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      Review: He’s Here, He’s Queer, He’s the Future King of England

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      The Off Broadway play “Prince Faggot” aims to shock. But the real surprise is how good it is anyway.In 2032, a young man called Tips brings his boyfriend, Dev, home from college to meet the folks. Though cautious, Mum and Dad are neither surprised nor scandalized; after all, he’s 18, and they have known he was gay for a while.For the characters in Jordan Tannahill’s “Prince Faggot,” though, that gayness was long since a given. Early in the play, we are shown a famous picture of Tips at 4, looking adorable and, to them, arguably fey.Tips is better known to the world as Prince George of Wales, the oldest child of Prince William and Princess Catherine. The real Prince George is now 11. For that reason, I will hereafter refer to the character by his nickname. I am one of those who, as the play anticipates, resist the dragooning of a preadolescent boy into a dramatic argument about sexuality and monarchy — just as I cringe at the use of a slur I take no reclaimed pride in to market a title. If the playwright means to shock, mission accomplished.But here’s the real shocker: The play, which opened Tuesday at Playwrights Horizons, in a co-production with Soho Rep, is thrilling. Inflammatory, nose-thumbing, explicit to the point of pornography, wild and undisciplined (except in its bondage scenes) — yes, all that. Its arguments have so many holes in them, most hold water only briefly. Grievance is its top note: Tips is a whiner and Dev a theory queen. Love is everything and never enough.In other words, however objectionably conjectural, it’s real.Tannahill tries to sideline reality quickly though. In a throat-clearing prologue, he has the six actors (all exceptionally good in multiple roles) debate the propriety of telling the story in the first place. One (Mihir Kumar) argues that since “all children are ‘sexualized’ as heterosexual by default,” exploring a different framing is a kind of reparation. Another (K. Todd Freeman) retorts that to portray an actual child as queer is to invite a charge of grooming. A third (David Greenspan) adds wickedly, “Frankly, I think we’ve been doing a terrible job at grooming. I mean look at how many straights there still are.”From left, Rachel Crowl, K. Todd Freeman, N’yomi Allure Stewart and McCrea as the royals at the heart of the play.Richard Termine for The New York TimesWe are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      Tom Cruise to Receive an Honorary Oscar

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      The film industry will honor Tom Cruise this fall with an Honorary Academy Award for lifetime achievement, along with the choreographer Debbie Allen and the production designer Wynn Thomas.Despite his death-defying stunts as the spy Ethan Hunt, Tom Cruise has yet to land an Oscar for any of the eight installments of the “Mission: Impossible” franchise. His portrayal of the sports agent Jerry Maguire in 1996 earned him a nod from the film academy for best actor, and as a producer he was up for best motion picture in 2023 with “Top Gun: Maverick.”But his career has not included a golden Oscars statuette. Until now.In November, Cruise will receive an honorary Oscar at the Governors Awards, alongside the production designer Wynn Thomas, and the choreographer and actress Debbie Allen, the Academy of Motion Picture Arts and Sciences announced on Tuesday.Dolly Parton, the singer and actress, will be presented with the annual Jean Hersholt Humanitarian Award for her charitable works.The honorary awards, in their 16th year, are given out by the academy’s board of governors to recognize “extraordinary distinction in lifetime achievement” in the film industry or “outstanding contributions” to the state of filmmaking. They will be presented months before the main Oscars ceremony in March and will not be televised.This time the awards celebrate four “individuals whose extraordinary careers and commitment to our filmmaking community continue to leave a lasting impact,” the academy president, Janet Yang, said in a statement.Cruise, 62, was first nominated for an Academy Award in 1990 for his portrayal of Ron Kovic, a Vietnam War veteran, in the biographical film “Born on the Fourth of July.” He has received three other nominations since then, for “Jerry Maguire,” “Magnolia,” and “Top Gun: Maverick.”We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      David Hekili Kenui Bell, an Actor in ‘Lilo & Stitch,’ Dies at 46

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      Mr. Bell’s first role in a feature film was providing comic relief in the Disney hit.In Disney’s latest live-action remake, “Lilo & Stitch,” David Hekili Kenui Bell has a short but memorable role in which he is so bewildered to see aliens that he lets his shaved ice plop to the ground. The appearance was his first in a feature film.Mr. Bell, who had played minor roles in a few productions, died on Thursday. He was 46.His sister, Jalene Bell, confirmed his death on social media on Sunday and in a family statement that did not provide a cause of death.He was credited simply as Big Hawaiian Dude on his IMDb page, but on TikTok he referred to himself as the Shave Ice Guy.“Lilo & Stitch,” which is based on the 2002 film and the animated franchise, was released on May 23 and became one of the most profitable recent films as it raked in more than $800 million in sales.His role was part of a running gag in the franchise. In those moments, a sunburned character who is relaxing somewhere drops his ice cream when the aliens arrive.In one of two movie scenes where he appeared, the aliens startle him while he sits at the beach in a sleeveless shirt, with a towel on one shoulder and sunglasses atop his head. Predictably, he drops his shaved ice.“These damn aliens owe me a shave ice,” he captioned the scene on TikTok.In the original “Lilo & Stitch,” the man dropping the ice cream is bald and is often not wearing a shirt.Mr. Bell had also appeared in two episodes of a “Magnum P.I.” remake in 2018 and 2019, as well as in one episode of a “Hawaii Five-0” remake in 2014, according to IMDb. He was involved in the upcoming film “The Wrecking Crew,” about two half brothers solving their father’s murder in Hawaii, his page on the site said.He appeared in the “One Life, Right?” commercials for the Kona Brewing Company. The ads won a 2025 Pele Award, according to his sister and the organization’s website. The Pele Awards honor excellence in advertising and design in Hawaii.Outside of acting, Mr. Bell worked at the Kona International Airport near Kailua-Kona, Hawaii, according to the social media statement from his sister.Complete information on survivors was not available.To celebrate her brother’s life and express their grief, Ms. Bell said that she and her grandson went to get shaved ice.“David loved being an actor,” doing voice-overs and traveling as part of his work, his sister said. “The film industry and entertainment was so exciting to him.” More

