Elections

When the education superintendent of Oklahoma, Ryan Walters, ordered this year that every public school classroom in the state must have a Bible in the classroom, he didn’t mention any special requirements.But bid specifications for the Bibles, released this week, contain several narrowly drawn and unusual details. They must, for example, include text of the Pledge of Allegiance, the U.S. Constitution and other historical documents not normally included in the Bible.What Bible fits the bill? The country music star Lee Greenwood’s God Bless the U.S.A. Bible, which is endorsed by former President Donald J. Trump and costs $60, far above the average price for Bibles. Mr. Trump receives royalties from their sales; financial disclosure reports filed in August show he has made $300,000 from the Bible since endorsing it.The specifications caught the eye of Oklahoma Watch, a nonprofit news organization, which first reported this week that the bid specs seemed tailored to steer the state’s selection toward one Bible. Among other requirements, the bid rules require King James Version Bibles that are bound by leather or leather-like material.About 20 million copies of the Bible are sold each year in the United States, and some printed versions are available for under $5. But each copy of Mr. Greenwood’s Bible includes a handwritten version of the chorus of his song “God Bless the U.S.A.,” a frequent anthem at Trump rallies. It also includes copies of the Constitution, the Bill of Rights, the Declaration of Independence and the Pledge of Allegiance. And it is bound in brown leather.The God Bless the U.S.A. Bible fits the specifications that Oklahoma’s Department of Education laid out in its bid for Bibles this fall.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

Vice President Kamala Harris on Friday sought to rebut a frequent argument from former President Donald J. Trump that she would mandate the end of gasoline-powered cars, issuing a rare direct response to her White House rival’s exaggerations and misleading claims.Speaking at a rally in Flint, a mid-Michigan city whose onetime cadre of thriving auto factories never recovered from closures in the 1980s, Ms. Harris tried to reassure voters in the state, who are being bombarded by Trump ads that claim she “wants to end all gas-powered cars.”“Michigan, let us be clear,” she said. “Contrary to what my opponent is suggesting, I will never tell you what kind of car you have to drive. But here’s what I will do. I will invest in communities like Flint.”The Harris campaign rally in Flint, Mich., on Friday. The vice president’s campaign has been pitching her as the candidate for the working and middle classes in the northern battleground states.Emily Elconin for The New York TimesThe politics of the nation’s slow march toward more electric vehicles have been tricky in Michigan, a battleground state that is home to the nation’s three major automakers. As the climate crisis has worsened, President Biden’s administration has required emissions standards that will most likely require about half of the new cars sold in the United States to emit zero emissions by 2032.To reach that goal, the Biden administration has offered incentives to manufacturers who produce electric vehicles and tax credits for consumers who buy them.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

The facility near Lodi, Calif., where he trained people in tandem jumping, has come under scrutiny amid more than two dozen deaths since 1985.A skydiving instructor who used someone else’s credentials to train people in tandem jumping at a troubled facility near Lodi, Calif., was sentenced this week to two years in prison.The instructor, Robert Pooley, 49, was convicted in May of wire fraud after using another instructor’s digital signature on paperwork that allowed him to train and certify students in tandem skydiving, which involves an experienced sky diver jumping with a novice, the authorities said. In 2016, one of Mr. Pooley’s students died along with a first-time sky diver, after their parachutes failed to open.That episode placed renewed scrutiny on the center where he worked, which is now known as the Skydive Lodi Parachute Center. The facility, about 30 miles south of Sacramento, in San Joaquin County, has been the site of more than two dozen deaths since 1985, including the 2016 deaths of Yong Kwon, 25, Mr. Pooley’s student, and Tyler Turner, 18, a first-time jumper who died in a tandem leap with Mr. Kwon.Mr. Pooley has not been charged in connection with either man’s death. He has also not been alleged to have had any involvement in the other deaths at the facility. In an emailed statement, lawyers for Mr. Pooley told The New York Times that the court had made it clear during the sentencing hearing on Monday that it did not find Mr. Pooley legally responsible for the deaths.Mr. Pooley’s arrest in 2021 came several years after the deaths of Mr. Kwon and Mr. Turner.Mr. Turner’s mother, Francine Turner, said in a telephone interview that it was “significant” to see Mr. Pooley, who she believed played a role in her son’s death, go to prison. Ms. Turner, who filed a wrongful-death lawsuit against the Parachute Center, said in the interview that she wished that the authorities could have also gone after the facility’s founder, William Dause, who she said had largely escaped responsibility despite the many deaths at his skydiving outfit.Francine Turner with her son, Tyler, who was killed in 2016 while skydiving. Francine TurnerWe are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

Israel is drastically widening its fight against the Lebanese militant group that is backed by Iran, whose supreme leader said that “any strike on the Zionist regime is a service to humanity.”Less than a week after Israel killed Hezbollah’s leader, Hassan Nasrallah, Israeli warplanes bombarded areas south of Beirut around midnight on Thursday, this time targeting his presumed successor.It was unclear on Friday whether the strikes in Lebanon had succeeded in killing the group’s potential next leader, Hashem Safeiddine, who is also a cousin of Mr. Nasrallah’s. And it was difficult to assess the scale of the damage from the bombardment, described as the heaviest of the rapidly escalating war in Lebanon.But it was clear from the images of destroyed buildings, now merely broken concrete and twisted metal, along with Israel’s ground invasion in the south, that Israel was determined to take the fight against Hezbollah to a new level.It’s doing so not just in southern Lebanon, where its ground invasion is seeking to halt Hezbollah’s rocket fire into northern Israel, but also with its systematic targeting of the Iran-backed group’s remaining leaders, whose movements Israeli intelligence apparently still track.Many people in Lebanon and the broader Middle East had long feared that such a war was coming, even before the Hamas-led Oct. 7 attacks on Israel that began the war in Gaza. Hezbollah began firing on northern Israel shortly afterward in solidarity with Hamas, an ally.Over the past three weeks, Israel has stepped up attacks on Hezbollah, detonating pagers and walkie-talkies owned by its members, dropping bunker-busting bombs on Lebanese sites where the group’s leaders were thought to be meeting and assassinating Mr. Nasrallah and other Hezbollah commanders.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

