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    NYT Crossword Answers for June 11, 2025

    Sam Koperwas and Jeff Chen go splitsies.Jump to: Today’s Theme | Tricky CluesWEDNESDAY PUZZLE — As I’ve mentioned several times throughout my Wordplay tenure, geography isn’t my strong suit. I can’t name states based on their shapes; I have trouble locating European countries. Give me a trivia question about an archipelago, and I will give you the wrong answer.Today’s crossword by Sam Koperwas and Jeff Chen played to that weakness (which may very well be your strength), and it was only by staring at the completed grid for a few minutes that I finally understood what I was looking at. One day, I will encounter a puzzle themed around my store of knowledge: pop and rap hits from the 2000s, the “Columbo” detective series and styles of pants.Today’s ThemeAt 18-Down, the constructors have inserted a [Natural dividing line on a U.S. map, as suggested by this puzzle’s circled letters]. Those letter clusters didn’t strike me as individually significant — but as a set, I realized, they represented state abbreviations: IA for Iowa, MO for Missouri, TN for Tennessee and so on.The dividing line between these states is the MISSISSIPPI River (18D). To the left are Iowa, Missouri, Arkansas and Louisiana. To the right are Wisconsin, Illinois, Tennessee and Mississippi itself (the river sits on its westernmost side). The states’ locations are also represented in relation to one another by their placements on the grid. It’s not just that they appear to the right or left of 18D — they also appear in locations representative of the U.S. map. (Visual accuracy may be table stakes in constructing geography-based crosswords, but it never fails to impress me.)Tricky Clues4A. Abbreviated clues solve to abbreviated entries. That’s one of many “must match” rules in crossword puzzles. [Co. badges, e.g.] shortens the word “company,” so the answer is a shortened description of company badges: IDS.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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    Detention and Deportation As Seen Through a Family Group Chat

    <!–> –><!–> [–><!–> –><!–> [–><!–> –><!–> [–><!–> –><!–> [–> Livan (teammate) Feb. 15 8:55 AM 7:07 PM <!–> [–><!–>Carlos knew he fit the profile of a “criminal alien” the Trump administration had pledged to target. Not long after coming to the United States from Venezuela, he had been convicted of fraud. But he had served […] More

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    U.S. Court Agrees to Keep Trump Tariffs Intact as Appeal Gets Underway

    The appeals court’s decision delivered an important but interim victory for the Trump administration.A federal appeals court agreed on Tuesday to allow President Trump to maintain many of his tariffs on China and other U.S. trading partners, extending a pause granted shortly after another panel of judges ruled in late May that the import taxes were illegal.The decision, from the U.S. Court of Appeals for the Federal Circuit in Washington, delivered an important but interim victory for the Trump administration, which had warned that any interruption to its steep duties could undercut the president in talks around the world.But the government still must convince the judges that the president appropriately used a set of emergency powers when he put in place the centerpiece of his economic agenda earlier this year. The Trump administration has already signaled it is willing to fight that battle as far as the Supreme Court.The ruling came shortly after negotiators from the United States and China agreed to a framework intended to extend a trade truce between the two superpowers. The Trump administration had warned that those talks and others would have been jeopardized if the appeals court had not granted a fuller stay while arguments proceeded.At the heart of the legal wrangling is Mr. Trump’s novel interpretation of a 1970s law that he used to wage a global trade war on an expansive scale. No president before him had ever used the International Emergency Economic Powers Act, or IEEPA, to impose tariffs, and the word itself is not even mentioned in the statute.But the law has formed the foundation of Mr. Trump’s campaign to reorient the global economic order. He has invoked its powers to sidestep Congress and impose huge taxes on most global imports, with the goal of raising revenue, bolstering domestic manufacturing and brokering more favorable trade deals with other countries.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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    Thousands of Protesters March Through Downtown Chicago