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      Federal Judge Certifies Class Action for Transgender People Seeking Passports

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      A preliminary injunction blocking the State Department from enforcing a new passport limit extends to all trans passport seekers.A federal judge in Boston granted class-action status to transgender and nonbinary Americans on Tuesday in a lawsuit challenging a U.S. State Department policy that requires passports to reflect only the holder’s sex recorded on their original birth certificate.The order extends a preliminary injunction blocking the State Department from enforcing the policy against six plaintiffs to apply to all class members who apply for or update passports while the case proceeds. In the earlier order from April, U.S. District Judge Julia E. Kobick concluded that the passport policy likely violates the Fifth Amendment’s equal protection guarantee because it discriminates based on sex and is “rooted in irrational prejudice toward transgender Americans.”The State Department filed an appeal of the preliminary injunction last week.The government maintains that it has a strong interest in passports that accurately reflect the holder’s sex. The State Department adopted the new policy earlier this year to comply with an executive order from President Trump directing all government agencies to limit official recognition of transgender identity and mandating that federal documents reflect what it termed the “immutable biological classification as either male or female.”In court documents, plaintiffs argued that a mismatch between the sex listed on their passport and their gender identity puts them at risk of suspicion and hostility that other Americans do not face. During the first weeks of Mr. Trump’s administration, several plaintiffs received passports with an “F” or “M” marker contrary to the one they had requested. Another learned that selecting an “X” marker, indicating a nonbinary gender identity, was no longer an option, though it had been allowed since 2022.The government argued against certifying trans and nonbinary passport holders as a legal class in the case, contending that gender identity is subjective and that a class-wide injunction would create an undue administrative burden.Judge Kobick, who was nominated by former President Joseph R. Biden Jr., found that those claims did not outweigh significant harm faced by transgender and nonbinary passport holders. She noted that plaintiffs in the case had described being forced to “effectively ‘out’ themselves every time they presented their passports,” leading to anxiety and fear safety fears.“These are the types of injuries that cannot adequately be measured or compensated by money damages or a later-issued remedy,’’ she wrote. More

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      The Ever-Evolving Juneteenth Table

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      Hamburgers, hot dogs, plenty of red sodas on ice: That was the chef Lana Lagomarsini’s Juneteenth menu for years as she celebrated with her cousins in Harlem. But over time, her celebrations evolved, especially when it came to food.For the past four years, along with the chefs Nana Araba Wilmot and Deborah Jean, she’s hosted a Juneteenth cookout in Brooklyn for a couple hundred guests. Its atmosphere is familiar: A DJ plays music, guests mingle. But the menu, a mix of contributions from all three chefs, tells a story that starts in West Africa and winds through the Caribbean and the Americas before stopping in New York City.Juneteenth commemorates June 19, 1865, when the last enslaved African Americans, in Galveston, Texas, were told they were freed, about two and a half years after the Emancipation Proclamation was issued. The holiday became a national focal point in 2020 amid protests spurred by the killing of George Floyd and was declared a national holiday in 2021.Now, the traditional foods of the holiday, like barbecue and red food and drink, meant to symbolize the blood of enslaved ancestors, are sharing space with dishes that represent the diverse histories and regional differences of Black American cooking. In the hands of some chefs and home cooks, the Juneteenth table continues to grow, reflecting its celebrants’ histories and backgrounds.“I want to make dishes that represent my ancestors, for sure, and what I’ve learned as a chef,” Ms. Lagomarsini said.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      Paul Simon at the Beacon Theater: Quiet, Intricate, Masterly

