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      Dozens Killed in Attack on Migrant Facility in Yemen, Houthis Say

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      There was no immediate comment from the U.S. military, which the Iran-backed Houthi militia blamed for the attack in Saada.Dozens of people were killed in an attack on a migrant facility in Houthi-controlled northern Yemen, the Iran-backed militia and aid officials said on Monday.The Houthi militia said that an American strike hit what they called a migrant center in Saada, killing at least 68 African migrants. The U.S. military did not immediately respond to a request for comment about the claim.The attack came hours after the U.S. military said that American forces had conducted more than 800 strikes in Yemen since mid-March in a campaign against the Houthis. It said the campaign targeted “multiple command-and-control facilities, air defense systems, advanced weapons manufacturing facilities and advanced weapons storage locations” — but made no mention of civilian casualties.Houthi officials have said that more than 100 civilians have been killed, and condemned the latest strike as a “heinous crime against African migrants.”The Houthis and the U.S. military have made competing claims about who was responsible for civilian deaths in recent strikes. Last week, a spokesman for the U.S. Central Command said that an explosion on April 20 that killed 12 people in the Yemeni capital had been caused by a misfired Houthi missile, not an American strike as the Houthis had claimed.On Monday, graphic footage broadcast by the Houthi-controlled al-Masirah news channel showed bodies scattered amid the rubble in Saada. In addition to the dozens who were killed, at least 40 migrants were injured, according to two aid officials in Yemen who spoke on the condition of anonymity while they further verified the circumstances of the attack.Each year, tens of thousands of African migrants attempt the perilous journey across the narrow strait separating the Horn of Africa from the Arabian Peninsula, hoping to reach wealthy Gulf States north of Yemen. Nearly 60,900 migrants have arrived in Yemen in 2024 alone, according to the International Organization for Migration.Over the past year, the Houthis have launched rockets and drones at Israel and targeted ships in the Red Sea, saying their actions are in solidarity with Palestinians in Gaza.The United States intensified a bombing campaign against the Houthis starting on March 15, under orders from President Trump, who has vowed to continue military operations until the Houthis no longer pose a threat. More

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      ‘Grandpa Robbers’ Go on Trial in Paris Over 2016 Kim Kardashian Heist

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      The reality TV star and entrepreneur was tied up and held at gunpoint, and jewelry worth nearly $9 million was stolen in the incident.Ten people tied to a group nicknamed the “grandpa robbers” went on trial in Paris on Monday over accusations that they plotted and carried out a brazen robbery against Kim Kardashian in the French capital nearly a decade ago.The defendants are accused of involvement in a violent attack on the reality TV star and entrepreneur that prosecutors have attributed to a group of veteran criminals, some of whom are in their 70s.Ms. Kardashian was gagged, tied up and robbed at gunpoint of jewelry worth at least 8 million euros, or nearly $9 million, at a luxury residence she had rented during Paris fashion week in October 2016.The overnight robbery of a prominent American celebrity shocked the world and raised safety concerns for tourists in Paris, which at the time was still traumatized by a string of terrorist attacks.Five men dressed in police uniforms and wearing balaclavas burst into Ms. Kardashian’s residence. They forced the night watchman to guide two of them to her apartment and to translate as they tied her up. They took jewels, including her diamond engagement ring, and other valuables and left on foot and on bicycle minutes later.Most of the jewelry was not recovered. But investigators found DNA, including on the zip ties that were used to bind Ms. Kardashian’s hands and feet, and police made a number of arrests three months later. Prosecutors said several of those arrested, who were in their 50s and 60s at the time, were longtime criminals.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      Boat Collides With Ferry in Florida, Causing Injuries, Police Say

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      Forty people were aboard the ferry that was struck near a bridge in Clearwater, Fla., according to the police. It was unclear how many had been injured.Multiple people were injured on Sunday night when a boat struck a ferry with dozens of passengers aboard near the Memorial Causeway Bridge in Clearwater, Fla., the authorities said.The boat that hit the Clearwater Ferry, which was carrying more than 40 people, fled after the crash, the Clearwater Police Department said in a statement. At least two people were taken to local hospitals by helicopter, the police said. It was unclear what had led to the crash, and the police did not say how many people had been injured.The Coast Guard and the Florida Fish and Wildlife Conservation Commission were investigating the incident. The Coast Guard did not immediately respond to requests for comment.This is a developing story. More