    The demonstrators carried signs denouncing federal immigration officials.Demonstrators in Chicago gathered at Federal Plaza and took to the streets to protest immigration raids.Jamie Kelter Davis for The New York TimesProtesters by the thousands marched through Chicago on Tuesday, stopping traffic in the downtown Loop and chanting anti-Trump slogans as they denounced immigration raids in Los Angeles, Chicago and other cities.Marchers, by turns upbeat and defiant, waved Mexican flags and held signs denouncing Immigration and Customs Enforcement and President Trump, reading “ICE Out of Chicago,” “One mustache away from fascism” and “Immigrants make America great.”They were also joined by protesters supporting Palestinians, wearing kaffiyehs and calling for a cease-fire in Gaza.“From Palestine to Mexico, these border walls have got to go,” the marchers chanted.In Chicago, a city with a sizable immigrant population, tensions have been high in predominantly Latino neighborhoods over arrests of undocumented people. In communities like Pilsen, a heavily Mexican neighborhood, some residents have been afraid to go to work or go shopping, worried that they will be detained by federal immigration agents.On Tuesday, Chicago police officers monitored the protests from the sidelines while clearing parts of downtown to allow marchers to pass. On some streets, motorists honked their horns in support and residents of high-rises took pictures from their balconies. Some protesters streamed onto DuSable Lake Shore Drive in the early evening.Cheryl Thomas, 26, said that she had joined the march “because of the injustices being perpetrated against brown and Black people.”“They are basically being kidnapped,” she said, adding that she doesn’t know if the march will make a difference. “Doing nothing sure won’t change anything.”The marchers tried to reach Trump International Hotel & Tower, a gleaming skyscraper along the Chicago River, but the police department blocked the way with officers and large trucks in the street.The demonstration in Chicago, a predominantly left-leaning city of 2.7 million, was far larger than the regular protests in the city in opposition to the Trump administration since January. For months, groups denouncing President Trump’s policies have held protests downtown, often joined by Democratic elected officials.“This is cruelty with intent,” Representative Chuy Garcia of Chicago, a Democrat, said at a separate protest this week. More

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    How ‘Ballerina’ Set People on Fire

    Ana de Armas wields a flamethrower in “From the World of John Wick: Ballerina” and torches, well, a lot. Here’s how they made that sequence come to life. (And yes, the flames are mostly real.)When Chad Stahelski, best known as the driving force behind the “John Wick” franchise, was in high school he volunteered with his local fire department. Over the years the images from that experience stuck in his head, and the former stuntman started to dream up an action sequence involving lots and lots of fire.“I’m like, ‘Wouldn’t it be cool if I combined fire and water, and we had a flamethrower fight?” Stahelski, a producer of “From the World of John Wick: Ballerina,” said in a video interview. “Two guys with flamethrowers and they are going to shoot each other.” Watching an early cut of “Ballerina” he realized he had the ideal vehicle for his fire dreams: It would be a showstopper for the star assassin, Eve, played by Ana de Armas.“How do I make her look smart? How do I make her look badass? It wasn’t about fighting more guys,” he said. “It’s like, OK, let’s give her something that really shows a skill set. And that’s when we went to fire.”The result is a bravura third-act set piece in which Eve torches her enemies in an Alpine village, going flamethrower to flamethrower with a massive villainous henchman named Dex (Robert Maaser). Instead of using digital flames, “Ballerina,” directed by Len Wiseman, mostly went for the real thing. According to Stahelski, 90 to 95 percent of the fires onscreen are “unenhanced real burns.”To accomplish this, Stahelski called in an expert in the world of movie fire, the stuntman Jayson Dumenigo, who developed a long-lasting protective burn gel for stunt performers that recently won him an honor from the Academy of Motion Picture Arts and Sciences. Even Dumenigo was skeptical they could accomplish what Stahelski had in mind when he first heard the pitch.Ana de Armas uses a real flamethrower as a weapon in “From the World of John Wick: Ballerina.”Murray Close/LionsgateWe are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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    Palestinian Authority President Says Hamas Must Exit Gaza