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      Subtlety reigned as the musician played his post-farewell tour in New York, which included a full performance of his 33-minute LP, “Seven Psalms.”Paul Simon, 83, has simply changed his mind about a farewell to touring that he announced in 2018, with a valedictory arena tour that ended with a park concert in Queens. He had more to say and sing.He’s back on the road with a relatively intimate, scaled-down postscript: his A Quiet Celebration tour. It’s booked into theaters selected for their acoustics, and it’s made possible by an advanced monitoring system that helps him cope with his recent severe hearing loss.Simon played to a reverently attentive audience on Monday night at his hometown sanctuary, the Beacon Theater. When the refurbished, regilded venue reopened in 2009, Simon was its first performer. And on Monday, he stepped onstage smiling broadly and announced, “I love playing in this room.”Simon has been making poetic, tuneful pop hits — songs that found mass audiences with lapidary craftsmanship and terse, enigmatic insights — since the 1960s. He had less commercial success with larger formats: his 1980 movie about a songwriter, “One-Trick Pony,” and his 1998 musical, “The Capeman.” But he has still been thinking bigger than individual songs.After performing the entirety of his album “Seven Psalms,” Simon returned with a set of hits and deeper cuts.Nina Westervelt for The New York TimesIn 2023, Simon released “Seven Psalms,” a continuous 33-minute suite of songs about the brevity, fragility and preciousness of life — “Two billion heartbeats and out / Or does it all begin again?” — and the unknowability of God. “The Lord is a meal for the poorest of the poor,” he sang, but also, “The Lord is the ocean rising / The Lord is a terrible swift sword.”We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      American Mythmakers, Revisited: Hunter S. Thompson and John Wilkes Booth

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      Two shows attempt to make sense of the gonzo journalist and Lincoln’s assassin, cultural figures forever intertwined with American history.Two shows on stages just outside Washington, “The Untitled Unauthorized Hunter S. Thompson Musical” and “John Wilkes Booth: One Night Only!,” create a diptych of American mythmaking: One character sees the country crumbling and aims to shake it awake, the other sees it in betrayal of its founding principles and tries to burn it down.The writer Hunter S. Thompson had little regard for professional deadlines, but in “The Untitled Unauthorized Hunter S. Thompson Musical,” running through July 13 at the Signature Theater in Arlington, Va., he faces one he can’t ignore. With a bottle of Wild Turkey in one hand and a .45 in the other, the bathrobe-clad gonzo journalist — staring at a typewriter that has just landed with a thud onto the stage — neutrally informs the audience: “It’s February 20th, 2005. The day I die.” Then the self-proclaimed “major figure in American history,” played with feral charisma by Eric William Morris, manically attempts to commit his life, and the life of these disunited states, to the page.Created by Joe Iconis (music, lyrics, book) and Gregory S. Moss (book), and directed with anarchic propulsion by Christopher Ashley, the show is a frenzied, frothing act of theatrical resurrection. Morris is accompanied by a nine-member ensemble that functions as a Greek chorus of demons, muses and collaborators, ferrying us from Thompson’s Louisville boyhood to his professional dust-ups with the Hells Angels and drug-fueled detours through the underside of the American dream. His Colorado home, Owl Farm, serves as both writing bunker and memory palace. Crammed with gewgaws, it looks like the kind of place that would make people rethink their ideas about souvenirs.Subtlety was never Thompson’s forte, and this bio-musical wisely avoids making it an organizing principle. Iconis’s propulsive score is peppered with protest anthems, beat-poet swagger and a recurring rock ’n’ roll hymn to outsiders and misfits. “All hail Hunter S. Thompson,” the ensemble chants. “Hail to the freak.” Too much exposition? Too little? That depends on your familiarity with Thompson, a philandering husband and neglectful father who ran for sheriff of Aspen, Colo., cherished his constitutional right to own guns and nursed a near-cellular antipathy toward Nixon (played here by a reptilian George Abud).Though the show splendidly commits to unfiltered, maximalist expression, quieter moments also resonate, including when a young Hunter (Giovanny Diaz De Leon) reads a copy of “The Great Gatsby” and resolves to one day write into existence a more democratic country.Ben Ahlers as the title character in “John Wilkes Booth: One Night Only!” at Baltimore Center Stage.J Fannon PhotographyWe are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      Russia Stands Aside as Israel Attacks Iran

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      Analysts say the Kremlin is prioritizing its own war against Ukraine, as well as its relations with Gulf nations that don’t want to see a stronger Iran.Iran aided the Kremlin with badly needed drones in the first year of its Ukraine invasion, helped Moscow build out a critical factory to make drones at home and inked a new strategic partnership treaty this year with President Vladimir V. Putin, heralding closer ties, including in defense.But five months after that treaty was signed, the government in Iran is facing a grave threat to its rule from attacks by Israel. And Russia, beyond phone calls and condemnatory statements, is nowhere to be found.Iranian nuclear facilities and energy installations have been damaged, and many of the country’s top military leaders killed, in a broad Israeli onslaught that began Friday and has since expanded, with no sign that Moscow will come to Tehran’s aid.“Russia, when it comes to Iran, must weigh the possibility of a clash with Israel and the United States, so saving Iran is obviously not worth it,” said Nikita Smagin, an expert on Russia-Iran relations. “For Russia, this is just a fact.”The situation reflects a dispassionate political calculus by Moscow, which is prioritizing its own war against Ukraine, as well as its need to maintain warm relations with other partners in the Middle East, which have helped Moscow survive Western economic sanctions, analysts say.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More