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      ‘60 Minutes’ Rebukes Paramount On-Air Over Executive Producer’s Exit

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      The show’s top producer abruptly said last week he was quitting. “Paramount began to supervise our content in new ways,” the correspondent Scott Pelley told viewers.In an extraordinary on-air rebuke, one of the top journalists at “60 Minutes” directly criticized the program’s parent company in the final moments of its Sunday night CBS telecast, its first episode since the program’s executive producer, Bill Owens, announced his intention to resign.“Paramount began to supervise our content in new ways,” the correspondent, Scott Pelley, told viewers. “None of our stories has been blocked, but Bill felt he lost the independence that honest journalism requires.”A spokesman for Paramount had no immediate comment, and has previously declined to comment on Mr. Owens’s departure.Mr. Owens stunned the show’s staff on Tuesday when he said he would leave the highest-rated program in television news over disagreements with Paramount, CBS’s corporate parent, saying, “It’s clear the company is done with me.”Mr. Owens’s comments were widely reported in the press last week. The show’s decision to repeat those grievances on-air may have exposed viewers to the serious tensions between “60 Minutes” and its corporate overseers for the first time.Shari Redstone, the controlling shareholder of Paramount, has been intent on securing approval from the Trump administration for a multibillion-dollar sale of her media company to a studio run by the son of Larry Ellison, the tech billionaire.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      Rough Night for Republican at Town Hall in N.Y. Swing District

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      Representative Mike Lawler faced shouts, groans and mockery at a high school auditorium in Rockland County.No one was expecting a love fest when Representative Mike Lawler, Republican of New York, faced constituents in his suburban swing district on Sunday night. Still, even he seemed surprised by the night’s first clash — over the Pledge of Allegiance.“Please tell me you’re not objecting to the Pledge of Allegiance,” Mr. Lawler asked incredulously after some members of the audience inside a high school auditorium audibly groaned when he suggested reciting it.They acquiesced, and several hundred attendees labored to their feet to say the pledge, but not without indicating why they believed its words had come to ring hollow.“Authoritarian!” one man yelled, an apparent reference to President Trump.“Support the Constitution!” bellowed another.So it went for nearly two hours as Mr. Lawler, one of the House’s most vulnerable Republicans and a potential candidate for governor of New York, faced a torrent of criticism from liberal constituents over almost everything, from Republicans’ multitrillion-dollar tax cut plan to how brightly the room was lit.It was a scene that has repeated itself across the country over the past two weeks for the small group of Republicans who have defied party leaders’ advice and convened feedback sessions with the people they represent, many of them anxious, angry and primed to vent over a president who they believe is acting with unchecked power.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      U.S. Military Says Its Air Campaign Has Hit More Than 800 Targets in Yemen

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      President Trump ordered a start to the strikes against the Houthis on March 15. Congressional officials say the campaign has cost well over $1 billion.American forces have hit more than 800 targets in Yemen during an ongoing air campaign that began six weeks ago against the Houthi militia, the U.S. military said on Sunday.The military said the targets of the strikes, called Operation Rough Rider, included “multiple command-and-control facilities, air defense systems, advanced weapons manufacturing facilities and advanced weapons storage locations.”Among the arms and equipment in stockpiles struck by the Americans were antiship ballistic and cruise missiles and drones, the types of weapons that the Houthis have used against ships in the Red Sea, the military said. The details were outlined in an announcement issued by U.S. Central Command, which oversees military operations and forces in the Middle East.Congressional officials say the campaign has cost well over $1 billion so far, based on closed-door briefings Pentagon officials gave to Congress early this month, just three weeks into the campaign. The New York Times reported in early April on the rapid rate of munitions used in the campaign, a rate that has caused concern among some strategic planners in the U.S. military.The Houthis have been firing projectiles and launching drones at commercial and military ships in the Red Sea as a show of solidarity with the residents of Gaza and with Hamas, the militant group that controls it. They have been under assault by Israel since Hamas carried out a deadly strike in southern Israel in October 2023 and took hostages.On March 15, President Trump ordered the U.S. military to begin a continual air campaign against the Houthis, after the Biden administration carried out some strikes. Until Sunday, the U.S. military had not publicly disclosed the number of targets struck in Operation Rough Rider.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      ‘The Last of Us’ Season 2, Episode 3 Recap: Rate Your Pain

