brother, Thomas Holland, said he died in a hospital from complications of heart surgery.Mr. Holland was in his late 20s and contributing to Playboy and a few of New York City’s underground papers, including The New York Review of Sex and Politics and The East Village Other, when he was invited to be part of an experiment at The New York Times.In 1970, the paper had introduced what it called an Op-Ed page — the name referred to its placement opposite the editorial page — as a forum for essays and ideas. The art director of this new page, Jean-Claude Suares, was another veteran of the underground presses; while working at The Times, he was also designing Screw magazine.For The Times, Mr. Suares wanted to commission standout art to accompany the writing, but he didn’t want to illustrate the themes of the articles literally. He was an admirer of Mr. Holland’s work and recruited him, along with other notable insurgents, including Ralph Steadman, the British caricaturist who had been illustrating Hunter Thompson’s gonzo adventures, and a coterie of European political cartoonists.One of three illustrations for a 1968 essay by P.G. Wodehouse, “The Lost Art of Domestic Service,” that were Mr. Holland’s first assignment for Playboy magazine. He would work for the magazine for a quarter-century.Brad Holland/Artists Rights Society (ARS), New YorkMr. Holland had already attracted attention with the gorgeous rococo images he made to illustrate Playboy’s “Ribald Classics,” a series that reprinted erotic stories by the likes of Ovid, Jonathan Swift and Mark Twain. His work could be surreal, grotesque and beautiful, and it was often inscrutable. It recalled the satirical engravings of the 19th-century caricaturist Thomas Nast and the more terrifying paintings of Francisco Goya.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More