The assault took place in a key agricultural region, which has seen a surge in gang violence.At least 20 people were killed in a gang attack in central Haiti on Thursday that sent hundreds of people running for their lives, posing another challenge for the international security force that has been deployed in Haiti since June.The attack took place at about 3 a.m. in Pont-Sondé, roughly 60 miles north of Port-au-Prince, the capital. The town is in the Artibonite department, a key agricultural region that has seen a surge in gang violence.While the gangs that the international security force has been sent to confront are mostly concentrated in Port-au-Prince, they have also spread their violence outside the capital, including the Artibonite.More than 20 people were killed, including women and children, and 50 more were injured, according to the Haitian Health Ministry. A spokesman for the multinational security force deployed to Haiti said that they had confirmed 17 victims.“This attack comes amid an upsurge in violence in the region, exacerbating an already extremely precarious security situation,” the health ministry said in a statement. “This violence disrupts the daily lives of residents, limiting their access to basic services, particularly health care. Persistent insecurity also prevents humanitarian interventions in certain localities, making the situation increasingly critical.”While the ministry was attempting to use United Nations resources to respond by air, “direct intervention capacities are severely limited, due to the almost impossible access to the affected area,” the ministry said.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

The hurricane damaged an estimated 80 percent of the buildings in the River Arts District of Asheville, N.C., and upended the lives of artists who had recast the city as a cultural force.The French Broad River provided a scenic backdrop as an industrial neighborhood in Asheville transformed over the past 40 years into the River Arts District, a vibrant creative hub for art studios and galleries.More than 300 artists called the district home and its riverside vitality helped cement Asheville’s reputation as a cultural outpost, one worth settling near or venturing to as old warehouses and mills were converted into centers for both creative expression and economic growth.“There is nothing like the River Arts District in the United States and maybe even the world,” said Jeffrey Burroughs, president of River Arts District Artists, a support group. “It’s spaces where artists are in control of their businesses, their lives.”But much of the district was washed out by the floodwaters of Hurricane Helene. Buildings were swept away. Some galleries no longer exist. Creative works — some birthed decades ago — have been damaged and destroyed. Mud reigns.“It’s heartbreaking,” said Judi Jetson, founder and chair of Local Cloth, a nonprofit network of fiber artists, educators and enthusiasts. “We have three or four inches of mud inside the building and on most of our items. We’re trying to rescue whatever we can and people will take it home and wash them. The problem is a lot of us don’t have water, even at home, and nobody has electricity.”Jannette Montenegro tries to salvage items from the Cotton Mill Studios in the River Arts District.Andrew Nelles/The Tennessean, via USA Today NetworkWe are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

This year more than ever is showing that the competition means different things to different clubs. And that’s a good thing.Lille’s players lingered on the field at the Stade Pierre-Mauroy, communing with their fans. The stands were still full, long after the game had finished, and the party was showing no signs of ending. Ethan Mbappé — famous name, if not quite a familiar face — wore the broad grin of a man who was going to take considerable pleasure in messaging his brother later.His team had enjoyed a mixed start to the season. Lille sat fifth in Ligue 1, France’s top division: three wins, two losses and a draw. Quite what the next few months would bring was not yet clear. There would not, in all likelihood, be a title challenge in the league. Competition for a Champions League slot was looking intense.And now, all of a sudden, everything had gathered into cold, sharp focus. Whatever else happened during this campaign, whether those early victories heralded the start of something or whether those defeats were harbingers of trouble, this would always be remembered as the year that Lille beat Real Madrid.Lille’s victory in the Champions League on Wednesday ended Real Madrid’s 36-match unbeaten streak.Francois Lo Presti/Agence France-Presse — Getty ImagesOver the course of its first two rounds, it has been difficult to know what to make of the new format for the Champions League. There is some firm ground: The competition’s new guise is, we can agree, a monument both to the self-interest of Europe’s most powerful teams and the cravenness of the bodies charged with acting as custodians of soccer’s health.It has been expressly designed, after all, to bow to the incessant demands of the continent’s aristocrats. They wanted more games against each other. Thanks to UEFA’s spinelessness, they got them.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

Out this week, a period possession movie starring Sarah Paulson, a chef-driven supernatural thriller starring Ariana DeBose and more.‘Hold Your Breath’Stream it on Hulu.A mother braves the elements, and evil, in this busy but hackneyed feature debut from the directors Karrie Crouse and Will Joines.Sarah Paulson plays Margaret, a loving mother trying to shield her two daughters, Rose (Amiah Miller) and Ollie (Alona Jane Robbins), from sinister entities that she suspects lurk outside their isolated Dust Bowl home. Among them is a mysterious drifter (Ebon Moss-Bachrach) with questionable healing powers.Crouse’s script hurls horror conventions against the wall — possession, survival, eco-disaster, home invasion, folk horror, body horror, religious mania — in hopes that something sticks. But nothing does, so what’s left is a movie about a grieving mother protecting her children from dust and wind for 94 minutes — a scary scenario for 1930s Oklahoma, the film’s setting. But not here.Instead, there are predictable jump scares, creaking floorboards, silhouetted figures in the distance and every 10 minutes another fire for Margaret to put out. It’s “The Mist” but silt, “The Babadook” minus a Babadook, “The Night of the Hunter” with no edge.‘V/H/S/Beyond’Stream it on Shudder.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More