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      The first episode after last week’s loss of a major character makes a fine case for this season’s future.Season 2, Episode 3What is the appropriate amount of time for a TV character to mourn another TV character? In the old days, when television was less serialized, the answer to that question was usually “until the episode’s closing credits.”Then in the 1990s and 2000s, the “Buffy the Vampire Slayer” creator Joss Whedon was partly responsible for changing the way TV series handle death, with heroes carrying the pain of a loss for multiple episodes — to the point where fans would anxiously wonder whether the show would ever be fun again.In this week’s episode of “The Last of Us,” the credited screenwriter and series co-creator, Craig Mazin, takes a smart approach to the aftermath of Joel’s horrible, bloody murder. Mazin jumps the action ahead three months, just as Ellie is getting out of the hospital, and long after she has gotten used to the idea of losing Joel. When Ellie is discharged, she is not mopey or surly. Instead, she is ready to get on with the next phase of her life: finding and killing Joel’s assassin, Abby.I question a different choice Mazin makes, however. This is an unusual “Last of Us” episode in that it lacks any kind of big action or horror set-piece. There is one devastating moment of violence that happens offscreen, and the episode ends with a major threat looming. But unlike in Season 1, where the calmer scenes of people hanging out and living life were balanced with terrifying monster attacks and shootouts, this week Ellie and the Jacksonians mostly just regroup. Given that some disgruntled fans have wondered whether this show can be as entertaining going forward without Joel, I’m somewhat surprised that this episode is so devoid of spectacle.That said, for people like me, who think Ellie is fascinating enough to carry a series, this episode makes a fine case for this season’s future.The action this week — such as it is — is understandably Ellie-focused. First, she completes her checkout from the hospital, which involves rating her pain level for the doctor (“nothing … zero”) and then getting past Gail, who knows she is not being wholly honest about how Joel’s death is affecting her. Gail mentions her own last conversation with him, and how he said that he had wronged Ellie by saving her. Ellie pretends not to know what Joel meant, then spins some therapy-speak to get Gail off her back.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      ‘Real Women Have Curves’ Review: This American (Immigrant) Life

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      On Broadway, the musical adaptation is a bouncy crowd pleaser about female empowerment, self-acceptance and chasing one’s dreams.A brief scene in the new musical “Real Women Have Curves” is as harrowing as anything in the most serious drama on Broadway: a group of terrified workers in a small Los Angeles dress factory, hiding in the dark as they listen to an immigration raid taking place next door.When the raid is over, the first sounds to break the quiet are soft weeping and breath laden with fear.It’s a jolt of somber realism in a show that opts, ultimately, to lean in a feel-good direction. Yet such is the balancing act of “Real Women Have Curves,” which opened on Sunday night at the James Earl Jones Theater.Based on Josefina López’s play of the same name, and on the 2002 HBO film adaptation starring America Ferrera, it is a bouncy, crowd-pleasing comedy about female empowerment, self-acceptance and chasing one’s ambitions. It is also a tale of immigrant life in this country, and the dread woven into the fabric of daily existence for undocumented people and those closest to them.At 18, newly graduated from high school, Ana García (Tatianna Córdoba) is the only American citizen in her family, and the only one with legal status. An aspiring journalist, and the daughter of immigrants who came to California from Mexico, she is spending the summer of 1987 doing an unpaid internship at a neighborhood newspaper.Then the dress factory owned by her older sister, Estela (Florencia Cuenca), receives a huge order that needs to be turned around fast. Their fireball of a mother, Carmen (Justina Machado), ropes Ana in to work there, too.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More