    Mahmoud Abbas gave assurances to President Emmanuel Macron of France, who has set conditions for possible recognition of a Palestinian state at a U.N. conference next week.Mahmoud Abbas, the Palestinian Authority president, has called for Hamas to “hand over its weapons,” immediately free all hostages and cease ruling Gaza, the French presidency said on Tuesday after receiving a letter from him.The letter was addressed to President Emmanuel Macron of France and Crown Prince Mohammed bin Salman of Saudi Arabia, who will jointly chair a U.N. conference in New York next week to explore the creation of a Palestinian state. Mr. Macron has set a number of conditions for the possible French recognition of such a state at that meeting, including the disarmament of Hamas.“Hamas will no longer rule Gaza and must hand over its weapons and military capabilities to the Palestinian security forces,” Mr. Abbas said in the letter, according to a statement from the Élysée Palace. He added that the Palestinian forces would oversee the removal of Hamas with Arab and international support, an undertaking that is certain to provoke skepticism in Israel, and probably also in Washington.“Hamas must immediately release all hostages and captives,” the letter said, reiterating a demand that Mr. Abbas has made before.A bitter feud has divided Mr. Abbas’s Palestinian Authority, which administers parts of the West Bank, and Hamas in Gaza for many years. The rival factions in the two Palestinian territories have defied several attempts at reconciliation, something that Prime Minister Benjamin Netanyahu of Israel has seized on to dismiss a two-state solution.Mr. Abbas condemned the Oct. 7 Hamas-led attack on Israel that killed about 1,200 people in some of the strongest terms that he has used, calling it “unacceptable and reprehensible.”We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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    F.D.A. Looks to A.I. to Enhance Efficiency

    With a Trump-driven reduction of nearly 2,000 employees, agency officials view artificial intelligence as a way to speed drugs to the market.The Food and Drug Administration is planning to use artificial intelligence to “radically increase efficiency” in deciding whether to approve new drugs and devices, one of several top priorities laid out in an article published Tuesday in JAMA.Another initiative involves a review of chemicals and other “concerning ingredients” that appear in U.S. food but not in the food of other developed nations. And officials want to speed up the final stages of making a drug or medical device approval decision to mere weeks, citing the success of Operation Warp Speed during the Covid pandemic when workers raced to curb a spiraling death count.“The F.D.A. will be focused on delivering faster cures and meaningful treatments for patients, especially those with neglected and rare diseases, healthier food for children and common-sense approaches to rebuild the public trust,” Dr. Marty Makary, the agency commissioner, and Dr. Vinay Prasad, who leads the division that oversees vaccines and gene therapy, wrote in the JAMA article.The agency plays a central role in pursuing the agenda of the U.S. health secretary, Robert F. Kennedy Jr., and it has already begun to press food makers to eliminate artificial food dyes. The new road map also underscores the Trump administration’s efforts to smooth the way for major industries with an array of efforts aimed at getting products to pharmacies and store shelves quickly.Some aspects of the proposals outlined in JAMA were met with skepticism, particularly the idea that artificial intelligence is up to the task of shearing months or years from the painstaking work of examining applications that companies submit when seeking approval for a drug or high-risk medical device.“I don’t want to be dismissive of speeding reviews at the F.D.A.,” said Stephen Holland, a lawyer who formerly advised the House Committee on Energy and Commerce on health care. “I think that there is great potential here, but I’m not seeing the beef yet.”We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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    Sly Stone Had a Whole New Look

    In 1974, decades before Ye, then known as Kanye West, packed Madison Square Garden for a twin album-fashion spectacular, Sly Stone, the cosmically groovy singer-songwriter who died on June 9, offered his own extravaganza of dance, funk and flash on New York’s biggest stage.The occasion was a sold-out Sly & the Family Stone concert in front of more than 20,000 fans, and the centerpiece was Mr. Stone’s wedding to Kathy Silva — a gold and black display of fabulosity. The bride and groom (and the whole wedding party, band included) wore coordinated Halston looks. Mr. Stone wore a gleaming cape and jumpsuit, the waist cinched with a big gold belt buckle, so he looked like a cross between a disco superhero and a sci-fi lord come lightly down to earth. Behind them, a dozen models in black dresses carried gold palm fronds.It was, The New Yorker declared, “the biggest event this year.”Sly Stone and Kathy Silva during their wedding in June 1974.Oscar Abolafia/TPLP, via Getty ImagesMr. Stone in a signature crochet cap in Los Angeles, circa 1970 …Michael Ochs Archives/Getty Images… and befringed at Woodstock, 1970.Warner Bros/Kobal, via ShutterstockMr. Stone in London, 1973.Michael Putland/Getty ImagesIt was also seven years after Mr. Stone arrived on the music scene promising “A Whole New Thing,” and boy, had he delivered. He introduced not just a whole new sound but a whole new kind of style to the stage. Like his music, it crossed genre, race, gender and audience, offering unity in a psychedelic stew of fringe, rhinestones and lamé that was sometimes celebratory and sometimes chaotic, often outrageous, but almost always impossible to forget — whether it was on “The Ed Sullivan Show” or the Woodstock stage.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More